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Read Book Kamadeva the God of Desire Pdf Free Download
KAMADEVA THE GOD OF DESIRE PDF, EPUB, EBOOK Anuja Chandramouli | 336 pages | 01 Sep 2015 | Rupa & Co | 9788129134592 | English | New Delhi, India Kamadeva the God of Desire PDF Book Oh how about including VHP in all of this. Brahma advises that Parvati should seduce Shiva since their offspring would be able to defeat Taraka. So from that perspective, this book gives Kamadeva a point of view in the epic tradition. Post a Comment. As a lover of ASOIAF series, it was hard to notice that even a book of that level of complexity was written in a very simple language but this one was one hell of a complex bundle of difficult sentences and words. We respect your privacy and will never share your email address with any person or organization. Kamadeva was created by Lord Brahma in order to introduce love among the people, and also for the creation of people. Preview — Kamadeva by Anuja Chandramouli. Why We Say Namaste. Jul 20, Urvashi rated it it was ok. I will definitely order again from Exotic India with full confidence. There are different versions of his story found in the Ramayana, the Mahabharata, and the Puranas, among other texts. This makes the tale dragging and boring, to put it bluntly. Yogapedia explains Kamadeva Hindu mythology offers several different versions of Kamadeva's origins. Could she please write more such. Best friends with Indra, the King of the Gods, tutor to the Apsaras in the art of lovemaking, Kamadeva lives a dream life in the magnificent Kingdom of Amaravathi-until danger strikes when he incurs the wrath of Shiva because of a preordained curse. -
A Study of the Early Vedic Age in Ancient India
Journal of Arts and Culture ISSN: 0976-9862 & E-ISSN: 0976-9870, Volume 3, Issue 3, 2012, pp.-129-132. Available online at http://www.bioinfo.in/contents.php?id=53. A STUDY OF THE EARLY VEDIC AGE IN ANCIENT INDIA FASALE M.K.* Department of Histroy, Abasaheb Kakade Arts College, Bodhegaon, Shevgaon- 414 502, MS, India *Corresponding Author: Email- [email protected] Received: December 04, 2012; Accepted: December 20, 2012 Abstract- The Vedic period (or Vedic age) was a period in history during which the Vedas, the oldest scriptures of Hinduism, were composed. The time span of the period is uncertain. Philological and linguistic evidence indicates that the Rigveda, the oldest of the Vedas, was com- posed roughly between 1700 and 1100 BCE, also referred to as the early Vedic period. The end of the period is commonly estimated to have occurred about 500 BCE, and 150 BCE has been suggested as a terminus ante quem for all Vedic Sanskrit literature. Transmission of texts in the Vedic period was by oral tradition alone, and a literary tradition set in only in post-Vedic times. Despite the difficulties in dating the period, the Vedas can safely be assumed to be several thousands of years old. The associated culture, sometimes referred to as Vedic civilization, was probably centred early on in the northern and northwestern parts of the Indian subcontinent, but has now spread and constitutes the basis of contemporary Indian culture. After the end of the Vedic period, the Mahajanapadas period in turn gave way to the Maurya Empire (from ca. -
Gāyatrī Mantra and Mother of the Vedas
Dissertation Proposal Gāyatrī Mantra and Mother of the Vedas by Dominik Haas, BA MA University of Vienna June 2019 Supervisor: Mag. Dr. Marion Rastelli DOI 10.25365/phaidra.103 Creative Commons License CC BY-NC-ND 4.0 Contents I Background........................................................................................ 3 Current State of Research ................................................................. 7 II Specific Aims...................................................................................... 12 Sources ............................................................................................ 12 III Research Methods ............................................................................... 17 Hypotheses ...................................................................................... 17 Research Questions........................................................................... 19 IV Work Procedure and Timetable.............................................................. 22 Timetable......................................................................................... 22 V Select Bibliography.............................................................................. 23 Abstract The short mantra popularly called Gāyatrī or Sāvitrī certainly belongs tothemost frequently used and reused texts of mankind. In the course of time it even came to be venerated as a goddess itself. The aim of this study is (1.) to investigate howthe mantra gained prominence as a religious text, (2.) how it was deified -
Who Are the Buddhist Deities?
