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Borough Hall Skyscraper Historic District Designation Report
Cover Photograph: Court Street looking south along Skyscraper Row towards Brooklyn City Hall, now Brooklyn Borough Hall (1845-48, Gamaliel King) and the Brooklyn Municipal Building (1923-26, McKenzie, Voorhees & Gmelin). Christopher D. Brazee, 2011 Borough Hall Skyscraper Historic District Designation Report Prepared by Christopher D. Brazee Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Technical Assistance by Lauren Miller Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT MAP ................... FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT BOUNDARIES ............................. 1 SUMMARY .................................................................................................................................... 3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT ........................................................................................ 5 Early History and Development of Brooklyn‟s Civic Center ................................................... 5 Mid 19th Century Development -
Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of 8-26-2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/musicfacpub Part of the African American Studies Commons, American Popular Culture Commons, and the Music Commons Lefferts, Peter M., "Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography" (2016). Faculty Publications: School of Music. 64. http://digitalcommons.unl.edu/musicfacpub/64 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 08/26/2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln This document is one in a series---"Chronology and Itinerary of the Career of"---devoted to a small number of African American musicians active ca. 1900-1950. They are fallout from my work on a pair of essays, "US Army Black Regimental Bands and The Appointments of Their First Black Bandmasters" (2013) and "Black US Army Bands and Their Bandmasters in World War I" (2012/2016). In all cases I have put into some kind of order a number of biographical research notes, principally drawing upon newspaper and genealogy databases. None of them is any kind of finished, polished document; all represent work in progress, complete with missing data and the occasional typographical error. -
WEST 71St STREET HISTORIC DISTRICT DESIGNATION REPORT
/ WEST 71st STREET HISTORIC DISTRICT DESIGNATION REPORT LANDMARKS PRESERVATION COMMISSION WEST 71st STREET HISTORIC DISTRICT DESIGNATION REPORT 1989 City of New York Edward I. Koch, Mayor Landmarks Preservation Commission David F. M. Todd, Chairman Elliot Willensky, Vice-chairman Commissioners Thomas Evans Adolf Placzek Sarah Bradford Landau Mildred Schmertz George S. Lewis Gaston Silva Gene A. Norman Lee Weintraub The following members of the staff of the Landmarks Preservation Commission contributed to the production of this report: Research and writing by: Virginia Rurshan, Research Department Editing by: Jay Shockley, Deputy Director of Research Marjorie Pearson, Director of Research Graphics by: David M. Breiner, Research Department Photographs by: Carl Forster, LPC staff photographer WEST 71st STREET HISTORIC DISTRICT Designated August 29, 1989 >* r LU JU1J1- 3 Jinjui Z LU > < Q WEST 71st STREET Z o LU en o o I- CO CO (/) N 1 111 LU cn iJiJiAlr- * --^^ 5 LANDMARKS PRESERVATION COMMISSION Landmarks Preservation Commission August 29, 1989, Designation List 220 LP-1611 WEST 71st SHEET HISTORIC DISTRICT, Borough of Manhattan BOUNDARIES: The West 71st Street Historic District consists of the property bounded by a line beginning at the southeast corner of 310 West 71st Street, westerly along the southern property lines of 310 through 340 West.71st Street, northerly along the western property line of 340 West 71st Street, northerly across West 71st Street, westerly along the northern curbline of West 71st Street, northerly along the western property line of 351 West 71st Street, easterly along the northern property lines of 351 through 305 West 71st Street, southerly along the eastern property line of 305 West 71st Street, westerly along the northern curbline of West 71st Street, southerly across West 71st Street, southerly along the eastern property line of 310 West 71st Street to the point of beginning. -
