Mustang Daily, October 6, 2006

Total Page:16

File Type:pdf, Size:1020Kb

Mustang Daily, October 6, 2006 1916 C] TODAY’S WEATHER Controversial Shotwell, Poly football team to High 68 musician releases new album face UC Davis Low 48 IN SPOTLIGHT, 8 IN GAME DAY, 3-6 Volume LXX, Number 21 Friday, October 6, 2006 www.niiistangdaily.net Engineers discuss power of the sun Nicole Small to speak after the film and answer bility,” said attendee Kelly Seiler. MUSIANt. DAIIY questions. The (?al Poly movie pre­ The fifth year electrical engineer­ miere event took place in the Fisher ing student spoke about how some­ Many great minds have studied it. Science building Oct. 4 as part of the thing as simple as a redesigned light -J It powers our cell phones and terror­ Institute of Electrical and Electmnics bulb, light emitting diodes (LED) that ;•***♦# ist cannot touch it. C!ive up? It’s the Engineers (IEEE) monthly meetings uses half the w.ittage of a regular light sunlight. series. Annind lOU people attended. bulb, helps the save energy. The movement is on to equip The .S6-minute documentary The element silicon has replaced cities with the ability to operate using covered early light theories and dis­ the old energy resource coal. their own generated electricity. cussed the latest in solar technology Perlin said that within the last 10 Professor David Braun invited John used in the United States and abroad. years silicon has seen a .50 to 40 per­ NICK CAMACHO Ml'SIANc. [MII V Perlin from the Universiry of Santa “1 always felt that solar power could cent increase in demand. John Perlin, a professor at UC Santa Barbara, co-produced his docu­ Barbara physics department and co­ help the environment if technologs’ “The beauty of silicon is that it’s mentary on solar power which was shown Wednesday night. producer of “The Power of the Sun,” improved enough to make it a possi- see Documentaiy, page 2 Nonprofits convene to Pay It Forward Liza Maiiion Ml SIAM. DAIIY “We aa‘ all born good to do gooil.” said C Catherine Hyde, director of the P.iy It Forward Foundation. Anyone who does not do this, she s.iys.“h.is unlearned it.” The P.iy It Forward Foundation, based in San Luis t)bispo C\nint>’. was established in 2( K K) ui inspire students to change the world, and give them opportunities to do so. : ¥ With the moa- than 20<» people in attendance Thursday at their first meeting for “The Economic Impact of Nonpaifit C?orporations in SLO txiunty,” Pay It Forwaal is ala*ady influencing the communify. NICK CAMACHO MUSTANo OAllY Thea* aa* moa* than 1,(MKI non- Calvary Baptist Church, located at 51 Foothill Blvd., fell victim to a felony vandalism early Wednesday morning. paifit organizations in San Luis Obispo C?ounty. A survey- done by the Nonpmfit Economic Impact Study C'ommittee found that a a-ported 1.6 million people aa* being helped by SLO church graffitied volunteers within the county. C')n •iverage. $1,400 is .ilkxated to each Sara Hamilton about 8 a.m. when he arrived at his office. Reis person. MUSTANC DAIIY said. Moa* than 20,000 volunteers have According to the press release, the case is con­ contributed almost one million hours The San Luis Obispo Police Department is sidered a hate crime because the vandalism was of their time. Thea* aa* almost 4,1 KM) investigating a felony vandalism, which included targeted at a place of worship and because of the employees, making a combined total gralTiti and broken lights, that occurred at the type of statements the vandals made. of $61.9 million in salaric*s. C?alvary Baptist C'.hurch early Wednesday morn­ Though authorities wouldn’t release the exact Nonpaifit organizations in San ing. wording of those statements, the church’s Web Luis Obispo County spent about A police department press release stated that site posted a brief announcement Wednesday $135 million in 2(K)5. “the vandalism was extensive and involved the regarding the vandalism; “Last night the church San Luis Obispo County spray painting of derogatory comments on a was spray painted with messages such as ‘You R Supervisor Jim Patterson, emphasized number of walls and buildings on the property. dumb...if your (sic) still going to church,’ ‘If U that the numbers aa* “an absolute The comments were anti-Christian in nature. think Christians R saved their (sic) not.They kill. minimum estimate.” since only 21 There