Creative New Zealand Grants FEBRUARY -MAY FUNDING ROUND 2003/2004

Total Page:16

File Type:pdf, Size:1020Kb

Creative New Zealand Grants FEBRUARY -MAY FUNDING ROUND 2003/2004 Creative New Zealand Grants FEBRUARY -MAY FUNDING ROUND 2003/2004 This is a complete list of project grants offered in the second funding round of the 2003/2004 financial year. Applications to this round closed on 27 February 2004 and grants were announced in late May 2004. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 307 project grants totalling approximately $3.87 million were offered to artists and arts organisations. Approximately $13.48 million was requested from 805 applications. Arts Board: Creative & DANCE MOVING IMAGE Professional Sean Curham: to research and develop a new New Zealand Film Festival Trust: towards the work international visitors’ programme at the 2004 Development $11,450 festival $20,000 CRAF T/OBJECT ART Soapbox Productions: to develop a new solo MULTI-DISCIPLINARY Madeleine Child and Philip Jarvis: to undertake work to premiere in 2005 a two-month residency in Vallauris, France $20,000 John Gibson and Anna Marbrook: to develop a $16,000 new music theatre work Vacuum PACT Dance Company: to undertake a $15,000 CollaboratioNZ: towards costs of guest tutors four-week collaborative workshop at the 2005 event $9,210 Glistening Waters Storytelling Festival: towards $10,000 travel and masterclasses of ETH-NOH-TEC Vivid Performance Group: to undertake a two- $2,000 Craft Victoria: towards New Zealand week workshop exploring ways to integrate participation in “South 1” dance, costume and moving-image technology Lyne Pringle and Kilda Northcott: to conduct a $6,000 $5,640 four-week choreographic workshop $14,000 Moyra Elliott: to attend the 2004 International Jacqueline Wilson: to choreograph movement Academy of Ceramics Congress in Korea and construct a set for the “Boxer” project Duncan Sarkies: towards writing a music-based $5,000 $14,000 theatre show $8,000 FINE ARTS Belinda Hager: to undertake jewellery study in Germany with Otto Kunzli Mark Adams: to travel to London and install an Melanie Smith: to attend the 2004 Edinburgh $15,000 exhibition of photographs Festival $6,450 $5,490 Douglas Lloyd Jenkins: towards photographic costs for a publication called “New Zealand @ Auckland War Memorial Museum: to undertake Te Runanga O Ngai Tahu and Christchurch Arts Home” curatorial research on Gil Hanly’s photographic Festival: to stage a series of workshops and $10,000 collection wananga during the Christchurch Arts Festival $25,000 $10,000 Steph Lusted: towards advanced jewellery training in Germany Fiona Jack: towards tertiary study in the United The Audio Foundation: towards an online $10,000 States networking and resource hub for New Zealand $8,000 audio culture Museums Aotearoa: for the 2004 Clark $2,654 Collection Scholarship Dane Mitchell: to travel to Brazil to make and $10,000 install an exhibition MUSIC $5,474 Richard Apperley: towards typesetting New Otago Polytechnic: towards a residency for Zealand organ works Leslie Matthews Nelson Marlborough Institute of Technology: $1,000 $7,500 towards a residency featuring Allie Eagle $5,000 Brass Bands Association of New Zealand Inc: Holly Sanford: to attend the 8th women’s towards professional fees for Kevin Jarrett international glass workshop in Canada Wellington Sculpture Trust: towards staging $2,500 $5,408 costs for a symposium on sculpture and public art $4,000 Composers Association of New Zealand: towards Cathy Tuato’o Ross and Marie Strauss: to LITERATURE a young composer attending a festival in Israel participate in the South Project conference in $2,890 Melbourne Wellington International Poetry Festival: $3,433 towards New Zealand writers attending the 2nd Andrew Crooks: to attend the Conductors Wellington International Poetry Festival Institute at Bard College, New York $8,000 $3,000 Donald Cullen: to study at the Australian Opera Kirsten Kelly: towards fees to attend the 13th Daniel Belton & Good Company: to create and Studio International Salzberg Summer Academy of Arts premiere a new work $8,000 Management $65,000 $6,000 Emily Duffill: towards cello studies in the United Fidget Company: to create and present “Lost States Massive Company: to commission and workshop Property Report No. 2” $8,000 a script by Briar Grace-Smith $35,000 $20,000 FINE ARTS Elizabeth Farrell: towards flute study in Germany $5,000 Stephen McCurdy and Rima Te Wiata: to write Kaleb Bennett: to develop a body of new work script, music, lyrics