Artiste Brochure
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Give Your Fans What They Really Deserve Give
GIVE YOUR FANS WHAT THEY REALLY DESERVE multi-camera Use crowd-funding and social media to engage your fanbase and release quality concert film concert film Toward the spark. The idea. If you are in the throws of planning a tour you may also be Toward Infinity is ready to join your crew to produce a live considering the possibility of filming a show for release on concert film of your band and create a DVD/Bluray product to DVD, Bluray, on-demand on the Internet or even for cinema. immortalise your show. No doubt about it, your fanbase is engaging with video content We realise that producing a creative, high quality concert film and social media everyday. Not only are they closer to you can be quite expensive. than ever before, they are more willing than ever before to ensure that they see their favourite artists live, and then to But we have a plan and you’d better believe, it’s a belter. purchase that experience on film so they can relive it over and over again. Toward the energy. Making the idea real. Kickstarter and other crowd funding services have been a Together we’ll market the Crowd Funding Campaign via social We have already compiled a list of possible rewards from revelation in the funding of creative projects. Together we will media and your existing lines of fanbase communication. Fans which you can pick and choose but you can always add your get your live concert film campaign up and running, setting a love getting involved and helping out however they can, which own ideas. -
EC Songlist Web.Pages
The English Channel Songlist www.englishchannel.us Alan Parsons Project The Beatles- Continued Dave Clark Five Eye in the Sky Ob La Di I Like it Like That Sirius Octopus Garden One After 909 Dave Edmunds The Animals Penny Lane I Hear You Knockin’ Don’t Let Me Be Misunderstood Please Please Me We Gotta Get Outta this Place Polythene Pam David Bowie Revolution Life on Mars? Badfinger Roll Over Beethoven Rebel Rebel No Matter What She Came in Through the Space Oddity Bathroom Window Suffragette City The Beatles She Loves You All I’ve Got to Do Slow Down Deep Purple All My Loving Sun King Hush Back in the USSR Sgt. Pepper’s Lonely Hearts Club Woman From Tokyo Birthday Band (reprise) Can’t Buy Me Love Strawberry Fields Forever Dusty Springfield Day Tripper Tell Me Why I Only Wanna Be With You Devil in Her Heart Taxman Son of a Preacher Man From Me to You The End Wishin' and Hopin' Golden Slumbers The Word You Don't Have to Say You Love Got to Get You Into My Life Thank You Girl Me Here Comes the Sun This Boy I Am the Walrus While My Guitar Gently Weeps Electric Light Orchestra I Call Your Name You Can’t Do That Do Ya I Feel Fine You Never Give Me Your Money Evil Woman I Saw Her Standing There You Really Got a Hold On Me I Wanna Be Your Man Elton John I Want to Hold Your Hand Bee Gees Grey Seal It Won’t Be Long Lonely Days Funeral for a Friend/Love Lies Little Child Bleeding Lucy in the Sky Cilla Black Matchbox You’re My World Emerson Lake & Palmer Mean Mr. -
Album Reviews
Cash Box ALBUM REVIEWS “RUSSIAN SONGS AND CHORUSES”—Don Cossack Choir, Serge Jaroff, Conductor—Deutsche ' ' "ODETTA AND THE BLUES"—Riverside RLP • Grammop'hon SLPEM 136 235 9417 The Don Cossack Choir, under the very capable Odetta, long thought of as a folk artist, demon- direction of Serge Jaroff, has been a favorite of strates a moving communicative feel for the blues the American concert stage for many years, and on this top-notch offering from Riverside. The the choir’s legion of admirers will want this new thrush covers a wide range and dramatic and offering for their shelves. The Cossacks sing a emotional effects as she dishes up some passion- group of Russian folk songs which are not well filled renditions of “Believe I’ll Go,” “Yonder known, but they are delivered with the same Come The Blues” and “Go Down, Sunshine.” An verve and power that has become