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Information Headlinea Message from Robert Bone
New Year’s Events in Rome INFORMATION HEADLINEA MESSAGE FROM ROBERT BONE Destination Events opened their Youth Music of the World, the world’s Rome office in 2006 headed up by finest performance travel organiser, the highly respected Ela Gurmen and works closely with us the event proceeded to create events in Rome organisers and the event patrons, and Frascati that became huge hits to produce an unique and exclusive with both locals and visitors alike. The programme for participating musicians inaugural successes of 2007/8 were and performers from around the world. followed by even more success in the The quality and educational value of succeeding years as the range and the programme is second to none. We style of performance opportunities are very pleased to be able to heartily offered were further expanded. endorse the programme presented to you by Youth Music of The World. There has recently been a new administration elected in Rome and with the arrival on the scene of a new, young and dynamic Mayor and his Bob Bone, Executive Director of the own Major Events team, we have New Year’s Day Parade & Festival in Rome been collaborating with the Rome administration with ever more effective and productive results. Mayor Ignazio Marino wanted our ❝I am delighted to introduce Rome event to have a splendid centre- piece and so together we created ‘The you to some wonderful Rome New Year’s Day Parade’. This New Year events that we is the official New Year’s Celebration at Destination Events are of the City of Rome and is the only proud to produce annually official Parade in Rome on New Year’s Day. -
J a N -T E R M 2 0 2 1
HISTORY & CULTURE OF ROME J A N -T E R M 2 0 2 1 Jan Term in Rome, Italy! Course Specifics: Course Title: “History & Culture of Rome,” 3 credits (no prerequisites—all majors welcome!) Professors: Dr. Anthony E. Clark, Department of History (Professor of History) [email protected], 777-4368 Course Description: World-class museums, historic buildings, & ancient Roman monuments will be your classroom! HISTORY! Learn the historical foundations of ancient Rome, early Christianity, and the trends that brought Rome into the modern era. MATERIAL CULTURE! Learn about Italian painting, sculpture, and operatic performance. ARCHITECTURE! Explore the history of ancient Roman architecture to the early modern era; learn about the meaning and symbolism of Christian and secular buildings, with a special focus on Renaissance Christian monuments such as St. Peter’s Basilica. 1 Dates: Full Course: Month of January 2021 (Application deadline: March 1, 2020) Highlights: Students shall live in rooms near to the Vatican Museums, St. Peters Square, the Sistine Chapel, and Rome’s most famous sites. An additional overnight trip to Assisi, the home of St. Francis, is also planned. Other plans include: Capitoline hill and the Capitoline museum, Forum, Coliseum, and the Pantheon, Massimo Museum, Baths of Diocletian, Santa Maria degli Angeli St. John Lateran and its baptistery, San Clemente, Church of Santa Prassede and the Chapel of St. Zenone Church of St. Mary Majors, Santa Sabina, Santa Maria in Cosmedine, St. Giorgio in Velabro and St. Paul’s Outside the Walls, Farnese Palace (exterior), Cancelleria, Santo Spirito Church and the hospital courtyard, Via Giula, the Rooms Private of St. -
Ancient Rome a History Second Edition
Ancient Rome A History Second Edition Ancient Rome A History Second Edition D. Brendan Nagle University of Southern California 2013 Sloan Publishing Cornwall-on-Hudson, NY 12520 Library of Congress Cataloging-in-Publication Data Nagle, D. Brendan, 1936- Ancient Rome : a history / D. Brendan Nagle, University of Southern California. -- Second edition. pages cm Includes bibliographical references and index. ISBN 978-1-59738-042-3 -- ISBN 1-59738-042-3 1. Rome--History. I. Title. DG209.N253 2013 937--dc23 2012048713 Cover photo: Cover design by Amy Rosen, K&M Design Sloan Publishing, LLC 220 Maple Road Cornwall-on-Hudson, NY 12520 All rights reserved. No portion of this book may be reproduced, in any form or by any means, without permission in writing from the Publisher. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 ISBN 13: 978-1-59738-042-3 ISBN 10: 1-59738-042-3 Brief Contents Introduction: Rome in Context 1 Part One: The Rise of Rome 13 1 The Founding of the City 21 2 Early Rome: External Challenges 37 3 The Rise of Rome: How Did it Happen? 63 4 Roman Religion 86 5 Roman Society 107 Part II: Rome Becomes an Imperial Power 125 6 The Wars with Carthage 129 7 After Hannibal: Roman Expansion 145 Part III: The Fall of the Roman Republic 159 8 The Consequences of Empire 163 9 The Crisis of the Roman Republic: The Gracchi 187 10 After the Gracchi 198 11 The Fall of the Republic: From Sulla to Octavian 210 Part IV: The Republic Restored: The Principate of Augustus 239 12 The Augustan Settlement 247 Part V: Making Permanent the Augustan Settlement 269 13 The Julio-Claudians: Tiberius to Nero 273 14 From the Flavians to the Death of Commodus 289 Part VI: The Roman Empire: What Held it Together? 305 15 What Held the Empire Together: Institutional Factors 309 16 What Held the Empire Together: Social and Cultural Factors 337 Part VII: Rome on the Defense: The Third Century A.D. -
