National Register of Historic Places Multiple Property Documentation Form
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Challenges and Achievements
The Pennsylvania State University The Graduate School College of Arts and Architecture NISEI ARCHITECTS: CHALLENGES AND ACHIEVEMENTS A Thesis in Architecture by Katrin Freude © 2017 Katrin Freude Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture May 2017 The Thesis of Katrin Freude was reviewed and approved* by the following: Alexandra Staub Associate Professor of Architecture Thesis Advisor Denise Costanzo Associate Professor of Architecture Thesis Co-Advisor Katsuhiko Muramoto Associate Professor of Architecture Craig Zabel Associate Professor of Art History Head of the Department of Art History Ute Poerschke Associate Professor of Architecture Director of Graduate Studies *Signatures are on file in the Graduate School ii Abstract Japanese-Americans and their culture have been perceived very ambivalently in the United States in the middle of the twentieth century; while they mostly faced discrimination for their ethnicity by the white majority in the United States, there has also been a consistent group of admirers of the Japanese art and architecture. Nisei (Japanese-Americans of the second generation) architects inherited the racial stigma of the Japanese minority but increasingly benefited from the new aesthetic light that was cast, in both pre- and post-war years, on Japanese art and architecture. This thesis aims to clarify how Nisei architects dealt with this ambivalence and how it was mirrored in their professional lives and their built designs. How did architects, operating in the United States, perceive Japanese architecture? How did these perceptions affect their designs? I aim to clarify these influences through case studies that will include such general issues as (1) Japanese-Americans’ general cultural evolution, (2) architects operating in the United States and their relation to Japanese architecture, and (3) biographies of three Nisei architects: George Nakashima, Minoru Yamasaki, and George Matsumoto. -
An Introduction to Architectural Theory Is the First Critical History of a Ma Architectural Thought Over the Last Forty Years
a ND M a LLGR G OOD An Introduction to Architectural Theory is the first critical history of a ma architectural thought over the last forty years. Beginning with the VE cataclysmic social and political events of 1968, the authors survey N the criticisms of high modernism and its abiding evolution, the AN INTRODUCT rise of postmodern and poststructural theory, traditionalism, New Urbanism, critical regionalism, deconstruction, parametric design, minimalism, phenomenology, sustainability, and the implications of AN INTRODUCTiON TO new technologies for design. With a sharp and lively text, Mallgrave and Goodman explore issues in depth but not to the extent that they become inaccessible to beginning students. ARCHITECTURaL THEORY i HaRRY FRaNCiS MaLLGRaVE is a professor of architecture at Illinois Institute of ON TO 1968 TO THE PRESENT Technology, and has enjoyed a distinguished career as an award-winning scholar, translator, and editor. His most recent publications include Modern Architectural HaRRY FRaNCiS MaLLGRaVE aND DaViD GOODmaN Theory: A Historical Survey, 1673–1968 (2005), the two volumes of Architectural ARCHITECTUR Theory: An Anthology from Vitruvius to 2005 (Wiley-Blackwell, 2005–8, volume 2 with co-editor Christina Contandriopoulos), and The Architect’s Brain: Neuroscience, Creativity, and Architecture (Wiley-Blackwell, 2010). DaViD GOODmaN is Studio Associate Professor of Architecture at Illinois Institute of Technology and is co-principal of R+D Studio. He has also taught architecture at Harvard University’s Graduate School of Design and at Boston Architectural College. His work has appeared in the journal Log, in the anthology Chicago Architecture: Histories, Revisions, Alternatives, and in the Northwestern University Press publication Walter Netsch: A Critical Appreciation and Sourcebook. -
Untide Press Records, 1943-1954
http://oac.cdlib.org/findaid/ark:/13030/tf5k4004zc No online items Guide to the Untide Press Records, 1943-1954 Processed by The Bancroft Library staff The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 1997 The Regents of the University of California. All rights reserved. Additional Form Available: This finding aid has been filmed for the NATIONAL INVENTORY OF DOCUMENTARY SOURCES IN THE UNITED STATES (Chadwyck-Healey Inc.) Note Arts and Humanities --Literature --PoetryHistory --History, CaliforniaGeographical (By Place) --United States (excluding California) --OregonGeographical (By Place) --California Guide to the Untide Press BANC MSS 72/213 c 1 Records, 1943-1954 Guide to the Untide Press Records, 1943-1954 Collection number: BANC MSS 72/213 c The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: The Bancroft Library staff Date Completed: 1972 Encoded by: Hernan Cortis © 1997 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Untide Press Records, Date (inclusive): 1943-1954 Collection Number: BANC MSS 72/213 c Creator: Untide Press Extent: Numbers of containers: 5 boxes Repository: The Bancroft Library Berkeley, California 94720-6000 Physical Location: For current information on the location of these materials, please consult the Library's online catalog. Abstract: Correspondence with contributors and subscribers, manuscripts, mock-ups for pamphlets, accounts, clippings of reviews, mailing lists, etc., relating to the publication of The Illiterati and of books of poems. -
