Network of Asian Fantastic Films 아시아 판타스틱영화 제작네트워크 2020 - 2021 완성작 2020 - 2021 Copmleted Projects 선정작 성과 Project Accomplishments
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Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
AACTA AWARD for BEST ASIAN FILM Process and Eligibility Criteria
AACTA AWARD FOR BEST ASIAN FILM Process and Eligibility Criteria PART 1: PROCESS 1. Entry into competition 1.1. Films from Tier One or Tier Two Asian countries (see definition under Part 2, 3.1), that meet one or more of the Eligibility Criteria (see Eligibility Criteria in Part 2) will be considered for entry into competition. 1.2. Invitations to enter into Formal Competition will be sent to select eligible films at AACTA’s discretion. All invitations will be extended in June via email. 1.3. All films that are invited and agree to pay the Entry Fee will then enter Formal Competition. 1.4. The Formal Competition List will comprise a total of 27 films that meet Regional Quotas (outlined below) based on the average number of films from each eligible country distributed in Australia for paid admission. Regional Quotas: (a) China: nine Chinese films may be included in Formal Competition. (b) India: nine Indian films may be included in Formal Competition. (c) Japan: three Japanese films may be included in Formal Competition. (d) South Korea: three South Korean films may be included in Formal Competition. (e) Tier Two countries: three films in total from Tier Two countries may be included in Formal Competition. 2. Preliminary Selection Committee 2.1. Three Preliminary Selection Committees will be appointed at AACTA’s discretion to determine the Nominees that progress from Formal Competition: (a) The Chinese Preliminary Selection Committee will determine three Nominees from the nine Chinese films in Formal Competition. (b) The Indian Preliminary Selection Committee will determine three Nominees from the nine Indian films in Formal Competition. -
The Studies of HKIFF: an Overview of a Burgeoning Field of Its Establishment in the Current Years
The studies of Hong Kong International Film Festival (HKIFF) : Title an overview of a burgeoning field of its establishment in the current years Author(s) Law, Pik-yu Law, P. E.. (2015). The studies of Hong Kong International Film Festival (HKIFF) : an overview of a burgeoning field of its Citation establishment in the current years. (Thesis). University of Hong Kong, Pokfulam, Hong Kong SAR. Issued Date 2015 URL http://hdl.handle.net/10722/223429 The author retains all proprietary rights, (such as patent rights) and the right to use in future works.; This work is licensed under Rights a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The Studies of HKIFF: An Overview of a Burgeoning Field of its establishment in the current years The University of Hong Kong Department of Sociology Assignment / Essay Cover Sheet1 Programme Title: Master of Social Sciences in Media, Culture and Creative Cities – MSocSc(MCCC) Title of Course: SOCI8030 Capstone Project Course Code: SOCI8030 Title of Assignment / Essay: The Studies of Hong Kong International Film Festival (HKIFF): An overview of a Burgeoning Field of its establishment in the current years Student Name: LAW, Pik Yu Eugenia Student Number: 2013932305 Year of Study: Year 2 Date of Resubmission2: Plagiarism Plagiarism is the presentation of work which has been copied in whole or in part from another person’s work, or from any other source such as the Internet, published books or periodicals without due acknowledgement given in the text. Where there are reasonable grounds for believing that cheating has occurred, the action that may be taken when plagiarism is detected is for the staff member not to mark the item of work and to report or refer the matter to the Department. -
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
The 2Nd International Film Festival & Awards • Macao Unveils Festival
The 2nd International Film Festival & Awards • Macao unveils festival programme, announces Laurent Cantet as head of jury Macao, 3 November, 2017 The 2nd International Film Festival & Awards • Macao (IFFAM) today announced its programme at a press conference in Macao. The Hong Kong/Macao premiere of Paul King’s Paddington 2 will open the IFFAM on Friday 8 December with the festival running until Thursday 14. The programme includes 10 competition films including the Asian premieres of Venice Film Festival prize winners Foxtrot by Samuel Maoz, and Custody, by Xavier Legrand, as well as Toronto Film Festival breakout Beast, by Michael Pearce and the London Film Festival hit Wrath of Silence, directed by Xin Yukun. For its second edition the IFFAM