Sense and Sensibility Pdf, Epub, Ebook
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Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
Marianne Dashwood and Charlotte Lucas (The Christian Ideal of Marriage in Jane Austen)
Not Said But Shown 432 17. Marianne Dashwood and Charlotte Lucas (The Christian Ideal of Marriage in Jane Austen) ----- Marianne Dashwood at seventeen believes in “wholeheartedness.” One should cultivate right feelings as far as one possibly can, and express them frankly and to the full; and all with whom one can relate properly must do the same. One’s feelings should be intense, and the expression of them should be enthusiastic and eloquent. Towards those whose feelings are right, but who cannot achieve this freedom of expression, one must be charitable; but one should avoid all whose thought and behavior is governed by convention. Following convention corrupts one’s “sensibility,” so that one can no longer tell what the truth of natural feeling is. Thus, when Edward Ferrars and Marianne’s sister Elinor become mutually attached, Marianne approves of Edward — and she certainly agrees with her mother, who says, “I have never yet known what it was to separate esteem and love” (SS, I, iii, 16). But she cannot imagine how Elinor can be in love with Edward, because he lacks true “sensibility.” “Edward is very amiable, and I love him tenderly. But . his figure is not striking . His eyes want all that spirit, that fire, which at once announce virtue and intelligence . he has no real taste . I could not be happy with a man whose taste did not in every point coincide with my own . how spiritless, how tame was Edward’s manner in reading to us last night! . it would have broke my heart had I loved him, to hear him read with so little sensibility” (17-8). -
ROSALIND-Film-Links
THE PLAY “AS YOU LIKE IT” THE WOMAN ROSALIND SOME LINKS FOR YOUR VIEWING PLEASURE YOUTUBE…. FILM PRODUCTION TWENTIETH CENTURY FOX (1936) Directed by Paul Czinner Laurence Olivier, Elisabeth Bergner, Sophie Stewart With English Captions: https://www.youtube.com/watch?v=wFChichBoPI&t=16s Without English Captions: https://www.youtube.com/watch?v=RxBwHQSbUdY&list=RDCMUCWNH6WeWgwMaWbO_ 5VfhiTQ&start_radio=1&t=24 BBC – THE OPEN UNIVERSITY “AS YOU LIKE IT” DOCUMENTARY (2016) Award-winning British Actress Fiona Shaw Lectures, Scene Study with Exercises https://www.youtube.com/watch?v=1bTlH-EQSJE&t=2202s FULL AMATEUR PRODUCTIONS THE PUBLIC THEATER OF MINNESOTA SHAKESPEARE FESTIVAL (2013) Filmed Outdoor Stage Production https://www.youtube.com/watch?v=dDVnVpgzG5U&t=6848s SHAKESPEARE BY-THE-SEA (2015) Filmed Live Outdoor Stage Production https://www.youtube.com/watch?v=ZTSaCh02s8U&list=PLH0M7jdxVB3vfSQjS6gAMm6M3h Ox6cXP-&index=25 AUDIO RECORDING LIBRIVOX AUDIOBOOKS (2019) https://www.youtube.com/watch?v=hhcLW0FaCBk OREGON SHAKESPEARE FESTIVAL (1950) https://www.youtube.com/watch?v=8yOhKvUtF3c&t=5539s KANOPY- FREE Through many Maine Public Libraries with Library card FILM PRODUCTION THE BBC SERIES – COMPLETE PLAYS OF SHAKESPEARE (1978) Directed by Basil Coleman Helen Mirren, Brian Stirner, Richard Pasco AMAZON PRIME VIDEO…… FILM PRODUCTIONS ROYAL SHAKESPEARE COMPANY (2019) Directed by Kimberly Sykes & Robert Lough Lucy Phelps , Antony Byrne , Sophie Khan Levy ROYAL SHAKESPEARE COMPANY (2010) Directed by Michael Boyd Jonjo O'Neill , Katy Stephens -
HH Available Entries.Pages
Greetings! If Hollywood Heroines: The Most Influential Women in Film History sounds like a project you would like be involved with, whether on a small or large-scale level, I would love to have you on-board! Please look at the list of names below and send your top 3 choices in descending order to [email protected]. If you’re interested in writing more than one entry, please send me your top 5 choices. You’ll notice there are several women who will have a “D," “P," “W,” and/or “A" following their name which signals that they rightfully belong to more than one category. Due to the organization of the book, names have been placed in categories for which they have been most formally recognized, however, all their roles should be addressed in their individual entry. Each entry is brief, 1000 words (approximately 4 double-spaced pages) unless otherwise noted with an asterisk. Contributors receive full credit for any entry they write. Deadlines will be assigned throughout November and early December 2017. Please let me know if you have any questions and I’m excited to begin working with you! Sincerely, Laura Bauer Laura L. S. Bauer l 310.600.3610 Film Studies Editor, Women's Studies: An Interdisciplinary Journal Ph.D. Program l English Department l Claremont Graduate University Cross-reference Key ENTRIES STILL AVAILABLE Screenwriter - W Director - D as of 9/8/17 Producer - P Actor - A DIRECTORS Lois Weber (P, W, A) *1500 Major early Hollywood female director-screenwriter Penny Marshall (P, A) Big, A League of Their Own, Renaissance Man Martha -
