THE INKLINGS – Christmas 20, Issue No. 14
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The Writing Life Twelve New Zealand Authors DEBORAH SHEPARD
Intelligent, relevant books for intelligent, inquiring readers The Writing Life Twelve New Zealand Authors DEBORAH SHEPARD CANDID CONVERSATIONS WITH 12 WRITERS WHO HELPED SHAPE NEW ZEALAND LITERATURE A unique, candid and intimate survey of the life and work of 12 of our most acclaimed writers: Patricia Grace, Tessa Duder, Owen Marshall, Philip Temple, David Hill, Joy Cowley, Vincent O’Sullivan, Albert Wendt, Marilyn Duckworth, Chris Else, Fiona Kidman and Witi Ihimaera. Constructed as Q&As with experienced oral historian Deborah Shepard, they offer a marvellous insight into their careers. As a group they are now the ‘elders’ of New Zealand literature; they forged the path for the current generation. Together the authors trace their publishing and literary history from 1959 to 2018, through what might now be viewed as a golden era of publishing into the more unsettled climate of today. They address universal themes: the death of parents and loved ones, the good things that come with ageing, the components of a satisfying life, and much more. And they give advice on writing. The book has an historical continuity, showing fruitful and fascinating links $49.99 between individuals who have negotiated the same literary terrain for more than sixty years. To further honour them are magnificent photo portraits by CATEGORY: New Zealand Non Fiction distinguished photographer John McDermott, commissioned by the publisher ISBN: 978-0-9951095-3-7 for this project. eISBN: n/a ABOUT THE AUTHOR BIC: BGL, DSK, 1MBN BISAC: LCO020000, BIO007000 Deborah Shepard is an author, teacher of memoir, oral historian and film PUBLISHER: Massey University Press and art historian. -
Academic & Professional Publishing
Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion............................................................................. -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
The Robert Burns Fellowship 2020
THE ROBERT BURNS FELLOWSHIP 2020 The Fellowship was established in 1958 by a group of citizens, who wished to remain anonymous, to commemorate the bicentenary of the birth of Robert Burns and to perpetuate appreciation of the valuable services rendered to the early settlement of Otago by the Burns family. The general purpose of the Fellowship is to encourage and promote imaginative New Zealand literature and to associate writers thereof with the University. It is attached to the Department of English and Linguistics of the University. CONDITIONS OF AWARD 1. The Fellowship shall be open to writers of imaginative literature, including poetry, drama, fiction, autobiography, biography, essays or literary criticism, who are normally resident in New Zealand or who, for the time being, are residing overseas and who in the opinion of the Selection Committee have established by published work or otherwise that they are a serious writer likely to continue writing and to benefit from the Fellowship. 2. Applicants for the Fellowship need not possess a university degree or diploma or any other educational or professional qualification nor belong to any association or organisation of writers. As between candidates of comparable merit, preference shall be given to applicants under forty years of age at the time of selection. The Fellowship shall not normally be awarded to a person who is a full time teacher at any University. 3. Normally one Fellowship shall be awarded annually and normally for a term of one year, but may be awarded for a shorter period. The Fellowship may be extended for a further term of up to one year, provided that no Fellow shall hold the Fellowship for more than two years continuously. -
PNZ 47 Digital Version