a trademark impressive disk. with the choir. Included are “Song Of The Brave Major,” “Marching Song,” “On The Hill,” “The Broken Heart,” and “Along The Road.” “I’LL WALK WITH GOD ”—Mario Lanza—RCA Victor LM-2607 “THAT’S ALL”—Herman Chittison—L’elegant Despite his untimely death in 1959, the voice of LES 1000 ru. Htix miHcoo Mario Lanza is still much in demand, and Victor Herman Chittison unleashes his talents on the MARIO has responded with this LP of songs of love and piano and comes up with some sparkling arrange- LANZA devotion. Some of the tunes have been taken ments in this potent bag of oldies. As a box man, from other albums, but Victor has added some he is not only nimble-fingered, but fleet-footed too SVS'CS Oh OffollOS .iso ion new ones taken from Lanza’s radio series. -
UN Condemn Iraqi “Flagrant Violation”
ed981105.qxd 04/11/98 20:05 Page 1 (1,1) Issue 947 - Weekly Thursday November 5 1998 500+ Stand up for their rights UN condemn charter and events from our Union site. Being the only Uni who’d done that, several other Unions in the country put links Iraqi Flagrant from their page to ours. Thanks to all those who worked so hard to get the pages looking so spangley. The book from Surrey will be Violation presented to our local MP at a The new Student Rights national lobby on November Charter was launched nation- 11th. If anyone’s interested in wide last Friday. The Charter coming along, we could organ- Once again Iraq has suspended co-operation with the The new resolution, currently being drafted by the British is an NUS drive to draw atten- ise a minibus to take people to United Nations Weapons Inspectors. The failure of the and due for completion on Thursday following late night tion to the many difficulties the Houses of Parliament for UN to lift sanctions imposed on Iraq following the inva- UN negotiations is set to condemn non compliance as a students often face during ter- the day. With many Unions sion of Kuwait in 1990 is again cited as the reason for this ``flagrant violation'' tiary education. It focuses on supporting the charter, and now all to familiar stand off. In February this year, an ear- issues such as Tuition Fees, some good publicity, the press- lier stand-off came close to initiating US and British mil- The resolution would call for the immediate resumption decent, affordable accommo- ing issues surrounding student itary strikes against Iraq. -
1994.06.18-NME.Pdf
INDIE 45s US 45s PICTURE: PENNIE SMITH PENNIE PICTURE: 1 I SWEAR........................ ................. AII-4-One (Blitzz) 2 I’LL REMEMBER............................. Madonna (Maverick) 3 ANYTIME, ANYPLACE...................... Janet Jackson (Virgin) 4 REGULATE....................... Warren G & Nate Dogg (Outburst) 5 THE SIGN.......... Ace Of Base (Arista) 6 DON’TTURN AROUND......................... Ace Of Base (Arista) 7 BABY I LOVE YOUR WAY....................... Big Mountain (RCA) 8 THE MOST BEAUTIFUL GIRL IN THE WORLD......... Prince(NPG) 9 YOUMEANTHEWORLDTOME.............. Toni Braxton (UFace) NETWORK UK TOP SO 4Ss 10 BACK AND FORTH......................... Aaliyah (Jive) 11 RETURN TO INNOCENCE.......................... Enigma (Virgin) 1 1 LOVE IS ALL AROUND......... ...Wet Wet Wet (Precious) 37 (—) JAILBIRD............................. Primal Scream (Creation) 12 IFYOUGO ............... ....................... JonSecada(SBK) 38 38 PATIENCE OF ANGELS. Eddi Reader (Blanco Y Negro) 13 YOUR BODY’S CALLING. R Kelly (Jive) 2 5 BABYI LOVE YOUR WAY. Big Mountain (RCA) 14 I’M READY. Tevin Campbell (Qwest) 3 11 YOU DON’T LOVE ME (NO, NO, NO).... Dawn Penn (Atlantic) 39 23 JUST A STEP FROM HEAVEN .. Eternal (EMI) 15 BUMP’N’ GRIND......................................R Kelly (Jive) 4 4 GET-A-WAY. Maxx(Pulse8) 40 31 MMMMMMMMMMMM....... Crash Test Dummies (RCA) 5 7 NO GOOD (STARTTHE DANCE)........... The Prodigy (XL) 41 37 DIE LAUGHING........ ................. Therapy? (A&M) 6 6 ABSOLUTELY FABULOUS.. Absolutely Fabulous (Spaghetti) 42 26 TAKE IT BACK ............................ Pink Floyd (EMI) 7 ( - ) ANYTIME YOU NEED A FRIEND... Mariah Carey (Columbia) 43 ( - ) HARMONICAMAN....................... Bravado (Peach) USLPs 8 3 AROUNDTHEWORLD............... East 17 (London) 44 ( - ) EASETHEPRESSURE................... 2woThird3(Epic) 9 2 COME ON YOU REDS 45 30 THEREAL THING.............. Tony Di Bart (Cleveland City) 3 THESIGN.,. Ace Of Base (Arista) 46 33 THE MOST BEAUTIFUL GIRL IN THE WORLD. -