BROADWAY BRIEFS MARY NASH SUBSCRIPTION RATES They Wave Their Hands and Handker- Bravc-Iy of It
Page Four THE DAILY WORKER. NEW YORK, MONDAY, MARCH 14, 1927 THE DAILY WORKER He Challenged the Ruling Class Published by the DAILY WORKER PUBLISHING CO. DRAMA Daily, Except Sunday New Phone, Orchard 1680 83 First Street, York, N. Y. IN MEMORY OF COMRADE C. E. RUTHENBERG BROADWAY BRIEFS MARY NASH SUBSCRIPTION RATES they wave their hands and handker- bravc-iy of it. It will be the curse I is the By mail (in New York only): By mail (outside of New Aork): i!> ANTHONY BIMBA. | chiefs, some of the handkerchiefs I of my life for the rest of my days “The Brothers Kai-amazov” months year $3.60 six months crowd • bill at the Guild, and “The Silver $6.00 per ... being SB.OO per year S4.SO six was in the summer of 1917. This I were red I push thru the ‘ that I murdered a human months $2.00 three months the thus.’ is what Cord” at tho Golden this week. The $2.60 three ITcountry was already in the clutches still closer to the platform of That conscription l to the : Piianedello play, “Right You Are If of the World War. The conscription automobile from which the speakers means youth of this nation.” Address all mail and make out checks to are addressing the demonstration. I Then he appealed to the audience You Think You Are,” will be given WORKER, First Street, New York, Y. law had been enacted by congress. at special Tuesday, DAILY 33 N. matinees Wednes- . _ TIIE "» very the platform to get rid of the 'bourgeois govern- . -
A SURPRISE VLSI Illicitly in the Water and About 5 Wednesday, January 7—Baptist Amboy
XXXIII. NO. 39. SOUTH AM HOY. N. J.. HATifRlM Y. JANUARY 3, 1VH4. Price ThreeCt MAIL CARRIER BREAKS HIS. While delivering a letter on Augus street on Tuesday afternoon, Robei Stratton, our local mail carrier, met Meet at City Hall at 12 o'clock on with an unfortunate accident, break- Attacking a Boat in Which Jury Quickly Finds Henry Fella and ing his right leg between the knee )'%• Ed, Furmanjannjand Jack Wil January 1 - Collin Stratton Elect- Paul Horworth Guilty of Passing and ankle. He fell heavily while com- ing out of a yard. Ho was taken to The Scene'o' off Battle a ed President - Pass Resolution Worthless Checks on Saloon his home ami attended ly Dr. B. E. Declaring Certain Offices Vacant Keepers of This City and Other Haines. -Haley Kills Big fis "liob" has bepn mail carrier lor many Shovel. Appointments Made. Places. years and always prided himself on never missing a mail. This accident will keep him in his homo for a long o£ catching a wnale i At 10.2f> a. m. on January 1, 1014, Henry Folia, alias Tony Mihalick, time. •a may sound mighty fishy, the common council mot at tins City | and Paul Horworth, alals Frank Ccr * Edwin Furman and Rollln Hall. Present—Mayor Dey, Coune.il- mack, charged with paaslnR worthies? proof of the story lying on rnon O'Connor, Slover, Stanlon find cliockH in tliia city, wero placed on SHIN!*—HKKTT. ,t Furman's Garage, where Stratton; Clerk Mack and City Solici- trial In the county cmirt Moii(>l(y MIKB Dorothy llrett, daughter of IredulouB may view its re- COLLIN STRATTON tor Pearse. -
Melrose- Land for Sale 407-409 East 158Th Street - Bronx Ny 10451 Prime Location! Remarkable Property with Tons of Potential!
