Swiff 2017 Printable Program
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
The Electronic Press Kit for PIROUETTE (2020)
CONTACT DETAILS Howard/Delaney Productions [email protected] Peter David Howard Producer, dIrector, editor [email protected] Glenn Delaney Producer, director [email protected] SYNOPSIS FILM DETAILS This six-minute short film tells the story of a Title: “PIROUETTE” twenty-something woman who is a jeweller by Runtime: 6 minutes day and an avid op-shopper in her time off. Completed: August 15, 2020 On a routine garage sale paruse she discovers a quirky ballerina box, another item for her collection. SOCIAL MEDIA Upon returning home, she finds out that the ballerina has vanished, what a waste of ten Website: pirouettefilm.com bucks. Vimeo trailer That night she awakes in the middle of her hallway, had she been sleepwalking? IMDB details Or did someone drag her there? Please use the #PIROUETTEFILM hashtag Ani Priyo as Kate pirouettefilm.com 2 CAST & CREW Peter David Howard Glenn Delaney Producer / Director / Editor Producer / Director Known for: Known for: Heart & Soul, Live on Bowen, Melbourne Music Tonight, Studio A, Network 10 News Follies of Youth, Live on Bowen Ani Priyo Hannah Sims As Kate As the ballerina Known for: Known for: Smoke, Love Lost, Gemstone baby, Winnie, Alone The Age of Imitation Together, ‘Luna, Luna’ David Rusanow Shang-Lien Yang Director of photography First assistant camera Known for: Known for: Bouche, Superheroes, Mother, Road to Boston, God in the Jungle, Tough, Tanglewood Sky, Tough, Jungle, Bloom Garrett Eckerson Marisa Matear Gaffer Production designer Known for: Known for: The Blue Man, -
Sake, Sex and Gore: the Japanese Zombie Film and Cult Cinema
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Murphy, Kayleigh (2015) Sake, sex and gore: The Japanese zombie film and cult cinema. Asian Cinema, 26(2), pp. 193-203. This file was downloaded from: https://eprints.qut.edu.au/96101/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1386/ac.26.2.193_1 Sake, sex and gore: The Japanese zombie film and cult cinema Kayleigh Murphy, Queensland University of Technology Abstract Zombie film is a minor, yet growing, sub-genre within Japan’s contemporary horror genre. -
SQ Annual Review 2017-18
17 > Celeste ANNUAL REVIEW 18 CONTACT Head Office Address: Gold Coast Office Address: Suite 1/30 Florence Street c/o Village Roadshow Studios Newstead Qld 4006 Building 9A, Entertainment Road Australia Oxenford QLD 4210 T. +61 7 3248 0500 Australia E. [email protected] Postal Address: PO Box 15094 City East Brisbane Qld 4002 Australia Screen Queensland's purpose is to grow the screen industry to be a significant contributor to the economic and cultural wellbeing of Queensland. > Harrow Screen Queensland ACN 056 169 316 ABN 20 056 169 316 Published by Screen Queensland 2018 Also published on screenqld.com.au -------------------------------------------------------------------------------------------------------------------------------------------------------- All figures noted in this Annual Report, including Queensland Production Expenditure (QPE) and jobs, are for the productions given funding in the 2017-18 Financial Year which may or may not have gone into principal photography. > Cover image - Tidelands In the 2017–18 Financial Year, Screen Queensland funded 28 film and television screen productions and games, which generated an estimated $168 million in direct Queensland Production Expenditure (QPE) and more than 1,960 employment opportunities for Queenslanders. > CONTENTS Message from The Premier of Queensland 5 Screen Queensland Chair 7 Look What We Achieved Together 8 2017-18 Highlights 10 Production in Queensland 14 New Initiatives in Screen 18 Screen Support Programs 26 Production Attraction Funding Program 30 Dora the -
Fangoria 345(2015)