were also negative statements about They go to Hell,’ ‘Christians have killed more peaent of the organizations answered President Bush.” than anyone else,’ and ‘U think U R better then the survey. “I can’t understand why people think we’ll ... (sic) other religions. They R all the same.’” “You a*ally do figua* out who stop believing what we believe,” C?al Poly instruc­ The church’s Web site also stated that a num­ needs to be served, and that’s pa*tty tor Kathi Reis said. “We’re not going to change ber of obscenities had been spray painted onto incredible,” said Betsey Nash, owner anything.” Reis, 50, has attended Calvary Baptist the church as well, but didn’t not list any because NICK CAMACHO MUSTANi; DAIIY of Nash HR Services. Church since 1983. “much of (the vandalism) is unfit to print.’ Anti-Christian and political comments Even with the staggering number Pastor Randall Shanks discovered the graffiti at see Church, page 2 w®*’® spray painted on church walls. see Nonprofits, page 2 News editor: Kristen M;irscliall • nìmtauyiiiaiì)nmi>s(ayimail.am M u s t a n g D aily Friday, October 6, 2006 www.imistanudaily.net = N e w s= MUSTANG DAILY option than having children Documentary breathe in kerosene fuels while contitinerl from pnyie I they try to do their homework. Ciraphic Arts Building, Suite 226 every wlierc.” t'ountries Japan and (¡ermany ( ialitornu I’o Ku v Iiiik Sute UimviMtx Start lip eoiiipaiiies dedicate all lead the w.iy in encouraging the Sail I Ills ( >liis}X), ( ‘1341 r tiieir resources to produee better use ol I’V. japan operates entire pliotovoltaies (I’V). Solar lells are factories and .ipartment buildings (S(b) 75()-1746 editoriid used 111 eoiijuiietion with I’V in ofl of solar pow er. (S( )3) 75()-1143 advertising Flach year there is a step forward (S( In) 73(>-t)7S4 fax order to produee electricity. in making solar power- more iiuistanm.inlyfi/ giiuil.e'oni e-mail C7il I’olv is one of the few GSU canipiises to experinient with I’V affordable, companies like Shell and Sharp are among the big I DITORS & STAH panels when it installed 1,(•<••• on editor in cliief Linily ILaiu er top of the [aigineering West huild- names investing in this venture. An idea a Mass,ichusetts compa­ iiianaging editor leiirnkT I lall ing. ny is e.xperimenting with is placing news editor Kristen Marsc lull Other local places in C'alifornia that are using I’V technology is solar cells on a texture similar to assistant news editor Raelielle Saimu ei PATRICK TRAUTFIELD MUSiANi; daiiy the Santa .Monica I’ier to power its photographic film so that develop­ San Luis Obispo County is home to more than 1,000 nonprofit sports editor Install Aird ers can coat or print the photo­ Ferris wheel and San Franciscos organizations and 20,000 volunteers. assistant sports editor 1 rank Stranzl .Moscone Clenter. where 3nd)()(l voltaic material on any item. The spotlight editor Katlirene l idiii I’V panels were installed that, s.iv- idea is to make clothing, handbags, assistant spotlight editor Jeniina Wilson ing the city S2(l<l,<)<MI a year. pretty much anything that has the “Cdianging lives and improving p h o to editor Slieila Sobeliik Both cities and rural areas can ability to turn into electricity’ capa­ Nonprofits lives” is the bottom line, not the design editor Moiiiea Yinunioto benefit from solar technology. ble of doing so. continued from page I dollar, said Jenifer Rhynes, assistant design editor jessiea The film highlighted an organi­ “What’s interesting is th,it elec­ of nonprofits in San Luis ( )bispo Executive Director of San Luis ( ireemvalt zation called Light Up the World, trical engineering, materials man­ Ciounty, Ckilifornia still has a low Obispo ('ounty’s Y.M.C7A. copy editor ('iiana Magnoli who provides solar-powered bat­ agement, control systems, design rate of volunteers, 27 percent, For further information, and to copy editor Angel l*aelieeo tery flashlights to families in circuits, those all across the board compared to the rest of the coun­ view the economic report online, try. visit www.iinitedwayslo.org . online editor Ryan ( 4iartraiul countries such as Nepal in order h.ive an opportunity in this indus­ ad director laigaYoting to give people a better life. Solar try," electrical engineering transfer powered equipment is a better Tim Gerrits said. ortice m anager Jenniter Veneina ad design director Jessiea seemed to have defaced the outside Church of the church, according to the tireenwalt continued from page 1 police department’s press release, ad designers Sliay Sweteeli, Russel Three hallw.iy lights were bro­ which stated; “it does not appear Sliinpo ken, which Reis speculates was the suspects entered the building." advertising representatives Aslilev BREAKING NEWS necessary to make the area dark No estimated damage costs are SingiT. Meyjui Kos.ika. Ikn I l.inild, UPDATED AT THE SPEED OE COLLEGE LITE enough for the vandals to pmceed available at this time. /bigniew ( iarlsien. 