MELROSE- LAND FOR SALE 407-409 EAST 158TH STREET - BRONX NY 10451 PRIME LOCATION! REMARKABLE PROPERTY WITH TONS OF POTENTIAL! WWW.BONDNEWYORK.COM LAND FOR SALE 407-409 EAST 158TH STREET - BRONX NY 10451 EXECUTIVE SUMMARY BOND New York has been retained on an exclusive basis to arrange for the sale of 407- 409 East 158th Street, in Bronx, New York, a 50’ x 100’ empty lot located on the north side of 158th Street between Elton Avenue and Melrose Avenue, in the Melrose neighborhood of the South Bronx. 407- 409 East 158th Street is zoned R8 with C1-4 overlay and can support 34,094 residential sf. The land is being sold with architecture plans for a 12 story building with 44 units. Proposed development is 70% market rate and 30% affordable housing structure using 421a tax abatement. Zoning analysis, survey, and Phase 2 included in sale. Melrose is an up-and-coming multi-cultural and vibrant neighborhood north of Mott Haven that has had record levels of investment and new development over the last 10 years. Great transportation and access to Manhattan make this area a strong long-term investment. New cultural centers, green spaces, and recreational areas make the area attractive for variety of new housing - luxury, market-rate and affordable. ASKING PRICE: $2,400,000 WWW.BONDNEWYORK.COM LAND FOR SALE 407-409 EAST 158TH STREET - BRONX NY 10451 LAND FEATURES: LAND FEATURES Address 407-409 East 158th Street Block 2380 Lot 0035, 0036 Lot Dimensions 50' x 100' (irregular) Lot Size 5,000 SF (approx.) Zoning C1-4, R8, R7-2 Residential FAR* 6.8 Total -
NPS Form 10 900 OMB No. 1024 0018
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional certification comments, entries, and narrative items on continuation sheets if needed (NPS Form 10-900a). 1. Name of Property historic name McMillen – Dyar House other names/site number 2. Location th street & number 526 E 12 Avenue not for publication city or town Spokane vicinity state Washington code WA county Spokane code 063 zip code 99202 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _ meets _ does not meet the National Register Criteria. I recommend that this property be considered significant at the following level(s) of significance: national statewide local Applicable National Register Criteria A X B X C D Signature of certifying official/Title Date WASHINGTON STATE SHPO State or Federal agency/bureau or Tribal Government In my opinion, the property meets does not meet the National Register criteria. -
MUSIC BOX THEATER, 239-247 West 45Th Street
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1359 MUSIC BOX THEATER, 239-247 West 45th Street. Built 1920; architects C. Howard Crane & E. George Kiehler. Landmark Site: Borough of Manhattan Tax Map Block 1017, Lot 11. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Music Box Theater and the proposed designation of the related Landmark Site (Item No. 55). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty -one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. Representatives of the two co-owners appeared at the hearing and indicated that neither had formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Music Box Theater survives today as one of the his to r ic playhouses that symbolize American theater for both New York and t h e nation. Constructed shortly after the end of World Wa r I, the Music Box was built by producer Sam Harri s to house Irving Berlin's ~usic Box Re ~ues . Sam Harris was a legendary Broadway producer, who first reached fame through his successful partnership with George M. Cohan, and the n collaborated with Irving Berlin and later with Kaufman and Hart. Irving Berlin is among the greatest and best-known Ame rican s ongwriters of t his cen t ury. -
Act One by James Lapine Teacher Resource Guide by Nicole Kempskie
TEACHER RESOURCE GUIDE ACT ONE BY JAMES LAPINE TEACHER RESOURCE GUIDE BY NICOLE KEMPSKIE MJODPMO!DFOUFS!UIFBUFSCover art by James McMullan BU!UIF!WJWJBO!CFBVNPOU André Bishop Producing Artistic Director Adam Siegel Hattie K. Jutagir Managing Director Executive Director of Development & Planning presents From the autobiography by Moss Hart with (in alphabetical order) Bob Ari Bill Army Will Brill Laurel Casillo Chuck Cooper Santino Fontana Steven Kaplan Will LeBow Mimi Lieber Charlotte Maier Noah Marlowe Andrea Martin Greg McFadden Deborah Offner Lance Roberts Matthew Saldivar Matthew Schechter Tony Shalhoub Jonathan Spivey Wendy Rich Stetson Bob Stillman Amy Warren Beowulf Boritt Jane Greenwood Ken Billington Dan Moses Schreier Sets Costumes Lighting Sound Louis Rosen Rick Steiger Daniel Swee Original Music Production Stage Manger Casting Jessica Niebanck Jeff Hamlin Linda Mason Ross Philip Rinaldi General Manager Production Manager Director of Marketing General Press Agent A Play Written and Directed by James Lapine With special appreciation to Christopher Hart Lead sponsor: Jerome L. Greene Foundation Sponsored by American Express LCT also gratefully acknowledges these generous contributors to ACT ONE: The Blanche and Irving Laurie Foundation The New York Community Trust - Mary P. Oenslager Foundation Fund Florence and Robert Kaufman Laura Pels International Foundation for Theater Judi and Douglas Krupp The Frederick Loewe· Foundation National Endowment for the Arts · · This play was commissioned by LCT with a gift from Ellen and Howard Katz. · Special thanks to The Harold and Mimi Steinberg Charitable Trust for supporting new American plays at LCT. American Airlines is the official airline of Lincoln Center Theater. ACT ONE was developed in part at Vineyard Arts Project, Edgartown, MA. -
