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Resourceful Disciple
RESOURCEFUL DISCIPLE the LIFE, TIMES, & EXTENDED FAMILY of THOMAS EDWARDS BASSETT (1862-1926) by Arthur R. Bassett Prologue Purposed Audience and Prepared Authorship Part 1: For Whom the Bells Toll: Three Target Audiences It might be argued that every written composition, either by intent or subconsciously, has an intended audience to whom it is addressed; this biography, as indicated in the title, has three: 1) those interested in the facts surrounding the life of Thomas E. Bassett, 2) those interested in his times, and 3) those with an interest in his extended family. 1) Those Interested in His Life In one sense, this is the story of a single solitary life, selected and plucked from a pool of billions. It is the life of Thomas E. Bassett. He is not only my grandfather; he is also one of my heroes, so I hope that I can be forgiven if at times this biography exhibits overtones of a hagiography.1 I feel that his story deserves to be preserved, if for no other reason than his life was so extraordinary. It is truly a classic example of the America dream come true. Like most of his immediate descendants, I had heard the litany of his achievements from my very early childhood: first state senator from his county, first schoolteacher in Rexburg, first postmaster, newspaper editor, stake president, etc. However, as far as I know, no one has laid out the entire tapestry of his life in such a way that the chronological order and interrelationship of these accomplishments is demonstrated. This has been a major part of my project in this biography. -
The Key of the Mysteries
THE KEY OF THE MYSTERIES (LA CLEF DES GRANDS MYSTÈRES) BY ELIPHAS LEVI THE KEY OF THE MYSTERIES ACCORDING TO ENOCH, ABRAHAM, HERMES TRISMEGISTUS AND SOLOMON BY ELIPHAS LEVI TRANSLATED, WITH AN INTRODUCTION, BY ALEISTER CROWLEY “Religion says: ‘Believe and you will un- derstand.’ Science comes to say to you: ‘Un- derstand and you will believe.’ “At that moment the whole of science will change front; the spirit, so long dethroned and forgotten, will take its ancient place; it will be demonstrated that the old traditions are all true, that the whole of paganism is only a system of corrupted and misplaced truths, that it is sufficient to cleanse them, so to say, and to put them back again in their place, to see them shine with all their rays. In a word, all ideas will change, and since on all sides a multitude of the elect cry in concert, ‘Come, Lord, come!’ why should you blame the men who throw themselves forward into that majestic future, and pride themselves on having foreseen it?” (J. De Maistre, Soirées de St. Petersbourg.) TRANSLATOR’S NOTE IN the biographical and critical essay which Mr. Waite prefixes to his Mysteries of Magic he says: ‘A word must be added of the method of this digest, which claims to be something more than translation and has been infinitely more laborious. I believe it to be in all respects faithful, and where it has been necessary or possible for it to be literal, there also it is invariably literal.’ We agree that it is either more or less than translation, and the following examples selected at haz- ard in the course of half-an-hour will enable the reader to judge whether Mr. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
Aunt Jane's Nieces out West by Edith Van Dyne
Aunt Jane's Nieces Out West By Edith Van Dyne CONTENTS CHAPTER I - CAUGHT BY THE CAMERA CHAPTER II - AN OBJECT LESSON CHAPTER III - AN ATTRACTIVE GIRL CHAPTER IV - AUNT JANE'S NIECES CHAPTER V - A THRILLING RESCUE CHAPTER VI - A. JONES CHAPTER VII - THE INVALID CHAPTER VIII - THE MAGIC OF A NAME CHAPTER IX - DOCTOR PATSY CHAPTER X - STILL A MYSTERY CHAPTER XI - A DAMSEL IN DISTRESS CHAPTER XII - PICTURES, GIRLS AND NONSENSE CHAPTER XIII - A FOOLISH BOY CHAPTER XIV - ISIDORE LE DRIEUX CHAPTER XV - A FEW PEARLS CHAPTER XVI - TROUBLE CHAPTER XVII - UNCLE JOHN IS PUZZLED CHAPTER XVIII - DOUBTS AND DIFFICULTIES CHAPTER XIX - MAUD MAKES A MEMORANDUM CHAPTER XX - A GIRLISH NOTION CHAPTER XXI - THE YACHT "ARABELLA" CHAPTER XXII - MASCULINE AND FEMININE CHAPTER XXIII - THE ADVANTAGE OF A DAY CHAPTER XXIV - PICTURE NUMBER NINETEEN CHAPTER XXV - JUDGMENT CHAPTER XXVI - SUNSHINE AFTER RAIN CHAPTER I - CAUGHT BY THE CAMERA "This is getting to be an amazing old world," said a young girl, still in her "teens," as she musingly leaned her chin on her hand. "It has always been an amazing old world, Beth," said another girl who was sitting on the porch railing and swinging her feet in the air. "True, Patsy," was the reply; "but the people are doing such peculiar things nowadays." "Yes, yes!" exclaimed a little man who occupied a reclining chair within hearing distance; "that is the way with you young folks—always confounding the world with its people." "Don't the people make the world, Uncle John?" asked Patricia Doyle, looking at him quizzically. -
