Visit: Introduction to Architecture Central [Teacher Notes]
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Saving Hong Kong's Cultural Heritage
SAVING HONG KONG’S CULTURAL HERITAGE BY CECILIA CHU AND KYLIE UEBEGANG February 2002 Civic Exchange Room 601, Hoseinee House, 69 Wyndham Street, Central Tel: 2893-0213 Fax: 3105-9713 www.civic-exchange.org TABLE OF CONTENTS. page n.o ABBREVIATIONS AND TERMINOLOGY EXECUTIVE SUMMARY ………………………………………………………..….. 3 INTRODUCTION ……………………………………………………………….……. 4 PART I: CONSERVING HONG KONG 1. CONCEPTUAL FRAMEWORK…………………………………… 6 1.1 WHY CONSERVE? …………………………………………….. 6 1.2 HERITAGE CONSERVATION AND MANAGEMENT .…………..…. 6 1.3 CHALLENGES OF HERITAGE CONSERVATION ……………..….. 7 1.4 AN OVERVIEW OF HERITAGE CONSERVATION IN HONG KONG… 7 2. PRACTICAL FRAMEWORK 2.1 EXISTING HERITAGE CONSERVATION FRAMEWORK …………. 9 • LEGAL FRAMEWORK ……………………………………..…….10 • ADMINISTRATIVE FRAMEWORK …..………………….. 13 • TOURISM BODIES ……………………………..……… 14 • INTERNATIONAL BODIES …………………….………. 15 • PRIVATE SECTOR PARTICIPATION .………….……….. 17 2.2 CONSTRAINTS WITH THE EXISTING HERITAGE CONSERVATION FRAMEWORK • OVERALL ……………………………………………… 19 • LEGAL FRAMEWORK ..………………………………… 21 • ADMINISTRATIVE FRAMEWORK ………...…………….. 24 • TOURISM BODIES ….…………………………………… *27 PART II: ACHIEVING CONSERVATION 3. RECOMMENDATIONS 3.1 OVERALL ……..………………………………………………. 29 3.2 LEGAL AND ADMINISTRATIVE .………...……...………………….. 33 4. CASE STUDIES 4.1 NGA TSIN WAI VILLAGE …….………………………………. 34 4.2 YAUMATEI DISTRICT ………………………………………... 38 CONCLUSION ………………………………………………………………………… 42 ACKNOWLEDGEMENTS ………………………………………………………………. 43 ABBREVIATIONS AAB Antiquities Advisory Board AFCD Agriculture, Fisheries and Conservation Department -
Old Dairy Farm Depot
Old Dairy Farm Depot Group Value: The Old Dairy Farm Depot is important both architecturally and historically as an integral component of the Central District. Other western style historic buildings are found nearby. Grade I historic items of Bishopâ™s House (1892) (會ç£åºœ) and St. Paulâ™s Church (early 20th century) (è–ä¿ï¤å ‚) are opposed. Three declared monuments of the Former Central Magistracy (1913-14, Neo-Grecian style) (å‰ä¸ åè£åˆ¤å¸ç½²), Victoria Prison (1814, Neo-Georgian) (域多ï§ç›£ç„) and the Central Police Station (1864) (ä¸åè¦ç½²) are located in close proximity. Adaptive Re-use: Although other adaptive re-uses could probably be The Old Dairy Farm Depot (Chinese: 舊牛奶公å¸å‰åº«) or Old Dairy Farm Building (舊牛奶公å¸å¯«å—樓) is a building in Central, Hong Kong, which currently houses the Hong Kong Fringe Club (South Block) and the Foreign Correspondents' Club (North Block). It is located at 2 Lower Albert Road. These new settlement patterns sparked the building of cities which are able to thrive in areas that were otherwise thought to be inhospitable, such as Houston, Texas and Las Vegas. In most developed countries, cities are heavily dependent upon refrigeration in supermarkets, the increase in food sources has led to a larger concentration of agricultural sales coming from a smaller percentage of existing farms. Farms today have a larger output per person in comparison to the late 1800s. The Old Dairy Farm Depot or Old Dairy Farm Building is a building in Central, Hong Kong, which currently houses the Hong Kong Fringe Club (South Block) and the Foreign Correspondents' Club (North Block). -
Creative Arts Space in Hong Kong: Three Tales Through the Lens of Cultural Capital
c Creative Arts Space in Hong Kong: Three Tales through the lens of Cultural Capital Hoi Ling Anne CHAN (0000-0002-8356-8069) A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy In Faculty of Architecture, Building and Planning University of Melbourne February 2019 [Intended to leave blank] i Abstract The fact that culture and creativity are often instrumentalised in urban regeneration and/or development points to a pragmatic relationship between culture and the city. Hong Kong, like many post-colonial and post-industrial cities, faced challenges in economic restructuring and in the search of a new identity. Thus, culture came to the centre of the stage in the formulation of development strategies and started to accumulate cultural assets. The accumulation of cultural assets led to the emergence of various