Introduction
INTRODUCTION Jane Austen: An influential woman Thanks to her sharp wit and strong female characters, Jane Austen’s literature is still utterly relevant. Author Claire Harman asks – is she the most influential woman of the past 200 years? In 1811, a 35- year-old Hampshire spinster had her first book published anonymously: Sense And Sensibility, By A Lady. It got two brief, polite reviews, sold 500 copies and was swiftly forgotten. But 200 years later, everyone knows Jane Austen. She’s not just a writer, she’s a cult, a brand and a cultural touchstone. This marked the transition from obscurity to being one of this century and last’s most influential literary figures. It’s hard to believe her six short novels – yes, it really is just six – are still bought in their millions (because her work is out of copyright, there is no accurate estimate of how many). Austen’s influence and literary pulling-power can’t be over-estimated. She’s reached millions of people all over the world, not simply through the number of languages she’s been translated into (35 at the last count), but because there’s something in her work that readers connect with instantly. We read her because we feel she understands us – despite being born over two centuries ago. In many ways, her books are more in tune with our times and tastes than her own. In the first review she ever received, she was taken to task for a ‘want of newness’, but her books now seem markedly more original than anything else of the period. -
Irish Film Institute What Happened After? 15
Irish Film Studyguide Tony Tracy Contents SECTION ONE A brief history of Irish film 3 Recurring Themes 6 SECTION TWO Inside I’m Dancing INTRODUCTION Cast & Synopsis 7 This studyguide has been devised to accompany the Irish film strand of our Transition Year Moving Image Module, the pilot project of the Story and Structure 7 Arts Council Working Group on Film and Young People. In keeping Key Scene Analysis I 7 with TY Guidelines which suggest a curriculum that relates to the Themes 8 world outside school, this strand offers students and teachers an opportunity to engage with and question various representations Key Scene Analysis II 9 of Ireland on screen. The guide commences with a brief history Student Worksheet 11 of the film industry in Ireland, highlighting recurrent themes and stories as well as mentioning key figures. Detailed analyses of two films – Bloody Sunday Inside I'm Dancing and Bloody Sunday – follow, along with student worksheets. Finally, Lenny Abrahamson, director of the highly Cast & Synopsis 12 successful Adam & Paul, gives an illuminating interview in which he Making & Filming History 12/13 outlines the background to the story, his approach as a filmmaker and Characters 13/14 his response to the film’s achievements. We hope you find this guide a useful and stimulating accompaniment to your teaching of Irish film. Key Scene Analysis 14 Alicia McGivern Style 15 Irish FIlm Institute What happened after? 15 References 16 WRITER – TONY TRACY Student Worksheet 17 Tony Tracy was former Senior Education Officer at the Irish Film Institute. During his time at IFI, he wrote the very popular Adam & Paul Introduction to Film Studies as well as notes for teachers on a range Interview with Lenny Abrahamson, director 18 of films including My Left Foot, The Third Man, and French Cinema. -
Sense and Sensibility by Kate Hamill Based on the Novel by Jane Austen
SENSE AND SENSIBILITY BY KATE HAMILL BASED ON THE NOVEL BY JANE AUSTEN DRAMATISTS PLAY SERVICE INC. SENSE AND SENSIBILITY Copyright © 2016, Kate Hamill, based on the novel by Jane Austen All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of SENSE AND SENSIBILITY is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing. The English language stock and amateur stage performance rights in the United States, its territories, possessions and Canada for SENSE AND SENSIBILITY are controlled exclusively by DRAMATISTS PLAY SERVICE, INC., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining in advance the written permission of DRAMATISTS PLAY SERVICE, INC., and paying the requisite fee. -
