Cra Z Art Sewing Machine Instructions
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2021 Virtual Sewing & Stitchery Expo Schedule Checklist
Virtual Expo Schedule Use this checklist to plan your Virtual Expo experience. Don’t forget to buy your class tickets online beginning Jan. 12! All times listed are Pacific Standard Time (PST). Registration for Three & Four Needle classes that require a kit will end Feb. 2 to allow time for shipping. Wednesday 8:00 AM - 12:00 PM 4104 The Victorian Sewing Box 1:00 PM - 1:45 PM FS Lighting your Sewing Room 8:00 AM - 12:00 PM 4106 Beyond the Basics in Free Motion Quilting 1:00 PM - 2:00 PM Cutting Line Designs 8:00 AM - 12:00 PM 4107 Cadence Top Sew-A-Long 1:00 PM - 2:00 PM Fit for Art Patterns 8:00 AM - 12:00 PM 4110 A TempLee Quilted Medallion 1:00 PM - 2:00 PM The Rain Shed 8:00 AM - 12:00 PM 4111 From Thread to Lace 1:00 PM - 5:00 PM 4101 Flowermania English Paper Piecing 8:00 AM - 12:00 PM 4114 Scrappy Wonky Quilt Blocks 1:00 PM - 5:00 PM 4103 The Caprice Organizer 8:00 AM - 12:00 PM 4119 Temari—Japanese Thread Balls 1:00 PM - 5:00 PM 4105 Featherweight Spa Day 8:00 AM - 12:00 PM 4121 Easy Fit and Sew Yoga Pants 1:00 PM - 5:00 PM 4109 Enchantress Bracelet 8:00 AM - 12:00 PM 4122 The Ultimate Stabilizer Class 1:00 PM - 5:00 PM 4112 Vintage Windmill 8:00 AM - 12:00 PM 4123 Coverstitch Workshop 1:00 PM - 5:00 PM 4115 The Boro and Sashiko Pillow 9:00 AM - 9:30 AM FS Rulerwork Tips for Any Machine 1:00 PM - 5:00 PM 4117 Sew For You: Panties 9:00 AM - 10:00 AM WonderFil Specialty Threads 1:00 PM - 5:00 PM 4118 No Pins, No Basting, No Kidding! 9:00 AM - 10:00 AM Paradiso Designs 1:00 PM - 5:00 PM 4120 Viking Knitting: Trichinopoly on a Dowel -
Elegant Table Runner H
Elegant Table Runner Designed By Patty Peterson Featuring Kreinik Metallic Machine Sewing Threads Finished size 11.5" X 40.75" ave you ever wondered how you can use the decorative stitches on H your sewing machine? Well here’s a quick and easy project where you can combine your machine’s decorative stitches with beautiful metallic threads and make an absolutely elegant table accessory. Whether you make it for your own home or as a gift, this table runner project will help you see the possibilities of those decorative machine stitches in a whole new light! ! SUPPLY LIST: 1.!!! Kreinik Metallic Machine Sewing Threads (34 colors available). This project uses:! Fine Twist threads: 0001 SILVER, 0002 PEWTER, 0003 WHITE GOLD, 0006 ANTIQUE DK GOLD 2.!!! Kreinik Silver Metallized Gimp:! 0030 SILVER, 0032 ANTIQUE GOLD, 0033 BRASSY GOLD! 3.!!! Size 14 Topstitch needle 4.!!! Sewing or embroidery machine/combination 5.!!! Walking foot or dual feed foot to construct table runner 6.!!! Tear-away stabilizer (depending on your hoop size) 7.!!! Bobbin thread 8.!!! Scissors 9.!!! Kreinik Custom Corder!™ 10. !If you plan on embroidering out the stitches in your embroidery hoop you will need 3/4 yard of Kona Bay, Black cotton fabric !! 11. If you are sewing the decorative stitches you will need!1/2 yard Kona Bay, Black cotton fabric 12.! Background fabric 13" x 44" (WOF) width of fabric (our model uses light weight patterned nylon)! 13.! Backing fabric: Kona Bay, Black cotton 13" X 44" (WOF) 14. !Extra fabric to sew test stitches, such as a couple of 6" x 6" squares 15. -
Identifying Handmade and Machine Lace Identification
Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4. -
Chapter 5 Basic Embroidery
Cover1-4 C M Y K XF9969-1011 Chapter 5 Basic Embroidery BEFORE EMBROIDERING ..................................... 196 COMBINING PATTERNS .......................................238 Embroidery Step by Step ........................................................196 Editing Combined Patterns ..................................................... 238 Attaching Embroidery Foot “W+” with LED pointer ..............197 ■ Selecting combined embroidery patterns................................240 Attaching the Embroidery Unit ..............................................197 Sewing Combined Patterns..................................................... 241 ■ About the Embroidery Unit .................................................... 197 PREPARING THE FABRIC.......................................242 ■ Removing the Embroidery Unit ............................................. 198 SELECTING PATTERNS.......................................... 200 Attaching Iron-on Stabilizers (Backing) to the Fabric ............ 242 Hooping the Fabric in the Embroidery Frame ........................ 243 ■ Copyright Information ........................................................... 200 ■ Types of Embroidery Frames ..................................................243 ■ Pattern Selection Screens ...................................................... 201 ■ Inserting the Fabric.................................................................244 Selecting Embroidery Patterns/Decorative Alphabet Patterns/ ■ Using the Embroidery Sheet ...................................................245 -
