NEON Christina Zisa [email protected] Claire

Total Page:16

File Type:pdf, Size:1020Kb

NEON Christina Zisa Christina@Neonrated.Com Claire TANGO ENTERTAINMENT PRESENTS IN ASSOCIATION WITH WATER’S END PRODUCTIONS AUTOMATIK ENTERTAINMENT STONEBOIES ENTERTAINMENT AN EXTRA A PRODUCTION A GABRIELLE NADIG PRODUCTION WRITTEN AND DIRECTED BY NIA DACOSTA STARRING: TESSA THOMPSON , LILY JAMES, LUKE KIRBY with JAMES BADGE DALE and LANCE REDDICK RUNNING TIME: 103 minutes RATING: Rated R for language and some drug material. FESTIVALS: TRIBECA FILM FESTIVAL MILL VALLEY FILM FESTIVAL WINNER – Nora Ephron Prize for excellence in San Francisco Film Critics Circle, Best US Indie storytelling Narrative Feature LOS ANGELES FILM FESTIVAL NEW ORLEANS FILM FESTIVAL CHICAGO INTERNATIONAL FILM FESTIVAL BOSTON WOMEN’S FILM FESTIVAL SAN DIEGO INTERNATIONAL FILM FESTIVAL MONTANA FILM FESTIVAL PHILADELPHIA FILM FESTIVAL HEARTLAND INTERNATIONAL FILM ST. LOUIS INTERNATIONAL FILM FESTIVAL FESTIVAL DENVER FILM FESTIVAL VIRGINIA FILM FESTIVAL AUSTIN FILM FESTIVAL NEON Los Angeles New York Publicity Digital Publicity Christina Zisa Publicity Falco Ink Ginsberg / Libby [email protected] Michael Lawson Michelle DiMartino [email protected] Claire Timmons [email protected] [email protected] [email protected] 1 SYNOPSIS Little Woods, North Dakota, a fracking boomtown well beyond its prime. Ollie is trying to survive the last few days of her probation after getting caught illegally running prescription pills over the Canadian border. But when her mother dies, she is thrust back into the life of her estranged sister Deb (James), who is facing her own crisis with an unplanned pregnancy and a deadbeat ex. The two find they have one week to settle the mortgage on their mother’s house or face foreclosure. As bills and pressure mount, Ollie faces a choice: whether to return to a way of life she thought she’d left behind for just one more score or to leave it all behind. A taught and affecting thriller about sisters pushed to extremes from award-winning director Nia DaCosta. DIRECTOR’S STATEMENT When I visited Williston, North Dakota, the boomtown upon which LITTLE WOODS is based, I found the modern Wild West. Life in fracking boomtowns in America was shocking to me. The inequities abounded, especially when it came to healthcare and reproductive rights. I found millennial prospectors and an economy evolving as a result of new demands for more housing, more booze, more drugs and more women. I found a place that felt, and often truly was, lawless. Inspired to tell a modern-day western about an evocative and deeply American place, LITTLE WOODS became the story of Ollie - our reluctant hero forced to work outside the law to get what she needs. The wide open, isolating and enveloping western landscape would be our home and at the center would be our problem - how do you overcome your suffering in a place like this? When your choices are only as good as your scant options, what do you choose? At the frontier, the unknowable space beyond civilization, there is LITTLE WOODS. Our film will be an opportunity for this piece of America to be seen and for the people who live in it to be heard. Thank you, Nia DaCosta 2 CREW BIOGRAPHIES WRITER AND DIRECTOR NIA DACOSTA Nia DaCosta is a writer and director based in New York City. She has written and directed projects for stage, film and new media platforms. DaCosta, and her feature project, LITTLE WOODS, has been supported by the Sundance Institute, the New York Film Festival Artist Academy, the San Francisco Film Society and the Time Warner Foundation. LITTLE WOODS, which stars Tessa Thompson and Lily James, is her first feature film. PRODUCER RACHAEL FUNG RACHAEL FUNG is an independent producer and the founder of Extra