NOMINEES for the 68Th ANNUAL GOLDEN GLOBE AWARDS
NOMINEES FOR THE 68th ANNUAL GOLDEN GLOBE AWARDS Best Motion Picture - Drama Best Screenplay - Motion Picture Best Performance by an Actress in Black Swan (2010) 127 Hours (2010): Danny Boyle, Simon Beaufoy a Mini-Series or a Motion Picture The Fighter (2010) Inception (2010): Christopher Nolan Made for Television Inception (2010) The Kids Are All Right (2010): Stuart Blumberg, Hayley Atwell for The Pillars of the Earth (2010) The King’s Speech (2010) Lisa Cholodenko Claire Danes for Temple Grandin (2010) The Social Network (2010) The King’s Speech (2010): David Seidler Judi Dench for Cranford (2007) The Social Network (2010): Aaron Sorkin Romola Garai for Emma (2009) Best Motion Picture - Jennifer Love Hewitt for The Client List (2010) Musical or Comedy Best Original Song - Motion Picture Alice in Wonderland (2010) Best Performance by an Actor Burlesque (2010/I) Burlesque (2010/I): Samuel Dixon, Christina Aguilera, in a Television Series - The Kids Are All Right (2010) Sia Furler(“Bound to You”) Musical or Comedy Burlesque (2010/I): Diane Warren(“You Haven’t Seen Red (2010/I) Alec Baldwin for 30 Rock (2006) The Last of Me”) The Tourist (2010) Steve Carell for The Office (2005) Country Strong (2010): Bob DiPiero, Tom Douglas, Hillary Lindsey, Troy Verges(“Coming Home”) Thomas Jane for Hung (2009) Best Performance by an Actor Matthew Morrison for Glee (2009) in a Motion Picture - Drama The Chronicles of Narnia: The Voyage of the Dawn Treader (2010): Carrie Underwood, David Hodges, Jim Parsons for The Big Bang Theory (2007) Jesse Eisenberg for The Social Network (2010) Hillary Lindsey(“There’s A Place For Us”) Best Performance by an Actress Colin Firth for The King’s Speech (2010) Tangled (2010): Alan Menken, Glenn Slater James Franco for 127 Hours (2010) (“I See the Light”) in a Television Series - Ryan Gosling for Blue Valentine (2010) Musical or Comedy Mark Wahlberg for The Fighter (2010) Best Original Score - Toni Collette for United States of Tara (2009) Motion Picture Edie Falco for Nurse Jackie (2009) Best Performance by an Actress 127 Hours (2010): A.R. -
The New European Eurofile Cinema September 2020
36 September 10-September 16, 2020 The New European EurofilE cinEma JASON SOLOMONS reports from the Venice Film Festival on an event that is critical to the industry’s recovery from The films the pandemic, and details the new releases that ThaT will will lead the fightback ell, that was a surprise. help keep Yes, there were plenty of films showing at the 77th Venice Film Festival, and there was a competition for Wthe Golden Lion, but the biggest thing is that there was an event of such size and movie international reputation. There was a red carpet and people on it, front page pictures, plenty of journalists and TV crews and photographers from all over Europe, big stars, Aperol Spritzes in the bars, spaghetti vongole in the busy restaurants and packed (or half-packed), indusTry double-spaced, pre-booked screenings in the famous old 1,000+-seater cinemas, morning, afternoon and night. For 11 days. Whisper it, but it felt a bit like normal. Even if you couldn’t air kiss actresses or afloaT shake hands with film makers, or recognise old friends in their mask-and- sunglasses ensembles. And so what if I saw several films from behind steamed-up specs until I worked out how to breathe a bit easier behind the mask? The films, let’s face it, weren’t the best selection Venice has ever offered. In recent years, the Lido has kicked off the Oscar race and awards season buzz with opening films such as La La Land and Gravity and Birdman, and hosted winners such as The Shape of Water, Brokeback Mountain and Roma, and premiered performances by Helen Mirren in The Queen, or Frances McDormand in Three Billboards..., or Joaquin Phoenix in Joker. -
December 11, 2012–January 13, 2013