Poetry NZNEW ZEALAND 47 featuring the poetry of 1 Harry Ricketts comment by Jack Ross & Bill Sutton Poetry NZ Number 47, 2013 Two issues per year Editor: Alistair Paterson ONZM Submissions: Submit at any time with a stamped, self-addressed envelope (and an email address if available) to: Poetry NZ, 34B Methuen Road, Avondale, Auckland 0600, New Zealand or 1040 E. Paseo El Mirador, Palm Springs, CA 92262-4837, USA Please note that overseas submissions cannot be returned, and should include an email address for reply. Postal subscriptions: Poetry NZ, 37 Margot Street, Epsom, Auckland 1051, New Zealand or 1040 E. Paseo el Mirador, Palm Springs, CA 92262-4837, USA Postal subscription Rates: US Subscribers (by air) One year (2 issues) $30.00 $US24.00 Two years (4 issues) $55.00 $US45.00 Libraries: 1 year $32.00 $US25.00 Libraries: 2 years $60.00 $US46.00 Other countries One year (2 issues) $NZ36.00 Two years (4 issues) $NZ67.00 Online subscriptions: To take out a subscription go to www.poetrynz.net and click on ‘subscribe’. The online rates are listed on this site. When your subscription application is received it will be confi rmed by email, and your fi rst copy of the magazine will then be promptly posted out to you. 2 Poetry NZ 47 Alistair Paterson Editor Puriri Press & Brick Row Auckland, New Zealand Palm Springs, California, USA September 2013 3 ISSN 0114-5770 Copyright © 2013 Poetry NZ 37 Margot Street, Epsom, Auckland 1051, New Zealand All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photo copying, recording or otherwise without the written permission of the publisher. -
Dissertation
DISSERTATION Titel der Dissertation „‘Kiwi’ Masculinities in New Zealand Short Stories“ Verfasserin MMag. phil. Maria Hinterkörner angestrebter akademischer Grad Doktorin der Philosophie (Dr. phil.) Wien, 2012 Studienkennzahl lt. Studienblatt : A 092 343 Dissertationsgebiet lt. Studienblatt: Anglistik und Amerikanistik Betreuerin: Univ.-Prof. Mag. Dr. Astrid Fellner [i] ACKNOWLEDGEMENTS “‘[New Zealand] is not quite the moon, but after the moon it is the farthest place in the world,’” said Sir Karl Popper (as quoted in KING 2003: 415), Austrian-New Zea- land-British philosopher; and ‘off the edge of the world’ in unlikely Kawakawa is where Friedensreich Hundertwasser built a colourful public toilet after having abandoned Austria for the sheep-crowded archipelago in the South Pacific. Little did I know about New Zealand as a country, as a people, as a nation and – above all – about how to pen a doctoral dissertation when I set out on this scien- tific journey a little while ago. At a very early stage of my doctoral endeavours, I knew my inquisitiveness could not be satisfied with the holdings at the University of Vienna, Austria, a country on the opposite side of the earth of the country’s lit- erature that I had chosen as subject of investigation. I was lucky enough to call Aotearoa/New Zealand my home for six months in 2009 – a sojourn that proved most fecund to my work, provided me with an abundance of motivation, and left me awe-inspired by the country’s inhabitants – scholars, fishermen, tattooists – its natural beauty and its rich and colourful culture. I was able to spend most of my time in the immense libraries of New Zealand’s universities and in conversation with scholars and authors who so very openly supported my work and provided answers where clarity had yet been missing. -
A Critical Evaluation of New Zealand's Antactic Art Programmes
A critical evaluation of New Zealand’s Antarctic art programmes, 1957-2011 ANTA 604 Tim Jones February 2011 1 Table of Conents Table of Conents................................................................................................................... 2 Abstract ................................................................................................................................. 3 Introduction ........................................................................................................................... 4 Part one – the artists ............................................................................................................ 5 Part two – the programmes................................................................................................ 51 Part three – the art .............................................................................................................. 58 Conclusions ........................................................................................................................ 66 Acknowledgments .............................................................................................................. 67 2 Abstract The author considers the programmes that have enabled artists to travel to Antarctica as part of the New Zealand Antarctic programme between 1957 and 2011. Details of artists and their visits are given, followed by a descriptive history of the artist programme itself, outlining its origins, development and current status. Finally the artists’ opinions -