Who are the Buddhist Deities? Bodhisatta, receiving Milk Porridge from Sujata Introduction: Some Buddhist Vipassana practitioners in their discussion frown upon others who worship Buddhist Deities 1 or practice Samadha (concentrationmeditation), arguing that Deities could not help an individual to gain liberation. It is well known facts, that some Buddhists have been worshipping Deities, since the time of king Anawratha, for a better mundane life and at the same time practicing Samadha and Vipassana Bhavana. Worshipping Deities will gain mundane benefits thus enable them to do Dana, Sila and Bhavana. Every New Year Burmese Buddhists welcome the Sakka’s (The Hindu Indra God) visit from the abode of thirty three Gods - heaven to celebrate their new year. In the beginning, just prior to Gotama Buddha attains the enlightenment, many across the land practice animism – worship spirits. The story of Sujata depicts that practice. Let me present the story of Sujata as written in Pali canon : - In the village of Senani, the girl, Sujata made her wish to the tree spirit that should she have a good marriage and a first born son, she vowed to make yearly offering to the tree spirits in grateful gratitude. Her wish having been fulfilled, she used to make an offering every year at the banyan tree. On the day of her offering to the tree spirit, coincidentally, Buddha appeared at the same Banyan tree. On the full moon day of the month Vesakha, the Future Buddha was sitting under the banyan tree. Sujata caught sight of the Future Buddha and, assuming him to be the tree-spirit, offered him milk-porridge in a golden bowl. -
Female Deity of Sanchi on Lotus As Early Images of Bhu Devi J
NEW INTERPRETATION ON GAJ- LAKSHMI FIGURES OF SANCHI (AND OTHER SRAMANICAL SITES) nn DR. J. MANUEL THE BACK GROUND • INDRA RULED THE ROOST IN THE RGVEDIC AGE • OTHER GODS LIKE AGNI, SOMA, VARUN, SURYA BESIDES ASHVINIKUMARS, MARUTS WERE ALSO SPOKEN VERY HIGH IN THE LITERATURE • VISHNU IS ALSO KNOWN WITH INCREASING PROMINENCE SO MUCH SO IN THE LATE MANDALA 1 SUKT 22 A STRETCH OF SIX VERSES MENTION HIS POWER AND EFFECT • EVIDENTLY HIS GLORY WAS BEING FELT MORE AND MORE AS TIME PASSED • Mandal I Sukt 22 Richa 19 • Vishnu ki kripa say …….. Vishnu kay karyon ko dekho. Vay Indra kay upyukt sakha hai EVIDENTLY HIS GLORY WAS BEING FELT MORE AND MORE AS TIME PASSED AND HERO-GODS LIKE BALARAM AND VASUDEVA WERE ACCEPTED AS HIS INCARNATIONS • CHILAS IN PAKISTAN • AGATHOCLEUS COINS • TIKLA NEAR GWALIOR • ARE SOME EVIDENCE OF HERO-GODS BUT NOT VEDIC VISHNU IN SECOND CENTURY BC • There is the Kheri-Gujjar Figure also of the Therio anthropomorphic copper image BUT • FOR A LONG TIME INDRA CONTINUED TO HOLD THE FORT OF DOMINANCE • THIS IS SEEN IN EARLY SACRED LITERATURE AND ART ANTHROPOMORPHIC FIGURES • OF THE COPPER HOARD CULTURES ARE SAID TO BE INDRA FIGURES OF ABOUT 4000 YEARS OLD • THERE ARE MANY TENS OF FIGURES IN SRAMANICAL SITE OF INDRA INCLUDING AT SANCHI (MORE THAN 6) DATABLE TO 1ST CENTURY BCE • BUT NOT A SINGLE ONE OF VISHNU INDRA 5TH CENT. CE, SARNATH PARADOXICALLY • THERE ARE 100S OF REFERENCES OF VISHNU IN THE VEDAS AND EVEN MORE SO IN THE PURANIC PERIOD • WHILE THE REFERENCE OF LAKSHMI IS VERY FEW AND FAR IN BETWEEN • CURIOUSLY THE ART OF THE SUPPOSED LAXMI FIGURES ARE MANY TIMES MORE IN EARLY HISTORIC CONTEXT EVEN IN NON VAISHNAVA CONTEXT AND IN SUCH AREAS AS THE DECCAN AND AS SOUTH AS SRI- LANKA WHICH WAS THEN UNTOUCHED BY VAISHNAVISM NW INDIA TO SRI LANKA AZILISES COIN SHOWING GAJLAKSHMI IMAGERY 70-56 ADVENT OF VAISHNAVISM VISHNU HAD BY THE STARTING OF THE COMMON ERA BEGAN TO BECOME LARGER THAN INDRA BUT FOR THE BUDDHISTS INDRA CONTINUED TO BE DEPICTED IN RELATED STORIES CONTINUED FROM EARLIER TIMES; FROM BUDDHA. -
Hanuman Chalisa.Pdf
Shree Hanuman Chaleesa a sacred thread adorns your shoulder. Gate of Sweet Nectar 6. Shankara suwana Kesaree nandana, Teja prataapa mahaa jaga bandana Shree Guru charana saroja raja nija You are an incarnation of Shiva and manu mukuru sudhari Kesari's son/ Taking the dust of my Guru's lotus feet to Your glory is revered throughout the world. polish the mirror of my heart 7. Bidyaawaana gunee ati chaatura, Baranaun Raghubara bimala jasu jo Raama kaaja karibe ko aatura daayaku phala chaari You are the wisest of the wise, virtuous and I sing the pure fame of the best of Raghus, very clever/ which bestows the four fruits of life. ever eager to do Ram's work Buddhi heena tanu jaanike sumiraun 8. Prabhu charitra sunibe ko rasiyaa, pawana kumaara Raama Lakhana Seetaa mana basiyaa I don’t know anything, so I remember you, You delight in hearing of the Lord's deeds/ Son of the Wind Ram, Lakshman and Sita dwell in your heart. Bala budhi vidyaa dehu mohin harahu kalesa bikaara 9. Sookshma roopa dhari Siyahin Grant me strength, intelligence and dikhaawaa, wisdom and remove my impurities and Bikata roopa dhari Lankaa jaraawaa sorrows Assuming a tiny form you appeared to Sita/ in an awesome form you burned Lanka. 1. Jaya Hanumaan gyaana guna saagara, Jaya Kapeesha tihun loka ujaagara 10. Bheema roopa dhari asura sanghaare, Hail Hanuman, ocean of wisdom/ Raamachandra ke kaaja sanvaare Hail Monkey Lord! You light up the three Taking a dreadful form you slaughtered worlds. the demons/ completing Lord Ram's work. -