Being Seen: an Art Historical and Statistical Analysis of Feminized Worship in Early Modern Rome Olivia J
Macalester College DigitalCommons@Macalester College History Honors Projects History Department Spring 4-21-2011 Being Seen: An Art Historical and Statistical Analysis of Feminized Worship in Early Modern Rome Olivia J. Belote Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/history_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, History of Gender Commons, and the Other Applied Mathematics Commons Recommended Citation Belote, Olivia J., "Being Seen: An Art Historical and Statistical Analysis of Feminized Worship in Early Modern Rome" (2011). History Honors Projects. Paper 9. http://digitalcommons.macalester.edu/history_honors/9 This Honors Project is brought to you for free and open access by the History Department at DigitalCommons@Macalester College. It has been accepted for inclusion in History Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Being Seen: An Art Historical and Statistical Analysis of Feminized Worship in Early Modern Rome Olivia Joy Belote Honors Project, History 2011 1 History Honors 2011 Advisor: Peter Weisensel Second Readers: Kristin Lanzoni and Susanna Drake Contents Page Introduction..................................................................................................................3 Feminist History and Females in Christianity..............................................................6 The -
Sebastiano Del Piombo and His Collaboration with Michelangelo: Distance and Proximity to the Divine in Catholic Reformation Rome
SEBASTIANO DEL PIOMBO AND HIS COLLABORATION WITH MICHELANGELO: DISTANCE AND PROXIMITY TO THE DIVINE IN CATHOLIC REFORMATION ROME by Marsha Libina A dissertation submitted to the Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland April, 2015 © 2015 Marsha Libina All Rights Reserved Abstract This dissertation is structured around seven paintings that mark decisive moments in Sebastiano del Piombo’s Roman career (1511-47) and his collaboration with Michelangelo. Scholarship on Sebastiano’s collaborative works with Michelangelo typically concentrates on the artists’ division of labor and explains the works as a reconciliation of Venetian colorito (coloring) and Tuscan disegno (design). Consequently, discourses of interregional rivalry, center and periphery, and the normativity of the Roman High Renaissance become the overriding terms in which Sebastiano’s work is discussed. What has been overlooked is Sebastiano’s own visual intelligence, his active rather than passive use of Michelangelo’s skills, and the novelty of his works, made in response to reform currents of the early sixteenth century. This study investigates the significance behind Sebastiano’s repeating, slowing down, and narrowing in on the figure of Christ in his Roman works. The dissertation begins by addressing Sebastiano’s use of Michelangelo’s drawings as catalysts for his own inventions, demonstrating his investment in collaboration and strategies of citation as tools for artistic image-making. Focusing on Sebastiano’s reinvention of his partner’s drawings, it then looks at the ways in which the artist engaged with the central debates of the Catholic Reformation – debates on the Church’s mediation of the divine, the role of the individual in the path to personal salvation, and the increasingly problematic distance between the layperson and God. -
Rome New Year Information
ROME NEW YEAR INFORMATION All the information you need for taking part in Rome’s New Year Parade & Festival. ROME NEW YEAR NEW YEAR IN ROME Here are some statistics about Rome New Year: • Rome New Year is now in its 14th year • Hundreds of thousands of spectators crowd the streets to witness the events • 1,500 performers from the USA, UK and Italy • A week of indoor and outdoor concerts in Rome and Frascati Bob Bone, the event’s Founder and Executive Director, tells you more. 2 DESTINATION EVENTS: ABOUT US ABOUT US Rome New Year is organised by one of Europe’s foremost event organisers – Destination Events Ltd. Destination Events boasts a supremely accomplished, experienced and dedicated team of staff. They are expert not only in the production of world class events, but also in the delivery of superb hospitality arrangements and educational touring experiences for performers in their events. The Comune di Roma, and the Arts and Cultural Departments of the City ensure that the Rome Parade is an outstanding event in Rome on New Year’s Day. We, the organisers, receive from the Rome Administration every assistance in operating and presenting the event. The City of Rome actively supports and promotes the event. Meet key member of the Destination Events team by visiting our Destination Events website. With a dedicated team of experts and consultants, Youth Music sources groups for Destination Events to be considered for an invitation to Rome New Year. Once a group has been accepted for invitation by Destination Events and the Parade’s Patrons and sponsors, Youth Music then develops a unique performance tour to make it possible for the group to participate in Rome New Year. -