Apollo Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission June 28, 1981 Designation List 166 LP-1300 ABOLLO THEATER (originally Hurtig & Seamon's New (Burlesque) Theater), first floor interior consisting of main lobby, the auditorium including the staircases leading to the first balcony level boxes, and the orchestra pit; the first balcony floor interior consisting of the upper part of the auditorium and the boxes; the second balcony floor interior consisting of the upper part of the auditorium and ceiling, and the boxes; and the fixtures and interior components of these spaces, including but not limited to, wall and ceiling su~faces, doors, murals, panels and railing~ 253West 125th Street, Borough of Manhattan. Built 1913-14; architect George Keister. Landmark Site: Borough of Manhattan Tax Map Block 1931, Lot 10. On April 13, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as an Interior Landmark of the Apollo Theater and the proposed designation of the related Landmark Site (Item No. 27). The hearing was continued to June 8, 1982 (Item No. 9). Both hearings had been duly advertised in accordance with the provisions of law. Six witnesses spoke in favor of designation. There was one speaker in opposition to designation. A petition was submitted bearing 1185 signa tures in favor of designation. Eleven letterswere received in support of designation. DESCRIPTION AND ANALYSIS The Apollo Theater, built in 1913-14 as Hurtig & Seamon's New (Burlesque) Theater and designed by architect George Keister, spanned the two eras of Harlem's entertain ment history. Its construction reflected the popularity of vaudeville and burlesque in the Harlem of the 1910s. -
Bleasco Theater
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1317 BELASCO THEATER, 111-121 West 44th Street, Manhattan. Built 1906-1907; architect George Keister. Landmark Site: Borough of Manhattan Tax Map Block 997, Lot 23. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Belasco Theater and the proposed designation of the related Landmark Site (Item No. 13). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indica ted that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Belasco Theater (originally Belasco's Stuyvesant) was built in 1906-07 as the ideal playhouse of David Belasco. Actor, dramatist, manager and director , he was one of the most important personalities in the history of American stage. Belasco was a pioneer in the development of the American 1 itt le theater movement where dramatic experience depended on close contact between actors and audience. He conceived of his house as a "living room" and consciously attempted its domestication with a facade in the neo-Georgian style. Home of all Belasco's theatrical operations (and after 1909 his personal home as well), it was executed by some of the finest talents of the day. -
THS Slide Collection, THS Postcard Collection, and THS Negative Collection Respectively
152 N. York St., 2nd Floor, Elmhurst, IL 60126 historictheatres.org Finding Aid for the THEATRE HISTORICAL SOCIETY SLIDE COLLECTION Acc No.: Future Additions Expected: Yes Finding Aid creation: August 28, 2014 Size: Approximately 8 linear feet Abstract The Theatre Historical Society Slide Collection consists of approximately 8 linear feet of photographic. The collection consists of nearly 10,000 photographic slides documenting over 2,050 theatres in the United States as well as some international theatres. Background Information The Theatre Historical Society of America was founded in 1969 to promote the legacy of America’s historic theatres and insure the documentation of the architectural, cultural and social history of those theatres. Materials were collected by members and kept in separate locations. Over time the collections were brought to one location and combined. From these initial collections the materials were organized and separated into several different collections. Records detailing histories of specific theatres were labeled the Theatre File, materials containing information on theatre mechanics, cinema chains, architects, THS members, vaudeville circuits, among other topics became the Subject Files, Photos that were used in the publication of Marquee were gathered into the Editors Collection, photographic slides, postcards, and negatives became the THS Slide Collection, THS Postcard Collection, and THS Negative Collection respectively. These collections came from THS members and donations made throughout the organization’s history. The following is a list of donors and photographers that contributed material to the slide collection. This list may not represent all contributing parties. Fred Beall Don King James C. Kogel Craig Morrison Michael R. Miller Bill Greenwood Brett Eddy Don Stott Edward Gibbs Br.