TABLE of CONTENTS S.No. Contents Page No. 1. Basic Textiles Terms 1 2. Embroidery 1 3. Identification of Parts of Embroidery
TABLE OF CONTENTS S.No. Contents Page No. 1. Basic Textiles terms 1 2. Embroidery 1 3. Identification of parts of embroidery machine 2 4. Preparation before starting Embroidery Machine 5 5. Threading on Machine 6 6. Embroidery stitches 7 7. Seam practice on different patterns 17 8. Types of Needle used to sewing Different fabrics 20 9. Methods of Transferring designs on the fabric 22 10. Frame fitting practices 23 11. Different Types of Embroidery Threads 24 12. Embroidery defects 25 13. Maintenance of Embroidery machines 28 14. Safety measure 29 Page No 0 RSA DOCUMENT Version No.01 1. Basic Textiles terms Yarn Basic raw material for weaving/Knitting Type of Single ply, double ply and multiply yarn Yarn count Defines thickness of yarn. Higher the count, finer the yarn Warp Lengthwise yarn in the fabric. Weft (filling) Width wise yarn in the fabric. Selvedge Edges of the fabric running lengthwise Woven Woven fabrics are made by using two or more sets of yarn interlaced Fabric at right angles to each other. Knitted Knitted fabrics are formed by series of interlocking loops Fabric (example: knit wears) Sewing 1. Sewing Thread is a type of yarn used for sewing. Thread 2. Embroidery Embroidery is a craft by using a needle, thread or yarn sewn on to a base material or fabric to create a pattern. This is done by hand or machine. It involves the use of special threads available in many colors that help to produce various beautiful patterns. There are several different forms of embroidery, in which the design is stitched on top of the base material or the thread is worked through the base material to form a flat pattern on the original fabric. -
Reminiscing the Supremacy of the Traditional Embroideries of India
International Journal of Applied Social Science ARTICLE Volume 5 (8), August (2018) : 1384-1392 ISSN : 2394-1405 Received : 26.06.2018; Revised : 11.07.2018; Accepted : 28.07.2018 Reminiscing the Supremacy of the Traditional Embroideries of India S. AISHWARIYA Assistant Professor, Department of Textiles and Clothing, Avinashilingam University for Women, Coimbatore (T.N.) India ABSTRACT The manuscript is framed to invoke the supremacy and craftmanship associated with the traditional embroideries of India. Among the various styles Chamba rumal, chikankari and Kantha are discussed in this paper. It will enlighten the new graduates at under graduate level to gain knowledge about ancient textile crafts of India. This will also motivate the post graduate students to think of research areas in utilizing the craft for the latest trending styles. Key Words : Traditional embroidery, Chamba rumal, Chikankari, Kantha INTRODUCTION Embroidery is an art and handicraft that is done for decorating fabric or any flexible material using needle and thread. Materials such as metal strips, cut tube, zardozi, glass, pearls, beads, quills, feathers and sequins will be used as a part of value addition. Machine embroidery started in the early stages of the Industrial Revolution (19th century) that mimics hand embroidery not in construction but in appearance. Indians are world famous for their magnificent workmanship and most beautiful textiles especially the embroideries. Unity in diversity can be observed not only through culture, custom, but also in costume and decoration. Each state has its unique embroidery expressing the life style of the people inhibited their occupation, custom, thoughts, beliefs and likings. There are many such traditional embroideries from India namely Kantha, Banjara, Kathi, Soof, Aari Bharat, Rabari, Ahir Bharat, Banni, Kasuti, Kashmiri, ChikanKari, Zardozi, Phulkari, Bidri and Mirror Embroidery. -
ART2018-0075.Pdf
ATINER CONFERENCE PRESENTATION SERIES No: ART2018-0075 ATINER’s Conference Paper Proceedings Series ART2018-0075 Athens, 1 August 2018 Contemporary Embroidery of India: Tradition, Revival, and Globalization Punam Madhok Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10683 Athens, Greece ATINER‟s conference paper proceedings series are circulated to promote dialogue among academic scholars. All papers of this series have been blind reviewed and accepted for presentation at one of ATINER‟s annual conferences according to its acceptance policies (http://www.atiner.gr/acceptance). © All rights reserved by authors. 