Digital Itunes Booklet

Green George Teren, Craig Wiseman Look out! / People used to call me backwards / Livin’ out here with the tractors / Lettin’ this world leave me behind / Nowadays I’m an innovator / I’m a country boy prognosticator / Man, a man ahead of his time // chorus I got a hundred acre farm / I got a John Deere in my barn / I got a garden in my yard full of corn and peas and beans / I got a guitar I play unplugged / I got a homegrown girl I love / And when the summertime hits, we skinny dip in the stream / I was green before green was the thing / Oh yeah // Sheets on the clothesline dryin’ / Red-tail hawks are flyin’ / A couple of deer on the timberline / Yeah and I know a lot more about cane pole fishin’ / Than I ever will about carbon emissions / But my little corner of the world is doing just fine // repeat chorus // Yeah I got a hundred acre farm / I got a John Deere in my barn

Good At Startin’ Fires Sherrie Austin, Will Rambeaux, John Stephan She’s got her new jeans on / Lookin’ so right it’s wrong / Hmm, everybody stares as she walks on by // See those doubletakes / Hear those slammin’ brakes / Yeah, when she smiles you can see the sparks fly // Chorus My baby’s gotten good, good at startin’ fires / Hearts burn for her but I’m the one walkin’ beside her / Yeah maybe baby’s gotten good at startin’ fires / But I’m the only one, ain’t no doubt, only one who puts ’em out // She’s got a long red dress / And boy I must confess / Hmm, when you see her, she’ll take your breath away // When we’re out on the town / Eyes look her up and down / Yeah she makes the nighttime hotter than a summer day // I’m a lucky man and I know it’s true / Her flame burns for me / Yeah and that’s just so cool // repeat chorus

©2008 Melrose Nashville Publishing, Lil’ Aussie Battler (BMI) (Adm. by Melrose Music Group) / Oven Music, Inc. (BMI) / IGN Publishing (APRA) She Wouldn’t Be Gone Jennifer Adan, Cory Batten Red roadside wildflower, if I had only picked you / Took you home, set you on I’ll Just Hold On Ben Hayslip, Troy Olsen, Bryan Simpson the counter / Oh at least a time or two, maybe she’d a thought it through / Yellow I can taste your kiss on my lips and I’m wrapped around your fingertips / As I sunset slowly dippin’ down in the rearview / Oh how she loved to sit and watch watch the moonlight dancing on your skin / Your green eyes and the sweet red you / I coulda done that a whole lot more / If I hadn’t been so stubborn, been wine go to my head girl every time / And I get drunk on you, I lose control and so selfish / Thought about her more, thought about me less / Joked to make her then / Here I go again // Chorus Falling for you even though I know you’re only laugh, held her when she cried / A little more of that, maybe I wouldn’t be // playing with my heart / Tomorrow might be hell / But a night or two of loving you Chorus Drivin’ like hell, flyin’ like crazy down the highway / Callin’ everyone we is better than never at all / And I can’t help myself / So I’ll just hold on, I’ll just know, stoppin’ any place she might be / Goin’ any place she might go / Beatin’ on hold on, I’ll just hold on / Until you’re gone // Girl I know you’re a gypsy soul and the dash, screamin’ out her name at the windshield / Tears soakin’ up my face, if I’m just a stop along your road / And you hang around long enough to blow my I’d a loved her this much all along / Maybe, maybe, yeah maybe / She wouldn’t mind / If I had a star for every scar you tattooed on my heart / I could fill up the be gone, she wouldn’t be gone // She warned me it was comin’, said if it didn’t Oklahoma sky / So girl I don’t know why // repeat chorus // I’ll just hold on, I’ll change she was leavin’ / Now I just didn’t believe she would ever really walk out, just hold on, I’ll just hold on / Until you’re gone // I look down at my cell phone God I believe her now / Called her mama, cried like a baby to her best friend / ringing / I see your name and I know what that means / But I don’t care, I’ll just Now if they’ve seen her, they ain’t sayin’, they ain’t sayin’ / Now I’m cursin’ like a hold on / ’Til you’re gone // Every time you leave I take it hard / But seeing you fool, prayin’ it ain’t too late / All I wanna do is fix my mistakes / Find her, beg her go just breaks my heart / But I don’t care, I’ll just hold on / ’Til you’re gone // for one more try / Until then, damn it I’ll be // repeat chorus // And I wouldn’t be… Your green eyes and the sweet red wine / Go to my head girl every time / But I / Beatin’ on the dash, screamin’ out her name at the windshield / Tears soakin’ don’t care, I’ll just hold on / ’Til you’re gone up my face, if I’d a loved her this much all along / Maybe, maybe, yeah maybe ©2008 WB Music Corp., Melissa’s Money Music Publishing, Get A Load Of This Music (ASCAP) (All rights adm. by WB Music / She wouldn’t be gone Corp.) / Encore Entertainment LLC dba Mr. Noise Music (BMI) / Hillbilly Poetry, a division of Rio Nuevo Entertainment LLC (BMI) ©2008 Tommy Jo Publishing (BMI) / I Want To Hold Your Songs (BMI) 100 Miles Chris Stapleton, Craig Wiseman Wheels turn like my memories / And the headlights shine like my used to be’s / And time, time’s taking way too long / And forgiveness, well I hope it’s not too far gone // Chorus A hundred miles from here is where I need to be / And a hundred miles from now I’m gonna hit my knees / Say I miss you, oh I love you and I’m sorry / And if she can find a way to take me back / I’ll spend the rest of my life making up for the past / All my answers, all my hopes and all my fears / Are a hundred miles from here // I, I told her I had to go / And now I know what I didn’t know / And this road will lead me back to your door / But can it take me to a girl who can love me anymore // repeat chorus // Oh, a hundred miles from here