forms of cultural assets such as cultural district, infrastructure, projects in order to achieve various aims. However, most of the existing research focused on large-scale flagship projects from an economic or strategic perspective. A holistic understanding of those cultural projects is limited in the literature especially for the small-scale cultural projects. This research examines how the creative arts spaces interact with the host city, Hong Kong through the lens of cultural capital. Three creative arts spaces with different management models are chosen as case studies. Data were collected through field investigation and key informant interviews as well as from secondary sources such as archives and media. The data collected are analysed by executing thematic analysis procedures. The findings reveal that creative arts spaces are different from large-scale flagship projects in their relations to cities. -
House Visiting Series – James Kinoshita
House Visiting Series James Kinoshita Visitors are invited to this behind the scenes look into the accommodation of Mr. James Kinoshita, unveiling the lifestyle of a great architect. Apart from viewing his house in Saikung, it will also be an invaluable chance for visitors to have a face to face casual chat with James. Visitors will be enchanted not just by the tangible but also the intangible, do not miss this chance! Places are very limited! Details Date: 3 July 2010 ( Sat ) Time: 10am – 12pm Location: Saikung Architect: James Kinoshita Fee: 500HKD ( Life members only ) Number of Participants: 20 PAX Map Profile Mr. James Kinoshita is an architect and traveler, born in Vancouver, Canada. BArch from University of Manitoba, MArch from Massachusetts Institute of Technology. Married Lana Yuen Shiu Cheung (張婉笑) in Hong Kong and has called the ex-British colony home ever since. Significant Projects: 1961 Hong Kong Hilton 1967 America International Assurance (AIA), Hong Kong 1973 Jardine House (formerly Connaught Centre), Hong Kong 1973 Bali Hyatt Hotel, Indonesia 1976 Hong Kong Polytechnic University 1976 Mandarin Oriental Hotel, Bangkok 1983 The Landmark, Hong Kong 1983 Jinling Hotel in Nanjing, P.R. China Hong Kong Architecture Centre –House Visiting Tour Application Form Please fill in all fields: information gathered is strictly for internal use. A. Personal Details: Fill Name (English): _______________ Name (Chinese): ______________ HKID Number: ___________________ Gender: (Male / Female)* Date of Birth: _______________ Email: ________________________________ Occupation: ________________ Address: ______________________________ Telephone (Home): ________________ Telephone (Mobile): ________________ B. Tour Particulars James Kinoshita’s Accommodation Date: 3 July 2010 ( sat ) Time: 10am – 12pm C. -
Temporal Trajectories of Hong Kong
Situations 12.1 (2019): 87–105 ISSN: 2288–7822 The Future as a Number: Temporal Trajectories of Hong Kong David Huddart & Eli Park Sorensen (The Chinese University of Hong Kong) Abstract This article takes a closer look at the function and importance of dates and numbers within a post-1997 Hong Kong context. Discussing Nury Vittachi’s “The Queen of Statue Square” (2014), we argue that the story explores different meanings of Hong Kong identity alongside a wider reflection on the concept of democracy. The story’s numerous references to dates and numbers reveal a heterogeneous political field of contestations and struggles, inviting readers to rethink the democratic potential inherent in Hong Kong’s history in general, and in particular during the years following the Handover in 1997. Drawing on Jacques Derrida’s concept of auto-immunity, the article suggests that Vittachi’s story articulates a new form of political subjectivity that comes in the form of an anti-democratic, subversive, illegal, and even treacherous gesture, but whose paradoxical faithfulness to the idea of democracy precisely illuminates the radical antagonism at the heart of the relationship between the people and power within the post-1997 Hong Kong context. Keywords: Hong Kong, democracy, Nury Vittachi, numbers, 1997-2047, Jacques Derrida, auto-immunity. 88 David Huddart & Eli Park Sorensen Part I When numbers are involved, we fall into “careless habits of accuracy,” observes Vivian to Cyril, in Oscar Wilde’s The Decay of Lying.1 This parodic Socratic dialogue fights back against “our monstrous worship of facts.”2 In the case of certain all-too-accurate facts, when it comes to Hong Kong’s numbers, our worship is far from being obviously monstrous. -