1. Humanism and Honour in the Making of Alessandro Farnese 35
6 RENAISSANCE HISTORY, ART AND CULTURE Cussen Pope Paul III and the Cultural Politics of Reform of Politics Cultural the and III Paul Pope Bryan Cussen Pope Paul III and the Cultural Politics of Reform 1534-1549 Pope Paul III and the Cultural Politics of Reform Renaissance History, Art and Culture This series investigates the Renaissance as a complex intersection of political and cultural processes that radiated across Italian territories into wider worlds of influence, not only through Western Europe, but into the Middle East, parts of Asia and the Indian subcontinent. It will be alive to the best writing of a transnational and comparative nature and will cross canonical chronological divides of the Central Middle Ages, the Late Middle Ages and the Early Modern Period. Renaissance History, Art and Culture intends to spark new ideas and encourage debate on the meanings, extent and influence of the Renaissance within the broader European world. It encourages engagement by scholars across disciplines – history, literature, art history, musicology, and possibly the social sciences – and focuses on ideas and collective mentalities as social, political, and cultural movements that shaped a changing world from ca 1250 to 1650. Series editors Christopher Celenza, Georgetown University, USA Samuel Cohn, Jr., University of Glasgow, UK Andrea Gamberini, University of Milan, Italy Geraldine Johnson, Christ Church, Oxford, UK Isabella Lazzarini, University of Molise, Italy Pope Paul III and the Cultural Politics of Reform 1534-1549 Bryan Cussen Amsterdam University Press Cover image: Titian, Pope Paul III. Museo di Capodimonte, Naples, Italy / Bridgeman Images. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 252 0 e-isbn 978 90 4855 025 8 doi 10.5117/9789463722520 nur 685 © B. -
Visual Reconciliations of Concordia As Ancient Egypt Enters the Vatican J
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design 8-11-2015 Visual Reconciliations of Concordia as Ancient Egypt Enters the Vatican J. Brianne Sharpe Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Sharpe, J. Brianne, "Visual Reconciliations of Concordia as Ancient Egypt Enters the Vatican." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/art_design_theses/196 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. VISUAL RECONCILIATIONS OF CONCORDIA AS ANCIENT EGYPT ENTERS THE VATICAN by J. BRIANNE SHARPE Under the Direction of John R. Decker, PhD ABSTRACT The papacies of Julius II and Leo X witnessed the continuing efforts of philosophers struggling toward the concept of prisca theologia, or "ancient theology,” as well as its implications for concordia, or the search for a reconciliation between non-Christian, pagan wisdom and the orthodox beliefs of the Roman Catholic Church. This thesis will explore the Vatican's relationship with some ancient Egyptian and Egyptianizing artifacts and motifs acquired under Popes Julius II and Leo X and the use of these objects in terms of the conceptual formulation of the prisca theologia and concordia. Specifically, I am interested in how these popes used material culture to further understand and propagate complex theological concepts. -
Romans in Rome: a Reception of Romans in the Roman Context of Ethnicity and Faith
Durham E-Theses Reading Romans in Rome: A Reception of Romans in the Roman Context of Ethnicity and Faith HOLDSWORTH, BENJAMIN,EVANS How to cite: HOLDSWORTH, BENJAMIN,EVANS (2009) Reading Romans in Rome: A Reception of Romans in the Roman Context of Ethnicity and Faith, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/214/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Reading Romans in Rome: A Reception of Romans in the Roman Context of Ethnicity and Faith Thesis Submission for a Doctor of Philosophy To the University of Durham Durham, United Kingdom By Benjamin Evans Holdsworth, Jr. July 2009 Declaration I hereby declare that the work included in this thesis is original. No part of this thesis has been submitted for a degree elsewhere in the United Kingdom, or in any other country or university. -
The Chapel of the Madonna Della Strada: a Case Study of Post-Tridentine Painting in Rome