and arrangements for a solo $7,000 Jon Gorrie: towards trumpet studies at the cabaret-style show Swedish National Orchestra Academy $20,000 Lisa Benson: to produce a new body of $8,000 photographic work Martyn Roberts: to undertake a devised $10,000 Joanna Heslop: towards singing studies at the workshop to develop “The Singularity” Marinsky Academy, St Petersburg $8,200 Enjoy Trust & Public Art Gallery: towards a $5,470 series of exhibitions of new work Shakespeare Globe Centre New Zealand Inc: $25,000 Miranda Hutton: towards baroque violin studies towards Tandi Wright and Simon Ferry in the Netherlands undertaking residencies at the London High Street Project: towards eight exhibitions of $6,000 Shakespeare Globe Centre new work by emerging artists $8,000 $20,000 International Summer School in Choral Conducting: towards an international summer Sally Stockwell: to attend and participate in Gregor Kregar: to make a large-scale glass and school in choral conducting workshops with Phillipe Gaulier steel sculpture $10,000 $6,000 $13,686 Michael Jamieson: towards saxophone study in The Clinic: to research and develop a multi- Reuben Paterson: to produce a DVD roto-relief the Netherlands media show about the Christchurch Cathedral wall painting projection installation $6,000 $8,610 $7,511 Sarah McDowall: to study cello performance in Kirk Torrance: to undertake further research, Laurence Simmons: towards photographic fees London workshop and develop music for “Strata” for a publication on the paintings of William $8,000 $8,000 Hodges $17,015 Timothy Robertson: towards jazz bass studies in Young & Hungry Arts Trust: to support the LITERATURE the Netherlands. This includes $2,000 from the 2004/05 Playwrights Initiative Butland Music Scholarship $21,500 Maxine Alterio: towards writing an historical $8,000 novel Arts Board: New Work $9,000 Miranda Wilson: towards cello studies in the United States CRAF T/OBJECT ART Gavin Bishop: towards completing a $8,000 Deborah Crowe: to develop a new body of “magicbook” and another children’s book textile-related work $36,000 In addition, Anastasiya Filippochkina was $10,000 awarded the $11,500 Jack McGill Music Wendy Catran: towards writing a junior novel Scholarship towards post-graduate violin study at Trudie Kroef: to produce a new body of glass/ $9,000 the Eastman School of Music in Rochester, New ceramic work York $5,000 Brian Falkner: towards writing a junior novel $12,350 THEATRE Kim Meek: to develop a new body of digitally inspired work Beryl Fletcher: towards writing a novel Nick Blake: to research and write a play about $7,000 $18,000 the life and influence of Walter Buller $12,000 Grant Rewi: to develop a new body of jewellery Charlotte Grimshaw: towards writing a novel $24,000 work Dinamite: to devise and develop a work based on $5,000 the Annie and Louis Chemis story International Institute of Modern Letters: $16,800 Joe Sheehan: to develop a new body of towards the 2005 Victoria University/Creative greenstone jewellery New Zealand Writer in Residence Hunch Crucial Ltd: towards writing a new play $10,000 $26,500 $13,625 DANCE Stephanie Johnson: towards writing a novel Vishakan Jeyakumar: to write a new play “Down $36,000 Atamira Dance Collective: towards the creation on the Farm” and initial performances of a new choreographic $9,000 Andrew Johnston: towards completing a work collection of poetry $52,000 $9,000 2 Lloyd Jones: towards writing a novel MUSIC Gillian Whitehead: to compose a new work for $24,000 the ERGO ensemble Auckland Choral Society: towards the first $8,000 performance of a new work by David Hamilton Lorraine Orman: towards writing a children’s $7,700 novel David Yetton: to record a new album $7,800 $8,000 Jonathan Besser: to record an album of music performed by Bravura THEATRE Pat Quinn: towards writing a children’s novel $9,500 $9,000 Potent Pause Productions: to premiere a new Brass Bands Association of New Zealand Inc: to work by Stephanie Johnson Derek Round: towards writing a biography of $41,590 commission two works by New Zealand Geoffrey Cox composers $9,000 SCREEN INNOVATION PRODUCTION FUND $12,000 The Screen Innovation Production Fund is a Cherry Simmonds: towards writing a novel Bridget Douglas and Rachel Thomson: to partnership between Creative New Zealand $9,000 commission a work for flute and piano by Ross and the New Zealand Film Commission. Creative New Zealand’s contribution is Elizabeth Smither: towards writing a novel Harris $2,400 funded through the Arts Board. $36,000 The New Zealand Poetry Society Inc: towards a Bridget Douglas and Richard Nunns: to MOVING IMAGE commission a work for flutes and taonga puoro pilot poetry placement at Wellington Hospital Blood & Bone Limited: towards the costs of tape $2,700 by Philip Brownlee $3,000 copying $938 University of Auckland: towards the 2005 Fatcat & Fishface: to compose and record an University of Auckland/Creative New Zealand Jacqui Brooks: towards the production of an Literary Fellowship album of children’s songs $8,000 experimental short film $24,645 $7,778 Jeremy Fitzsimons: to commission John Psathas University of Canterbury: towards the 2005 Orlando