A Productions. The development and production company is dedicated to bringing to life original stories that speak to the universality of human emotion while simultaneously exposing audiences to different worlds, characters and stories. Fung produced Nia DaCosta’s feature debut LITTLE WOODS, starring Tessa Thompson and Lily James as sisters in North Dakota who are driven to work outside the law to better their lives and get access to healthcare. The film premiered in competition at the 2018 Tribeca Film Festival where it was nominated for Best Narrative Feature and DaCosta was awarded the Nora Ephron Award for the film. The film has since been picked up by NEON for release in the US and Independent for international sales. Fung also produced Jackson Segars’ short film KIMCHI, which had its world premiere at the Narrative Shorts Competition at SXSW, where it was nominated for the SXSW Grand Jury Award. The film explores life through the context of the Korean youngjeong, a funerary portrait taken in anticipation of the death of its subject. Other shorts she has produced include Sophie Tabet’s THE LONELY WHALE starring Adwoa Aboah and Richard Kind and Dean Marcial’s THE GOD PHONE, which won the Audience Award at the 2012 Little Rock Film Festival. Most recently, Fung produced David Raboy’s debut feature THE GIANT. An emotional coming-of-age horror, the film follows 17-year-old Charlotte as her past and present collide when a disappeared lover’s sudden reemergence coincides with a killer’s siege of her small Georgia town. Starring Odessa Young, Ben Schnetzer, Jack Kilmer, Madelyn Cline and Danny Ramirez, production wrapped in July 2018. Fung has previously worked on the Academy Award-winning film THE GREAT GATSBY, directed by Baz Luhrmann and starring Leonardo DiCaprio and Carey Mulligan. She also was an associate producer on Luhrmann’s Netflix series THE GET DOWN, which explored the talented and soulful youth of the South Bronx in 1977 who ultimately went on to transform music history. 3 Commercially, she has worked with clients including Chanel, Prada, Tiffany & Co, Jason Wu, Brooks Brothers, Barney’s New York, Cadillac, the Metropolitan Museum of Art and Pepsi Co. Fung started her career at Red Crown Productions and was recently a fellow with San Francisco Film. She was born and raised in Australia and currently lives in New York. 4 PRODUCER GABRIELLE NADIG Gabrielle Nadig is an award-winning producer at Beachside Films. (THE MISEDUCATION OF CAMERON POST, MORRIS FROM AMERICA). Gabrielle’s first feature film KING JACK premiered at the 2015 Tribeca Film Festival where it took home the Narrative Audience Award and was called, “A stylish, sensitive coming-of-ager,” by Variety. KING JACK went on to win a Spirit Award in 2016 and is available on Netflix. Gabrielle’s short film LUCIA BEFORE AND AFTER won the Short Film Jury Award for US Fiction at the 2017 Sundance Film Festival. Another short film produced by Gabrielle, TORU, premiered in competition at 2017 Sundance Film Festival and was acquired by A24. Gabrielle’s latest film, LITTLE WOODS, starring Tessa Thompson and Lily James will be premiering in competition at the Tribeca Film Festival. She is also currently in post production on the feature-length comedy, WE ARE UNSATISFIED, starring Billy Crystal and Ben Schwartz. Gabrielle is a 2013 Sundance Creative Producing Fellow, and a 2016 “Women at Sundance” Fellow. Gabrielle joined the Beachside Films team in 2018 where she produces alongside Michael Clark and Alex Turtletaub. CINEMATOGRAPHER MATT MITCHELL Matt Mitchell is an award winning Director of Photography based out of Brooklyn NY. As cinematographer, Matt has lensed projects all over the globe, and has collaborated with some of the most exciting and talented