Giaches De Wert La Gerusalemme Liberata

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Giaches De Wert La Gerusalemme Liberata GCD 920911 Giaches de Wert New release information No. 05/2003 La Gerusalemme Liberata NOTES (ENG) NOTES (FRA) Editing a new CD of La Venexiana is always a Éditer un nouveau disque de La Venexiana est delightful experience: impeccable performances, toujours une expérience exquise : des which after almost ten discs can be said to interprétations impeccables qui, après une approach perfection, sublime music, evoking dizaine de disques, frôlent la perfection, une an era and places fascinating and unrepeatable, musique sublime évoquant une époque et des the duchies of northern Italy during the time lieux fascinants et uniques qui sont les duchés which led to the Seicento, and poetry (Petrarch, du Nord de l’Italie au changement du siècle qui Tasso, Guarini...) of an intoxicating beauty… mènera au Seicento, et une poésie (Pétrarque, Le Tasse, Guarini...) d’une capiteuse beauté... We have here the ninth CD by an ensemble unanimously acclaimed as the best Italian vocal Nous sommes donc en présence du neuvième group presently on the scene. Following the disque d’un ensemble unanimement acclamé lasting success of their Monteverdi, Gesualdo, comme le meilleur groupe vocal italien en Giaches de Wert Marenzio and Sigismondo recordings, they now activité. Après les succès perdurables de leurs La Gerusalemme Liberata turn to the Fleming closely related to the courts Monteverdi, Gesualdo, Marenzio, Sigismondo, Madrigals of Ferrara and Mantua, Giaches de Wert, who c’est à présent le tour d’un Flamand étroitement paved the way to the renovation of the madrigal lié aux cours de Ferrare et Mantoue, Giaches La Venexiana that would later be firmly established by de Wert, qui ouvrit la voie de la rénovation du Rossana Bertini, Valentina Coladonato, Monteverdi and Sigismondo d’India. For this madrigal que Monteverdi et Sigismondo d’India Nadia Ragni, Claudio Cavina, Giuseppe Maletto, recording Claudio Cavina has chosen the lovely consolideront à sa suite. Claudio Cavina a choisi Sandro Naglia, Daniele Carnovich, madrigals that Wert composed on the poems pour ce disque les madrigaux magnifiques que Gabriele Palomba, Franco Pavan from Jerusalem Delivered by Tasso and Il Pastor Wert composa sur des poèmes des recueils de Claudio Cavina, director Fido by Guarini, which are taken from his 7th, la Gerusalemme Liberata du Tasse et Il Pastor 8th and 11th Books of Madrigals. Fido de Guarini, inclus dans ses VIIe, VIIIe et Glossa GCD 920911 XIe Livres de Madrigaux. Full-price digipak Unquestionably another gem from La Venexiana that we are proud to include in our catalogue. Il s’agit en somme d’un autre joyau de La Venexiana que nous sommes fiers de pouvoir Programme accueillir dans notre catalogue. Giaches de Wert (1535-1596) Madrigals from the 7th, 8th, 11th Books I. La Gerusalemme Liberata (Tasso) NOTAS (ESP) NOTIZEN (DEU) 01 Sovente, allor che su gli estivi ardori 02 Giunto alla tomba 03 Usciva omai dal molle e fresco grembo Editar un nuevo disco de La Venexiana es Eine neue CD von La Venexiana herauszugeben 04 Vezzosi augelli infra le verdi fronde siempre una experiencia deliciosa: ist stets eine bereichernde Erfahrung: tadellose 05 Forsennata gridava interpretaciones intachables, que tras casi una Interpretationen, die nach fast 10 CDs der 06 Qual musico gentil decena de discos rozan la perfección, una Perfektion sehr nahe kommen, eine erhabene 07 Misera non credea música sublime, evocadora de una época y Musik, die faszinierende und einzigartige 08 Giunto alla tomba (instr.) unos lugares fascinantes e irrepetibles, los Epochen und Schauplätze wieder erstehen lässt, ducados del norte de Italia en el cambio de die Herzogtümer Norditaliens zur II. Il Pastor Fido (Guarini) siglo que conduciría al Seicento, y una poesía Jahrhundertwende bis ins vorgerückte 17. (Petrarca, Tasso, Guarini...) de una belleza Jahrhundert, und eine Dichtkunst (Petrarca, 09 Cruda Amarilli embriagadora... Tasso, Guarini…) von berauschender Schönheit… 10 O primavera gioventù dell’anno 11 Ah, dolente partita Estamos, pues, ante el noveno disco de un Uns liegt also die neunte CD eines Ensembles 12 Udite lagrimosi conjunto aclamado unánimemente como el vor, das einstimmig als die beste aktive mejor grupo vocal italiano en activo. Tras los Vokalgruppe Italiens gefeiert wird. Nach den perdurables éxitos de sus Monteverdi, Gesualdo, dauerhaften Erfolgen der Interpretationen von Technical details Marenzio, Sigismondo, ahora le toca el turno Monteverdi, Gesualdo, Marenzio und Sigismondo a un flamenco estrechamente relacionado con ist jetzt ein Flame an der Reihe, der in enger Playing time: 58’34 las cortes de Ferrara y Mantua, Giaches de Beziehung zu den Höfen in Ferrara und Mantua Recorded in Roletto, Italy, in April 2002 Wert, que abrió el camino de la renovación steht: Giaches de Wert. Wert ebnete den Weg Engineered by Davide Ficco madrigalística que se consolidaría con für die Erneuerung des Madrigals, die sich mit Produced by Sigrid Lee & La Venexiana Monteverdi y Sigismondo d’India. Claudio Cavina Monteverdi und Sigismondo d’India konsolidieren ha elegido para este disco los