Recommended publications
  • NZSA Bulletin of New Zealand Studies
    NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington,
    [Show full text]
  • Academic & Professional Publishing
    Fall 2017 Academic & Professional Publishing Academic & Professional Publishing Fall 2017 IPG Academic and Professional Publishing is delighted to present our Fall 2017 catalog which includes hundreds of new titles for your examination� In this edition we will also be introducing a new publisher to our readership� We are pleased to present titles from Southeast Missouri State University Press� Founded in 2001, Southeast Missouri State University Press serves both as a first-rate publisher and as a working laboratory for students interested in learning the art and skills of literary publishing. The Press supports a Minor degree program in Small-press Publishing for undergraduate students in any major who wish to acquire the basic skills for independent-press publishing and editing. Recognition won by their books include the John H� Reid Short Fiction Award, the Creative Spirits Platinum Award for General Fiction, the James Jones First Novel Award, the Langum Award for Historical Fiction, the Missouri Governor’s Book Award, the United We Read selection, and the Kniffen Book Award for best U�S�/Canada cultural geography� Table of Contents New Trade Titles ���������������������������������������������������������������������������������1–85 Business & Economics ������������������������������������������������������������86–96 Science................................................................................. 97–105 Philosophy........................................................................106 & 107 Religion.............................................................................
    [Show full text]
  • Cimf20201520program20lr.Pdf
    CONCERT CALENDAR See page 1 Beethoven I 1 pm Friday May 1 Fitters’ Workshop 6 2 Beethoven II 3.30 pm Friday May 1 Fitters’ Workshop 6 3 Bach’s Universe 8 pm Friday May 1 Fitters’ Workshop 16 4 Beethoven III 10 am Saturday May 2 Fitters’ Workshop 7 5 Beethoven IV 2 pm Saturday May 2 Fitters’ Workshop 7 6 Beethoven V 5.30 pm Saturday May 2 Fitters’ Workshop 8 7 Bach on Sunday 11 am Sunday May 3 Fitters’ Workshop 18 8 Beethoven VI 2 pm Sunday May 3 Fitters’ Workshop 9 9 Beethoven VII 5 pm Sunday May 3 Fitters’ Workshop 9 Sounds on Site I: 10 Midday Monday May 4 Turkish Embassy 20 Lamentations for a Soldier 11 Silver-Garburg Piano Duo 6 pm Monday May 4 Fitters’ Workshop 24 Sounds on Site II: 12 Midday Tuesday May 5 Mt Stromlo 26 Space Exploration 13 Russian Masters 6 pm Tuesday May 5 Fitters’ Workshop 28 Sounds on Site III: 14 Midday Wednesday May 6 Shine Dome 30 String Theory 15 Order of the Virtues 6 pm Wednesday May 6 Fitters’ Workshop 32 Sounds on Site IV: Australian National 16 Midday Thursday May 7 34 Forest Music Botanic Gardens 17 Brahms at Twilight 6 pm Thursday May 7 Fitters’ Workshop 36 Sounds on Site V: NLA – Reconciliation 18 Midday Friday May 8 38 From the Letter to the Law Place – High Court Barbara Blackman’s Festival National Gallery: 19 3.30 pm Friday May 8 40 Blessing: Being and Time Fairfax Theatre 20 Movers and Shakers 3 pm Saturday May 9 Fitters’ Workshop 44 21 Double Quartet 8 pm Saturday May 9 Fitters’ Workshop 46 Sebastian the Fox and Canberra Girls’ Grammar 22 11 am Sunday May 10 48 Other Animals Senior School Hall National Gallery: 23 A World of Glass 1 pm Sunday May 10 50 Gandel Hall 24 Festival Closure 7 pm Sunday May 10 Fitters’ Workshop 52 1 Chief Minister’s message Festival President’s Message Welcome to the 21st There is nothing quite like the Canberra International Music sense of anticipation, before Festival: 10 days, 24 concerts the first note is played, for the and some of the finest music delights and surprises that will Canberrans will hear this unfold over the 10 days of the Festival.
