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Country Update BILLBOARD.COM/NEWSLETTERS AUGUST 17, 2020 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Maddie & Tae: How Country Artist Managers Are No. 1, Take Two >page 4 Managing The COVID-19 Age Sparkle & Hank In When the specter of COVID-19 ripped up tour schedules in day when the industry is up and running again, even though Hall Of Fame March, country music’s artist managers took a deep breath, no one knows quite sure when that will be. >page 10 wrote off a few concerts and prepared to relaunch their clients’ “We’re referring to 2020 as a year of investment in learning calendars at the end of spring or the beginning of summer. and recalibrating,” says Miller. “We haven’t paused or skipped Five months later, the novel coronavirus rages stronger with a beat as we set up 2021.” no sign that the touring business, the key revenue stream for A big part of that is keeping the fan base energized, even if Church Shakes most artists and managers, will return to any sense of normalcy the artist can’t see it face-to-face on the road. Pope whipped Money Makers before next spring at the earliest. As a result, managers find together a previously unplanned acoustic album of songs she >page 11 themselves in an unenviable predicament, asked to keep their had held on to for years but never recorded. McBride assembled a sometimes fragile artists moving for- performance of the winning song from ward while simultaneously trying to her episode of NBC’s Songland, which keep their own businesses afloat. was taped before self-isolating began. Excellent Incomes have dropped by as And Fusion clients Laine Hardy and Ryman Timin’ much as 95%, according to Fusion Riley Green have new music on the >page 11 Management/Red Light manager drawing board before year’s end. Daniel Miller (Martina McBride, “Fans are still really engaged with Cassadee Pope) and LP Creative music and content,” says Miller. “We MILLER PHELAN HILL Makin’ Tracks: Management owner LeAnn Phelan know we can keep creating music and Pitney’s Single (singer-songwriter Jake Rose, pop we can keep supporting it visually in ‘Ain’t Bad’ artist Natalie Madigan). lots of ways. We’re focusing on what we can control and setting >page 17 “October through March for most of us usually means zero up plans A, B and C.” dollars, so we’re planning on that,” says Hill Entertainment Managers approached for this story each said they had thus Group CEO Greg Hill (Rodney Atkins, Naomi Judd). “What we far been able to weather the storm without firing or furloughing didn’t plan on was right when the touring and earning [started] any full-time employees, and Maverick Management president Country Coda: back up for it all to go away. Managers and business managers, Clarence Spalding (Jason Aldean, Darius Rucker) indicated Sam Hunt’s you know, most of us are really looking at last October since his artists have been diligent about keeping staff as well. Reba No. 1 ‘Party’ we earned money.” McEntire, he noted, even paid freelance road crew members >page 20 Thus, the genre’s managers have made this a year for learn- for 14 concert dates that were scrapped. ing new skills, reevaluating business expenses and rejiggering “She got the sweetest emails and phone calls from those career plans for artists to make sure they are prepped for the people because they just didn’t expect it,” he says. BILLBOARD COUNTRY UPDATE AUGUST 17, 2020 | PAGE 2 OF 20 Because the coronavirus has routinely dashed expectations, managers mostly have given up on navigating road dates for their acts. The lack of a national plan to combat the outbreak has left individual states to establish a confusing patchwork of rules. While some states are still allowing concerts under certain conditions — Billy Bob’s Texas, for example, is reopening at roughly 20% capacity — local regulations are tentative, at best. Thus, a weekend of concert dates that was routed to make money could end up costing the artist if one or more dates fall through. “To find out that one of the cities, one of the counties or one of the states shuts everything down, then you’re going, ‘OK, well, I can’t do Evansville [Ind]. I might be able to do Louisville [Ky.], and I think I can do Dayton [Ohio].’ And three days later, something changes and that goes away,” says Spalding. “So Old Dominion’s Matthew Ramsey (upper right) and Trevor Rosen I’ve just taken more of the stance to look to 2021 midyear. And that way I’m (bottom) visited with SiriusXM host Storme Warren to discuss the treating the band, the crew, the artists — and more importantly, all the fans “Meow Mix” version of their self-titled album that features vocals — [right]. I don’t feel like I’m jacking them around.” delivered in cat lingo. As a result, managers and their teams are learning new skill sets and rou- tines. Everyone has adapted to communicating remotely, while their clients have learned to write and record songs via phone and computer connections. Spalding is reexamining his office needs now that it’s clear the staff is able to do much of its work from home. And Hill’s team has found ways to cut expenses for the occasional socially distanced shows that arise. Some of those changes might remain in force even after it’s safe to tour full time again. “Everything right now is on how to maximize profits,” says Hill. “It was really nice to have five buses. How can we do it in two buses? And [production is] where there’s a bit of a reset because what we’re seeing in some of these shows is people want the music more than they want the bells and whistles.” Phelan, who was managing two clients at the start of the COVID-19 era, is now up to three after investing in new areas to enhance her value. She Devin Dawson previewed his new single, “I Got a Truck,” during an learned to build her own website and designed LP Creative Therapy, a ca- Aug. 11 Zoom conference with media. Clockwise from upper left: CMT reer development course for artists and songwriters. The first series of group senior vp music strategy Leslie Fram, TheBoot.com editor-in-chief courses was free, but she has since begun charging for the service, bringing Angela Zimmer, Dawson and Warner Music Nashville manager of artist in such guests as songwriter Bobby Braddock, Carly Pearce and Sony/ATV development Taylor Aretz. Nashville CEO Rusty Gaston to speak to 20 clients online. Phelan also does one-on-one sessions. That side business has helped her endure this period financially, as did some money from the Paycheck Protection Program, and made it easier to invest time in her management clients that may not pay off for a year or more. “The main bulk of my time is on my clients,” she says, “but I’m also able to help these other people creatively through this workshop where it’s worth their money and it’s worth my time. And I do feel accountable to them.” The goal for every manager is to control what they can for their artists in an unpredictable environment — and to control emotions in the process. “In the end, we’re still dealing with human beings and lives, and we want to come out of this and be positioned for success,” says Hill. “It’s easy to panic Jeannie Seely and Billboard Country Update editor Tom Roland broke and go into your shell, but going into your shell is not going to solve anything the socially distanced arrangement of a sit-down interview at her long term. A serenity prayer is in full effect for everybody right now.” home just long enough for a photo on Aug. 13. PHOTOGRAPHY. MOSER BY MOMENTS SEELY: XM2. 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In its first week (ending April 9), it female talent. earnedThe song46,000 gained equivalent by 8% albumto 35.9 units, million including audience 16,000 impressions in album in sales, the week ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingending Aug. to Nielsen 16, according Music/MRC to Nielsen Data. Music/MRC Data. andLONG total ‘LIVE’Country AirplayLUKE No.Luke 1 as Bryan “Catch” banks (Big his Machine ninth LabelTop Country Group) ascendsAlbums Southside“We write marks music thatHunt’s we secondlove, hoping No.