has exclusively dedicated the feature film competition to films by first and second time film makers with a $60,000 USD prize being awarded to the best feature. The prestigious competition jury comprises of: Laurent Cantet – Director (Jury President) Jessica Hausner - Director Lawrence Osborne - Novelist Joan Chen – Actress / Director Royston Tan – Director Representing the latest style of genre cinema to Asian audiences, highlights from the Flying Daggers strand features Cannes Film Festival smash A Prayer Before Dawn by Jean-Stéphane Sauvaire and Brian Taylor’s Toronto sensation Mom and Dad. The Asian premiere of Saul Dibb’s Journey’s End is screening as an Out-Of-Competition gala alongside Bong Joon-ho’s Okja, showing on the big screen for the first time in the region, and Pen-ek Ratanaruang’s latest movie Samui Song which will be screened with director and cast in attendance. -
The Electronic Press Kit for PIROUETTE (2020)
CONTACT DETAILS Howard/Delaney Productions [email protected] Peter David Howard Producer, dIrector, editor [email protected] Glenn Delaney Producer, director [email protected] SYNOPSIS FILM DETAILS This six-minute short film tells the story of a Title: “PIROUETTE” twenty-something woman who is a jeweller by Runtime: 6 minutes day and an avid op-shopper in her time off. Completed: August 15, 2020 On a routine garage sale paruse she discovers a quirky ballerina box, another item for her collection. SOCIAL MEDIA Upon returning home, she finds out that the ballerina has vanished, what a waste of ten Website: pirouettefilm.com bucks. Vimeo trailer That night she awakes in the middle of her hallway, had she been sleepwalking? IMDB details Or did someone drag her there? Please use the #PIROUETTEFILM hashtag Ani Priyo as Kate pirouettefilm.com 2 CAST & CREW Peter David Howard Glenn Delaney Producer / Director / Editor Producer / Director Known for: Known for: Heart & Soul, Live on Bowen, Melbourne Music Tonight, Studio A, Network 10 News Follies of Youth, Live on Bowen Ani Priyo Hannah Sims As Kate As the ballerina Known for: Known for: Smoke, Love Lost, Gemstone baby, Winnie, Alone The Age of Imitation Together, ‘Luna, Luna’ David Rusanow Shang-Lien Yang Director of photography First assistant camera Known for: Known for: Bouche, Superheroes, Mother, Road to Boston, God in the Jungle, Tough, Tanglewood Sky, Tough, Jungle, Bloom Garrett Eckerson Marisa Matear Gaffer Production designer Known for: Known for: The Blue Man, -
Un Affare Di Famiglia Di Kore-Eda Hirokazu
Un affare di famiglia di Kore-eda Hirokazu uscita: 13 settembre 2018 durata: 121 minuti I materiali stampa sono scaricabili dall’area press del sito www.bimfilm.com UN AFFARE DI FAMIGLIA CAST ARTISTICO Shibata Osamu Lily Franky Shibata Nobuyo ANDO Sakura Shibata Aki MATSUOKA Mayu Shibata Hatsue KIKI Kilin Shibata Shota JYO Kairi Hojo Juri SASAKI Miyu CAST TECNICO Regia / Sceneggiatura / Montaggio KORE-EDA Hirokazu Musica Originale HOSONO Haruomi (Victor Entertainment) Direttore della Fotografia KONDO Ryuto Luci FUJII Isamu Suono TOMITA Kazuhiko Scenografia MITSUMATSU Keiko Aoi Pro. Inc. Produzione Aoi Pro. Inc. Produttori Esecutivi ISHIHARA Takashi Tom YODA NAKAE Yasuhito Produttori Associati OSAWA Megumi ODAKE Satomi Produttori MATSUZAKI Kaoru YOSE Akihiko TAGUCHI Hijiri 2 UN AFFARE DI FAMIGLIA Sinossi Dopo uno dei loro furti, Osamu e suo figlio si imbattono in una ragazzina in mezzo ad un freddo glaciale. Dapprima riluttante ad accoglierla, la moglie di Osamu acconsente ad occuparsi di lei dopo aver appreso le difficoltà che la aspettano. Benché la famiglia sia così povera da riuscire a malapena a sopravvivere commettendo piccoli reati, sembrano vivere felici insieme finché un incidente imprevisto porta alla luce segreti nascosti che mettono alla prova i legami che li uniscono... 3 UN AFFARE DI FAMIGLIA Intervista a Kore-eda Hirokazu Ha deciso di realizzare questo film dopo aver appreso di casi di famiglie che continuano a percepire illegalmente le pensioni dei genitori deceduti da anni. Il suo intento era quello di rappresentare una famiglia da un punto di vista diverso rispetto ai suoi precedenti film? La prima cosa che mi è venuta in mente è stata la frase: “Solo i crimini ci tenevano uniti”. -
Swiff 2017 Printable Program