11/ t i.inno undetected as they spray painted I’olice are asking anyone w'ith ad layout manager Jenelle Howard wwWoimimsltaimgdlaiMyoiiiKgtt the main sanctuary and surround­ inkirination regarding the vandal­ classified ad manager Jenelle Howard ing buildings with green and gray ism to call Detective Russ Cìriflìth faculty adviser (ieorge Ramos paint.
Recommended publications
  • Ani Difranco – Revolutionary Love Biography
    Ani DiFranco – Revolutionary Love Biography The transcendent new album from Ani DiFranco, Revolutionary Love marks the latest proof of one of her most powerful gifts as an artist: a rare ability to give voice to our deepest frustrations and tensions, on both a personal and political level. “My songs have always reflected an acute connection between my personal life and the life of my society,” says the trailblazing musician and activist. “As I started to come out of dealing with years of personal hardship, I saw that my entire country was struggling with the same problems: the same themes of how much damage we do to each other and how much pain we’re carrying, and the same question of how to keep going when we’re so broken.” As her 22nd studio album in an iconic career—one that’s included winning a Grammy and countless other accolades, collaborating with legends like Prince, and breaking ground as one of the first artists to launch her own label, Righteous Babe Records— Revolutionary Love first began taking shape in the final weeks of winter 2020. After returning from a West Coast tour with a new batch of songs she’d written on the road, DiFranco laid down those tracks at her New Orleans home studio with bassist Todd Sickafoose and drummer Terence Higgins (her longtime touring bandmates), but then felt compelled to keep on writing. Before long, she’d amassed a body of work whose urgency felt undeniable. “I suddenly decided I need to push this record out by fall,” she recalls.
    [Show full text]
  • This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN
    [Show full text]
  • Ani Difranco – Biography
    Ani DiFranco – Biography Widely considered a feminist icon, Grammy winner Ani DiFranco is the mother of the DIY movement, being one of the first artists to create her own record label in 1990. While she has been known as the “Little Folksinger,” her music has embraced punk, funk, hip hop, jazz, soul, electronica and even more distant sounds. Her collaborators have included everyone from Utah Phillips to legendary R&B saxophonist Maceo Parker to Prince. She has shared stages with Bob Dylan, Bruce Springsteen, Pete Seeger, Kris Kristofferson, Greg Brown, Billy Bragg, Michael Franti, Chuck D., and many more. Her most recent studio album Binary was released in June 2017 on Righteous Babe Records. Her memoir No Walls and the Recurring Dream was released in May 2019, and DiFranco released a No Walls Mixtape alongside the book, offering her take on songs related to the memoir. Over the years she's performed at countless benefit concerts, donated songs to many charity albums, and given time and energy to many progressive causes. She has learned from and demonstrated beside Gloria Steinem, Jesse Jackson and Dennis Kucinich. In 2004, she marched in the front row of the March for Women's Lives along with Margaret Cho, Janeane Garofalo, Whoopi Goldberg, and many others, later performing on the main stage. She has beaten the drum for voter registration and turnout with "Vote Dammit" tours in multiple presidential election years, including most recently in 2016. She's currently on the board of Roots of Music, an organization that provides at-risk youth with support and musical education in New Orleans, and the creative council of EMILY’s List, which helps elect pro-choice Democratic women to office.
