1) Steve Russell/Spacewar/MIT

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1) Steve Russell/Spacewar/MIT 2) Nolan Bushnell/Ted Dabney 3) Computer Space/Nutting 4) Atari 5) Pong 6) Ralph Baer/Odyssey/Magnavox 7) Arcade Games (list all titles? Pong – SF Rush 2049, talk about Midway West) (Bristow, Rains, Delman…etc…) KeeGames 8) Steve Jobs and Apple (Apple 1 looks exactly like all earlier Atari Coin-op boards, talk about Breakout, Woz, who did the new Breakout etc…) Connection (Story about how Atari employees went into Apple, asked for Apple stickers and placed them inside urinals and pee’d on them) 9) Sears Connection (Tom Quinn) Home Pong (Bob Brown, Harold Lee) 10) Pinball (List all titles) (Jerry Jessop was pinball repair) 11) Consoles Ultra Pong Doubles Super Pong Super Pong Pro Am Super Pong Pro Am 10 Stunt Cycle Video Pinball Game Brain Video Music 12) Stella Development/Cyan Engineering (Steve Mayer, Ron Milner, Jay Miner, Joe Decuir) 13) Warner Communications 14) Video Computer System 2600 (Stella/Sylvia/PAM 2800/Sears Telegames II Remote Control Graduate 2600 Jr Complete Atari cartridge list Third parties (Activision/Imagic...) 15) Vector Games (Lunar Lander, Howie Delman) 16) Handhelds Touch Me (Brad Saville knows whole story on handheld Touch Me) Cosmos/Holograms Spector (Roy Nishi) Handheld Space Invaders & breakout 17) Computers (400 & 800) 18) Atari related books and magazines (Antic, ANALOG) 19) APX and Atari Institute Club Med Project Advance Sunnyvale Research Lab 20) Atarisoft 21) Movies? (Airplane, Blade Runner, Superman 3, Daryl, Cloak & Dagger) 22) 5200 Atari 5100 – Craig Asher (controller) Dan Kramer (Trakball) 23) 7800 (General Computer Corp, Gary Rubio) Mindlink (Atari Bionics System and Vidcom-1 communicator) 24) Vaporware Voice Controller (Milton Bradley Lawsuit) Codenames 26) Ray Kassar/James Morgan 25) Crash 27) Ataritel (Steve Bristow) 28) Real Estate (1979 (35 bldngs), 1982 (50 bldngs), (80 bldngs 1984) 29) Nintendo (1983, Michele Erbertin) 30) Namco Connection 31) Atari Breakup/Tramiels 32) Atari Games 33) Tengen 34) Amiga/ST 35) Calculators/Federated 36) XEGS 37) Lynx 38) Panther/Jaguar/ Flare 1/Flare II 39) Williams 40) Atari & Sega 41) JTS 42) World of Atari 43) Classic Atari Today 44) Hasbro Interactive 45) Infogrammes 46) Spawn of Atari - Wired .

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A History of Video Game Consoles Introduction the First Generation
A History of Video Game Consoles By Terry Amick – Gerald Long – James Schell – Gregory Shehan Introduction Today video games are a multibillion dollar industry. They are in practically all American households. They are a major driving force in electronic innovation and development. Though, you would hardly guess this from their modest beginning. The first video games were played on mainframe computers in the 1950s through the 1960s (Winter, n.d.). Arcade games would be the first glimpse for the general public of video games. Magnavox would produce the first home video game console featuring the popular arcade game Pong for the 1972 Christmas Season, released as Tele-Games Pong (Ellis, n.d.). The First Generation Magnavox Odyssey Rushed into production the original game did not even have a microprocessor. Games were selected by using toggle switches. At first sales were poor because people mistakenly believed you needed a Magnavox TV to play the game (GameSpy, n.d., para. 11). By 1975 annual sales had reached 300,000 units (Gamester81, 2012). Other manufacturers copied Pong and began producing their own game consoles, which promptly got them sued for copyright infringement (Barton, & Loguidice, n.d.). The Second Generation Atari 2600 Atari released the 2600 in 1977. Although not the first, the Atari 2600 popularized the use of a microprocessor and game cartridges in video game consoles. The original device had an 8-bit 1.19MHz 6507 microprocessor (“The Atari”, n.d.), two joy sticks, a paddle controller, and two game cartridges. Combat and Pac Man were included with the console. In 2007 the Atari 2600 was inducted into the National Toy Hall of Fame (“National Toy”, n.d.).
