SETTECENTO and MODERN ITALIAN LITERATURE by E

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SETTECENTO and MODERN ITALIAN LITERATURE by E E. R. P. VINCENT I3 Bruno, used by the late Vincenzo Spampanato in his life of the philosopher, have appeared as a separate volume under the auspices of Gentile. 4 The first volume of what promises to be a valuable study in comparative literature has appeared from the pen of Antero Meozzi. The subject is the influence and diffusion of Italian letters in Europe since the fifteenth century. The present volume is some­ what of a catalogue, and the author himself considers it as a pro­ legomenon to what is to follow. Much information is, however, brought together under the headings of' Italians abroad',' Foreigners in Italy', and 'Translations'. One may doubt whether sufficient specialized work has been done in several parts of this vast subject to warrant the appearance of such a work at this time. Where, for example, is the necessary information on the Italian publishers and booksellers in England? 5 The traditional games and festivals of Italy have been receiving increasing attention of late years, and during the period two books have appeared that deserve note, one on the gioco del ponte of Pisa, now no longer played (or fought ?), and another on the still vigorous patio of Siena. 6 A careful English translation with numerous notes and a full bibliography of Basile's Pentamerone has been produced by N. M. Penzer. This is founded on Croce's Italian version made from the original Neapolitan in 1925. This early book of folk-tales deserved a modern edition and will no doubt be of considerable value to English scholars in its present form. 7 SETTECENTO AND MODERN ITALIAN LITERATURE By E. R. P. VINCENT OLDONI'S memoirs are admitted to be unsatisfactory in so far Gas they fail to give a full portrait of the man. Anything that can be discovered to supplement our knowledge in this respect 4 T. Tasso, Aminta, a cura di A. Tortoreto, Milano, A. Vallardi, 1932.­ Documenti della vita di Giordano Bruno, Firenze, Olschki, 1933. 5 Antero Meozzi, Azione e dijJusione della letteratura italiana in Europa (sec. xv-xvii), Pisa, Vallerina, 1932. 6 V. Salvestrini, II gioco del ponte di Pisa, saggio bibliografico, Pisa, Salvestrini, 1933. - P. Misciatelli, II palio di Siena, Roma, 'Novissima', 1932. 7 N. M. Penzer, The Pentamerone of Giambattista Basile, trsl. into English, London, John Lane, 1932, 2 vols. I4 Settecento and Modern Italian Literature is particularly welcome. It was known that Goldoni had written dispatches in his capacity of Genoese Consul at Venice, and eighteen had been previously found and published. By research in the R. Archivio di Stato at Genoa G. di Tucci has discovered eighty-four further diplomatic letters in Goldoni's own hand written between 1741 and 1743. Apart from their literary value they throw an interesting side-light on affairs in Venice. Literature in Venice has been further studied in books of various value on Gasparo and Carlo Gozzi.l A study of some interest on Alfieri has been written by G. G. Ferrero. The author, however, attempts to confine his subject within a formula, and by its rigid application detracts from the value of his ideas. A full-length biography of the Anglophil Angelo Mazza is welcome, containing as it does many interesting un­ published letters and a bibliography.2 The ideas of Moeser, Hamann, Herder, and Kant as forerunners of Romanticism have been studied by A. Gerbi in a work which is to be continued. A small book on the beginnings of Romanticism in Piedmont has also been recently published.3 The centenary of the publication of Le mie prigioni falling in November 1932 has given occasion to a very interesting study by H. Bedarida published in the Revue de Litterature Comparee . Tracing the fortune of the book in France he reveals its really remarkable influence on liberal opinion, an influence which would be found equally important for its effect on contemporary England. A sumptuous illustrated edition of Le mie prt"gioni with Maron­ celli's Addizioni has been conscientiously produced by Cesare Spellanzon. Barbara Allason has written a popular biography of PeIlico. 4 An important contribution to our knowledge of Giovanni I c. Goldoni, Corrispondenza diplomatica inedita, a cura di G. di Tucci, Milano, Treves, 1932. - Ottavia Bassi, Gasparo Gozzi, Milano, Dante Alighieri, 1932. - N. Vaccalluzzo, Un accademico burlesco, &c., Livorno, Giusti, 1933. - L. M. Bernardis, La leggenda di Turandot, Genova, Marsano, 1932. - Carlo Meucci, Casanova jinanziere, Milano, Mondadori. 2 G. G. Ferrero, L'anima e lapoesia di Vittorio Alfieri, Torino, Paravia, 1932. - M. T. Balestrino, Angelo Mazza, Milano, Dante Alighieri, 1932. 3 A. Gerbi, La politica del Romanticismo, Bari, Laterza, 1932. - G. Acutis, Gli albori del Romanticismo in Piemonte, Torino, Briscioli, 1933. 4 H. Bedarida, 'La fortune des Prisons de Silvio Pellico en France (1832- 1932)', RLC, NO.4, 1932, NO.1, 1933. - Silvio Pellico, Le mie prigioni, con proemio e note di Cesare Spellanzon, Milano, Rizzoli, 1933. - B. Allason, Silvio Pellico, Milano, Mondadori, 1933. .
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