Inside Memphis Me. Mccieave's Great Voice
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General Services Administration
Barbara J. Coleman Oral History Interview – JFK#1, 01/19/1968 Administrative Information Creator: Barbara J. Coleman Interviewer: John F. Stewart Date of Interview: January 19, 1968 Place of Interview: Washington D.C. Length: 31 pages Biographical Note Coleman was a journalist, a White House press aide (1961-1962), a member of Robert Kennedy’s Senate staff, and presidential campaign aide (1968). In this interview she discusses Pierre Salinger’s press operations during the 1960 primaries and the presidential campaign, the Democratic National Convention, and Salinger’s relationship with the Kennedy administration, among other issues. Access Open. Usage Restrictions According to the deed of gift signed June 29, 1973, copyright of these materials has been assigned to the United States Government. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Hatfield HARTF Document
Chapter 1: John Hatfield, the Good Deacon John Hatfield was known as a Deacon of Cincinnati’s Zion Baptist church and a member of the Cincinnati Vigilance Committee in the years before the Civil War. He and his family had the reputation of helping freedom seekers on their way North. Even though he was named as a black abolitionist in many historical references written by Levi Coffin,1 Laura Havilland,2 and Professor Wilbur H. Siebert,3 until now, his life story and the fate of his family has never been explored in print. Through digital research and a series of remarkable coincidences, the Hatfield family’s story can be brought up to date. From Pennsylvania to Ohio Hatfield was born a free mulatto in Metal, Franklin Co., PA ca. 1804 to Joseph4 and Catherine Moore Hatfield, also free. Joseph was a farmer. His son Charles Amos would give his father’s birth location in the census as England and this is what appears on Charles’s death certificate. John, however, consistently gave his father’s place of birth as Pennsylvania. In 1780 Pennsylvania passed “An Act for the gradual abolition of slavery.” As a result, the state was a border between the free states of the north and the slave holding southern states (Mason-Dixon Line). Freedom seekers from Maryland and Virginia passed through Franklin County on their path to New York or New Jersey and thence to Canada. This county is heavily wooded with mountains and caves, affording many places to hide. Joseph and Catherine (Moore)5 Hatfield were the parents of John, Samuel, Charles Amos and perhaps other Hatfields as well. -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006), -
Oral History Interview – JFK#1, 11/02/1967 Administrative Information
William F. Haddad Oral History Interview – JFK#1, 11/02/1967 Administrative Information Creator: William F. Haddad Interviewer: John F. Stewart Date of Interview: November 2, 1967 Place of Interview: New York, New York Length: 103 pages Biographical Note Associate Director, Inspector General, Peace Corps, 1961 - 1963; Special Assistant to Robert F. Kennedy, 1960 Presidential Campaign; Campaign Advisor Robert F. Kennedy for President, 1968. In this interview, Haddad discusses the 1956 Democratic National Convention, work on the Estes Kefauver campaign, and John F. Kennedy’s 1960 presidential campaign, among other issues. Access Open Usage Restrictions According to the deed of gift signed June 5, 2002, copyright of these materials has been assigned to the United States Government. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
John F. Kennedy
T he PRESIDENTIAL RECORDINGS JOHN F. KENNEDY !! T H E GREA T CRISES, VOLUM E ON E "" JULY 30–AUGUST 1962 Timothy Naftali Editor, Volume One George Eliades Francis Gavin Erin Mahan Jonathan Rosenberg David Shreve Associate Editors, Volume One Patricia Dunn Assistant Editor Philip Zelikow and Ernest May General Editors B W. W. NORTON & COMPANY • NEW YORK • LONDON Copyright © 2001 by The Miller Center of Public Affairs Portions of this three-volume set were previously published by Harvard University Press in The Kennedy Tapes: Inside the White House During the Cuban Missile Crisis by Philip D. Zelikow and Ernest R. May. Copyright © 1997 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America First Edition For information about permission to reproduce selections from this book, write to Permissions, W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, NY 10110 The text of this book is composed in Bell, with the display set in Bell and Bell Semi-Bold Composition by Tom Ernst Manufacturing by The Maple-Vail Book Manufacturing Group Book design by Dana Sloan Production manager: Andrew Marasia Library of Congress Cataloging-in-Publication Data John F. Kennedy : the great crises. p. cm. (The presidential recordings) Includes bibliographical references and indexes. Contents: v. 1. July 30–August 1962 / Timothy Naftali, editor—v. 2. September 4–October 20, 1962 / Timothy Naftali and Philip Zelikow, editors—v. 3. October 22–28, 1962 / Philip Zelikow and Ernest May, editors. ISBN 0-393-04954-X 1. United States—Politics and government—1961–1963—Sources. -
Kenneth Hechler Papers, 1958-1976