IT'S ALIVE—AND IT'S ANGRY! CANADA U.S.& $11.99 Hus: JERUZALEM • Larry Fessenden • Fabio Frizzi • Clu Gulager www.fangoria.com Wrestling HoiTor • THE HALLOW • CONDEMNED • Much more! NOW IN THEATERS f- & ON DEMAND CONTRACTED itHORROR PHASE 2 IN THEATERS & [ NOW ON DEMAND I DEMANOffc’^ . I 11/20 LEARN BY DOING. sFACTORY Digital Filmmaking Program at Douglas DOUGLASEducation Center 1 30 Seventh Street • Monessen, PA 1 5062 Financial aid is available to those who qualify. For more information about graduation rates, median debt of students who completed the program, and consumer information, please visit www.dec.edu/df Housing is available through Boss Development, Inc. DEC.EDU 1.800.413.6013 THIS SCHOOL IS AUTHORIZED UNDER FEDERAL LAWTO ENROLL NONIMMIGRANT ALIEN STUDENTS. 1 6 PREVIEW: “KRAMPUS” The “anti-Claus” gets the major movie vehicle he’s long deserved, thanks to 54 ON SET: “THE HALLOW” Irish forest dwellers are director Michael Dougherty. no longer confined to legend in Corin Hardy’s mythological chiller. 20 PREVIEW: “JERUZALEM” Israeli filmmaking brothers Doron and Yoev Paz spread unholy evil 58 DN SET: “CHARLIE’S FARM” Do you dare join us across sacred ground. to trespass on the grounds of Chris Sun’s huge, savage psychopath? 22 ONSET: “CONDEMNED” 64 INTERVIEW: CLU GULAGER From “Return of the In Eli Morgan Living Dead” to “Feast,” something’s always been Gesner’s infection eating at the veteran actor. opus, catching the murderous rage 68 FEATURE: “MEXICD BARBARD” Director/producer doesn’t mean Lex Drtega et al. are seeing their ambitious anthology you lose your head north of the border. -
April 17-23, 2017 GLOBE CINEMA 617 8 AVE SW
-fourteenth- April 17-23, 2017 GLOBE CINEMA 617 8 AVE SW program guide TICKET & VENUE INFORMATION VENUE Globe Cinema - 617 8 Ave SW SINGLE TICKETS Opening Night Screening & Party $12 Saturday Morning Cartoon Party $12 Kids 6 & under $6 Regular Admission $10 CUFF Members, Students & Seniors $8 Rush Line is CASH ONLY DISCOUNTS ON MULTI-PACK TICKETS YEAR-ROUND CUFF Starting at $40 EVENTS AND SCREENINGS Purchase 5 or more films at one time to save $2 on each ticket. Purchase from the multi-pack shopping cart online. Excludes Saturday Morning Cartoon Party and COOL MEMBERSHIP Opening Night Screening & Party. NUMBER DOG TAG FESTIVAL PASS ONCE A MONTH Festival Pass $120 E-NEWSLETTER ON Pass includes all festival screenings, 2 complimentary drink tickets, and a private CUFF EVENTS passholder screening after the festival. Tickets for passholders are available at all screenings. We recommend arriving 45 minutes prior to start time to ensure entry. SPECIAL EXCLUSIVE DISCOUNTS WITH CUFF FESTIVAL BAR (LICENSED 18+) PARTNERS Festival bar open after 3 PM, serving Big Rock beer and cider, wine, mixed drinks and food options. All screenings after 3 PM are licensed (18+), which means you AND EVEN MORE COOL can drink alcohol during the film (!) but NO MINORS. Early matinees are all ages. STUFF WE HAVEN’T FESTIVAL BOX OFFICE THOUGHT OF YET! Online at www.calgaryundergroundfilm.com Festival Phone (403) 444-8315 MEMBERSHIPS CAN BE Globe Cinema starting March 23, any time the theatre is open Lukes Drug Mart, starting March 23, 112 4 St NE (lukesdrugmart.com) PURCHASED AT ALL CUFF Hours: Mon–Fri: 7 AM–9 PM, Sat: 9 AM–9 PM, Sun: 9 AM–8 PM EVENTS OR ONLINE: CALGARYUNDERGROUNDFILM.COM MEMBERSHIPS Purchase a lifetime membership for $10 from the festival merchandise table, or at www.calgaryundergroundfilm.com. -
Program Guide
PROGRAM GUIDE Globe Cinema 617 8 Ave SW FRIDAY APRIL 17, 9:45 PM LOREM IPSUM DARLOR 18+ LOREM IPSUM DARLOR WEBSITE HERE UNITED STATES, 2014, 93 MIN ALBERTA PREMIERE DIRECTORS PRODUCERS SCREENWRITERS CAST info Info Info Info orem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud L exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum. “ STE NATUS ERROR SIT VOLUPTATEM ACCUSANTIUM DOLOREMQUE LAUDANTIUM, TOTAM REM APERIAM, EAQUE IPSA QUAE AB ILLO INVENTORE VERITATIS ET QUASI ARCHITECTO” SOURCE “OMNIS ISTE NATUS ERROR SIT VOLUPTATEM ACCUSANTIUM DOLOREMQUE LAUDANTIUM, TOTAM REM APERIAM, EAQUE IPSA QUAE AB ILLO INVENTORE VERITATIS ET QUASI ARCHITECTO” SOURCE OFFICIAL SELECTION Venice Film Festival 2014 Toronto International Film Festival 2014 SXSW 2015 SATURDAY. APRIL 18 | 7:00PM SWIM LITTLE FISH SWIM APRIL 18 | 7:00PM SWIM SATURDAY. PROGRAM GUIDE 1 TICKET & VENUE INFORMATION VENUE Globe Cinema - 617 8 Ave SW SINGLE TICKETS Opening Night Screening & Party $12 Saturday Morning Cartoon Party $12 Kids 6 & under $6 Regular Admission $10 CUFF Members, Students & Seniors $8 Rush Line is CASH ONLY PUNCH PASS 5-Film Punch Pass $40 Excludes Saturday Morning Cartoon Party/Opening Night Screening & Party. A punch pass can be shared, used for more than one ticket per screening, and for year-round programming. FESTIVAL PASSES Early Bird Pass $99 Regular Festival Pass $120 Tickets for passholders are available at all screenings. -