filmmakers working in the film industry today. His documentary REFUGEE, had it's world premiere at the 43rd Annual Telluride Film Festival, and was accepted as an Official Selection at the 2016 Camerimage Film Festival in Bydgoszcz, Poland. It has also garnered Best Documentary wins at the 2017 Nashville, Amsterdam, Santa Barbara, and Fargo International Film Festivals. Matt also shot the film TORU which premiered at the 2017 Sundance Film Festival and was produced and distributed by A24. Most recently, Matt finished principal photography on Nia DaCosta's directorial debut, LITTLE WOODS, starring Tessa Thompson and Lily James. He is currently in pre-production of his next feature film VILLAINS, and is shooting a feature length documentary in Delhi India about child slavery. 5 COMPOSER BRIAN MCOMBER Brian McOmber is a composer, producer and percussionist whose background as a research scientist strongly influenced his experimental approach towards film scoring. He toured and recorded extensively with the band Dirty Projectors (2006-2012), and has collaborated with a variety of other recording artists including Alarm Will Sound, Björk, David Byrne, Deer Tick, Doudou N’Diaye Rose, Mira Calix, The Roots, Solange, and St. Vincent. Since shifting his focus to film scoring in 2013, McOmber has written for narrative and documentary films that have premiered at Berlin, Cannes, Rotterdam, Sundance, SXSW, Tribeca and Venice. In 2016, Filmmaker Magazine named McOmber as one of the "25 New Faces of Independent Film”. In 2017, his score for Trey Edward Shults’ KRISHA (A24) received numerous accolades, including an American Independent Film Award for “best score”. Recent film scores include the noir thriller THE STRANGE ONES (Vertical), horror/thriller IT COMES AT NIGHT (A24), the stranger than fiction documentary NUTS! (Amazon), and the science fiction short, TORU (A24). COMPOSER MALCOLM PARSON A native of New Orleans, cellist Malcolm Parson has been hailed as “the most creative cellist of his generation”. According to Grammy Award winner, Eugene Friesen, “He is that rare player with feet planted firmly in classical music and the music of our time while possessing perfect intonation, fluent technique and stylistic versatility.” A longtime member of the grammy winning “Carolina Chocolate Drops,” Malcolm has also shared the stage with musicians and bands such as James Lauderdale, Marcus Mumford, Bela Fleck, Del McCoury, Old Crow Medicine Show, Ron Carter, Paquito D’Rivera, Patrice Rushen, Toshi Reagon, and Cyrus Chestnut, as well as collaborating with choreographers such as Twyla Tharp, Julia Gleich, and dance company Brooklyn Ballet.
Recommended publications
  • GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
    Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months.
    [Show full text]
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Supplemental Information
    Supplemental Information of the Consolidated Financial Results for the Third Quarter Ended December 31, 2016 2016 年度第 3 四半期連結業績補足資料 February 2, 2017 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 3 ■ Depreciation and amortization by segment セグメント別減価償却費及び償却費 3 ■ Amortization of film costs 繰延映画製作費の償却費 3 ■ Restructuring charges by segment セグメント別構造改革費用 4 ■ Period-end foreign exchange rates 期末為替レート 4 ■ Inventory by segment セグメント別棚卸資産 4 ■ Film costs (balance) 繰延映画製作費(残高) 4 ■ Long-lived assets by segment セグメント別固定資産 4 ■ Goodwill by segment セグメント別営業権 5 ■ Research and development expenses by segment セグメント別研究開発費 5 ■ Additions to long-lived assets excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額 5 ■ Depreciation and amortization excluding Financial Services 金融分野を除くソニー連結の減価償却費及び償却費 5 ■ Unit sales of key products 主要製品販売台数 5 Pictures Segment Supplemental Information (English only) 6 ■ Pictures Segment Aggregated U.S. Dollar Information 6 ■ Motion Pictures 6 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top 10 Home Entertainment titles released - Select Home Entertainment titles to be released ■ Television Productions 8 - Television Series with an original broadcast on a U.S. network - Television Series with a new season to premiere on a U.S. network - Select Television Series in U.S. off-network syndication