The Chapel of the Madonna della Strada: A Case Study of Post-Tridentine Painting in Rome Victoria Wilmes A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts (Art History) University of Washington 2012 Committee: Estelle Lingo Stuart Lingo Ann Huppert Program Authorized to Offer Degree: Art History Table of Contents Page List of Illustrations………………………………………………………………………………...ii Introduction…………………………………………………………………………………..........1 Chapter1: The Rhetoric of Retrospection………………………………………………………..15 Chapter 2: Absence and Meaning………………………………………………………………..33 Chapter 3: Valeriano’s Practice and Imitation………..………………………………………….52 Conclusion……………………………………………………………………………………….65 Illustrations………………………………………………………………………………............68 Bibliography……………………………………………………………………………………100 i List of Illustrations 1. Madonna and Child, 15th c. fresco, chapel of the Madonna della Strada, Il Gesù, Rome. 2. Antoniazzo Romano, Virgin and Child with Saint John the Baptist, oil on panel, 1460-80, Courtald Institute of Art, London. 3. Icon at Santa Maria del Popolo, tempera on panel, ca. 1300, Rome. 4. Melozzo da Forli, Virgin and Child, tempera on canvas, copy of icon at Santa Maria del Popolo, ca. 1470, Museo Civico, Montefalco. 5. Madonna and Child, 15th c. fresco with later overpainting, chapel of the Madonna della Strada, Il Gesù, Rome. 6. Peter Paul Rubens, altarpiece for the Madonna della Vallicella, oil, 1608, Chiesa Nuova, Rome. 7. Gaspare Celio and Giuseppe Valeriano, Crucifixion, oil on canvas, 1589-90, Passion Chapel, Il Gesù, Rome. 8. Gerard David, Christ Nailed to the Cross, oil on oak, c. 1480, National Gallery, London. 9. Federico Barocci, Visitation, oil on panel, 1584-86, Cappella Pozzomiglio, Chiesa Nuova, Rome. 10. Giuseppe Valeriano, Visitation, oil on panel, 1586-9, chapel of the Madonna della Strada, Il Gesù, Rome. -
Sightseeing Rome
Tours & Sightseeing Rome Tours & Sightseeing Rome www.milano24ore.it Civitavecchia Port to Rome City Center Transfer Take the worry out of your transportation arrangements at the end of your cruise with this pre-booked private transfer from Civitavecchia Port to Rome Fiumicino Airport. Save time and money, and avoid the hassle of taxi touts and shared shuttle buses. Cancellations Policy ... Price: 127,00 Euro https://www.milano24ore.it/sightseeing_milan/index.php?city_id=511&id=10049P2 Ciampino or Fiumicino Airport Private Transfer to Rome Take the stress out of your arrival in Rome and pre-book a superior transfer service from Ciampino or Fiumicino Airport to the city center. Travel by well maintained vehicle and arrive refreshed. Your driver will meet you at the airport and deliver you directly to your hotel or residence. ... Price: 54,00 Euro https://www.milano24ore.it/sightseeing_milan/index.php?city_id=511&id=10049P3 Ciampino or Fiumicino Airport Shared Van Transfer to Rome Take the stress out of your arrival in Rome and pre-book a superior Shared transfer service from Ciampino or Fiumicino Airport to the city center. Travel by well maintained vehicle and arrive refreshed. The service is also available for airport departures. Cancellations Policy No ... Price: 10,00 Euro https://www.milano24ore.it/sightseeing_milan/index.php?city_id=511&id=10049P4 Site 1/619 milano24ore - 20065 Inzago (MI) - Via Collodi, 7a www.milano24ore.it [email protected] Tours & Sightseeing Rome Dinner at Local Chef and Sommelier's Home in Rome Join Host Alessandro for either a lunch or dinner. -
Einar Gjerstad Research Papers, 1806-1984
http://oac.cdlib.org/findaid/ark:/13030/kt3489r8tk No online items Finding aid for the Einar Gjerstad research papers, 1806-1984 Finding aid prepared by Finding Aid prepared by Ann Harrison Finding aid for the Einar Gjerstad 900228 1 research papers, 1806-1984 Descriptive Summary Title: Einar Gjerstad research papers Date (inclusive): 1806-1984 (bulk 1925-1980) Number: 900228 Creator/Collector: Gjerstad, Einar, b. 1897 Physical Description: 11.4 linear ft.(20 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: The Einar Gjerstad research papers document the long and prolific scholarly career of this Swedish classical archaeologist. The archive includes research notes, photographs, drawings, typescripts and publication production materials for Gjerstad's extensive studies of the archaeology of Cyprus and early Rome. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note Einar Nilson Gjerstad was born October 30, 1897 in Örebro, Sweden, where his father, Erik Nilson, was a merchant and local politician. As Nilson's career advanced during World War I, the family moved to Stockholm, and shortly after this, in 1917, Gjerstad left home to enroll in Uppsala University. At Uppsala, Gjerstad studied under Axel Persson, and eventually became his assistant when the Swedish excavations at Asine in Greece began in 1922. This connection with Persson set the foundation for Gjerstad's archaeological career. A chance encounter on a train in the Balkans in the summer of 1922 between Axel Persson and a stranger, who asked to borrow money, led to Persson receiving an invitation to excavate in Cyprus under very favorable conditions.