COFFS COAST HEART OF FILM COFFS HARBOUR · BELLINGEN 4 JAN - 28 JAN 2017 SWIFF.COM.AU PROGRAM SWIFF 2017 Welcome to SWIFF 2017. It’s been twelve months since our inaugural festival made its dynamic debut, introducing both local and travelling audiences to the Coffs Coast film festival experience. This year we bring back SWIFF to be the beating heart of film across the Coffs Coast with 70 sessions, including special events, gala screenings, short films, industry sessions, and the most compelling new films from Australia and around the globe, all packed into 17 days across summer. Along with titles from the world film festival circuit including Cannes, Sundance, Hot Docs, and Toronto, SWIFF tips its hat to Screenwave’s past programs while ushering in some new guests to the party. We answer the Call of the Surf, celebrate Women on Film, discover the power of the documentary form, and witness the forever changing landscape of world cinema. Face the Change, our 2017 festival theme – and program of the same name- gives a voice and a platform for the changemakers of modern cinema and filmmakers of the future. We also celebrate the fact that cinema is accessible to everyone with Access All Areas, a free short film and performance program that celebrates individual merits and talents, and not letting our different abilities define who we are. Our region’s film festival adds a new venue to the line-up with Birch, Carrol & Coyle Cinemas Coffs Harbour coming on board for Gala Screenings. For those films that leave you with more questions than answers, Element Bar is the official SWIFF Festival Hub to discuss, eat, drink, and talk film. -
Sake, Sex and Gore: the Japanese Zombie Film and Cult Cinema
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Murphy, Kayleigh (2015) Sake, sex and gore: The Japanese zombie film and cult cinema. Asian Cinema, 26(2), pp. 193-203. This file was downloaded from: https://eprints.qut.edu.au/96101/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1386/ac.26.2.193_1 Sake, sex and gore: The Japanese zombie film and cult cinema Kayleigh Murphy, Queensland University of Technology Abstract Zombie film is a minor, yet growing, sub-genre within Japan’s contemporary horror genre. -
Switchblade Comb" by Mobius Vanchocstraw
00:00:00 Music Music "Switchblade Comb" by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I'm April Wolfe. Every week, I invite a new female filmmaker on—a writer, director, actor, or producer—and we talk in-depth about one of their fave genre films, perhaps one that influenced their own work in some small way, and today I'm very excited to have writer-director Alice Waddington here with me. Hi, Alice! 00:00:28 Alice Guest Hi, April! How are you? Waddington [Music fades out.] 00:00:30 April Host Oh, I'm quite well. [Alice laughs.] Despite fires raging. 00:00:32 Alice Guest Oh my goodness. 00:00:33 April Host But I gotta say your pink jumpsuit—pink corduroy jumpsuit is really livening up the place. 00:00:39 Alice Guest [Laughs.] Thank you so much. I'm—you know, I am on my Logan's Run stuff already. So. [Laughs.] 00:00:44 April Host Absolutely. I mean, Halloween should be year-round. [Alice laughs.] Okay, so for those of you who are not as familiar with Alice's work, please let me give you an introduction. Alice Waddington was born in a rural background, but she was raised in the big city of Bilbao, Spain. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Fantastic Arcade Added to Festival
1 THE DAILY TEXAN NEWS PAGE 6 SPORTS PAGE 7 TOMORROW’S WEATHER UT gets ready to move High Low to new data center Lone Star State showdown 91 73 Thursday, September 23, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com Friendship TODAY Fantastic Arcade added to Festival from Navy raises $15m Calendar for building Free Henna By Collin Eaton Students help drum up Daily Texan Staff donations to aid flood victims in About 40 years ago, a young Na- Pakistan by offering free henna val officer named William Powers tattoos for donors. Stop by in Jr. was on a tour in Bahrain when front of the FAC from 9 a.m. to James Mulva, the man who would 5 p.m. become the chairman and CEO of ConocoPhilips, came to the island Craziest Cake fresh from UT’s Na- Competition val Re- Austin’s creative bakers serve Offi- compete for the title of the cer Train- craziest cake. The competition is ing Corps. at the AT&T Executive Education On two and Conference Center from different 7 to 10 p.m. and will offer sides of free cake samples. RSVP by the island, e-mailing rsvp@austinmonthly. Powers com. and Mul- va occa- sionally Delfos Danza James Mulva met each Conoco Philips CEO Contemporánea other at The Teresa Lozano Long events Institute of Latin American during their tours. But eight years Studies and the Department ago, it was at a Texas Exes event hon- of Theater and Dance presents Thomas Allison | Daily Texan Staff oring Mulva that UT President Pow- contemporary dance by Tech director Kody McKay Sandel demos one of eight custom-made arcade-style games for the upcoming Fantastic Arcade at The Highball.