Frears & Kureishi
programme08-24pageA4.qxd 11/8/09 15:42 Page 1 FREE admission PORTOBELLO FILM FESTIVAL 3–20 Sept 2009 the beat goes on 700 NEW FILMS programme08-24pageA4.qxd 11/8/09 15:42 Page 2 PORTOBELLO FILM FESTIVAL Weekdays 6pm–11pm, Weekends 1pm–11pm 3–20 Sept 2009 Welcome to the 14th Portobello Film Festival Highlights Sat 12 Sept Portobello’s response to the credit crunch is NO ENTRY FEE. FREARS/KUREISHI 10 Simply turn up and enjoy 17 days of non stop cutting edge cinema from the modern masters of the medium – unimpressed with bling, Thu 3 Sept & COMEDY spin and celebrity culture, these guys have gone out and made their GRAND OPENING WESTBOURNE STUDIOS 11 films, often on budgets of next to nothing, for the sheer thrill of it. WESTBOURNE STUDIOS 1 FAMILY FILM SHOW On the opening night we have a film from Joanna Lumley and A.M. QATTAN CENTRE 4 Survival International, highlights from Virgin Media Fri 4 Sept Shorts, and Graffiti Research Laboratories Sun 13 Sept – last seen lighting up Tate Modern at the Urban Art expo. There’s HORROR more street art from Sickboy, Zeus, Inkie, Solo 1, WESTBOURNE STUDIOS 2 SPANISH DAY BA5H and cover artiste Dotmasters in the foyer. HOROWITZ WESTBOURNE STUDIOS 11 On Friday 4, Michael Horovitz remembers the Beat THE TABERNACLE 2 Generation and its enduring influence at The Tabernacle. And on FAMILY FILM SHOW A.M. QATTAN CENTRE 4 Sunday 6, Lee Harris premieres Allen Ginsberg In Heaven and William Burroughs in Denmark. Sat 5 Sept Mon 14 Sept There are family films every weekend at The Tabernacle and INTERNATIONAL the A.M. -
"Ersatz As the Day Is Long": Japanese Popular
“ERSATZ AS THE DAY IS LONG”: JAPANESE POPULAR MUSIC, THE STRUGGLE FOR AUTHNETICITY, AND COLD WAR ORIENTALISM Robyn P. Perry A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Walter Grunden, Advisor Jeremy Wallach © 2021 Robyn P. Perry All Rights Reserve iii ABSTRACT Walter Grunden, Advisor During the Allied Occupation of Japan, Supreme Commander for the Allied Powers (SCAP) Douglas MacArthur set forth on a mission to Americanize Japan. One way SCAP decided this could be done was by utilizing forms of media that were already popular in Japan, particularly the radio. The Far East Network (FEN), a network of American military radio and television stations in Japan, Okinawa, Guam, and the Philippines, began to broadcast American country & western music. By the early 1950s, Japanese country & western ensembles would begin to form, which initiated the evolution toward modern J-pop. During the first two decades of the Cold War, performers of various postwar subgenres of early Japanese rock (or J-rock), including country & western, rockabilly, kayōkyoku, eleki, and Group Sounds, would attempt to break into markets in the West. While some of these performers floundered, others were able to walk side-by-side with several Western greats or even become stars in their own right, such as when Kyu Sakamoto produced a number one hit in the United States with his “Sukiyaki” in 1963. The way that these Japanese popular music performers were perceived in the West, primarily in the United States, was rooted in centuries of Orientalist preconceptions about Japanese people, Japanese culture, and Japan that had recently been recalibrated to reflect the ethos of the Cold War. -
25 Years of the London Jazz Festival
MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com ACKNOWLEDGEMENTS This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators CONTENTS Rachel Daniel and Jess Knights, for organising events, picture 1 FOREWORD 50 CHAPTER 4. research, travel and liaison, and really just making it all happen JOHN CUMMING OBE, THE BBC YEARS: smoothly. Thanks to Rhythm Changes and CHIME European jazz DIRECTOR, EFG LONDON 2001-2012 research project teams for, once again, keeping it real. JAZZ FESTIVAL 50 2001: BBC RADIO 3 Some of the ideas were discussed at jazz and improvised music 3 INTRODUCTION 54 2002-2003: THE MUSIC OF TOMORROW festivals and conferences in London, Birmingham, Cheltenham, 6 CHAPTER 1. 59 2004-2007: THE Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and THE EARLY YEARS OF JAZZ FESTIVAL GROWS Ljubljana, and Amsterdam. Some of the ideas and interview AND FESTIVAL IN LONDON 63 2008-2011: PAST, material have been published in the proceedings of the first 7 ANTI-JAZZ PRESENT, FUTURE Continental Drifts conference, Edinburgh, July 2016, in a paper 8 EARLY JAZZ FESTIVALS 69 2012: FROM FEAST called ‘The role of the festival producer in the development of jazz (CULTURAL OLYMPIAD) in Europe’ by Emma Webster. -
Speaking of Poets 2: More Interviews with Poets Who Write for Children and Young Adults
DOCUMENT RESUME ED 379 675 CS 214 746 AUTHOR Copeland, Jeffrey S.; Copeland, Vicky L. TITLE Speaking of Poets 2: More Interviews with Poets Who Write for Children and Young Adults. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-4620-1 PUB DATE 94 NOTE 219p.; For volume 1, see ED 359 540. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Rd., Urbana, IL 61801-1096 (Stock No. 46201-3050: $11.95 members, $15.95 nonmembers). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Books (010) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Adolescents; Audience Awareness; Children; *Childrens Literature; *Creative Writing; Elementary Secondary Education; Interviews; *Personal Narratives; *Poetry; *Poets; Reader Text Relationship; *Writing Processes IDENTIFIERS Author Reader Relationship; Author Text Relationship; Poetic Forms; Writing Contexts; *Writing for Children ABSTRACT Spotlighting a variety of venerable poets, ss well as some rising stars, this book is the secondseries of conversations about the lives and works of poets who write mainly for children and young people. The book presents informal interviewswith the writers about their childhoods, the influences upon their work, theirwriting processes, how they would like to see their workintroduced to youngsters, and what suggestions they have for young poetry writers. The 20 poets interviewed in the book are: J. Patrick Lewis, Marilyn Singer, Cynthia Rylant, Paul Fleischman, Bro'd Bagert, Lillian Morrison, Ashlay Bryan, Jane Yolen, Luis J. Rodriguez, Deborah Chandra, Paul Janeczko, Michael Spooner, Constance Levy, Nikki Gi,-vanni, Patricia Huboell, Victor Martinez, Lucille Clifton, Maxine Kumin, Judith Thurman, and Nancy White Carlstrom. -
Representations of Liverpool Exceptionalism in the Merseybeat Period, 1960-1965
Representations of Liverpool Exceptionalism in the Merseybeat period, 1960-1965. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by David Kmiot June 2019 1 2 Acknowledgements The contributions of people who helped me with this project cannot be understated. I would like to thank Dr Graeme Milne for his unending support over the last five years, not just with the actual writing of the thesis. I would also like to thank Drs Laura Balderstone and Anna Bocking-Welch, my second supervisors, whose insights on oral history and a general understanding of whether what I was writing actually made sense were indispensable. I would like to also thank those who contributed to this thesis in the oral history interviews. Their willingness to talk, share stories, and entertain an inquisitive PhD student was invaluable. Personally, I would like to thank my mother, Nia, for her continued support in my attempts to squeeze just another bit of higher education into my life, my brother Huw for his support through keeping me amused, and Rachel Coombes, for being someone I could rely on when I was having thesis-related panics and being far more confident in my ability than I was myself. Finally, this thesis is dedicated to my late father, Wit, whose own frustrations at having not studied History were represented in bookshelves full of History books at home, and whose frustration I have now hopefully satisfied, in some way. 3 Table of Contents Abstract 5 Introduction 7 Part I 1. Literature Review 12 2. -