December 11, 2012–January 13, 2013 SENSE AND SENSIBILITY Milwaukee Repertory Theater presents PLAY GUIDE • Written by Lindsey Schmeltzer Education Intern Melissa Neumann Education Intern • By Jane Austen Adapted for the stage by Mark Healy Play Guide edited by Directed by Art Manke Leda Hoffmann December 11, 2012-January 13, 2013 Education Coordinator Quadracci Powerhouse JC Clementz Literary Assistant MARK’S TAKE: “Sense and Sensibility is my favorite of Jenny Kostreva Education Director Jane Austen’s wonderful works. I love the relationship between the two sisters — Lisa Fulton their contrasts, their journeys, their growth Director of Marketing throughout—and how this 200-year-old story • still resonates. We all fall in love, we all have our hearts broken, we all go through periods Graphic Design by where our lives are suddenly turned upside- Eric Reda down, and Austen’s beautiful prose manages to get right to the heart of those moments and makes us feel and say, ‘wow, I know that, I felt that, I understand that.’” -Mark Clements, Artistic Director TABLE OF CONTENTS Page 3 Synopsis Page 4 The Characters Page 5 Character Relationships Tickets: 414-224-9490 Page 6 The Settings www.MilwaukeeRep.com Page 7 Jane Austen’s Biography Mark Clements Page 8 Historical Context: Artistic Director The Regency Era Dawn Helsing Wolters Page 9 Sense vs. Sensibility Managing Director Page 10 Adaptation: From Novel To Stage Milwaukee Repertory Theater 108 E. Wells Street Page 11 Glossary Milwaukee, WI • 53202 Page 12 Creating the Rep Production Page 14 Visiting The Rep SYNOPSIS Henry Dashwood has three children: a son, John, by his first wife and two daughters, Elinor and Marianne, by his second. -
Toolkit Sense & Sensibility Toolkit
Bedlam's TOOLKIT Welcome! This Toolkit introduces topics, content, themes, and more about the A.R.T. production of Bedlam’s Sense & Sensibility. This exhuberant and inventive take on a Jane Austen classic explores questions of balancing reputation, expectation, and love using humor, emotion, and bold theatricality. This Toolkit is designed for classroom and individual use as preparation for or follow-up to seeing the A.R.T. production of Bedlam’s Sense & Sensibility. In its pages you will find articles, activities, and tools that help to illuminate the background and ideas at play in the work on stage: the context of Jane Austen and her classic text, concepts of theatrical adaptation, Bedlam’s signature performance style, and more. See you at the theater! BRENNA NICELY JAMES MONTAÑO A.R.T. Education & Community A.R.T. Education & Community Programs Manager Programs Fellow BEDLAM’S SENSE & SENSIBILITY TOOLKIT 2 Table of Contents SENSE & SENSIBILITY: THE NOVEL Summary..........................................................................................................................5-6 The Characters...............................................................................................................7-8 The Script of Sensibility.............................................................................................9-11 The World of Sense & Sensibilty .........................................................................12-15 Sense in Adaptation...................................................................................................16-18 -
Sense and Sensibility by KATE HAMILL BASED on the NOVEL by JANE AUSTEN IMAGE by JAMES HARTLEY JAMES by IMAGE Study Guide
STATE THEATRE COMPANY SOUTH AUSTRALIA PRESENTS Sense and Sensibility BY KATE HAMILL BASED ON THE NOVEL BY JANE AUSTEN IMAGE BY JAMES HARTLEY JAMES BY IMAGE Study Guide COMPILED BY HANNAH MCCARTHY-OLIVER *PLEASE USE IN CONJUNCTION WITH THE PRE PRODUCTION BRIEFING Marianne – What has wealth or fame to do with being happy? Elinor – Wealth has much to do with it. Marianne – Elinor, for shame! Suitable for Years 9-12 4 May - 26 May 2018 Dunstan Playhouse Running Time – Approximately 2 hours and 20 minutes – Including Interval Synopsis Set in the gossip filled world of late 18th century England, Hamill’s Sense and Sensibility is an entertaining, fun, frivolous and heart warming adaptation of Jane Austen’s well known novel. It tells the story of the Dashwood family, with the focus on hyper sensitive Marianne and the ever sensible Elinor. The show opens as a group of gossips discuss the death of the Dashwood patriarch. With limited financial means and reduced social standing the Dashwoods find themselves in a troubling situation for a family of women during the Regency period. The only way to rectify their issues… find husbands! Character Descriptions Elinor Dashwood – the eldest Dashwood sister; sensible Marianne Dashwood – the middle Dashwood sister; sensitive Margaret Dashwood – the youngest Dashwood sister; 10-13 years old Mrs Dashwood – mother to the Dashwood sisters John Dashwood – half brother to the Dashwood sisters (from their father’s side; no blood relation to Mrs Dashwood) Edward Ferrars – a gentleman; a bachelor Fanny (Ferrars) Dashwood