Okay. Hello, Everybody, My Name Is Sean Welsh. I'm the Programmer Of
Kier-La Janisse In Conversation | 10/05/2020 | Transcript [Sean Welsh] Okay. Hello, everybody, my name is Sean Welsh. I'm the programmer of Matchbox Cineclub, based in Glasgow, Scotland, and also one of the coordinators for Scalarama in Scotland. Today's event is a special spin-off from Scalarama Glasgow's regular monthly programme of roundtable events for independent exhibitors, leading into the annual September season of DIY film events. Anyone that's unfamiliar with Scalarama can find Scalarama Glasgow on Facebook, Twitter and Instagram. These year-round events that we do are intended to bring film programmers together to share advice and resources, encourage collaboration and provide a way for new and emerging programmers to benefit from that advice, those resources and collaboration with their peers and established film programmers. Of course, there's a huge amount of uncertainty just now and that's affecting everyone's plans, including any Scalarama programme in September, and pretty much everything else people might have had lined up for 2020. On the other hand, taking things online means we have new opportunities too one of which is talking with people from much further afield. Which brings me to this event tonight and to our very special guest, Kier-La Janisse is a film writer and programmer with over 20 years' experience and a ridiculously impressive CV. She founded the CineMuerte horror festival in Vancouver, where it ran for six years, and has subsequently worked with Fantasia, Fantastic Fest, Australia's Monster Fest and many others worldwide, including Edinburgh's Dead by Dawn festival. -
Film Library 2018
FILM LIBRARY 2018 Latido Films is an international sales agency founded in 2003 to commercialize all-film rights of titles from all over the world (with a line-up of no more than 15 per year to ensure our quality standards), with a special focus in Spain and Latin-America and lately Eastern Europe. Latido has collaborated with prestigious filmmakers such as Juan Jose Campanella (“The Weasels”, “The Secret In Their Eyes” – Oscar for Best Foreign Language Film), Carlos Saura (“J: Beyond Flamenco”, “Fados”), Andres Wood (“Violeta Went To Heaven” and “Machuca”), just to mention some of them. Moreover, we support established arthouse directors such as Krzysztof Zanussi, Mariano Cohn and Gastón Duprat. On the other hand, we work with box office hits such as “Champions“ by Javier Fesser and “The Best Summer Of My Life” by Dani de la Orden. Likewise, Latido seeks after rising up new talents like Bartosz M. Kowalski (“Playground”) and Rodrigo Sorogoyen (“The Realm”, “May God Save Us”). We are also convinced that there’s a market for movies by striking new women directors, such as Pepa San Martin (“Rara”), Laura Mora (“Killing Jesus”) and Arantxa Echevarría (“Carmen & Lola”). Multi-audience animations and ground-breaking documentaries are also a must in our catalogue. FILM LIBRARY 1973. Uruguay is governed by a military dictatorship. One autumn Festivals & Awards A TWELVE-YEAR night, three Tupamaro prisoners are taken from their jail cells in a secret military operation. The order is precise: “As we can’t kill Venice Film Festival 2018 Festival Internacional de Cine de San NIGHT them, let’s drive them mad.” The three men will remain in solitary Sebastián LA NOCHE DE 12 AÑOS confinement for twelve years.Among them is Pepe Mujica –later to Busan International Film Festival Festival Biarritz Amérique Latine become president of Uruguay. -
Annual Report