1 ATINER CONFERENCE PRESENTATION SERIES No: ART2018-0075 ATINER’s Conference Paper Proceedings Series ART2018-0075 Athens, 1 August 2018 ISSN: 2529-167X Punam Madhok, Associate Professor of Art History, East Carolina University, USA Contemporary Embroidery of India: Tradition, Revival, and Globalization ABSTRACT Contemporary embroidery of India has largely transformed from a leisure time activity to a source of income generation for destitute women. On the one hand, this has led to a loss of its intrinsic character but on the other hand, it has empowered a multitude of women actively engaged in it. Several organizations in India are attempting to intertwine tradition, revival, and globalization of embroideries such as Chikankari, Rabari, Phulkari, and Kantha. Chikankari is a dainty floral embroidery done on fine cloth. Its lace-like texture resembles European embroideries of the Dresden and Ayrshire styles. Rabari clothing is embroidered with colorful patterns and mirror pieces. It is influenced by needlework from Sindh in Pakistan. Phulkari refers to designs stitched with silk thread on the reverse side of a sturdy fabric. -
Sewing Assistant 5-1
5. Sewing Assistant 5-1 Sewing Assistant Your Creative Assistant can be accessed at any time by tou- ching on the tool bar. Touch to open your Sewing and Embroidery Assistant. Your Sewing Assistant contains information on the most important professional sewing techniques for a wide range of fabrics, and details of which sewing machine accessories to use. The following pages explain different basic sewing techni- ques. Explore your Sewing Assistant to discover more exten- sive information about fabrics, sewing techniques and appli- cations. 5-2 5. Sewing Assistant Non-stretch seams Straight stitch Stitch no. 1 is the basic straight stitch in center needle position. The stitch length can be increased up to 6 mm as required. Some sewing techniques can be accomplished more easily by changing the needle position, such as topstitching a collar or sewing in a zipper. Your Pfaff creative 2144 features 19 needle positions, which can be adjusted with . When changing the needle position make sure that the needle is at the highest positi- on. Programmable seam length for straight stitch Stitch no. 1 Stitch no. 1 allows you to program a set seam length by tou- ching after you have touched the icon. Place the fabrics right sides together under the presser foot. Sew the first seam. When you have sewn the desired seam length, press the C reverse button. The machine will tie of at the beginning and end of the seam. You can repeat the programmed seam with the same length as often as you choose (see page 3-8 for a more detailed description). -
Introduction to Hand Embroidery and Apparel Sector 3 Unit 1.2 - Role and Responsibilities of Hand Embroiderer 9 2
iii iv Acknowledgements We are thankful to all organisations and individuals who have helped us in preparation of this Participant Manual. We are especially thankful to Dr. S.K Sharma (M/S The Assessors Guild) for their unequivocal support in the entire process. We are also thankful to M/S Poppys Knitwears Private Limited, M/S Kanhaiyalal Kalyanmal, M/S Nirvana, M/S Poddar International, M/S Paper Moon , M/S Ocean Exim India Pvt. Ltd. and Savvy Corporation, for their kind support in development of this manual. v Participant Handbook About this book This Participant Handbook is designed to enable training for the specific qualification Pack(QP). Each National Occupational (NOS) is covered across Unit/s. Key Learning Objectives for the specific NOS mark the beginning of the Unit/s for that NOS. • Carry out different types of embroidery stitches – Flat, Loop & Knotted stitches • Embroider decorative designs using a combination of stitches & work styles • Contribute to achieve quality in embroidery work • Maintaining work premises & tools • Maintain health, safety and security at workplace • The trainee are able to maintain a clean and healthy working environment. The symbols used in this book are described below: vi Hand Embroiderer Table of Content S. No. Modules and Units Page No. 1. Introduction and Orientation 1 Unit 1.1 - Introduction to Hand Embroidery and Apparel Sector 3 Unit 1.2 - Role and Responsibilities of Hand Embroiderer 9 2. Carry out Different types of Embroidery Stitches – Flat, Loop and 11 Knotted Stitches (AMH/N1001) Unit 2.1 - Preparation for Embroidery 13 Unit 2.2 - Carrying out Different types of Stitches - Flat Stitches 31 Unit 2.3 - Carrying out Different types of Stitches - Loop Stitches 38 Unit 2.4 - Carrying out Different types of Stitches - Knotted Stitches 44 Unit 2.5 - Introduction to Waste Minimization 48 3. -
Traditional Hand Embroidery and Simple Hand-Woven Structures for Garment Manufacturing Used in Small Scale Industry