The Operas of Paul Stuart Based on Libretti by Sally M. Gall Sandra Gayle Boysen
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 The Operas of Paul Stuart Based on Libretti by Sally M. Gall Sandra Gayle Boysen Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC THE OPERAS OF PAUL STUART BASED ON LIBRETTI BY SALLY M. GALL By Sandra Gayle Boysen A Trea ise submi ed to the School of Music in par ial fulfillment of the requirements for the degree of Doc or of Music Degree Awarded: Fall Semes er, 2003 The members of the Commi ee approve the rea ise of Sandra Gayle Boysen defended on November 7, 2003. ___________________________________ Roy Delp Professor Direc ing Trea ise ___________________________________ Timothy Hoekman Outside Commi ee Member ___________________________________ Larry Gerber Commi ee Member ___________________________________ 5anice Harsanyi Commi ee Member The Office of Gradua e S udies has verified and approved the above named commi ee members. ii AC6NO7LEDGMENTS To Paul S uar , his wife Karin and their daughter, Vanessa, go my gra i ude for heir willingness to share their time and their home for the many interviews held there during research for this trea ise. To Paul, I give special thanks for his generosi y in providing invaluable resources such as his primary research notebooks, his ini ial composi ional ske ches, and his thorough documenta ion of correspondence and other ma erials rela ed to the crea ion of these operas. My thanks go to Dr. Sally M. Gall for answering my many ques ions so pa iently hrough many e8mail e9changes. -
Southwestern Montana Music Assessment : a Comparison Between Rural Montana and the Extreme Rural National Assessment of Educatio
Southwestern Montana Music Assessment : a comparison between rural Montana and the extreme rural national assessment of educational progress sample by Richard T Sietsema A thesis submitted in partial fulfillment of the requirement for the degree of Doctor of Education Montana State University © Copyright by Richard T Sietsema (1988) Abstract: The purpose of this study was to assess the music background and music achievement of 13-year-old rural students in Southwestern Montana. Data for the rural Montana students were established through utilization of selected music exercises found in the Second National Music Assessment component of the National Assessment of Educational Progress (NAEP). Responses to the assessment exercises of the Southwestern Montana students, expressed as percentages, were compared with responses of 13-year-old student's in the population sample drawn from the "Extreme Rural" type of community in the "Western Region" of the United States. The population for the author's study consisted of all 13-year-olds attending designated elementary schools in a six county area in Southwestern Montana. One, two, and three teacher K-8 schools were referred to as "Rural" while larger K-8 schools were referred to as "Town Schools." Music in the "Rural" schools was taught primarily by the classroom teacher while certified music specialists taught music in the "Town" schools. The NAEP music assessment was designed to gather data concerning demographics, home environment, in-school and outside of school activities, as well as cognitive and affective responses to selected music exercises. The Montana assessment booklet was developed by the author utilizing released exercises from the 1978-79 NAEP Music Assessment and was administered during the Fall of 1986. -
U DSG Papers of Howard Sergeant, Including [1930]-1995 the Archives of 'Outposts' Poetry Magazine