preciosos sollte. Claudio Cavina hat für diese CD Essay by Claudio Cavina madrigales que Wert compusiera sobre la poesía vorzügliche Madrigale aus dem Siebten, Achten Italian, English, French, Spanish, German contenida en la Gerusalemme Liberata, de und Elften Madrigalbuch ausgewählt, die Wert Tasso, e Il Pastor Fido, de Guarini, procedentes zu Gedichten in Tassos Befreitem Jerusalem de sus VIIº, VIIIº y XIº Libro de Madrigales. und in Guarinis Pastor Fido komponierte. En definitiva, otra joya de La Venexiana que Ein weiteres Meisterwerk von La Venexiana. Es estamos orgullosos de poder acoger en nuestro erfüllt uns mit Stolz, diese Musik in unseren catálogo. Katalog aufnehmen zu können. www.glossamusic.com/catalogue/0911.htm La Venexiana Claudio Cavina ABOUT THE ARTIST À PROPOS DE L’ARTISTE The name “La Venexiana” is taken from an Le nom de «La Venexiana» provient d’une anonymous Renaissance comedy, one of the comédie anonyme de la Renaissance, qui est cardinal points of reference in Italian theatre l’une des références cruciales du théâtre italien, both for its use of language, a combination of aussi bien pour l’utilisation de la langue –une Italian and dialect, and for its acute rendering combinaison d’italien et de dialecte– que pour of a society and its manners. In styling itself la représentation fidèle d’une société et de ses after this glorious tradition, La Venexiana aims coutumes. S’inspirant de cette glorieuse to incorporate into its musical interpretations tradition, La Venexiana incorpore à son an attention to language in all of its subtlety, interprétation un traitement exquis du langage and an exultation of contrasts between the en tentant de capter toute sa subtilité et refined and the popular, the sacred and the d’exprimer les contrastes entre le monde érudit profane. This ensemble has established a new et populaire, entre le sacré et le profane. Cet style in Italian early music performance: a ensemble a établi un nouveau style warm, truly Mediterranean blend of textual d’interprétation de la musique ancienne declamation, rhetorical colour and harmonic italienne: une fusion chaude, profondément refinement. Born of the collaboration between méditerranéenne, de l’art de la déclamation Other CDs by La Venexiana: soprano Rossana Bertini and countertenor des textes, de la couleur rhétorique et du Claudio Cavina, its current musical director, La raffinement harmonique. Claudio Monteverdi Venexiana makes a careful use of the original Terzo Libro di Madrigali, 1592 sources, keeping the activity of the ensemble La Venexiana enregistre en exclusivité chez GCD 920910 always stimulating and full of enjoyable Glossa depuis 1998. Après une collaboration surprises. de 4 ans et 8 CDs réalisés par notre maison Gesualdo da Venosa discographique, la critique musicale est unanime Il Quarto Libro di Madrigali, 1596 Since 1998, La Venexiana records exclusively à considérer La Venexiana comme le plus grand GCD 920907 for Glossa. After 4 years with our label and 8 spécialiste du madrigal italien. Cette situation CDs, the musical press has demonstrated its se reflète aussi dans l’incessante moisson de Luca Marenzio unanimity in considering La Venexiana the prix internationaux, entre lesquels brillent d’un Il Sesto Libro di Madrigali, 1594 greatest specialists in the area of the Italian éclat particulier le Prix Gramophone et le Cannes GCD 920909 madrigal. This opinion is also reflected by the Classical Award. steady flow of international prizes the group is Luca Marenzio receiving, among which stand out the Il Nono Libro di Madrigali, 1599 Gramophone Award and the Cannes Classical Award. GCD 920906 Sigismondo d’India Libro Primo de Madrigali,1606 ACERCA DEL ARTISTA ZUM KÜNSTLER GCD 920908 El nombre «La Venexiana» está tomado de una Der Name »La Venexiana« ist einer anonymen Luzzasco Luzzaschi comedia renacentista anónima, uno de los Renaissancekomödie entnommen, einer Quinto Libro de’ Madrigali, 1595 puntos de referencia cruciales en el teatro Gattung, die mit ihrer Sprache, eine Verbindung GCD 920905 italiano, tanto por su uso del lenguaje, una von Italienisch und Dialekten, und als combinación de italiano y dialecto, como por authentisches Spiegelbild einer Gesellschaft su fiel reflejo de una sociedad y sus costumbres. und ihrer Gewohnheiten, einen wesentlichen Forthcoming CDs by La Venexiana: Inspirándose en esta gloriosa tradición, La Referenzpunkt innerhalb des italienischen Venexiana incorpora a sus interpretaciones Theaters ausmacht. Von dieser glorreichen Monteverdi live musicales un exquisito tratamiento del lenguaje, Tradition inspiriert ist in den Interpretationen Madrigals intentando captar todas sus sutilezas y expresar von La Venexiana eine äußerst feinfühlige GCD 030912 los contrastes entre lo refinado y lo popular, lo Behandlung der Sprache verkörpert, und so sacro y lo profano. Este conjunto ha establecido strebt das Ensemble an, alle Nuancen zu Claudio Monteverdi un nuevo estilo en la interpretación de la música erfassen und die Kontraste zwischen Gehobenem Settimo Libro di Madrigali, 1619 antigua italiana: una cálida y profundamente und Volkstümlichem oder zwischen Geistlichem GCD 030904.
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