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1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief. I’m Eric Molinsky. And this is Tim Lapetino. He’s a graphic designer in Chicago, and he runs a website called the museum of video game art. TL: My Dad brought home our first Atari in 1983, we busted it open and it was magical the idea you could play games on TV, and I remember one of the very first things I looked at were boxes, make sense of the idea of what I was seeing on screen related what was on box I wanted to save those, line those up, line up on shelf, my Dad was like why keep those? Keep cartridges? Like keeping box for refrigerator. And you’re 5, you’re like okay. But I spent hundred of dollars rebuying them as an adult. In fact, Tim just put out a book called The Art of Atari. It’s got interviews with designers and executives – plus a lot of eye candy for anyone who loved those games in the ‘80s – especially the box illustrations, which looked like the covers of fantasy novels from the ‘70s and ‘80s. There was so much stuff going on in these illustrations, you had to gaze at them for a long time to catch every little detail. But Tim says this book isn’t a nostalgia trip. TL: This art and design is really worth visiting because deserves to be up there with great design of 20th century. I learned things about Atari that completely surprised me.
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Finding Aid to the Atari Coin-Op Division Corporate Records, 1969-2002
Brian Sutton-Smith Library and Archives of Play Atari Coin-Op Division Corporate Records Finding Aid to the Atari Coin-Op Division Corporate Records, 1969-2002 Summary Information Title: Atari Coin-Op Division corporate records Creator: Atari, Inc. coin-operated games division (primary) ID: 114.6238 Date: 1969-2002 (inclusive); 1974-1998 (bulk) Extent: 600 linear feet (physical); 18.8 GB (digital) Language: The materials in this collection are primarily in English, although there a few instances of Japanese. Abstract: The Atari Coin-Op records comprise 600 linear feet of game design documents, memos, focus group reports, market research reports, marketing materials, arcade cabinet drawings, schematics, artwork, photographs, videos, and publication material. Much of the material is oversized. Repository: Brian Sutton-Smith Library and Archives of Play at The Strong One Manhattan Square Rochester, New York 14607 585.263.2700 [email protected] Administrative Information Conditions Governing Use: This collection is open for research use by staff of The Strong and by users of its library and archives. Though intellectual property rights (including, but not limited to any copyright, trademark, and associated rights therein) have not been transferred, The Strong has permission to make copies in all media for museum, educational, and research purposes. Conditions Governing Access: At this time, audiovisual and digital files in this collection are limited to on-site researchers only. It is possible that certain formats may be inaccessible or restricted. Custodial History: The Atari Coin-Op Division corporate records were acquired by The Strong in June 2014 from Scott Evans. The records were accessioned by The Strong under Object ID 114.6238.
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Atari Flashback Classics Game List
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May Your Holiday Season Be a Classic One Classic Gamer Magazine Classic Gamer Magazine December 2000 3 The Xonox List 27 Teach Your Children Well 28 Games of Blame 29 Mit’s Revenge 31 The Odyssey Challenger Series 34 Interview With Bob Rosha 38 Atari Arcade Hits Review 41 Jaguar: Straight From the Cat’s 43 Mouth 6 Homebrew Review 44 24 Dear Santa 46 CGM Online Reset 5 22 So, what’s Happening with CGM Newswire 6 our website? Upcoming Releases 8 In the coming months we’ll Book Review: The First Quarter 9 be expanding our web pres- Classic Ad: “Fonz” from 1976 10 ence with more articles, games and classic gaming merchan- Lost Arcade Classic: Guzzler 11 dise. Right now we’re even The Games We Love to Hate 12 shilling Classic Gamer Maga- zine merchandise such as The X-Games 14 t-shirts and coffee mugs. Are These Games Unplayable? 16 So be sure to check online with us for all the latest and My Favorite Hedgehog 18 greatest in classic gaming news Ode to Arcade Art 20 and fun. Roland’s Rat Race for the C-64 22 www.classicgamer.com Survival Island 24 Head ‘em Off at the Past 48 Classic Ad: “K.C. Munchkin” 1982 49 My .025 50 Make it So, Mr. Borf! Dragon’s Lair 52 and Space Ace DVD Review How I Tapped Out on Tapper 54 Classifieds 55 Poetry Contest Winners 55 CVG 101: What I Learned Over 56 Summer Vacation Atari’s Misplays and Bogey’s 58 46 Deep Thaw 62 38 Classic Gamer Magazine December 2000 4 “Those who cannot remember the past are condemned to Issue 5 repeat it” - George Santayana December 2000 Editor-in-Chief “Unfortunately, those of us who do remember the past are Chris Cavanaugh condemned to repeat it with them." - unaccredited [email protected] Managing Editor -Box, Dreamcast, Play- and the X-Box? Well, much to Sarah Thomas [email protected] Station, PlayStation 2, the chagrin of Microsoft bashers Gamecube, Nintendo 64, everywhere, there is one rule of Contributing Writers Indrema, Nuon, Game business that should never be X Mark Androvich Boy Advance, and the home forgotten: Never bet against Bill.