Bhagavad Gita Chapter 10: Divine Emanations
Bhagavad Gita Chapter 10: Divine Emanations Tonight we will be doing chapter 10 of the Bhagavad Gita, Vibhuti Yoga, The Yoga of Divine Emanations. But first I want to talk about the nature of the journey. For most of us Westerners this aspect of the Gita is not available to us. Very few people in the West open up to God, to the collective consciousness, in the experiential way that is being revealed here. Most spiritual teachings have more to do with the development of the psychic intelligence and its relationship to truth. Vibhuti Yoga is truly devotional. A vast majority of people have a devotional relationship or feeling for whatever God or Allah or Zoroaster represents. It comes from something in our human nature that is transferring onto an idea, from the human collective consciousness, and is different from what we will be talking about today. (2:00) Vibhuti Yoga is a direct revelation from the universe to the individual. What we might call devotion is absolutely felt, but of a completely different order than what we would call religious devotion or the fervor that occurs with born again Christians or with people that are motivated from their vital for this passionate relationship, for this idea of God. That comes from the higher heart, the higher vital, the part of our human nature that is rising up from our focus on our relationships and attachments and identifications associated with community and society. It is a part of us that lifts to a possibility. It is to some extent associated with what I call the psychic heart. -
The Plurality of Draupadi, Sita and Ahalya
Many Stories, Many Lessons: The Plurality of Draupadi, Sita and Ahalya Benu Verma Assistant Professor, USHSS Guru Gobind Singh Indraprastha University Dwarka, Delhi Abstract: The relationship between life and literature is a dialogic one. Life inspires literature and literature in turn influences life. Various genres in which literature is manifested reflect on the orientation, significance as well as the place of the text in its social environment. Mikhail Bakhtin proposes that genres dictate the reception of a text. Yet the same text could be interpreted differently in different times and contexts and be rewritten to reflect the aspirations of the author and her/his times. The many life stories of the feminine figures from the epics of Ramayana and Mahabharata assert not only the inconclusive nature of myth and the potency of these epics, they also tell us that with changing political and social milieu the authors reinterpret and record anew given stories to contribute to the literature of their times. Draupadi as the epic heroine of Mahabharata has been written about popularly and widely and in each version with a new take on the major milestones of her life like her five husbands and her birth from fire. The motifs of her disrobing and her hair have been employed variedly to tell various stories, sometimes of oppression and at others of liberation, each belonging to a different time and space. Each story reflected the political stance and aspiration of its author and read by readers differently as per their times and contexts. Through an examination of various literary renditions of the feminine figures from the epics, like Draupadi, Sita, and Ahalya, this paper discusses the relationship between life and literature and how changing times call for changing forms of literature. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 5, Issue 4 April 2011