©2008 EMI April Music Inc., New Sea Gayle Music, Son of A Minor Songs (ASCAP) (All rights for New Sea Gayle Music and Son of A Minor Songs controlled and administered by EMI April Music Inc.) / Big Loud Shirt (ASCAP) (Adm. by Big Loud Bucks)

Never Lovin’ You Kendell Marvel, Chris Stapleton Now listen to me / This here’s how it used to be // I can see the day that I won’t wanna / Hang out with the boys all night / Yeah and I can see the day when I’ll / Walk off this dead-end job for good / And I can see the day when I won’t be / Afraid of gettin’ older / But no matter what I do / Honey I can’t see me never lovin’ you // Some things are bound to change / But some things stay the same / Like they ought to / Some things are meant to be / Just like you and me together / But if I die today, or if I find / A way to live forever / No matter what I do darlin’ I can’t / See me never lovin’ you / Un-uh // Hey show ’em what I’m talkin’ about one time Gordon / Ha ha / Aw that’s pretty // Yeah and I can see a time, that you won’t think you / Look as good as you used to / Oh and I can see a time your auburn hair / Will turn to gray / And I can see a time you’ll think you won’t / Blow my mind but I can tell you / No matter what I do / Darlin’ I can’t see me never lovin’ you // Yeah some things are bound to change / But some things stay the same / Like they ought to / Some things are meant to be / Just like you and me together / But if I die today, or if I find / A way to live forever / No matter what I do / I can’t see me never lovin’ you / No matter what I do / Honey I can’t see me never lovin’ you / Hmm // Aw I’ve seen a lot of things / And I can’t see that / Un-uh / I just can’t see it happenin’ / Un-uh