Marshall University Marshall Digital Scholar Guides to Manuscript Collections Search Our Collections 2010 0777: Kenneth Hechler Papers, 1958-1976 Marshall University Special Collections Follow this and additional works at: https://mds.marshall.edu/sc_finding_aids Part of the American Politics Commons, Appalachian Studies Commons, Fiction Commons, Nonfiction Commons, Other Political Science Commons, Political History Commons, and the Publishing Commons Recommended Citation Kenneth Hechler Papers, 1958-1976, Accession No. 2010/05.0777, Special Collections Department, Marshall University, Huntington, WV. This Finding Aid is brought to you for free and open access by the Search Our Collections at Marshall Digital Scholar. It has been accepted for inclusion in Guides to Manuscript Collections by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. Inventory of the Kenneth Hechler Papers, 1958-1976 Accession 2010/05.0777 Scope and Content: Personal family papers, photographs and correspondence. Includes research material for Hechler's book, "The Bridge at Remagen". Also includes campaign material for Congressional races, West Virginia Secretary of State and a bid for the governorship of West Virginia. For additional materials created by Kenneth Hechler, look at the following collections: 2014/10.0820 2010/05.0702 1977/01.0199 Series I Family Series Ia Ancestry Box 1 (52 folders total) Folders 1-3 Ken’s genealogy research Folder 4 Notes on Gottfried Hechler Family -
Rock, Rhythm, & Soul
ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 13 / WINTER 2008-2009 Rock, Rhythm, & Soul: The Black Roots of Popular Music liner notes final 031009.indd 1 3/10/09 5:37:14 PM aaamc mission From the Desk of the Director The AAAMC is devoted to the collection, preservation, and dissemination of materials for the purpose of research and I write this column on January music critics and scholars to discuss study of African American 20, 2009, the day our country and the socio-political history, musical music and culture. the world witnessed history being developments, and the future of black www.indiana.edu/~aaamc made with the swearing-in of the 44th rock musicians and their music. The President of the United States, Barack AAAMC will host one panel followed Obama, the first African American by a light reception on the Friday elected to the nation’s highest office. afternoon of the conference and two Table of Contents The slogan “Yes We Can” that ushered panels on Saturday. The tentative in a new vision for America also fulfills titles and order of the three panels are From the Desk of part of Dr. Martin Luther King, Jr.’s “What Is Rock: Conceptualization and the Director ......................................2 dream for a different America—one Cultural Origins of Black Rock,” “The that embraces all of its people and Politics of Rock: Race, Class, Gender, Featured Collection: judges them by the content of their Generation,” and “The Face of Rock Patricia Turner ................................4 character rather than the color or their in the 21st Century.” In conjunction skin. -
20Th Anniversary Celebration
THE AFRICAN AMERICAN ART SONG ALLIANCE CONFERENCE 20th Anniversary Celebration February 9 – 12, 2017 Claire Trevor School of the Arts – Music The University of California, Irvine In collaboration with Christ Our Redeemer AME Church 45 Tesla, Irvine, Rev. Mark E. Whitlock, Jr., Pastor Host Hotel Transportation provided by COR AME Church Radisson Hotel Newport Beach via DMCLS, Inc. a minority-owned VIP transportation co. 4545 MacArthur Boulevard Mathurin Daniel, CEO Newport Beach, CA 92660 37 Rincon Way, Aliso Viejo, CA 92656 The African American Art Song Alliance artsongalliance.org Funding for this conference generously provided by: UCI Office of Inclusive Excellence Spirit Award Program; Christ Our Redeemer AME Church, 45 Tesla, Irvine, Rev. Mark E. Whitlock., Pastor; UCI Illuminations, the Chancellor’s Art & Culture Initiative; Hampsong Foundation; UC Consortium for Black Studies in California; COR Community Development Corporation (CORCDC); Chair’s Endowment, UCI Music Department; UCI African American Studies Department CONFERENCE PARTICIPANTS COMPOSERS SINGERS (cont) H. Leslie Adams, Cleveland, OH Kisma Jordan Hunter, University of Michigan, Flint, MI Judith Baity, Los Angeles, CA Albert R. Lee, University of Nevada, Reno, NV Brittney Elizabeth Boykin, Spelman College, Atlanta, GA Marquita Lister, Morgan State University, Baltimore, MD Maria Thompson Corley, Franklin & Marshall Coll., Lancaster, PA Leberta Lorál, Los Angeles, CA Marquez L.A. Garrett, Florida State University, Tallahassee, FL Jennifer Lindsay, Long Beach, CA Adolphus C. Hailstork, Old Dominion University, Norfolk, VA Oral Moses, Kennesaw State University, Kennesaw, GA Lori Celeste Hicks, Claflin University, Orangeburg, SC Marlaina Owens, Los Angeles, CA Charles Ingram, Los Angeles Southwest College, Los Angeles, CA Miranda Paulos, University of California, Irvine, CA Roy Jennings, New York, NY Willis C. -
Black Music Research Newsletter, Fall 1987