    [Show full text]
  • Three Waves of Feminism
    01-Krolokke-4666.qxd 6/10/2005 2:21 PM Page 1 1 Three Waves of Feminism From Suffragettes to Grrls e now ask our readers to join us in an exploration of the history of W feminism or, rather, feminisms: How have they evolved in time and space? How have they framed feminist communication scholarship in terms of what we see as a significant interplay between theory and politics? And how have they raised questions of gender, power, and communication? We shall focus our journey on the modern feminist waves from the 19th to the 21st century and underscore continuities as well as disruptions. Our starting point is what most feminist scholars consider the “first wave.” First-wave feminism arose in the context of industrial society and liberal politics but is connected to both the liberal women’s rights movement and early socialist feminism in the late 19th and early 20th century in the United States and Europe. Concerned with access and equal opportunities for women, the first wave continued to influence feminism in both Western and Eastern societies throughout the 20th century. We then move on to the sec- ond wave of feminism, which emerged in the 1960s to 1970s in postwar Western welfare societies, when other “oppressed” groups such as Blacks and homosexuals were being defined and the New Left was on the rise. Second-wave feminism is closely linked to the radical voices of women’s empowerment and differential rights and, during the 1980s to 1990s, also to a crucial differentiation of second-wave feminism itself, initiated by women of color and third-world women.
    [Show full text]
  • Endthewarondrugs
    #EndTheWarOnDrugs April 9, 2013 President Barack H. Obama The White House 1600 Pennsylvania Ave., N.W. Washington, DC 20500 Dear Mr. President, Your hard work and leadership on issues affecting the unrepresented classes of people in our nation have served as an inspiration to many of us who hope for brighter futures for all Americans. In that spirit, we believe the time is right to further the work you have done around revising our national policies on the criminal justice system and continue moving from a suppression-based model to one that focuses on intervention and rehabilitation. We are proud of your accomplishments around these issues, specifically your leadership on gun control, your investments in "problem solving courts," your creation of the Federal Interagency Reentry Council, your launching the National Forum on Youth Violence Prevention and your prosecution of a record number of hate crimes in 2011 and 2012. We certainly hope that this type of leadership is appreciated by all members of Congress, regardless of political affiliation, and you are joined by members of all parties in your pursuit of a more perfected union. Mr. President, it is evident that you have demonstrated a commitment to pursue alternatives to the enforcement-only "War on Drugs" approach and address the increased incarceration rates for non-violent crimes. Your administration has moved in the right direction by committing increased funds to drug prevention and treatment programs and supporting state and local re-entry grants. We encourage you to continue your efforts to revamp the policies of the last 30 years that have seen the prison population skyrocket.
    [Show full text]
  • Ani Difranco's Musical Structuring of Subjectivity and Pleasure in Dilate
    Dilating on Life: Ani DiFranco's Musical Structuring of Subjectivity and Pleasure in Dilate. by Adelia Honeywood Harrison B.M., The Eastman School of Music of the University of Rochester, 1993. A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Music; Historical Musicology) We accept thi^thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2000 © Adelia Honeywood Harrison, 2000 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date Agrii atJmn DE-6 (2/88) Abstract The experience of subjectivity provided by an art form can consist of the sense of "recognizing ourselves, our feelings, our bodies, our beliefs, or our social positions" in the art work (Middleton, 1990). For fans of guitarist-singer-songwriter Ani DiFranco, the identification with a subjective reality experienced in her music is powerful and pleasurable enough to inspire them with ardent devotion. Ani DiFranco's influence may not be simply reduced to her media image as a bisexual feminist, with fanatically obsessive and possessive fans, who has achieved stunning financial success completely independent of any major recording label.