    [Show full text]
  • December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: the Dance of Life – an Interview with Jan Bolwell
    December 2020 BRIGHT SPARKS Cover Story: Understanding Atmospheric Rivers with Hamish Prince Feature Story: The Dance of Life – an interview with Jan Bolwell Also In This Issue: Fulbright in the News | Awards and Appointments of Note | Grantee Experience: A Year in the Life of a Māori Geneticist with Aneska Hoskin | Alumni Spotlight: Fulbright Teachers Return to their Classrooms with Expanded World Views | Kai and Korero | Fulbright NZ Scholar Shona Munro on Kiwi Policing | Fulbright Announcement: Introducing Fulbright Good Works – a New Alumni Seminar Series THE TEAM FROM THE EXECUTIVE DIRECTOR This is our final issue of Bright Sparks for the Bright Sparks. Fulbright Science and Innovation PIP CLIMO JAMIE ROBERTSON year, and what a year it has been! Whereas 2019 was graduate Hamish Prince has been busy research- PROGRAMME MANAGER EXECUTIVE AND CORPORATE [email protected] SERVICES ASSISTANT full of firsts—the first ever Fulbright rebrand, the ing the vast storms known as “atmospheric rivers” [email protected] first global meeting of Fulbright Executive Direc- while he waits to take up his Fulbright scholar- tors in Washington DC, the first year our grantees ship next year. Geneticist Aneska Hoskin, also a were able to enjoy the benefits of increased fund- member of this year’s graduate cohort, outlines ing from MFAT—2020 has been characterised by some of the key lessons learnt during her year THERESE LLOYD JULIE WILLIAMS thwarted expectations and continual challenges. spent as a research assistant at Ngati Porou SENIOR COMMUNICATIONS ADVISOR CORPORATE SERVICES MANAGER [email protected] [email protected] But it has also been transformative.
    [Show full text]
  • Christchurch Writers' Trail
    The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue.
    [Show full text]
  • DOWNLOAD ANNUAL REPORT 2020 Annual Report
    FOR THE YEAR ENDED 31 DECEMBER 2020 G.69 MŌ TE TAU I TE OTI I TE 31 O HAKIHEA 2020 Annual Report 2020 Pūrongo ā-Tau 2020 NEW ZEALAND SYMPHONY ORCHESTRA TE TIRA PŪORO O AOTEAROA NEW ZEALAND SYMPHONY ORCHESTRA Contents Ngā Ihirangi The NZSO: Our Vision, Mission and Values 2 Te Tira Pūoro o Aotearoa: Matawhānui/Whakatakanga/Matawhānui/Whai Painga 2020 Overview 4 2020 He Tirohanga Whānui Organisational Structure 18 Te Hanga o te Whakahaere Governance Statement 20 He Tauākī Kāwanatanga Statement of Responsibility 22 He Tauākī o ngā Haepapa Statement of Service Performance 24 He Tauākī o ngā mahi Financial Statements 30 He Tauākī Pūtea Independent Auditor’s Report 48 Pūrongo a te Kaiarotake Motuhake Organisational Health and Capability 52 Te Ora me te Āheinga o te Whakahaere A Thank You to our Supporters and Partners 56 He Mihi ki a Koe nā Ngā Kaitautoko me ngā Hoa Kaipakihi The Board is pleased to present the Annual Report for the New Zealand Symphony Orchestra for the year ended 31 December 2020 E harikoa ana te Poari ki te whakatakoto i te Pūrongo ā-Tau o Te Tira Puoro o Aotearoa mō te tau i oti i te 31 o Hakihea, 2020 Laurence Kubiak MAICD, GAICD Geoff Dangerfield QSO Schools concert, Wellington Chair/Heamana Deputy Chair/Heamana Tuarua Cover Cheryl Hollinger, 22 April 2021 Chair/Heamana Audit Committee/Komiti Arotake Associate Principal Trumpet Emeritus 22 April 2021 1 1 Our Vision Our Values The NZSO’s Vision, Tā Mātou Matakite Ō Mātou Uara Mission and Values To be Aotearoa New Zealand’s Fresh: We play old music like most loved entertainment brand.