©2008 Songs of Thortch, Songs of Windswept Pacific (BMI) (All rights obo Songs Of Thortch administered by Songs Of Windswept Pacific)/ House of Sea Gayle Music, New Son of A Miner Songs (ASCAP) Country Strong Rhett Akins, Dallas Davidson, Ben Hayslip Cat diesel power cap pulled down low / Makin’ that bacon row by row / Can’t get them muscles at the YMCA / It’s from choppin’ cotton, cuttin’ corn and slingin’ that hay / Been heavy liftin’ since the crack of dawn / No doubt about it, that boy’s country strong // He’s up in the mornin’ yawnin’ / With them work boots on This Is Gonna Take All Night Chris Dubois, Ashley Gorley / Workin’ like hell ’til the dinner bell / Brings him back home / Blue collar in his Well I’ve been thinking about it and it’s been too long / So put them dirty dishes blood, backwoods in his bones / No doubt about it, that boy’s country strong // down and leave that laundry alone / And come on / Take me by the hand and He wears an ol’ felt hat on his head / Got a saddle for a pillow and the ground follow me to our room / You don’t have to tell me this is way overdue / I know, for a bed / Spurs on his heels, reins in his hand / Drivin’ cattle, ropin’ steers and so let’s go // Chorus I wanna be with you / Come let me kiss you / And I don’t burnin’ his brand / There ain’t no lettin’ up all day long / No doubt about it, that mean a peck on the cheek / Girl tonight I’m making up for lost time / I hope you boy’s country strong // He’s up in the mornin’ yawnin’ / With them Tony Lama’s got a good night’s sleep / I ain’t gonna rush it, girl you’re gonna love it / ’Cause on / Workin’ like hell ’til the dinner bell / Brings him back home / Blue collar in I intend to do it right / But I’ll go ahead and warn you / This is gonna take all his blood, backwoods in his bones / No doubt about it, that boy’s country strong night // Now, I don’t understand how life can get in the way / Of me and the / Yep // Aw yeah // Yeah behind every good man there’s a good woman / She’s prettiest girl in the world making love / But it does // repeat chorus // I wanna be the one thing that keeps him goin’, keeps him goin’ // She’s up in the mornin’ with you / Come let me kiss you / And I don’t mean a peck on the cheek / Girl yawnin’ / With that coffee pot on / Workin’ like hell ’til the dinner bell brings him tonight I’m making up for lost time / I hope you got a good night’s sleep / I’m back home / Blue collar in her blood, backwoods in her bones / No doubt about gonna pay attention to every square inch of you / I intend to do this right / But it, that girl’s country strong / Ha ha // Cowboys, plowboys, good-hearted women I’ll go ahead and warn you / This is gonna take all night / Yeah I’ll show you how / They’re all country strong I love you / But, girl, it’s gonna take all night ©2008 EMI Blackwood Music Inc., Rhettneck Music, String Stretcher Music (BMI) (All rights for Rhettneck Music and ©2008 EMI April Music Inc., New Sea Gayle Music (ASCAP) (All rights for New Sea Gayle Music controlled and administered String Stretcher Music controlled and administered by EMI Blackwood Music Inc.) / WB Music Corp., Melissa’s Money by EMI April Music) / Songs Of Combustion Music, Music Of Windswept (ASCAP) (All rights obo Songs Of Combustion Music Publishing, Get A Load Of This Music (ASCAP) (All rights adm. by WB Music Corp.) Music administered by Music Of Windswept)

Rhett Akins, Dallas Davidson, Ben Hayslip Home Sweet Home Here I Am Blake Shelton, Dean Dillon I look out ’cross corn rows / From a dirt road / Baby’s kicked back in the front You were just someone, some friend of mine said / Take her out and have seat, got her bare feet / Hangin’ out the window / We take a trip down memory yourself a good time / To be honest I was far from over a broken heart / You were lane / Dust on the truck, no chance of rain / My third-generation farmin’ friends the furthest thing from my mind / And it didn’t seem to matter to you / That I all pray / That it’s on the way / And if it don’t show up, we’ll be alright / ’Cause looked away when we were introduced // Chorus ’Cause you broke the ice with folks ’round here wouldn’t take a million bucks / For a different life // Chorus that killer smile / Ordered us a drink and we talked awhile / And I slowly started Home sweet home / I thank my lucky stars at night / I was raised down here and coming around / Now here I am // To tell the truth I did my best to tell myself / raised up right / Am I proud, you got that right / Home sweet home / Where a Hey don’t forget the last time / Then I stood there in disbelief / At how easily you little bit goes a long way / Where we shut her down on Sunday / No I won’t ever got to me with your eyes / You reached across the table / And you took my hand get too far away / From home sweet home // Pulled down to the cane bridge / / And I knew I was in trouble right there and then // repeat chorus // Down on one Park in the ditch / Folks and poles are lined up, a little kid holds a stringer up / knee / Am I gettin’ to you baby / The way you got to me // repeat chorus (x2) Got a mess of fish / And I drive away with a smile on my face / Knowin’ that this repeat chorus ©2008 Sony/ATV Music Publishing LLC, Gosnell Music Group (BMI) (All rights obo Sony/ATV Music Publishing LLC place was blessed by / God’s amazing grace // // No matter where I administered by Sony/ATV Music Publishing LLC) go or where the road might lead / This little speck on the map is always gonna be // repeat chorus // Yeah I’m comin’ home