    [Show full text]
  • Anaïs Mitchell
    Singer-songwriter, Playwright, Creator ANAÏS MITCHELL is a Vermont and Brooklyn-based singer-songwriter, and the Tony and Grammy award-winning creator of the Broadway musical Hadestown for which she wrote the book, music and lyrics. Hadestown won 8 Tony Awards overall including Best Musical as well as the Grammy for Best Musical Theater Album. Mitchell was named to TIME’s prestigious TIME100 list in 2020, and her first book, ‘Working on a Song – The Lyrics of Hadestown’ was published by Penguin/Plume in the same year. Dubbed by NPR as “one of the greatest songwriters of her generation”, Mitchell comes from the world of narrative folksong, poetry and balladry. Her recordings include the original studio album of Hadestown (2010, featuring Justin Vernon and Ani Difranco) and Young Man in America (2012), along with reinterpretations of traditional music including Child Ballads (2013, with Jefferson Hamer) and Bonny Light Horseman (2020, as Bonny Light Horseman, which received two Grammy nominations). She has headlined worldwide and supported tours for Bon Iver, Josh Ritter and Punch Brothers, and her music has featured in year-end best lists including NPR, Wall Street Journal, MOJO, Uncut, The Guardian, Sunday Times and The Observer. If there's a common thread in Mitchell's work it's that she's as interested in the world around her as the one inside her. As the New York Times wrote, “Ms Mitchell’s songs address contemporary angst with uncanny vision….a formidable songwriting talent”. “The most engaging, and in some ways, most original artist working in the field of new American folk music” - Independent on Sunday “One of the greatest songwriters of her generation” - NPR “A national treasure, one of our great modern singer-songwriters” - Time Out “Ms.
    [Show full text]
  • Ani Difranco- (Folk Singer and Political Activist from Buffalo, USA) Democrat
    Kate Grarock Essay STS300, “The environmental context” Autumn session, 2005 Science, Technology & Society University of Wollongong Major Essay Criteria: Dialogue between two people addressing an environmental issue. Characters: Ani DiFranco- (Folk singer and political activist from Buffalo, USA) Democrat. George W. Bush- (president of the USA) Capitalist, or as seen by DiFranco-Crony capitalist. Major Topics: Global warming, suppression of environmental science and technological choice Total Dialogue Word count: 2198 1 Enter a exhausted George Bush: after a day of riding around in his pickup truck and chasing armadillos with his two dogs1 on his ranch in Texas. Bush walks out onto the porch and eases back in his ol’ rocking chair. The radio is playing in the background on a non-commercial radio station. Bush: What’s this crap Jenna’s2 listening to these days? Despite his distaste to the radio station, the day had taken its toll as his eyes grow heavy and he drifts off to sleep. On the radio a song buy Ani DiFranco is playing, she sings: DiFranco: Coming of age during the plague of Reagan and Bush watching capitalism gun down democracy it had this funny effect on me, I guess… and the mighty multinationals have monopolised the oxygen, so it’s as easy as breathing for us all to participate.3 [Bush moves in his chair as DiFranco’s words penetrate his subconscious] Bush: Mmmmm, conservation good. Mmmmm, my energy plan good.4 DiFranco: What crap are you going on about?…. Hello…Hello. [DiFranco leans over and knocks on Bush’s head] DiFranco: Knock, knock…Hello, anybody home…Earth to Gorge.
    [Show full text]
  • Plan B Becoming More Prevalent Eastern the Morning Plan B Is a Take Home Package Asseses Students Receive Which Contains After Pill Has Four Pills, Shrader Said
    Eastern Illinois University The Keep February 2005 2-3-2005 Daily Eastern News: February 03, 2005 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2005_feb Recommended Citation Eastern Illinois University, "Daily Eastern News: February 03, 2005" (2005). February. 3. http://thekeep.eiu.edu/den_2005_feb/3 This Article is brought to you for free and open access by the 2005 at The Keep. It has been accepted for inclusion in February by an authorized administrator of The Keep. For more information, please contact [email protected]. “Tell the truth and don’t be afraid.” INSERT N ‘Our past your future’ Verge: page 1B THURSDAY FEBRUARY 3 2005 VOLUME 89, ISSUE 92 thedailyeasternnews.com Eastern Illinois University, Charleston Plan B becoming more prevalent Eastern The morning Plan B is a take home package asseses students receive which contains after pill has four pills, Shrader said. Women are instructed to take two pills and wait been more 12 hours to take the next two. financial She said the pills are a dosage of popular at hormones that keep the fertilized egg from attaching itself to the wall aid money Eastern of the uterus. They do not prevent the egg from being fertilized, only The number of BY MEGAN JURINEK from being implanted. If the egg is CAMPUS REPORTER not implanted, it will not survive. students on There is a $20 charge for the pills The morning after pill, also and they need to be administered financial aid is known as Plan B, is on the rise at within 72 hours of exposure.