    [Show full text]
  • The Bone Feeder
    THE BONE FEEDER COMMISSIONED BY AUCKLAND ARTS FESTIVAL PRESENTED IN ASSOCIATION WITH NEW ZEALAND OPERA COMPOSER GARETH FARR LIBRETTIST RENEE LIANG CONDUCTOR PETER SCHOLES DIRECTOR SARA BRODIE FREE PROGRAMME IN ASSOCIATION WITH WWW.AAF.CO.NZ / #AKLFEST FACEBOOK.COM/AKLFESTIVAL WITH SUPPORT FROM PLATINUM PATRONS @AKLFESTIVAL SIR RODERICK AND GILLIAN, LADY DEANE BILL AND FRANCES BELL SIR JAMES WALLACE - THE WALLACE FOUNDATION @AKLFESTIVAL WITH SUPPORT FROM THE BONE FEEDER COMMISSIONED & PRODUCED BY AUCKLAND ARTS FESTIVAL PRESENTED IN ASSOCIATION WITH NEW ZEALAND OPERA ASB WATERFRONT THEATRE THURSDAY 23 MARCH – SATURDAY 25 MARCH, 8.00PM SUNDAY 26 MARCH, 6.30PM 1 HOUR 15 MINS WITH NO INTERVAL POST-SHOW TALK FRIDAY 24 MARCH NAU MAI, HAERE MAI, KI TE AHUREI TOI Ō TAMAKI WELCOME TO AUCKLAND ARTS FESTIVAL 2017 Great artists cause controversy, start revolutions and little by little change the world. Festivals like ours are a catalyst for change creating opportunities for artists to communicate with audiences and audiences to respond to artists’ work. Throughout the Festival you will find small threads that deal with our world today. We hope that the work in the Festival can make you think, laugh, scream a little and perhaps even cry. It has been a long journey for the opera The Bone Feeder to get from an idea to the stage. A number of years ago I saw Renee Liang’s play. I liked the surreal nature of it and thought it would make an interesting opera with its story in different worlds. I approached Renee, and was delighted she agreed to consider writing the libretto, which is an enormous step for a playwright.
    [Show full text]
  • Saluteremembering WW1: Four Dance Works
    EDUCATION RESOURCE Education rnzb.org.nz facebook.com/nzballet SALUTERemembering WW1: Four dance works NATIONAL SPONSOR SUPPORTED BY MAJOR SUPPORTER SUPPORTING EDUCATION CURRICULUM In this unit you and your students will: LEARNING OBJECTIVES FOR • Learn about the elements that come LEVELS 7 & 8 together to create a theatrical ballet experience. Level 7 students will learn how to: • Identify the processes involved in making a • Understand dance in context – Investigate theatre production. and evaluate the effects of individual, social, cultural, and technological influences on the development of a variety of dance genres and styles. CURRICULUM LINKS IN THIS • Develop practical knowledge – UNIT Extend skills in the vocabulary, practices, Values and technologies of selected dance genres Students will be encouraged to value: and styles. • Innovation, inquiry and curiosity, by thinking • Communicate and interpret – Analyse, critically, creatively and reflectively. explain, and discuss aspects of performance • Diversity, as found in our different cultures and choreography in a range of dance and heritages. works. • Community and participation for the common good. Level 8 students will learn how to: • Understand dance in context – Investigate, analyse, and discuss the features, history, KEY COMPETENCIES issues, and development of dance in New Zealand, including the contribution of • Using language, symbols and text – selected individuals and groups. Students will recognise how choices of • Develop practical knowledge – language and symbols in live theatre affect Extend and refine skills, practices, and use people’s understanding and the ways in of technologies in a range of dance genres which they respond. and styles. • Relating to others – Students will develop • Communicate and interpret – Critically the ability to listen actively and share ideas analyse, interpret, and evaluate the artistic regarding theatrical ballet performances.