    [Show full text]
  • Festival De Venise 2011 Prix D'interpretation Masculine
    FESTIVAL DE VENISE 2011 PRIX D’INTERPRETATION MASCULINE SHAME un film de STEVE MCQUEEN AVEC MICHAEL FASSBENDER & CAREY MULLIGAN Durée: 99 minutes Sortie: le 4 janvier 2011 Téléchargez des photos: www.frenetic.ch/films/823/pro/index.php RELATIONS PRESSE DISTRIBUTION Eric Bouzigon FRENETIC FILMS AG prochaine ag Bachstrasse 9 • 8038 Zürich Tél. 079 320 63 82 Tél. 044 488 44 00 • Fax 044 488 44 11 [email protected] SYNOPSIS Brandon est un trentenaire new-yorkais, vivant seul et travaillant beaucoup. Son quotidien est dévoré par une seule obsession : le sexe. Quand sa soeur Sissy, chanteuse un peu paumée, arrive sans prévenir à New York pour s’installer dans son appartement, Brandon aura de plus en plus de mal à dissimuler sa vraie vie. 2 FICHE ARTISTIQUE Brandon MICHAEL FASSBENDER Sissy CAREY MULLIGAN David JAMES BADGE DALE Marianne NICOLE BEHARIE La jolie fille dans le métro LUCY WALTERS Elizabeth ELIZABETH MASUCCI Le serveur du restaurant ROBERT MONTANO Une rencontre à l’hôtel AMY HARGREAVES Carly ANNA ROSE HOPKINS Le copain balèze CHAZZ MENENDEZ Fille de la dernière nuit #1 CALAMITY CHANG Fille de la dernière nuit #2 DEEDEE LUXE FICHE TECHNIQUE Réalisation STEVE McQUEEN Scénario STEVE McQUEEN ABI MORGAN Directeur de la photographie SEAN BOBBITT, BSC Montage JOE WALKER Décors JUDY BECKER Costumes DAVID ROBINSON Musique originale HARRY ESCOTT Distribution des rôles AVY KAUFMAN Directeur artistique CHARLES KULSZISKI Produit par IAIN CANNING EMILE SHERMAN Producteurs délégués TESSA ROSS ROBERT WALAK PETER HAMPDEN TIM HASLAM 3 « Le sexe est une dépendance. Comme la drogue, comme le jeu. Ces comportements compulsifs m’ont poussé à créer un personnage qui n’a aucun lien avec des gens que je connais.
    [Show full text]
  • Televisionweek Local Listing for the Week of August 29-September 4, 2015
    PRESS & DAKOTAN n FRIDAY, AUGUST 28, 2015 PAGE 9B TelevisionWeek Local Listing For The Week Of August 29-September 4, 2015 SATURDAY PRIMETIME/LATE NIGHT AUGUST 29, 2015 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 1:00 1:30 BROADCAST STATIONS America’s Victory Prairie America’s Classic Gospel “At- The Lawrence Welk Doc Martin “The Keeping As Time Father Brown Violet No Cover, No Mini- Austin City Limits Front and Center Brit- Globe Trekker Influ- PBS Test Garden’s Yard and Heartlnd lanta Homecoming” Show “You’re Never Admirer” Louisa has a Up Goes hopes to prove her in- mum “Jami Lynn” The Avett Brothers and ish songwriter Richard ence of Sicilian cuisine. KUSD ^ 8 ^ Kitchen Garden Inspirational songs. Too Young” rival. Å By Å nocence. Å Nickel Creek. Thompson. (In Stereo) KTIV $ 4 $ Horse Racing Estate News News 4 Insider American Ninja Warrior “Military Finals” Hannibal (In Stereo) News 4 Saturday Night Live Å Extra (N) Å 1st Look House Horse Racing Travers Stakes and Sword Paid Pro- NBC KDLT The Big American Ninja Warrior “Military Finals” Hannibal Will hopes to KDLT Saturday Night Live Taraji P. The Simp- NBC Pri- KDLT (Off Air) NBC Dancer Invitational. From Saratoga Race gram Nightly News Bang Obstacles include Doorknob Arch. (In Stereo) slay Francis Dolarhyde. News Henson; Mumford & Sons. (In sons metime News Å KDLT % 5 % Course in Saratoga Springs, N.Y.