OM NAMO BHAGAVATE PANDURANGAYA BALAJI VANI Volume 5, Issue 4 April 2011 HARI OM March 1st, Swamiji returned from India where he visited holy places and sister branch in Bangalore. And a fruitful trip to Maha Sarovar (West Kolkata) water to celebrate Mahashivatri here in our temple Sunnyvale. Shiva Abhishekham was performed every 3 hrs with milk, yogurt, sugar, juice and other Dravyas. The temple echoed with devotional chanting of Shiva Panchakshari Mantram, Om Namah Shivayah. During day long Pravachan Swamiji narrated 2 special stories. The first one was about Ganga, and why we pour water on top of Shiva Linga and the second one about Bhasmasura. King Sagar performed powerful Ashwamedha Yagna (Horse sacrifice) to prove his supremacy. Lord Indra, leader of the Demi Gods, fearful of the results of the yagna, stole the horse. He left the horse at the ashram of Kapila who was in deep meditation. King Sagar's 60,000 sons (born to Queen Sumati) and one son Asamanja (born to queen Keshini) were sent to search the horse. When they found the horse at Shri N. Swamiji performing Aarthi KapilaDeva's Ashram, they concluded he had stolen it and prepared to attack him. The noise disturbed the meditating Rishi/Sage VISAYA VINIVARTANTE NIRAHARASYA DEHINAH| KapilaDeva and he opened his eyes and cursed the sons of king sagara for their disrespect to such a great personality. Fire emanced RASAVARJAM RASO PY ASYA from their own bodies and they were burned to ashes instantly. Later PARAM DRSTVA NIVARTATE || king Sagar sent his Grandson Anshuman to retreive the horse. -
Interpreting Sati: the Omplexc Relationship Between Gender and Power in India Cheyanne Cierpial Denison University
Denison Journal of Religion Volume 14 Article 2 2015 Interpreting Sati: The omplexC Relationship Between Gender and Power In India Cheyanne Cierpial Denison University Follow this and additional works at: http://digitalcommons.denison.edu/religion Part of the Ethics in Religion Commons, and the Sociology of Religion Commons Recommended Citation Cierpial, Cheyanne (2015) "Interpreting Sati: The ompC lex Relationship Between Gender and Power In India," Denison Journal of Religion: Vol. 14 , Article 2. Available at: http://digitalcommons.denison.edu/religion/vol14/iss1/2 This Article is brought to you for free and open access by Denison Digital Commons. It has been accepted for inclusion in Denison Journal of Religion by an authorized editor of Denison Digital Commons. Cierpial: Interpreting Sati: The Complex Relationship Between Gender and P INTERPRETING SATI: THE COMPLEX RELATIONSHIP BETWEEN GENDER AND POWER IN INDIA Interpreting Sati: The Complex Relationship Between Gender and Power In India Cheyanne Cierpial A recurring theme encountered in Hinduism is the significance of context sensitivity. In order to understand the religion, one must thoroughly examine and interpret the context surrounding a topic in Hinduism.1 Context sensitivity is nec- essary in understanding the role of gender and power in Indian society, as an exploration of patriarchal values, religious freedoms, and the daily ideologies as- sociated with both intertwine to create a complicated and elaborate relationship. The act of sati, or widow burning, is a place of intersection between these values and therefore requires in-depth scholarly consideration to come to a more fully adequate understanding. The controversy surrounding sati among religion schol- ars and feminist theorists reflects the difficulties in understanding the elaborate relationship between power and gender as well as the importance of context sen- sitivity in the study of women and gender in Hinduism. -
Yonas and Yavanas in Indian Literature Yonas and Yavanas in Indian Literature
YONAS AND YAVANAS IN INDIAN LITERATURE YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Studia Orientalia 116 YONAS AND YAVANAS IN INDIAN LITERATURE KLAUS KARTTUNEN Helsinki 2015 Yonas and Yavanas in Indian Literature Klaus Karttunen Studia Orientalia, vol. 116 Copyright © 2015 by the Finnish Oriental Society Editor Lotta Aunio Co-Editor Sari Nieminen Advisory Editorial Board Axel Fleisch (African Studies) Jaakko Hämeen-Anttila (Arabic and Islamic Studies) Tapani Harviainen (Semitic Studies) Arvi Hurskainen (African Studies) Juha Janhunen (Altaic and East Asian Studies) Hannu Juusola (Middle Eastern and Semitic Studies) Klaus Karttunen (South Asian Studies) Kaj Öhrnberg (Arabic and Islamic Studies) Heikki Palva (Arabic Linguistics) Asko Parpola (South Asian Studies) Simo Parpola (Assyriology) Rein Raud (Japanese Studies) Saana Svärd (Assyriology) Jaana Toivari-Viitala (Egyptology) Typesetting Lotta Aunio ISSN 0039-3282 ISBN 978-951-9380-88-9 Juvenes Print – Suomen Yliopistopaino Oy Tampere 2015 CONTENTS PREFACE .......................................................................................................... XV PART I: REFERENCES IN TEXTS A. EPIC AND CLASSICAL SANSKRIT ..................................................................... 3 1. Epics ....................................................................................................................3 Mahābhārata .........................................................................................................3 Rāmāyaṇa ............................................................................................................25