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United States Bankruptcy Court SUMMARY of SCHEDULES
13-10176-jmp Doc 119 Filed 03/06/13 Entered 03/06/13 20:14:12 Main Document Pg 1 of 110 B6 Summary (Official Form 6 - Summary) (12/07) }bk1{Form 6.Suayfchedls United States Bankruptcy Court Southern District of New York In re Atari Interactive, Inc. Case No. 13-10177 , Debtor Chapter 11 SUMMARY OF SCHEDULES Indicate as to each schedule whether that schedule is attached and state the number of pages in each. Report the totals from Schedules A, B, D, E, F, I, and J in the boxes provided. Add the amounts from Schedules A and B to determine the total amount of the debtor’s assets. Add the amounts of all claims from Schedules D, E, and F to determine the total amount of the debtor’s liabilities. Individual debtors must also complete the "Statistical Summary of Certain Liabilities and Related Data" if they file a case under chapter 7, 11, or 13. NAME OF SCHEDULEATTACHED NO. OF ASSETS LIABILITIES OTHER (YES/NO) SHEETS A - Real Property Yes 10.00 B - Personal Property Yes 4 21,238,150.00 C - Property Claimed as Exempt No 0 D - Creditors Holding Secured Claims Yes 1 0.00 E - Creditors Holding Unsecured Yes 1 0.00 Priority Claims (Total of Claims on Schedule E) F - Creditors Holding Unsecured Yes 1 266,183,594.00 Nonpriority Claims G - Executory Contracts and Yes 1 Unexpired Leases H - Codebtors Yes 1 I - Current Income of Individual No 0 N/A Debtor(s) J - Current Expenditures of Individual No 0 N/A Debtor(s) Total Number of Sheets of ALL Schedules 10 Total Assets 21,238,150.00 Total Liabilities 266,183,594.00 Software Copyright (c) 1996-2013 - CCH INCORPORATED - www.bestcase.com Best Case Bankruptcy 13-10176-jmp Doc 119 Filed 03/06/13 Entered 03/06/13 20:14:12 Main Document Pg 2 of 110 B6A (Official Form 6A) (12/07) }bk1{Schedul A-RaPropty In re Atari Interactive, Inc.
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A Vector-Graphics Retrospective Was Racking up Enough Points Within a Set Time Limit to Win the Game
DREW GARDNER C 45 vagrancy, and truancy etc., all appealing qualities to any self-respecting eleven-year-old boy. The first video game I remember playing in one of these restaurant lobbies in the mid-late 1970s was Scott Bristow’s Tank (1974), a simple black-and-white game that featured the first use of read-only memory to store graphical data. ROM allowed the images in the game to display just enough detail to represent objects, beyond the simple rectangles and lines that appeared in Atari’s Pong (1972). Tank was a two-player duel-type game with a top-down per- spective where the opponents would drive around a maze-like screen peppered with barri- DREW GARDNER cades, avoiding mines, shooting each other and trying to avoid being shot.The ultimate goal coin-op physics: A Vector-Graphics Retrospective was racking up enough points within a set time limit to win the game. More quarters bought more time. In the mid-1970s several companies began putting coin-ops in the lobbies of restaurants, hop- ing that children would fill them with their parents’ quarters while the food was being cooked. I was happy to oblige in this respect.The games immediately drew me in with sim- ple but beautiful flashing shapes and lights, fascinating controllers, and richly detailed fantasy art on the cabinets. The idea of feeding quarters into a machine to engage interactively in some excitement, fun and time-wasting was a no-brainer.The precedents were pinball and Skee-Ball, which I eagerly played every summer at the Jersey shore.