Tina Makereti, the Novel Sleeps Standing About the Battle of Orakau and Native Son, the Second Volume of His Memoir
2017 AUTHOR Showcase AcademyAcademy ofof NewNew Zealand Zealand Literature Literature ANZLANZLTe WhareTe Whare Mātātuhi Mātātuhi o Aotearoa o Aotearoa Please visit the Academy of New Zealand Literature web site for in-depth features, interviews and conversations. www.anzliterature.com Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Kia ora festival directors, This is the first Author Showcase produced by the Academy of New Zealand Literature (ANZL). We are writers from Aotearoa New Zealand, mid-career and senior practitioners who write fiction, poetry and creative nonfiction. Our list of Fellows and Members includes New Zealand’s most acclaimed contemporary writers, including Maurice Gee, Keri Hulme, Lloyd Jones, Eleanor Catton, Witi Ihimaera, C.K. Stead and Albert Wendt. This showcase presents 15 writers who are available to appear at literary festivals around the world in 2017. In this e-book you’ll find pages for each writer with a bio, a short blurb about their latest books, information on their interests and availability, and links to online interviews and performances. Each writer’s page lists an email address so you can contact them directly, but please feel free to contact me directly if you have questions. These writers are well-known to New Zealand’s festival directors, including Anne O’Brien of the Auckland Writers Festival and Rachael King of Word Christchurch. Please note that New Zealand writers can apply for local funding for travel to festivals and other related events. We plan to publish an updated Author Showcase later this year. -
MODERN LETTERS Te P¯U Tahi Tuhi Auaha O Te Ao
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯u tahi Tuhi Auaha o te Ao Newsletter – 28 March 2008 This is the 121 st in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected] 1. We have a winner!.............................................................................................. 1 2. Life across the Tasman........................................................................................ 2 3. Muldooniana....................................................................................................... 2 4. A Spanish story.................................................................................................... 2 5. And still on the subject of writers’ festivals . .................................................. 3 6. Newsflash ............................................................................................................ 3 7. Best New Zealand Poems.................................................................................... 3 8. From the whiteboard.......................................................................................... 3 9. Writing on the run.............................................................................................. 3 10. Online pioneers ................................................................................................. 3 11. The expanding bookshelf................................................................................. -
Landfall 238
LANDFALL 238 Edited by Emma Neale NEW TITLE INFORMATION SELLING POINTS OTAGO • Announcing winners of the Kathleen UNIVERSITY Grattan Award for Poetry, Landfall Essay Competition 2019, and the PRESS Caselberg Trust International Poetry Prize 2019 • Exciting contemporary art and writing PUBLICATION DETAILS FEATURED ARTISTS Landfall 238 Nigel Brown, Holly Craig, Emil McAvoy Edited by Emma Neale Otago University Press AWARDS & COMPETITIONS www.otago.ac.nz/press Results from the Kathleen Grattan Award for Poetry 2019, with judge’s report by Jenny Bornholdt; results and winning essays from the Landfall Essay Competition 2019, with judge’s Literature report by Emma Neale; results from the Caselberg Trust International Poetry Prize 2019, with Paperback, 215 x 165 mm judge’s report by Dinah Hawken. 