Hull History Centre: Howard Sergeant, inc 'Outposts' poetry magazine U DSG Papers of Howard Sergeant, including [1930]-1995 the Archives of 'Outposts' poetry magazine Biographical Background: Herbert ('Howard') Sergeant was born in Hull in 1914 and qualified as an accountant. He served in the RAF and the Air Ministry during the Second World War and with the assistance of his friend Lionel Monteith, edited and published the first issue of his poetry magazine 'Outposts' in February 1944. Outposts is the longest running independent poetry magazine in Britain. Sergeant had been writing poetry since childhood and his first poem to be published was 'Thistledown magic', in 'Chambers Journal' in 1943. 'Outposts' was conceived in wartime and its early focus was on poets 'who, by reason of the particular outposts they occupy, are able to visualise the dangers which confront the individual and the whole of humanity, now and after the war' (editorial, 'Outposts', no.1). Over the decades, the magazine specialised in publishing unrecognised poets alongside the well established. Sergeant deliberately avoided favouring any particular school of poetry, and edited 'Mavericks: an anthology', with Dannie Abse, in 1957, in support of this stance. Sergeant's own poetry was included in the first issue of 'Outposts' (but rarely thereafter) and his first published collection, 'The Leavening Air', appeared in 1946. He was involved in setting up the Dulwich Group (a branch of the British Poetry Association) in 1949, and again, when it re-formed in 1960. In 1956, Sergeant published the first of the Outposts Modern Poets Series of booklets and hardbacks devoted to individual poets. -
Leslie Norris and Exile
Forum Leslie Norris and Exile James Prothero Santa Ana College was appalled to find that mere months after his passing on April 6th of 2006, I the Welsh poet Leslie Norris was already becoming difficult to obtain, the first step before going out of print. His poems and short stories graced major publica- tions such as The New Yorker and The Atlantic Monthly. And yet if one checks on Amazon, his Collected Poems and Collected Stories are only to be had used, and for a much higher price. One can still purchase his books from the website of his small Welsh publisher, Seren, in pounds sterling. This last fact implies that the American market for Norris has dried up. Somehow, to me this is monumentally ironic. Norris, who abandoned a stellar teaching career in Britain to become a poet and a teacher of writing in the American mountain west, is arguably one of the finest English language poets of the twentieth century on either side of the Atlantic. We gave the British Eliot, and in turn they gave us Norris. Critics and readers may debate, but I think we Americans got the better part of the bargain. But perhaps a more illuminating parallel is between Norris and a poet who had a voice in many ways similar: Robert Frost. The experience that congealed Frost’s poetic gift and gave it voice to the world was his temporary migration to England and his interchange of artistic friendship with Edward Thomas. Frost the poet achieved his full voice in exile. This is the quintessentially American experience of exile and coming home to a place you never knew existed before. -
Typescript of Ransoms by Leslie Norris (NLW Ex 1934)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Typescript of Ransoms by Leslie Norris (NLW ex 1934) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 20, 2017 Printed: May 20, 2017 https://archifau.llyfrgell.cymru/index.php/typescript-of-ransoms-by-leslie-norris https://archives.library.wales/index.php/typescript-of-ransoms-by-leslie-norris Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Typescript of Ransoms by Leslie Norris Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Nodiadau | Notes ............................................................................................................................................. 4 - Tudalen | Page 2 - NLW ex 1934 Typescript of Ransoms by Leslie Norris Gwybodaeth grynodeb | Summary information Lleoliad | Repository: Llyfrgell Genedlaethol Cymru = The National Library of Wales Teitl | Title: Typescript of Ransoms by Leslie Norris ID: NLW ex 1934 Virtua system control vtls004029605 -
Pwanyom Attack