Strategic Planning Urban Design Study
CB(1)2019/06-07(05) HKIA COMMENTS ON URBAN DESIGN STUDY FOR THE NEW CENTRAL HARBOURFRONT STAGE 1 PUBLIC ENGAGEMENT DOCUMENTS 1. INTRODUCTION HKIA welcomes that public consultation for the urban design of New Central Harbourfront are being held to solicit opinions from the public. We support the vision “To create a world class waterfront which is vibrant, attractive, accessible & symbolic of Hong Kong”. The Central Harbourfront is the most important part of the Victoria Harbour that deserves a careful and sensitive urban design. The new waterfront should be “people-oriented” with due respect to the existing context including historical and cultural. Any proposed new developments shall be compatible to human scale. Pedestrian connectivity to the hinterland should be enhanced. Infrastructure and Transport Network shall only support our New Central Harbourfront, but not dominate and overwhelm it. The current OZP of Central District (Extension) does not adequately address the above salient considerations. The initiative of this Urban Design Study is therefore vital to enable our future New Central Harbourfront to achieve these visions. 2. PRINCIPLE AND GENERAL COMMENT ON URBAN DESIGN IN HONG KONG HKIA reiterates that urban design study, which is the physical planning, shall be an important integral part of the planning process. Urban design study will enable the future of Hong Kong to become a world class city. We strongly recommend the government and the legislators to consider the future Hong Kong planning process as follows: Formulation of Brief Urban Design Study Strategic Planning (Physical Planning) Public Consultation Draft OZP OZP Page 1 of 2 3. -
Harbour Plaza Hotels & Resorts Celebrates Ten Years of Distinctive Service
COVER STORY Harbour Plaza Hotels & Resorts celebrates ten years of distinctive service By Mark Caldwell the true meaning of WHILE THE HARBOUR PLAZA Hong Kong hotel was being built, an exquisite marble stair- case that had previously graced the Hong Kong Hilton Hotel, was transplanted, slab-by-slab, into the new hotel. When the doors opened on 22 July 1995, the staircase was the centrepiece of its spacious, sunny lobby. It is this kind of attention to detail that makes the Harbour Plaza Hong Kong a truly special haven of hospitality. In the past 10 years, a who’s who of statesmen and superstars have passed through its doors and climbed the grand staircase. Today, Harbour Plaza Hong Kong is the flagship property owned and managed by Harbour Plaza Hotels & Resorts group (HPHR) – a joint operation of Hutchison Whampoa Limited (HWL)’s property arm and Cheung Kong (Holdings) Limited. “Before 1994 we didn’t have hotels under our own manage- ment,” recalls Raymond Chow, managing director of Hutchison Whampoa Properties Ltd (HWPL). “Initially we had hotel investments such as the Hilton and the Sheraton. Then we estab- lished the flagship hotel, and created a hotel management company to take care of it.” The Harbour Plaza Hong Kong was part of The Harbourfront, an upmarket office and hotel complex on reclaimed land in Whampoa Garden, Hunghom. It was an integral part of HWL’s ini- tiative to transform the district from a run-down dockside into the premier residential, commer- cial and retail location that it is today. Starting from scratch, the developers designed a luxurious, modern hotel equipped to the high- est standards. -
Historic Building Appraisal 1 Tsang Tai Uk Sha Tin, N.T