Imprint: Oregon 1935
Imprint:Oregon 1°A S Fall-Spring 1978-1979 °M z-i William Everson Waldport: an Interview with William Everson Introduction During World War II the problem of what to do with conscientious objectors who refused to engage in certain types of moreor less war-related work was resolved by the establishment of so-called ConscientiousObjectors Camps, more formallyCivilian Public Service Camps. They were sponsored by the "peace churches,"the Brethren, Mennonite and American Friends Service Committee. By 1945 there were more than 110 such camps and sub-camps throughout the United States. The origins and pur- poses of these camps are well described in the interview which follows. There were three such camps in Oregon: No. 21 (Cascade Locks) opened Dec. 5, 1941: No.56 (Waldport) opened Oct. 24, 1942: No.59 (Elkton) opened Nov.?, 1942. All were engaged in forest maintenance directed by the U. S. Forest Service or by the Oregon and California Revested Lands Administration, Such work consisted of tree planting, blister rust control, fire fighting and trail building, a continuation, essenti- ally, of work done formerly by the receniiy defunct Civilian Conservation Corps. In the usual manner of all such camps, the CO camps produced house organs, usual- ly weekly or monthly mimeographed newspapers. These papers were sponsoredand encouraged by the camp administration itself. winch regarded them as a harmless and even useful outlet for expression. There were, however, some exceptions tothis expec- tation. Among Oregon camps, for example, there wasa proliferation of camp newspapers out of Elkton. This may be partially explainedbythe fact that Elkton was operated as aheadquarters camp and sent contingentsto sub-camps located as far south as Kiam. -
Los Angeles Department of City Planning RECOMMENDATION REPORT
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2019-4766-HCM ENV-2019-4767-CE HEARING DATE: September 5, 2019 Location: 2421-2425 North Silver Ridge Avenue TIME: 10:00 AM Council District: 13 – O’Farrell PLACE : City Hall, Room 1010 Community Plan Area: Silver Lake – Echo Park – 200 N. Spring Street Elysian Valley Los Angeles, CA 90012 Area Planning Commission: East Los Angeles Neighborhood Council: Silver Lake Legal Description: Tract 6599, Lots 15-16 PROJECT: Historic-Cultural Monument Application for the HAWK HOUSE REQUEST: Declare the property an Historic-Cultural Monument OWNER/ Bryan Libit APPLICANT: 2421 Silver Ridge Avenue Los Angeles, CA 90039 PREPARER: Jenna Snow PO Box 5201 Sherman Oaks, CA 91413 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as an Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation suggest the submittal warrants further investigation. 2. Adopt the report findings. VINCENT P. BERTONI, AICP Director of PlanningN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Melissa Jones, City Planning Associate Office of Historic Resources Attachment: Historic-Cultural Monument Application CHC-2019-4766-HCM 2421-2425 Silver Ridge Avenue Page 2 of 3 SUMMARY The Hawk House is a two-story single-family residence and detached garage located on Silver Ridge Avenue in Silver Lake. Constructed in 1939, it was designed by architect Harwell Hamilton Harris (1903-1990) in the Early Modern architectural style for Edwin “Stan” Stanton and Ethyle Hawk. -
View Prospectus
Archive from “A Secret Location” Small Press / Mimeograph Revolution, 1940s–1970s We are pleased to offer for sale a captivating and important research collection of little magazines and other printed materials that represent, chronicle, and document the proliferation of avant-garde, underground small press publications from the forties to the seventies. The starting point for this collection, “A Secret Location on the Lower East Side,” is the acclaimed New York Public Library exhibition and catalog from 1998, curated by Steve Clay and Rodney Phillips, which documented a period of intense innovation and experimentation in American writing and literary publishing by exploring the small press and mimeograph revolutions. The present collection came into being after the owner “became obsessed with the secretive nature of the works contained in the exhibition’s catalog.” Using the book as a guide, he assembled a singular library that contains many of the rare and fragile little magazines featured in the NYPL exhibition while adding important ancillary material, much of it from a West Coast perspective. Left to right: Bill Margolis, Eileen Kaufman, Bob Kaufman, and unidentified man printing the first issue of Beatitude. [Ref SL p. 81]. George Herms letter ca. late 90s relating to collecting and archiving magazines and documents from the period of the Mimeograph Revolution. Small press publications from the forties through the seventies have increasingly captured the interest of scholars, archivists, curators, poets and collectors over the past two decades. They provide bedrock primary source information for research, analysis, and exhibition and reveal little known aspects of recent cultural activity. The Archive from “A Secret Location” was collected by a reclusive New Jersey inventor and offers a rare glimpse into the diversity of poetic doings and material production that is the Small Press Revolution. -