    [Show full text]
  • When the President Talks to God: a Rhetorical Criticism of Anti-Bush Protest Music
    WHEN THE PRESIDENT TALKS TO GOD: A RHETORICAL CRITICISM OF ANTI-BUSH PROTEST MUSIC Megan O'Byrne A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Michael L. Butterworth, Advisor Lara Martin Lengel Ellen W. Gorsevski ii ABSTRACT Michael L. Butterworth, Advisor Anti-war protest music has re-emerged onto the American songscape since the terrorist attacks of September 11, 2001 and the resulting military conflicts in Iraq and Afghanistan. This study works to explicate the ways in which protest music functions in the resultant culture of war. Protest music, as it reflects and creates culture, represents one possible site of productive change. Chapter 1 examines Ani DiFranco’s song “Self Evident” which was written as an immediate reaction to 9/11. Throughout this chapter I argue that protest music has the potential to work as a vehicle for consciousness raising. In Chapter 2 I consider the constitutive elements in the Bright Eyes song “When the President Talks to God.” Performed on The Tonight Show in May 2005, this song represents one of the first performances of dissent on national television after 9/11. This chapter also examines the limitations of Charland’s conception of the constituted public as it pertains to diverse and heterogeneous audiences. Ultimately, I argue that consciousness raising through music has the potential to bring listeners into the constituted subject position of those who dissent against war. iii Dedicated to the memory of Dr. Lewis (Lee) Snyder in whose shadow I will always walk.
    [Show full text]
  • The BG News April 13, 2001
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-13-2001 The BG News April 13, 2001 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 13, 2001" (2001). BG News (Student Newspaper). 6798. https://scholarworks.bgsu.edu/bg-news/6798 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. State University FRIDAY April 13, 2001 CONCERT: PARTLY CLOUDY NOW takes a look at HIGH: 59 | LOW 39 UAO bringing Roots and www.bgnews.com Run DMC to U.; PAGE 6 independent student press VOLUME 90 ISSUE 140 Improv AL-MAR LANES LOCAL BUSINESS REBUILDS Importance to showcase ofLatinos on campus inLXS. ByJetf McGinms ENTERTAINMENT REPORTER growing The game is called "Freeze." In it, two actors stand on stage and By Kimberty Dupps begin to act out a scene suggested STAFF REPORTER by the audience. Then, one of the The year 2000 not only illustrat- other actors watching yells out ed the increasing complexity of "Freeze!" The two onstage stop in Americans with threats of Y2K, place, and the actor who stopped but showed the increasing com- them comes in, taps one of the plexity of latinos in the United players out and takes his place.
    [Show full text]
  • Willing to Fight: Ani Difranco Talks Providence and Progress
    Willing to Fight: Ani DiFranco talks Providence and progress The summer I turned 22, I sent a letter to Ani DiFranco, who was just 23 herself and at the beginning of her career. In it, I shared with her how important her voice was to me and what a strong impact she and her music had on my coming of age. At the time, Ani had already self-produced an amazing five albums, one a year beginning when she was just 18. Twenty-six years and more than 20 albums later, Ani and her music have etched a permanent place in my identity. Like old friends, I frequently turn to her songs for comfort and joy. Imagine my elation when, in anticipation of Ani’s November 6 show at The Strand, I had the opportunity to interview this very woman who has played such a significant role in my life. Anyone who’s seen Ani perform live knows that she tells little stories throughout the performance, often sharing memories of the specific town or venue hosting her performance. So my first question for Ani was if she had any special Providence memories. Turns out that Ani loved Lupo’s just like the rest of us did: “I have a lot of Lupo’s memories, which is rare because my memory is one big blur in general, but I can remember a lot of moments. Like I remember being there once with Joe Henry opening, and I jumped up with him on his set. What I remember is coming off of crashing his set and having him say into the mic, ‘I thought I told her to wait in the car,’ which I love, but I don’t know.
    [Show full text]