ISSN: 2277-9655 [Kaur * et al., 7(6): June, 2018] Impact Factor: 5.164 IC™ Value: 3.00 CODEN: IJESS7 IJESRT INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY TRADITIONAL HAND EMBROIDERY AND SIMPLE HAND-WOVEN STRUCTURES FOR GARMENT MANUFACTURING USED IN SMALL SCALE INDUSTRY Rajinder Kaur*1 & Jashanjeet Kaur2 *1Dev Samaj College for Women, (Ferozpur- Punjab) India, researches 2DBFGOI, (Moga- Punjab) India DOI: 10.5281/zenodo.1297392 ABSTRACT This study explores a field of textile craft, which incorporates the techniques of traditional hand embroidery design and a simple hand woven structure into construction processes of garment production to enhance the fortunes of the local fashion industry. The project was designed to have traditional and cultural significance, so as to provide a new dimension to local garment decorating processes. The results of the study revealed a wide possibility of creating and fashioning various simple hand woven structures of traditional significance into the production of garments. This provides innovative ways of actualizing new creative ideas for the progress of the local industry. The experiment revealed that with careful blending of yarns of various types, colos and sizes, very attractive and significant results can be achieved making it appropriate for use in garment decoration. The basic challenges encountered involved the variations in yarn sizes used, the long floats associated with some weave and embroidery styles and the limitations associated with the weave frame used for the project. Keywords: Hand Embroidery, Weaving, Garments. I. INTRODUCTION Embroidery was an important art in the Medieval Islamic world. The 17th-century Turkish traveler Evliya Celebi called it the "craft of the two hands". -
Mastering Your BERNINA/Bernette Sewing Machine Workbook
Mastering BERNINA®/bernette® Sewing Machines Your BERNINA® Mastering Your BERNINA®/bernette® Sewing Machine Owner’s Workbook MASTERING YOUR BERNINA® /bernette® SEWING MACHINE 1/06 1 ©2006 BERNINA® of America, Inc. Permission to copy granted only to Authorized BERNINA® Dealers Mastering BERNINA®/bernette® Sewing Machines Your BERNINA® Table of Contents Class 1 - General Information ..................................................................3 Introduction ....................................................................................................... 4 Meet Your Feet ................................................................................................. 5 Sewing Machine Needles ................................................................................. 6 Thread .............................................................................................................. 8 Stabilizers & Interfacings ................................................................................. 10 Samples........................................................................................................... 12 Product Reference List .................................................................................... 30 Class 2 - Practical Stitching ....................................................................31 Seam Samples ................................................................................................ 32 Hem and Edging Samples .............................................................................. -
What's Inside?
QUILTING EMBROIDERY What’s Inside? • BERNINA® News • Creative Pursuits • A Solid Foundation • Block By Block • Serging Ahead • Bobbinwork Basics • BERNINA® Quilter • Serger Spa Tote • Top Knot Headband • Sunflowers, Sunflowers, Sunflowers • Quilted Bolster Cover Page 4 • Landscape of Creativity • Sewing Up A Recipe • From Bath Towel to Bath Wrap • Dare To Go Off The Edge • Lovely Lingerie • KOOS In San Diego • Textured Surfaces • The $10,000 House SPECIAL CLASSROOM EDITION WHO WE ARE... BERNINA® QUILTER SEWING UP A RECIPE Meet the talented staff and stitchers who Designing and planning your next quilting BERNINA® machines have so many contribute tips, project ideas, and stories to project is simple and easy with the wonderful stitches to create and decorate Through the Needle. BERNINA® Quilter software program. with! Find answers to your questions about Page 2 Select your patchwork pattern, plan your using all of those fabulous decorative fabrics, and add embroidery to see your stitches in ways you never imagined. finished quilt before you even take a stitch! Page 39 BERNINA® NEWS Page 24 Learning to sew never ends! There’s always another technique or sewing trick FROM BATH TOWEL TO BATH WRAP you can add to your stitching repertoire. This quick and easy bath wrap is made ® from a towel and embellished with a rich BERNINA encourages you to take classes SERGER SPA TOTE monogram stitched with an embroidery and learn as much as you can. Carry your valuables, slippers or your spa machine. Page 3 indulgences in this delightful and roomy Page 42 tote bag -- made almost entirely on the CREATIVE PURSUITS serger.