Columbia College Chicago Digital Commons @ Columbia College Chicago Center for Black Music Research: Black Music Research Newsletter Publications Fall 9-1-1987 Black Music Research Newsletter, Fall 1987 Samuel Floyd Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cbmrnews Part of the Arts and Humanities Commons, and the Education Commons Recommended Citation Floyd, Samuel, "Black Music Research Newsletter, Fall 1987" (1987). Center for Black Music Research: Black Music Research Newsletter. 25. https://digitalcommons.colum.edu/cbmrnews/25 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Center for Black Music Research: Black Music Research Newsletter by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. BLACK MUSIC RESEARCH NEWSLETTER. C B \I R COLUMBIA COLLEGE CHICAGO Vol. 9, No. 2 ISSN Number 0271-3799 Fall 1987 Chicago's Jazz Trail: 1893-1950 by Dempsey/. Travis, Chicago, [llinois Chicago's 1893 World Columbian Ex The Haitian Pavilion was an in or mentally drained while working in position was the magnet that attracted cubator for jazz music; it was there that Sedalia or St. Louis, he would return hundreds of black itinerant musicians, Scott Joplin and others discovered that to Chicago to be rejuvenated by the entertainers, intellectuals, and hustlers many of their fellow black musicians beauty of Lake Michigan, the smell of to its doorsteps. They all came to had developed musical skills in isola the stockyards, and the sounds of the Abraham Lincoln's city by the lake in tion from each other in various sections honky tonks in the red-Llght district. -
Second Oral History Interview
John Seigenthaler Oral History Interview – JFK #2, 2/21/1966 Administrative Information Creator: John Seigenthaler Interviewer: Ronald J. Grele Date of Interview: February 21, 1966 Place of Interview: Nashville, Tennessee Length: 171 pp. Biographical Note Seigenthaler was aide to Robert F. Kennedy during the 1960 Presidential campaign and Administrative Assistant to the Attorney General, Department of Justice (1961). This interview focuses on the activities of the 1960 presidential campaign, covering issues such as campaign expenditures, the vice presidency, campaign volunteers, citizens’ groups, Civil Rights, the labor and minority votes, and Southern support, among other issues. Access Restrictions No restrictions. Usage Restrictions According to the deed of gift signed August 29, 1986, copyright of these materials has been assigned to the United States Government. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. The copyright law extends its protection to unpublished works from the moment of creation in a tangible form. -
Adirondack Chronology
An Adirondack Chronology by The Adirondack Research Library of the Association for the Protection of the Adirondacks Chronology Management Team Gary Chilson Professor of Environmental Studies Editor, The Adirondack Journal of Environmental Studies Paul Smith’s College of Arts and Sciences PO Box 265 Paul Smiths, NY 12970-0265 [email protected] Carl George Professor of Biology, Emeritus Department of Biology Union College Schenectady, NY 12308 [email protected] Richard Tucker Adirondack Research Library 897 St. David’s Lane Niskayuna, NY 12309 [email protected] Last revised and enlarged – 20 January (No. 43) www.protectadks.org Adirondack Research Library The Adirondack Chronology is a useful resource for researchers and all others interested in the Adirondacks. It is made available by the Adirondack Research Library (ARL) of the Association for the Protection of the Adirondacks. It is hoped that it may serve as a 'starter set' of basic information leading to more in-depth research. Can the ARL further serve your research needs? To find out, visit our web page, or even better, visit the ARL at the Center for the Forest Preserve, 897 St. David's Lane, Niskayuna, N.Y., 12309. The ARL houses one of the finest collections available of books and periodicals, manuscripts, maps, photographs, and private papers dealing with the Adirondacks. Its volunteers will gladly assist you in finding answers to your questions and locating materials and contacts for your research projects. Introduction Is a chronology of the Adirondacks really possible? -
White House Press Secretary Wikipedia White House Press Secretary from Wikipedia, the Free Encyclopedia
1/22/2017 White House Press Secretary Wikipedia White House Press Secretary From Wikipedia, the free encyclopedia The White House Press Secretary is a senior White House official whose primary responsibility is to act as spokesperson for the United White House Press Secretary States government administration, especially with regard to the President, senior executives, and policies. The press secretary is responsible for collecting information about actions and events within the president's administration and issues the administration's reactions to developments around the world. The press secretary interacts with the media, and deals with the White House press corps on a daily basis, generally in a daily press briefing. The press secretary serves by the appointment of and at the pleasure of the president; the office does not require the advice and consent of the U.S. Senate, though because of the frequent briefings given to the media, who in turn inform the public, the position is still a very prominent nonCabinet post. Contents 1 History 1.1 Presidentialpress relations prior to the Incumbent establishment of the role Sean Spicer Lies for Daddy 1.2 Cleveland and McKinley administrations since January 20, 2017 1.3 White House Press Corps 1.4 Working space in the White House for the press Office of the Press Secretary corps Appointer President of the United States 1.5 Woodrow Wilson administration Formation 1929 1.6 Calvin Coolidge and Herbert Hoover administrations First George Edward Akerson 1.7 Roosevelt Administration, Steve Early,