©2008 EMI Blackwood Music Inc., Rhettneck Music, String Stretcher Music (BMI) (All rights for Rhettneck Music and String Stretcher Music controlled and administered by EMI Blackwood Music Inc.) / WB Music Corp., Melissa’s Money Music Publishing, Get A Load Of This Music (ASCAP) (All rights adm. by WB Music Corp.) Bare Skin Rug featuring Miranda Lambert Blake Shelton, Miranda Lambert Well the moon just came over the treetops / And the whippoorwill started to sing / So I slid down the hill, got into the still / And drank ’til my ears started to ring // I followed a trail through the hollow / To a shack back in the woods / It’s my eighteenth birthday / Honey come out and play / It’s time we got up to no good // Now I ain’t afraid to be lonely / But I still wanna learn about love / I’m a hillbilly child, raised in the wild / Come lay down on my bare skin rug // My dress is torn up and tattered / My daddy left a long time ago / And my hair just hangs down / I’ve never made it to town / Mama said that’s where bad people go / But me and my sister been talkin’ / She’s eighteen, one year older than me / She laid down with a man / I want to understand what she says I’ll never believe // ’Cause I ain’t afraid to be lonely / But I still wanna learn about love / I’m a hillbilly child, been raised in the wild / Lay me down on your bare skin rug // Now I need a woman / And I need a man / We ain’t got nobody / And we ain’t even kin // No I ain’t afraid to be lonely / But I still wanna learn about love / I’m a hillbilly child, been raised in the wild / Lay me down on your bare skin rug

I Don’t Care Casey Beathard, Dean Dillon Ain’t That Good Casey Beathard, Odie Blackmon There she was / Laughin’, talkin’, window shoppin’ / With a new guy / And I You make the coffee, I try and doctor it up / A little cream and some sugar and heard about him / I heard she found him / Right around when we said goodbye I think about us / Ain’t it just like me, not to say what I should / It ain’t that bad / And I came real close / And almost lost my temper / But I bit my tongue, kept / It just ain’t that good // There’s no way you don’t notice the silence we share / my cool / ’Cause I remembered // Chorus 1 I don’t care, she don’t matter / I don’t I’m afraid what’s come between us has always been there / Just somewhere the love her anymore / He can have her / I don’t know why it slips my mind / I tell truth got misunderstood / No it ain’t that bad / It just ain’t that good // So we go myself all the time / Guess I forgot again / For a second there / That I don’t care on / Going through the motions / Holding on / To some crazy notion / That we’re // Almost ten / Should’ve known his car / Would still be parked / In her drive / not afraid of being alone // Yeah we go on / Going through the motions / Holding Almost pulled in / Knocked on her door / And gave her a piece of my mind / Oh on / To some crazy notion / That we’re not afraid of being alone // I packed up but I just kept on drivin’ back / To my place wonderin’ why / I went so far out of and left here in the back of my mind / I’m sure you’ve done the same a couple my way / When… // repeat chorus // I got home the light was blinkin’ / On that of times / The truth is by now I thought one of us would / Guess it ain’t that bad old machine / She said my brother’s been in town / That he just left and I miss / It just ain’t that good // No we don’t say goodbye though we probably should you / Give me a ring // Chorus 2 I still care / She’s all that matters / I still love her / I guess it ain’t that bad / It just ain’t that good just like always / I got to have her / I never got her off my mind / Been hopin’ ©2008 Sony/ATV Acuff Rose Music, Lavender Zoo Music (BMI) / Cal IV Songs (ASCAP) (All rights obo Cal IV Songs she would call sometime / I know it’s late / To be drivin’ over there / But I don’t administered by Cal IV Entertainment, LLC) care // I don’t care ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED. USED BY PERMISSION. ©2007 Sony/ATV Songs LLC (BMI) (All rights adm. by Sony/ATV Music Publishing) Produced by Scott Hendricks