    [Show full text]
  • Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms
    FOR IMMEDIATE RELEASE Media Contact: March 19, 2014 Casey De La Rosa 310.360.1981 [email protected] Sundance Institute Expands Support to Writers and Creators of Series for TV and Online Platforms First ‘Sundance Institute Episodic Story Lab’ to Be Held in Fall 2014 at the Sundance Resort, with Norman and Lyn Lear as Founding Supporters Los Angeles, CA — Sundance Institute today announced a significant expansion of its renowned labs for independent artists to include dedicated support for writers and creators of series for television and online platforms. The first Sundance Institute Episodic Story Lab will be held in Fall 2014 at the Sundance Resort in Sundance, Utah. Building on the Institute’s 30-year legacy of developing new work from storytellers with distinctive and risk-taking stories, this new initiative addresses the need for more opportunities for learning and mentorship of singular and diverse voices in scripted TV and online series. In collaboration with accomplished mentors, writers at the six-day, immersive Episodic Story Lab will work on developing stories and characters that play out over multiple episodes and will also have the opportunity to better understand the landscape for production and distribution of serialized stories. Both drama and comedy writing will be supported at the Lab, which has been organized under the leadership of Michelle Satter, Founding Director of the Institute’s Feature Film Program. The Lab is made possible by generous support and guidance from television producer Norman Lear and his wife, Institute Trustee Lyn Lear. The Institute cites the growth of great writing and bold content in recent years as inspiration for the Lab.
    [Show full text]
  • Pieces of a Woman
    PIECES OF A WOMAN Directed by Kornél Mundruczó Starring Vanessa Kirby, Shia LaBeouf, Molly Parker, Sarah Snook, Iliza Shlesinger, Benny Safdie, Jimmie Falls, Ellen Burstyn **WORLD PREMIERE – In Competition – Venice Film Festival 2020** **OFFICIAL SELECTION – Gala Presentations – Toronto International Film Festival 2020** Press Contacts: US: Julie Chappell | [email protected] International: Claudia Tomassini | [email protected] Sales Contact: Linda Jin | [email protected] 1 SHORT SYNOPSIS When an unfathomable tragedy befalls a young mother (Vanessa Kirby), she begins a year-long odyssey of mourning that touches her husband (Shia LaBeouf), her mother (Ellen Burstyn), and her midwife (Molly Parker). Director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014) and partner/screenwriter Kata Wéber craft a deeply personal meditation and ultimately transcendent story of a woman learning to live alongside her loss. SYNOPSIS Martha and Sean Carson (Vanessa Kirby, Shia LaBeouf) are a Boston couple on the verge of parenthood whose lives change irrevocably during a home birth at the hands of a flustered midwife (Molly Parker), who faces charges of criminal negligence. Thus begins a year-long odyssey for Martha, who must navigate her grief while working through fractious relationships with her husband and her domineering mother (Ellen Burstyn), along with the publicly vilified midwife whom she must face in court. From director Kornél Mundruczó (White God, winner of the Prix Un Certain Regard Award, 2014), with artistic support from executive producer Martin Scorsese, and written by Kata Wéber, Mundruczó’s partner, comes a deeply personal, searing domestic aria in exquisite shades of grey and an ultimately transcendent story of a woman learning to live alongside her loss.