Historic Building Appraisal 1 Tsang Tai Uk Sha Tin, N.T. Tsang Tai Uk (曾大屋, literally the Big Mansion of the Tsang Family) is also Historical called Shan Ha Wai (山廈圍, literally, Walled Village at the Foothill). Its Interest construction was started in 1847 and completed in 1867. Measuring 45 metres by 137 metres, it was built by Tsang Koon-man (曾貫萬, 1808-1894), nicknamed Tsang Sam-li (曾三利), who was a Hakka (客家) originated from Wuhua (五華) of Guangdong (廣東) province which was famous for producing masons. He came to Hong Kong from Wuhua working as a quarryman at the age of 16 in Cha Kwo Ling (茶果嶺) and Shaukiwan (筲箕灣). He set up his quarry business in Shaukiwan having his shop called Sam Lee Quarry (三利石行). Due to the large demand for building stone when Hong Kong was developed as a city since it became a ceded territory of Britain in 1841, he made huge profit. He bought land in Sha Tin from the Tsangs and built the village. The completed village accommodated around 100 residential units for his family and descendents. It was a shelter of some 500 refugees during the Second World War and the name of Tsang Tai Uk has since been adopted. The sizable and huge fortified village is a typical Hakka three-hall-four-row Architectural (三堂四横) walled village. It is in a Qing (清) vernacular design having a Merit symmetrical layout with the main entrance, entrance hall, middle hall and main hall at the central axis. Two other entrances are to either side of the front wall. -
Review of Policy on Conservation of Built Heritage Public Consultation
CONTENTS Chairman’s Foreword 2 1. Background And Purpose 4 2. Protecting Historic Buildings 8 3. Resources For Protecting Historic Buildings 14 4. Public Participation In Built Heritage Conservation 20 Public Consultation 25 Feedback Form 26 Chairman’s Foreword Over the past ten years, the various projects and issues relating to heritage conservation have become a matter of increasing public concern, and the discussion of built heritage conservation is no longer just confined to a small group of people. In fact, the conservation of built heritage is of paramount importance to showcase the cultural and historical landscape of a city, foster a sense of belonging among the community and promote the soft power of urban development. Nevertheless, the concepts involved are not as readily comprehensible as something visible and tangible or our personal interests, and obviously pose a formidable obstacle to the further development of our heritage conservation policy. The Antiquities Advisory Board has all along been making recommendations to the Antiquities Authority for monument declaration and assessment on historic buildings in an open and professional manner. While some of the conservation decisions agreed upon have garnered wide recognition, others have triggered disagreement. For example, there may be disagreement on cases involving a historic building no matter whether it is public or privately-owned; whether it should be preserved or demolished; whether it should be closed or open to the public; whether it is seldom heard of or well known among the public; and whether it has caused controversy or not. When handling the outstanding cases, we surely continue to adhere to the established practice. -
Legislative Council Panel on Development Conserving Central
CB(1)1666/09-10(05) For discussion on 27 April 2010 Legislative Council Panel on Development Conserving Central INTRODUCTION Following the concept of “Progressive Development” set out in the Chief Executive (CE)’s 2007-08 Policy Address, as well as building on the Government’s commitments on harbourfront enhancement and heritage conservation, and championing more greening and connectivity, we have put together a series of innovative projects that will help to reinvigorate the legend of Central. This major “Conserving Central” initiative was announced by the CE in his 2009-10 Policy Address. We have subsequently conducted briefings for the stakeholders including the Central and Western District Council, the Antiquities Advisory Board (AAB) and the media, on the initiative. Details about the initiative have been published through the website of the Development Bureau (www.devb.gov.hk) and distribution of pamphlets (a copy of the pamphlet is attached at Annex). We also organised, in conjunction with the Central and Western District Council, an exhibition on the initiative at the International Finance Centre from 31 December 2009 to 15 March 2010 and at the Times Square from 16 March 2010 to 31 March 2010 respectively, attracting a total attendance of over 120 000. Public response to the initiative has been very positive. This paper provides a progress update on individual projects of the initiative. (A) New Central Harbourfront Brief Description 2. The New Central Harbourfront comprises precious land 1 created from harbour reclamation, signifying Central’s final shoreline. Taking into account public views received in the extensive public engagement on the Urban Design Study for the New Central Harbourfront1 and recommendations made by the former Harbour-front Enhancement Committee (HEC) submitted to the Government in August 2009, we have decided to reduce the development intensity of Site 1 (the “Comprehensive Development Area” site adjoining Central Piers No. -