Los Angeles City Planning Department
RALPH JOHNSON HOUSE 10261 Chrysanthemum Lane CHC-2016-508-HCM ENV-2016-509-CE Agenda packet includes 1. Final Staff Recommendation Report 2. Categorical Exemption 3. Under Consideration Staff Recommendation Report 4. Nomination Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2016-508-HCM ENV-2016-509-CE Location: 10261 Chrysanthemum Lane HEARING DATE: April 21, 2016 Council District: 5 TIME: 9:00 AM Community Plan Area: Bel-Air Beverly Crest PLACE : City Hall, Room 1010 Area Planning Commission: West 200 N. Spring Street Neighborhood Council: Bel-Air Beverly Crest Los Angeles, CA 90012 Legal Description: TR 1033, Block 31, Lot 15, 16, EXPIRATION DATE: May 17, 2016 53, 54, and 55 PROJECT: Historic-Cultural Monument Application for the RALPH JOHNSON HOUSE REQUEST: Declare the property a Historic-Cultural Monument OWNER/ Viet-Nu Nguyen APPLICANT: 10261 Chrysanthemum Lane Los Angeles, CA 90077 PREPARER: Anna Marie Brooks 1109 4th Avenue Los Angeles, CA 90019 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2. Adopt the staff report and findings. VINCENT P. BERTONI, AICP Director of PlanningN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Shannon Ryan, City Planning Associate Office of Historic Resources Attachments: Historic-Cultural Monument Application CHC-2016-508-HCM 10261 Chrysanthemum Lane Page 2 of 4 FINDINGS The Ralph Johnson House "embodies the distinguishing characteristics of an architectural-type specimen, inherently valuable for study of a period, style or method of construction” as an example of the Mid-Century Modern style with heavy Craftsman influences. -
EAMES HOUSE Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 EAMES HOUSE Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Eames House Other Name/Site Number: Case Study House #8 2. LOCATION Street & Number: 203 N Chautauqua Boulevard Not for publication: N/A City/Town: Pacific Palisades Vicinity: N/A State: California County: Los Angeles Code: 037 Zip Code: 90272 3. CLASSIFICATION Ownership of Property Category of Property Private: x Building(s): x Public-Local: _ District: Public-State: _ Site: Public-Federal: Structure: Object: Number of Resources within Property Contributing: Noncontributing: 2 buildings sites structures objects Total Number of Contributing Resources Previously Listed in the National Register: None Name of Related Multiple Property Listing: N/A NATIONAL HISTORIC LANDMARK NOMINATION NFS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 EAMES HOUSE Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property __ meets __ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property __ meets __ does not meet the National Register criteria. -
History.Pdf (1.893Mb)
©1996 Michael Vallen A view of Los Angeles from the Thesis site. “Oh, it will become bigger and bigger and extend itself north and south. And soon Los Angeles will begin in San Diego, swallow San Francisco and pave every acre of earth up to the Gold River. The only historic monuments spared will be the rest rooms in the gasoline stations.” Attributed to Frank Lloyd Wright, late 1950s 4 Los Angeles is a city apart, not only in derived from a popular Spanish novel of gold, and territorial conquest were the significant trade among the estimated 500 location, but in ideals and pursuits. This city, 1510, in which a terrestrial paradise is motivations of the Spanish. Instead the tribal groups of the region. They possessed little understood, has been, and is, the described... Spanish discovered the coast of California. a strictly organized religious system, a keen model from which we currently fabricate our “Know-ye that at the right hand of the It was Juan Cabrillo, who in late 1542, became knowledge of plant and animal material, metropolitan areas; an experiment in urban Indies there is an island called California, the first European to meet the native people and an intricate architectural language that and social planning unlike any previously very near the terrestrial Paradise...It is the of the Los Angeles Basin, the Gabrielino linked all parts of their structures to their known to humanity. To some these grand spiritual beliefs. experiments have failed, miserably; to others, not only have these experiments The Spanish were not interested in con- been a success, but they have also forged the quering the Gabrielinos. -
The Western States Theatre Review, Volume 16, 2010 Volume 16 • 2010 • 16 Volume