208 pp, 16 in colour ISBN 978-1-98-853180-9, $30 WRITERS IN-STORE: NOV 2019 John Allison, Ruth Arnison, Emma Barnes, Pera Barrett, Nikki-Lee Birdsey, Anna Kate Blair, See below for ordering information Corrina Bland, Cindy Botha, Liz Breslin, Mark Broatch, Tobias Buck, Paolo Caccioppoli, Marisa Cappetta, Janet Charman, Whitney Cox, Mary Cresswell, Jeni Curtis, Jodie Dalgleish, Breton Dukes, David Eggleton, Johanna Emeney, Cerys Fletcher, David Geary, Miriama Gemmell, Susanna Gendall, Gail Ingram, Sam Keenan, Kerry Lane, Peter Le Baige, Helen Lehndorf, Kay McKenzie Cooke, Kirstie McKinnon, Zoë Meager, Lissa Moore, Margaret Moores, Janet Newman, Rachel O’Neill, Claire Orchard, Bob Orr, Jenny Powell, Nina Mingya Powles, Lindsay Rabbitt, Nicholas Reid, Jade Riordan, Gillian Roach, Paul Schimmel, Derek Schulz, Michael Steven, Chris Stewart, Robert Sullivan, Stacey Teague, Annie Villiers, Janet Wainscott, Louise Wallace, Albert Wendt, Iona Winter REVIEWS Landfall Review Online: books recently reviewed Shef Rogers on The Travels of Hildebrand Bowman, ed. -
![Frank Sargeson [Norris Frank Davey], 1903 – 1982](https://docslib.b-cdn.net/cover/9917/frank-sargeson-norris-frank-davey-1903-1982-2919917.webp)
Frank Sargeson [Norris Frank Davey], 1903 – 1982
157 Frank Sargeson [Norris Frank Davey], 1903 – 1982 Lawrence Jones ‘It is not often a writer can be said to have become a symbol in his own lifetime. It is this quality of your achievement that has prompted us to remember this present occasion’. So Frank Sargeson’s fellow New Zealand fiction-writers ended ‘A Letter to Frank Sargeson’, published in Landfall in March 1953 to mark his fiftieth birthday. They were affirming his status as the most significant writer of prose fiction to emerge from that generation that began in the 1930s to create a modern New Zealand Literature. They were celebrating him first as the creator of the New Zealand critical realist short story and short novel, the writer who provided the literary model with which most of those signing the letter had started. But they were also celebrating him as a symbol and a model not only for what he wrote but for where and how he wrote it. In the editorial ‘Notes’ to that same issue of Landfall Charles Brasch stated of Sargeson that ‘by his courage and his gifts he showed that it was possible to be a writer and contrive to live, somehow, in New Zealand, and all later writers are in his debt’. Not only did he show by his example that it was possible to be a serious New Zealand writer without becoming an expatriate, but as mentor and encourager he fostered the careers of a whole generation of fiction writers. At least two of those who signed the letter (Janet Frame and Maurice Duggan) had even lived or were to live in the army hut behind his cottage for a time when they needed the place of refuge and the encouragement, Duggan in 1950 and again in 1958, Frame in 1955-1956. -
Jam Inspire Create Join Make Collect Slam Own Rap Known Read W Rite
Jam Slam Rap Read Join Write Create Recite Make 20/20 Forty poems that reflect the diverse and vibrant voices in our contemporary literature Admire Collect Inspire Known Own 20 ACCLAIMED KIWI POETS - 1 OF THEIR OWN POEMS + 1 WORK OF ANOTHER POET To mark the 20th anniversary of Phantom Billstickers National Poetry Day, we asked 20 acclaimed Kiwi poets to choose one of their own poems – a work that spoke to New Zealand now. They were also asked to select a poem by another poet they saw as essential reading in 2017. The result is the 20/20 Collection, a selection of forty poems that reflect the diverse and vibrant range of voices in New Zealand’s contemporary literature. Published in 2017 by The New Zealand Book Awards Trust www.nzbookawards.nz Copyright in the poems remains with the poets and publishers as detailed, and they may not be reproduced without their prior permission. Concept design: Unsworth Shepherd Typesetting: Sarah Elworthy Project co-ordinator: Harley Hern Cover image: Tyler Lastovich on Unsplash (Flooded Jetty) National Poetry Day has been running continuously since 1997 and is celebrated on the last Friday in August. It is administered by the New Zealand Book Awards Trust, and for the past two years has benefited from the wonderful support of street poster company Phantom Billstickers. PAULA GREEN PAGE 20 APIRANA TAYLOR PAGE 17 JENNY BORNHOLDT PAGE 16 Paula Green is a poet, reviewer, anthologist, VINCENT O’SULLIVAN PAGE 22 Apirana Taylor is from the Ngati Porou, Te Whanau a Apanui, and Ngati Ruanui tribes, and also Pakeha Jenny Bornholdt was born in Lower Hutt in 1960 children’s author, book-award judge and blogger.