Tracked by Steve Marcantonio at Ocean Way Nashville; assisted by Bryan Graban & Jacob Murry

Bare Skin Rug Recorded by Jeff Balding at Arrowhead Ranch, assisted by Greg Lawrence. Overdubs Recorded by Scott Hendricks & Dave Matthews at Loud Recording (Nashville, TN), Ocean Way Nashville, Blackbird Studios (Nashville, TN), Sound Emporium (Nashville, TN), Arrowhead Studios (Leiper’s Fork, TN) & Odds On Recording (Henderson, NV); assisted by Rich Hanson, Taylor Pollert, John Netti & Matt Szpyrka. Digital Editing by Brian David Willis, Tyler Moles, Brady Barnett & Erik Hellerman. Mixed by Justin Niebank at Blackbird Studios (Nashville, TN); assisted by Drew Bollman and Steven Blackmon. Production Assistance by Scott Johnson.

Musicians: Tom Bukovac – Electric Guitar & Sitar / Jimmie Lee Sloas – Bass / Brent Mason – Electric & Acoustic Guitar / Gordon Mote – Piano & B-3 / Chris McHugh – Drums & Percussion / Greg Morrow – Drums & Percussion / Eric Darken – Percussion / Mike Johnson – Pedal Steel Guitar / B. James Lowry – Acoustic Guitar / Ilya Toshinsky – Acoustic Guitar / Aubrey Haynie – Fiddle & Mandolin / Perry Coleman, Wes Hightower, Chris Stapleton, Lisa Cochran – Background Vocals / Miranda Lambert – Duet Vocal on Bare Skin Rug.

Miranda Lambert appears courtesy of Columbia nashville.

This Is Gonna Take All Night, Ain’t That Good Produced by Brent Rowan. Recorded by Ben Fowler at Starstruck Studios (Nashville, TN), assisted by Todd Tidwell. Overdubs Recorded by Craig White at Curb Studios (Nashville, TN) & Brent Rowan at Studio 44 (Nashville, TN). Digital Editing by Brent Rowan & Brian David Willis at Studio 44 (Nashville, TN). Strings on Ain’t That Good Recorded by David Schober at Little Big Sound (Nashville, TN). Mixed by Ben Fowler & Brent Rowan at Studio 44 (Nashville, TN). Production Assistance by Phillip Stein.

Musicians: Shannon Forrest – Drums & Percussion / Craig Young – Bass Guitar / Blake Shelton – Acoustic Guitar / Brent Rowan – Electric & Acoustic Guitar / Paul Franklin – Steel Guitar / Gordon Mote – Piano & B-3 / Aubrey Haynie – Fiddle & Mandolin / Shane Keister – Synthesizer / Eric Darken – Percussion / Wes Hightower, Russell Terrell – Background Vocals / Strings – David Davidson, Marisa Angell, David Angell, Anthony LaMarchina / Strings Arranged by Russell Mauldin

I Don’t Care Produced by Bobby Braddock. Recorded by Ed Seay at Emerald Sound Studios “Tracking Room” (Nashville, TN); assisted by Scott Kidd. Mixed by Ed Seay at Cool Tools Audio. Production Coordination by Milly Catignani.

Musicians: Brent Rowan – Electric Guitar / Bryan Sutton – Acoustic Guitar / Jonathan Yudkin – Mandolin / Paul Franklin – Steel Guitar / Gordon Mote – Piano / Tim Lauer – B-3 Organ / Shannon Forrest – Drums / Glenn Worf – Bass / Eric Darken – Shakers / Wes Hightower – Harmony & Background Vocals / Melodie Crittenden, Chip Davis – Background Vocals / Strings: Violin – David Davidson, David Angell / Viola – Kristin Wilkinson, Monisa Phillips Angell / Cello - Anthony LaMarchina / Strings Arranged by Bobby Braddock & Tim Lauer.