    [Show full text]
  • Gareth Farr Text Only
    sion by the 2003 Auckland Festival resulted in Stone and Ice, “Gareth is the most composed for the combined forces of the NZSO and the Auck- amazingly prolific land Philharmonia Orchestra. In 2006 Gareth was made an and talented Officer of the New Zealand Order of Merit, for his services to composer. music and entertainment, and in 2010 he was a recipient of the He makes music prestigious NZ Arts Laureate Award. very accessible to young and Farr’s music is particularly influenced by his extensive study of old alike” percussion, both Western and non-Western. Rhythmic elements of his compositions can be linked to the complex and Helen Clark exciting rhythms of Rarotongan log drum ensembles, Balinese Gareth Farr (1968) is a New Zealand Former Prime Minister gamelan and other percussion music of the Pacific Rim. of New Zealand composer and percussionist. In addition to his music for the concert chamber, Farr has writ- ten music for dance, theatre and television. In 2003 Farr won the Chapman Tripp theatre award for his soundtrack to Vula – a Gareth Farr was born in Wellington, New Zealand. He began his NZ/Pacific Island theatre piece – that went on to perform studies in composition and percussion performance at Auck- extensively overseas including Australia, the Netherlands and land University. The experience of hearing a visiting gamelan London. orchestra prompted his return to Wellington to attend Victoria University, where the characteristic rhythms and textures of In 2006, the Royal New Zealand Ballet toured the country with the Indonesian gamelan rapidly became the hallmarks of his their brand new work The Wedding, featuring a score by Gareth own composition.
    [Show full text]
  • Gareth Farr (1968) Is a New Zealand Composer and Percussionist
    In 2006 Gareth was made an Officer of the New Zealand Order of Merit, for his services to music and entertainment, in 2010 he was a recipient of the prestigious NZ Arts Laureate Award, and in 2014 he was awarded the Distinguished Alumni Award from The University of Auckland. Farr’s music is particularly influenced by his extensive study of percussion, both Western and non-Western. Rhythmic elements of his compositions can be linked to the complex and exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion music of the Pacific Rim. In addition to his music for the concert chamber, Farr has written music Gareth Farr (1968) is a New Zealand for dance, theatre, television and film. He has won four Chapman Tripp theatre awards including his soundtrack to Vula, a NZ/Pacific Island composer and percussionist. theatre piece that went on to perform extensively overseas including Australia, the Netherlands and London. Gareth Farr was born in Wellington, New Zealand. He began his “Gareth is the most studies in composition and percussion at the University of Auckland amazingly prolific In 2006, the Royal New Zealand Ballet toured the country with their in 1986. The experience of hearing a visiting gamelan orchestra in and talented brand new work The Wedding, featuring a score by Gareth Farr. 1988 prompted his return to Wellington to attend Victoria University, At 90 minutes, it was among the ballet company’s most ambitious where the characteristic rhythms and textures of the Indonesian composer. projects, and brought Farr together with prominent New Zealand gamelan rapidly became the hallmarks of his own composition.
    [Show full text]
  • New Writing EDITED by THOM CONROY
    Intelligent, relevant books for intelligent, inquiring readers Home New writing EDITED BY THOM CONROY FINE ESSAYS FROM TWENTY-TWO OF NEW ZEALAND’S BEST WRITERS A compendium of non-fiction pieces held together by the theme of ‘Home’ and commissioned from 22 of New Zealand’s best writers. Strong, relevant, topical and pertinent, these essays are also compelling, provocative and affecting, they carry the reader from Dunedin to West Papua, Jamaica to Grey’s Avenue, Auckland. In this marvellous collection Selina Tusitala Marsh, Martin Edmond, Ashleigh Young, Lloyd Jones, Laurence Fearnley, Sue Wootton, Elizabeth Knox, Nick Allen, Brian Turner, Tina Makereti, Bonnie Etherington, Paula Morris, Thom Conroy, Jill Sullivan, Sarah Jane Barnett, Ingrid Horrocks, Nidar Gailani, Helen Lehndorf, James George and Ian Wedde show that the art of the essay is alive and well. ‘ . this collection is exceptionally good . fun to read, relevant, compassionate and frequently sharp’ — Annaleese Jochems, Booksellers NZ Blog $39.99 ‘[The essays] are honest, moving and thoughtful, various in style and content, all a delight to read. To contemplate what ‘home’ means to us in a physical, emotional and CATEGORY: Literature philosophical sense, Home: New Writing is a marker of social and cultural history as well ISBN: 978-0-9941407-5-3 as of politics, on the grand and small scale.’ — Stella Chrysostomou, VOLUME; Manawatu eSBN: 978-0-9941407-6-0 Standard 29 June 2017 BIC: DNF, IMBN BISAC: LCO10000 ABOUT THE EDITOR PUBLISHER: Massey University Press IMPRINT: Massey University Press Dr Thom Conroy teaches creative writing in the School of English and Media Studies at PUBLISHED: July 2017 Massey University.
    [Show full text]
  • Our Finest Illustrated Non-Fiction Award
    Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each.
    [Show full text]