1 a Cultural Study of Two-Tone in the Socio
A CULTURAL STUDY OF TWO-TONE IN THE SOCIO-POLITICAL AND ECONOMIC CONTEXT OF THE 1970s by Susan Conduit A thesis submitted in partial fulfilment for the requirements for the degree of MA (by Research) at the University of Central Lancashire August 2017 1 STUDENT DECLARATION FORM Concurrent registration for two or more academic awards Either *I declare that while registered as a candidate for the research degree, I have not been a registered candidate or enrolled student for another award of the University or other academic or professional institution or *I declare that while registered for the research degree, I was with the University’s specific permission, a *registered candidate/*enrolled student for the following award: ______________________________________________________________ Material submitted for another award Either *I declare that no material contained in the thesis has been used in any other submission for an academic award and is solely my own work or *I declare that the following material contained in the thesis formed part of a submission for the award of _______________________________________________________________ (state award and awarding body and list the material below): * delete as appropriate Collaboration Where a candidate’s research programme is part of a collaborative project, the thesis must indicate in addition clearly the candidate’s individual contribution and the extent of the collaboration. Please state below: Signature of Candidate _____________________________________________________ Type of Award ______________________________________________________ School _______________________________________________________ 2 ABSTRACT A CULTURAL STUDY OF TWO-TONE IN THE SOCIO-POLITICAL AND ECONOMIC CONTEXT OF THE 1970s My thesis concerns Two-tone music which emerged in the late 1970s and achieved the peak of its popularity around 1980. -
Women in Rock OLLI Berkeley Course Material
Syllabus for Women in Rock: From the 1950s to the 1980s Instructor: Richie Unterberger, [email protected] OLLI Berkeley Week One: Women in Rock: The Early Years and The Girl Groups In the 1950s, rhythm and blues singers like Ruth Brown and LaVern Baker have some of the first rock’n’roll hits; Wanda Jackson and the Collins Kids are top rockabilly acts; and Brenda Lee becomes the first woman rock superstar. As New York’s Brill Building becomes established as the top place for rock publishers, women like Carole King, Cynthia Weil, and Ellie Greenwich become some of pop-rock’s most successful songwriters. Girl groups like the Shirelles, the Crystals, the Ronettes, the Chiffons, and the Cookies have numerous hits in the early 1960s, forming one of the major trends in rock of the period. In the early 1960s, some of the most R&B-oriented girl groups become some of the first soul stars, especially for Motown Records, with the Marvelettes, Martha & the Vandellas, the Supremes, and Mary Wells. Week Two: Women in Soul and British Rock Women soul singers emerge throughout the country, some of them more pop-oriented (Maxine Brown, Dionne Warwick), some of them earthier (Carla Thomas, Irma Thomas, Etta James). Aretha Franklin is anointed the Queen of Soul after moving to Atlantic Records and adopting a tougher, more spiritual sound. Other women soul singers with a forceful style emerge and increase in popularity, like Gladys Knight, Nina Simone, and the Staple Singers. Although all-male guitar bands dominate the British Invasion, a good number of women singers also make an impact both in their native UK and in the US.