Architectural Forms in Different Time Periods [Teacher Notes]
Arts Teaching Kit for Senior Secondary Curriculum Visit: Central Architectural Forms in Different Time Periods [Teacher notes] Organizer Sponsor Research Team Contents Preamble Teaching plan i Arts | Visit: Central — Architectural forms in different time periods Periods Time in Different Forms Central — Architectural Visit: 1.1 Itinerary 01 1.2 Background information: Central 03 1.3 Identifying different architectural styles 04 1.4 Checkpoints 05 1 City Hall 05 2 Old Supreme Court (Former Legislative Council Building) 08 3 HSBC Main Building 11 4 Bank of China Tower 13 5 The Old Dairy Farm Depot South Block (Fringe Club) 15 6 Duddell Street steps & gas lamps 16 Appendix: Western architectural styles 17 Summary, Key words and Further reading 18 Disclaimer Create Hong Kong of the Government of the Hong Kong Special Administrative Region provides funding support to the project only, and does not otherwise take part in the project. Any opinions, findings, conclusions or recommendations expressed in these materials/events (or by members of the project team) do not reflect the views of the Government of the Hong Kong Special Administrative Region, the Communication and Technology Branch of the Commerce and Economic Development Bureau, Create Hong Kong, the CreateSmart Initiative Secretariat or the CreateSmart Initiative Vetting Committee. Topic 09 Visit: Central — Architectural Forms in Different Time Periods Major teaching areas Interdisciplinary teaching areas Visual Arts Design and Applied Technology Visual Arts Appreciation and Criticism in Context • Strand 3 Value and Impact • Formal knowledge Liberal Studies Modes of presentation • • M2 Hong Kong Today Arts | • Knowledge of history and ways of seeing Visit: Central — Architectural Forms in Different Time Periods Time in Different Forms Central — Architectural Visit: • Knowledge in context Learning objectives • Be aware of the relationship of the historical backgrounds and architectural styles of different buildings. -
Harbourfront Commission
Harbourfront Commission For discussion HC/01/2020 on 5 May 2020 Proposed Two-envelope Tendering Arrangement for Disposal of Site 3 of the New Central Harbourfront PURPOSE The Government announced on 27 February 2020 the inclusion of Site 3 of the New Central Harbourfront (Site 3) in the 2020-21 Land Sale Programme. Specifically, in lieu of the conventional cash-only tender, a two-envelope tendering process will be adopted whereby tenderers’ proposals will be evaluated on the basis of design merits and premium offers, allowing the Government to select the proposal achieving the best combination of both. 2. This paper aims to brief Members on the proposed two- envelope arrangement. VISION FOR SITE 3 3. With total area of 4.75 hectare, Site 3 is a sizable premier commercial site that remains undeveloped at the heart of the Core Business District (CBD) in Central. It also occupies a strategic location in the New Central Harbourfront initiative driven by Government (see location plan at Annex A). We should take full advantage of this opportunity to put developable space available from the prime site into good use by providing maximum possible commercial floor space to address the city’s strong demand for prime commercial facilities, while responding to public aspiration for a world class harbourfront with quality public open space (POS) and pedestrian-oriented connectivity. We aspire to develop Site 3 with the following vision - Page 1 Harbourfront Commission For discussion HC/01/2020 on 5 May 2020 Hong Kong’s new landmark (a) the development