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Mario Luis Ramirez STS 145—The History of Computer Game Design
Mario Luis Ramirez STS 145—The History of Computer Game Design Prof. Henry Lowood March 15, 2002 Galaga and Vintage Gaming: A Look at Galaga’s Place in the Classic Gaming Industry Because he was speaking in the early videogame days of the 1980’s, it is likely that even Steven Spielberg did not fully recognized the weight of his statement when he said that “The aliens have landed, and the world can never be the same again” (Amis, 7). Commenting on such early games as Missile Command and Space Invaders, Spielberg understood that these early “shooters” had infiltrated American pop culture in such a way that whether directly or not, the lives of most Americans after the 1980’s would be influenced by games such as these. 20 years later, his statement continues to ring true today. However, it not difficult to see that most recent videogames look considerably different than their predecessors of the 80’s—technological advancements have changed the face of gaming. Yet, as the Namco Arcade web page points out in speaking about the classic games, Galaga and Ms. PacMan, “These two games are unquestionably the two longest running hits in the history of videogames! After 20 years, they are still a ‘must have’ for all locations” (www.namcoarcade.com/nai_gamedisplay.asp?gam=mspcglga). One must wonder then, what is it about games such as these that continue to make them popular—why is it that in the face of clearly superior graphics, sound, and interface 1 options that primitive games are not only able to coexist, but continue to bring in profits for manufacturers and arcade operators? After conducting much research, including a variety of interviews with those involved in the classic gaming world, it certainly seems that the answer is rooted in the simplicity and nostalgia of these games.
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August 21-22, 2004
San .Jose, California August 21-22, 2004 $5.00 Welcome to Classic Gaming Expo 2004!!! When this show first opened in 1998 no one really knew what to expect. The concept of "retro" gaming was still relatively new and was far from mainstream. It was a brave new world , where gaming fans worked to bring everyone together for a fun-filled weekend reminding us of how we got so excited about videogames in the first place. This year's event feels like that first time. For the last six years Classic Gaming Expo has taken residence in the glamorous confines of sin city, Las Vegas. It was a great run but recently we began to notice that Las Vegas is, in fact, an island . We could promote the show 24/7 for months but the one thing we could not change is that there are very few native gamers in the area. Everyone attending Classic Gaming Expo was in Las Vegas specifically to attend this show - so unless you were prepared to take a vacation on that weekend , you were going to miss it year in and year out. The move to San Jose not only brings the excitement of a fun-filled gaming weekend to a brave new world, but this brave new world also happens to be the home of videogaming itself. The roots of everything you know and love about this industry sprang not far from this very building. We think it's time to sow some new seeds and build a new home. A place where we can all experience the games, the people, and the excitement that filled our youth, all over again .
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Sidedoor S4 E2 Atari Game Transcript
[INTRO MUSIC] Lizzie Peabody: This is Sidedoor, a podcast from the Smithsonian with support from PRX. I’m Lizzie Peabody. Howard Scott Warshaw: I'm part of a crowd of some 4 or 500 people, waiting to get into a dump. Lizzie Peabody: This is Howard Scott Warshaw. And on April 26, 2014, he was part of an unusual scene. Something like a wildly out-of-place tailgate party. People lined up with folding chairs, sun hats, beverages… in the middle of the New Mexico desert. Howard Scott Warshaw: It was a hot day. I mean, it was hot, but there was no dessert. It was just desert. Lizzie Peabody: Oh yeah, Howard has real thing for puns. Howard Scott Warshaw: And they open up and here we go. And we're all rushing into the dump and there's a lot of excitement. You know, we're on a mission to uncover, uh, the truth or not of a very popular urban myth. Lizzie Peabody: The legend goes like this: Once upon a time, in a land called Silicon Valley, an American tech company invented video games that enchanted children and brought billions of dollars flowing through its doors. The company was called Atari. Atari made many good games, until one day, in 1982, it made a bad one. A really bad one. A game so bad it has been called “the worst video game of all time.” Lizzie Peabody: The video game was, “E.T.: The Extraterrestrial.” According to the myth, it was so bad, it put Atari out of business.
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