Masthead Logo The Western States Theatre Review Volume 16 2010 Article 1 2010 The esW tern States Theatre Review, Volume 16, 2010 Follow this and additional works at: https://cedar.wwu.edu/wstr Part of the Other Theatre and Performance Studies Commons Recommended Citation (2010) "The eW stern States Theatre Review, Volume 16, 2010," The Western States Theatre Review: Vol. 16 , Article 1. Available at: https://cedar.wwu.edu/wstr/vol16/iss1/1 This Complete Volume is brought to you for free and open access by the Peer-reviewed Journals at Western CEDAR. It has been accepted for inclusion in The eW stern States Theatre Review by an authorized editor of Western CEDAR. For more information, please contact [email protected]. et al.: The Western States Theatre Review, Volume 16, 2010 Volume 16 • 2010 • 16 Volume Horace Robinson 1909–2009 JOSEPH GILG and ALEXANDRA BONDS • 1 Transcending How I Learned to Drive JUDY FORT BRENNEMAN • 3 The Memory of Land ROBERT VRTIS • 10 The Hybrid Rehearsal Schedule: Opening Time for Artistic Exploration through Increased Collaboration RICH BROWN • 20 Support for Actors KEN WOMBLE • 34 “Living from Moment to Moment”: Kermit Sheets, Theatre and the Fine Arts at Waldport, 1942–1946 ANDREW RYDER • 40 The Art of Theatre vs. Religion and Science WILLIAM MISSOURI DOWNS and LOU ANNE WRIGHT • 55 Published by Western CEDAR, 2017 1 The Western States Theatre Review, Vol. 16 [2017], Art. 1 THE WESTERN STATES THEATRE REVIEW Editor: George Caldwell Department of Speech Communication Oregon State University Corvallis, OR 97331 (541) 737-4627 Fax: (541) 737-5399 E-mail: [email protected] Publication Designer: Cheryl McLean ImPrint Services, Corvallis, Oregon E-mail: [email protected] Editorial Policy The Western States Theatre Review is a regional journal intended to publish works by or about regional theatre scholars and practitioners. -
Art Ltd | West Coast Art+Design
ART LTD | WEST COAST ART+DESIGN http://www.artltdmag.com/article.php?misc=search&subaction=showfull&id=11... ART on the edge Architecture tours were invented for people like me – the voyeurs who spend too DESIGN much time crowding the bougainvillea looking for a glimpse of the staircase or Interior roofline of a well-hidden gem. No matter how dog-eared your guidebook, or Exterior how familiar you are with the recent restorations of mid-century relics or the Architecture cutting edge buildings by local architects, too much of the city’s great architecture Profiles hides behind fences and walls or is tucked along hillsides, invisible to even the CALENDAR intrepid observer. Tours give us the opportunity to legitimately walk through the front door of a Lautner house, an original case study design, or a cluster of ADVERTISING Neutra houses – with no guilt – and soak up the expanses of glass, steel case SUBSCRIBE frames and original wood details. These days, architecture tours in and around Los Angeles have become their own version of a hot little art show with many tours highlighting the homes the way museum exhibits showcase premiere paintings. After all, Los Angeles is search considered the jewel box of mid-century modernism, with premiere examples throughout. And these days that architecture is being collected, restored, and sold like art, piquing the interest in these homes that are often hidden in the hillsides. ABOUT US From the Valley to Palm Springs, from Silverlake to the Westside, fabulous houses are being showcased on tours by well-established organizations like The CONTACT US MAK Center and The Los Angeles Conservancy, new groups like CA Boom Design Shows, and small neighborhood groups like the Committee to Save SUBMIT Silverlake’s Reservoirs. -
William Everson Papers, 1937-1971
http://oac.cdlib.org/findaid/ark:/13030/tf638nb39d No online items Register of the William Everson Papers, 1937-1971. Processed by Jean Pollock; machine-readable finding aid created by Caroline Cubé finding aid updated by Jamie Henricks. William Andrews Clark Memorial Library University of California, Los Angeles 2520 Cimarron Street Los Angeles, CA 90018 Phone: (323) 731-8529 Fax: (323) 731-8617 Email: [email protected] URL: http://www.humnet.ucla.edu/humnet/clarklib/ ©2010 The Regents of the University of California. All rights reserved. Register of the William Everson Press coll. Archives Everson 1 Papers, 1937-1971. Descriptive Summary Title: William Everson Papers, Date (inclusive): 1937-1971 Collection number: Press coll. Archives Everson Creator: Everson, William, 1912-1994 Extent: 31 boxes (11.9 linear feet) Repository: University of California, Los Angeles. William Andrews Clark Memorial Library Los Angeles, California 90095-1490 Abstract: This collection contains items written by William Everson, primarily poems, correspondence, and drafts of manuscrupts (including his autobiography). Other items such as ephemera and newspaper clippings are also held in the collection. Physical location: Clark Library Language of Material: Collection materials in English. Source of Acquisition/Provenance Gift, 1949 from William Everson. Gift, 1960 from Robert Duncan. Gift, 1962 from Doubleday Company. Gift, 1962 from Brother Antoninus (William Everson). Gift, 1971 from Lawrence Clark Powell. Arrangement This inventory is a simple listing of the contents of the boxes. Where poem titles have changed over several drafts, they have been listed under the published title if known. In some cases the published title is listed with the first line.