Grand Valley State University ScholarWorks@GVSU Volume 36, July 12, 2001 - June 13, 2002 Lanthorn, 1968-2001 9-14-2001 Lanthorn, vol. 36, no. 05, September 14, 2001 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol36 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 36, no. 05, September 14, 2001" (2001). Volume 36, July 12, 2001 - June 13, 2002. 5. https://scholarworks.gvsu.edu/lanthorn_vol36/5 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 36, July 12, 2001 - June 13, 2002 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. Campus news for 33 years This issue was delayed to bring the university coverage of Tuesday's terrorist pwanyom attack Grand Valley State University www.lanthom.com Friday, September 14, 2001 GVSU feels effects ofnaflonaHragedv Rachel Izzo was heaped in the place Grand Valley Lanthorn where the World Trade Center towers once On the afternoon of stood, and a gaping hole Sept. 11, 2001, about was left in the side of 4,000 Grand Valley the Pentagon. America State University stu had been attacked and dents gathered in the the Grand Valley com grass around the Cook munity sat waiting to Carillon Clock Tower to see what the next steps listen to President would be. Murray’s words about GVSU students, fac the days events. ulty and staff had their “Today a great ears tuned into radios tragedy has occurred in and their eyes glued to New York, Washington, televisions. -
A Conversation with Leslie Norris
A Conversation with Leslie Norris Jim Prothero Santa Ana College I1 JP: How do you see Wordsworth’s influence on your work? LN: Well, other people see it very markedly, but I don’t know that it’s more, really, than the general fact that Romantic poets were heavily influential on the Welsh writers in English and in Welsh, as a matter of fact; and I do see it rather like that. I think the obvious correspondence of feeling between the Lake District and Wales and Wordsworth’s great awareness of Wales, as a matter of fact, probably mean that that kind of feeling influenced us greatly. I’m not so sure that his poetry influenced me very much, but it may have influ - enced my attitude to poetry. I wouldn’t have thought so. There might be specific poems that you could find, but I’m not so sure about that either, since our experiences are completely different, you know. 1This interview occurred on May 14, 1998, via telephone. L&B 29:1&2 2009 2 / Literature and Belief JP: Yes, well, I saw similarity in characterization and not just in the poetry but in your short stories, also in the juxtaposition of the pain of life and the beauty of the land and of nature, and the enigma of those two things. LN: I think that’s probably true, but I wouldn’t have thought that was necessarily Wordsworthian. I would think almost any of the short stories—H. E. Bates, for example, in his early work—would show more Wordsworthian experience. -
I PASS BY, I WALK and DANCE GUIDED by HARMONIOUS COUNTING Mathematical Theory of the Universe Origin and the Order of the C
I PASS BY, I WALK AND DANCE GUIDED BY HARMONIOUS COUNTING Mathematical theory of the Universe origin and the order of the corn account, within the Dance of the Anahuac Nation. Everardo Lara González FOREWORD This work continues the first research initiated in 1987 and published in 1993, under the name Mathematics and Symbolism in the Native dance of Mexico. I consider that, since that year, I was involved in the very first intuition of math within the traditional dance of the Anahuac. This mathematical intuition arose through the teachings generously transmitted by two persons, outstanding in their own specific areas of study: Engineer David Esparza Hidalgo, with regard to the mathematical knowledge of the Nepohualtzintzin, who devoted himself for more than thirty years of his life to the research of the Mesoamerican calculating system, as well as the contribution of the general captain of the Mesoamerican Dance, Ignacio Cortés, founder of the Tenoch group and one of the sponsors of the process for getting away from syncretism within this discipline and who, within his rehearsals of the traditional dance, suggested the presence of numbers within the rhythmic process. Afterwards, Master Cruz Hernández Ibarra, captain of the traditional dance belonging to the Mesa del Santo Niño de Atocha, kindly accepted to give information by means of interviews which were videotaped; in those interviews he teaches us about the symbolisms of certain steps within the different dances. Hernández Ibarra learned directly from Captains Gabriel Osorio and Carmelo Morales, from the zone of Guanajuato. Master Cruz’ trajectory in the traditional dance dates back to 1946 and he considers that nobody is the exclusive owner of knowledge; therefore, this must be spread towards childhood and youth as well.