Mastered by Hank Williams at Mastermix, Nashville, TN A&R Administration: Cheryl H. McTyre Holy cow! My fifth album! Scott would like to thank Blake Shelton for his belief and support in making this record; Bill I have the greatest, most Bennett and Tom Whalley for the opportunity loyal fans in the world! You at WBR; Narvel and Brandon Blackstock for request the songs, vote for my videos, always connecting the dots; Cris Lacy, Rebekah come to the shows, and buy this music… Sterk, Tracy Gershon, Jennie Curran, Cheryl , , and the for that, my friends, I thank you from the McTyre Terry Watson Melanie McNair rest of the WB Nashville staff, Kevin Canady, bottom of my heart. I LOVE Y’ALL!! Scott Dana Kelley, Scott (Scojo) Johnson, Steve Hendricks—I’m so proud of this record! Marcantonio, Justin Niebank, Jeff Balding, Warner Bros. Records—you all have Brian Willis, Clarke Schleicher, Erik Hellerman, become one hell of a powerful force. Bill, Dave Matthews, Drew Bollman and all of the Gator, Scott, Tom, Diarmuid, Tree, Peter, assistant engineers and studios involved; the Kelli, and all the staff—thank you for amazing musicians and background singers who always give their very best for me; the publishers stopping at nothing to make sure my music and songwriters who gave us the script. Last gets heard and seen. Narvel, Brandon, but not least, I’d like to thank my wife Teri and Kevin, and Dana—thank y’all for well… precious daughters, Keely and Shaye, for their literally everything (and not killing me)! sacrifice of a missing husband and dad while Mary Ann, Julie, Erin, and Brandon— making this record. taxes suck, but I love y’all. Mark and everyone at William Morris—10 years of greatness! Darlene and Jessie—thanks for all your hard work. Rusty—thank you for Fan Club: looking out for me. Troy and Sony/ATV Blake Shelton Fan Club Music Publishing. Trish & Holly—thanks P.O. Box 1511 for your sense of style. My band rocks— Ada, OK 74821 thank you for always kicking ass! Hey Rob, Management: 14 years… we’re getting old. My crew… my Narvel Blackstock rock—thank y’all. Matt Morrett, Michael Brandon Blackstock Starstruck Management Group Waddell and Lee and Tiffany Pepperoni— 40 Music Square West let’s go hunting! Nashville, TN 37203 Mom, Dad, Endy, Terri, Mike, Ryan, and Booking Agent: the other Mike—I love my family! William Morris Agency Mark Roeder 1600 Division Street, Suite 300 Miranda—you’ll never know how much I Nashville, TN 37203 look up to you. Thank you. Art Direction: Katherine Petillo & Luellyn Latocki Larry, Carol, Debbi, and Patti—you’ve always been there. Love y’all! Design: Jeff Crump for Latocki Team Creative

Photography: Special Thanks to: Russ Harrington All the BSers! / Country Radio / CMT / GAC Location: / Terry Calogne and Richards & Southern Milky Way Farms / milkywayfarmstn.com, Lynnville, Tennessee / David Lienhard and Dean Markley Strings / Tim Moore and Sennheiser Wardrobe Styling: / Mike Vandiver and Southern Select Trish Townsend Feeds / David Vincent and Takamine. Grooming: Holly Chapman And last but not least, I would like to ©2008 Warner Bros. Records Inc., A Warner Music Group thank deer. Thank you for existing! Company. Made in U.S.A. 1 Green 3:00 2 Good At Startin’ Fires 3:01 3 She Wouldn’t Be Gone 3:35 4 I’ll Just Hold On 3:59 5 100 Miles 3:29 6 Never Lovin’ You 4:38 7 Country Strong 3:13 8 Home Sweet Home 3:53 9 This Is Gonna Take All Night* 3:17 10 Here I Am 3:50 † 11 I Don’t Care 3:51 12 Bare Skin Rug featuring Miranda Lambert 3:47 13 Ain’t That Good * 3:25

Produced by Scott Hendricks * Produced by Brent Rowan † Produced by Bobby Braddock

6-516771 Warner Bros. Records Inc., A Warner Music Group Company. 20 Music square east, nashville, tn 37203-4344; 1290 avenue of the Americas, neW york, ny 10104-0012. ©˙ 2008 Warner Bros. records Inc. for the u.S. and WEA International Inc. for the World outside the U.S. Made in U.S.A. All Rights Reserved.