    [Show full text]
  • Cheers to the PGCPS Class of 2019! by OFFICE of COMMUNICATIONS Prince George’S County Public Schools UPPER MARLBORO, Md
    The Pri nce Ge orge’s Pos t OMMUNITY EWSPAPER FOR RINCE EORGE S OUNTY SINCE A C N P G ’ C 1932 Vol. 87, No. 22 May 30 — June 5, 2019 Prince George’s County, Maryland Newspaper of Record Phone: 301-627-0900 25 cents ® 2019 Comcast Leaders and Achievers Scholarship Achieving Excellence: Recipients from Prince George’s County Cheers to the PGCPS Class of 2019! By OFFICE OF COMMUNICATIONS Prince George’s County Public Schools UPPER MARLBORO, Md. (May 22, 2019)—Graduation cere - monies beg[a]n Thursday, May 23 for the Class of 2019 in Prince George’s County Public Schools (PGCPS). Graduates from 32 schools will celebrate their achievements over the next two weeks, starting [May 23] with Academy of Health Sci - ences (AHS) at Prince George’s Community College (PGCC), the school system’s highest-performing high school. AHS [held] its graduation ceremony at 10:30 a.m. for students who receive[d] both a high school diploma and associate’s degree on the same day. “Excellence is our standard for every student, from the first day of school to graduation day,” said Dr. Monica Goldson, Interim Chief Executive Officer. “We proudly celebrate our young achievers for earning their success and our admiration through perseverance and academic excellence.” This is a year of “firsts” for many innovative high school pro - grams. The first-ever graduating classes will walk across the stage at the two International High Schools, which serve immigrant stu - dents with limited English proficiency, and College Park Academy, a charter middle and high school.
    [Show full text]
  • 10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
    10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa.
    [Show full text]
  • AACTA Announces Return to Channel Seven, New Hair and Makeup Award for Sixth Awards Season
    MEDIA RELEASE – STRICTLY EMBARGOED UNTIL 12:01AM THURSDAY 14 APRIL, 2016 AACTA Announces Return to Channel Seven, new Hair and Makeup Award for Sixth Awards Season • Film, Documentary and Short Film Entries Now Open • Applications for Juries Across All Categories Now Open The Australian Academy of Cinema and Television Arts (AACTA) today announced that it will return to Channel Seven in December, following record viewers for the nation’s top screen awards which moved to Seven last year. The 6th AACTA Awards Ceremony presented by Presto will be held on Wednesday 7 December at The Star Event Centre in Sydney, again capitalising on a primetime telecast and driving great awareness for Australia’s top film and television productions awarded ahead of the Christmas and holiday period. An extended version of the Ceremony will again encore on Foxtel. Launching its sixth awards season, AACTA today announced a new award - the AACTA Award for Best Hair and Makeup, which encompasses film and television - and said a host of new television awards will be announced next month as a result of its new partnership with ASTRA. AACTA today called for entries across feature film, documentary and short film award categories, and jurors across all awards categories, with this year seeing more than 45 peer-assessed awards presented, celebrating Australian stories, culture and creativity captured on the big and small screens. All television entries, as well as jurors for new television categories, will be called for when the newly- expanded television awards are announced in May. AACTA also today announced the date of the industry-exclusive 6th AACTA Awards presented by Presto Industry Luncheon, which will be held on Monday 5 December at The Star Event Centre in Sydney.
    [Show full text]
  • Talking Through the Wire Jennifer Fremlin, Huntingdon College
    Talking Through the Wire Jennifer Fremlin, Huntingdon College I am at something of a critical loss when it comes to discussing The Wire. As a feminist media theorist especially interested in filmic representations of race and gender, I am pretty well trained at deconstructing hegemonic instantiations of the privileging of whiteness in movies and on t.v., especially those that seem to offer themselves as radical critiques but end up simply reinscribing familiar hierarchies. Popular culture—hit t.v. programs, award-winning movies, Hollywood stars—offers an endless supply of material on which to hone my knife. This is mostly shooting fish in a barrel, instead of any great testament to my mad skills. But The Wire, HBO’s critically acclaimed yet apparently largely unwatched series, leaves me a bit flummoxed. The problem is, first, that I loved watching it, reveling in its intricate, almost Shakespearian or Dickensian handling of interwoven plots and themes of power and corruption at all levels: economic, political, juridical, educational, racial, journalistic and sexual. Characters are complex and multidimensional, revealed in their working and personal lives to be neither good or bad, but some of both, often at the same moment, or neither, just like the rest of us. They sometimes try to do the right thing, even if by dubious means, or make more money, or get laid, or help others, but just as often they fuck up, and their motives are a nice messy stew of righteousness and self-serving. The show solicits me as a smart viewer, which on the one hand I critically distrust, but on the other hand flatters me to no end.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]