2015– 2016 ANNUAL REPORT AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL AUSTRALIAN The text in this Annual Report is released subject to FILM, TELEVISION a Creative Commons BY-NC-ND licence, except for the AND RADIO SCHOOL text of the independent auditor’s report. This means, in summary, that you may reproduce, transmit and otherwise Building 130 use AFTRS’ text, so long as you do not do so for commercial The Entertainment Quarter purposes and do not change it. You must also attribute the Moore Park NSW 2021 text you use as extracted from the Australian Film, Television PO Box 2286 and Radio School’s Annual Report. Strawberry Hills NSW 2012 For more details about this licence, see Tel 1300 131 461 http://creativecommons.org/licenses/by-nc-nd/3.0/ Tel +61 (0)2 9805 6611 deed.en_GB. This licence is in addition to any fair dealing Fax +61 (0)2 9887 1030 or other rights you may have under the Copyright Act 1968. You are not permitted to reproduce, transmit or otherwise www.aftrs.edu.au use any still photographs included in this Annual Report, © Australian Film, Television without first obtaining AFTRS’ written permission. and Radio School 2016 The report is available at the AFTRS website: Published by the http://www.aftrs.edu.au Australian Film, Television Cover image: Still from VR Noir: A Day Before the Night, and Radio School created by AFTRS in partnership with Start VR and FSM. ISSN 0819–2316 Image design Kain Tietzel. Image copyright Start VR 2016. LETTER FROM THE CHAIR 2 September 2016 Senator the Hon. -
Annual Report 2013/14 Report | Annual Australia Screen
Screen Australia | Annual Report 2013/14 Screen Australia Annual Report 2013/14 www.screenaustralia.gov.au Published by Screen Australia October 2014 ISSN 1837-2740 © Screen Australia 2014 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2013/14. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior All Annual Report enquiries should be addressed to: consent of OzTAM. Regional market data is copyright to Publishing Unit RegionalTAM. The data may not be reproduced, published or communicated Screen Australia (electronically or in hard copy) in whole Level 7, 45 Jones Street or part without the prior consent of Ultimo NSW 2007 RegionalTAM. Toll free: 1800 213 099 This Annual Report is available to download Phone: 02 8113 5800 as a PDF from www.screenaustralia.gov.au Email: [email protected] Front cover image from INXS: Never Tear Us Apart. -
Early Features of Melbourne and Sydney Film Festival Programmes (1952–1965)
A PPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY FILM FESTIVAL PROGRAMMES (1952–1965) © The Author(s) 2016 205 K. Stevens, Australian Film Festivals, DOI 10.1057/978-1-137-58130-3 206 APPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY… # Films shared between # Films shared MFF and SFF programmes lms and programme elements Sydney Film Festival Select fi Programme breakdown lms, c fi lms, lms, Berlin lms, Germania Anno Mike and Stefani (Darbon and Louisiana Story lms, documentaries lms, early Australian lms, animated fi (Flaherty, 1926); (Flaherty, lms grouped in thematic lms and programme elements (Rossellini, 1948) lm, French avant-garde fi lms from Canada (Ruttman, 1927); Zero Shorts programmes: scientifi religious fi experimental fi Discussion: Censorship, Film Criticism Select fi La Belle et la Bête Cocteau, 1946); 1948); (Flaherty, (Williams, 1951) Short fi and national programmes, including: Religious fi classroom fi fi fi Discussion forums: Film Society Problems, Censorship, Film and Making a Film Society, Moana Melbourne Film Festival lms lms Programme breakdown 8 features 79 short fi 9 features 88 short fi Year Year 1952 1953 APPENDIX 1: EARLY FEATURES OF MELBOURNE AND SYDNEY… 207 ) continued ( lms lms 9 features 13 short fi 6 features 12 short fi c, The (Dreyer, (Dreyer, (de Sica, (Heyer, (Heyer, (Rossellini, (Yutkevitch, (Yutkevitch, (Tati, 1948); (Tati, (Longford, lm programme (Schoedsack & (Kinugasa, 1953); lms Miracle in Milan Skanderbeg Jour de fête Back of Beyond Grass (Cocteau, 1950); Orphée Sentimental Bloke 1919); -
Annual Report 2017/18
Screen Australia Annual | Report 2017/18 Screen Australia Annual Report 2017/18 Published by Screen Australia October 2018 ISSN 1837-2740 © Screen Australia 2018 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2017/18. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of All Annual Report enquiries should be addressed to: RegionalTAM. Communications Department Screen Australia This Annual Report is available to download as a Level 7, 45 Jones Street PDF from www.screenaustralia.gov.au Ultimo NSW 2007 Toll free: 1800 213 099 Front cover image from Sweet Country.