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Challenges and Achievements
The Pennsylvania State University The Graduate School College of Arts and Architecture NISEI ARCHITECTS: CHALLENGES AND ACHIEVEMENTS A Thesis in Architecture by Katrin Freude © 2017 Katrin Freude Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Architecture May 2017 The Thesis of Katrin Freude was reviewed and approved* by the following: Alexandra Staub Associate Professor of Architecture Thesis Advisor Denise Costanzo Associate Professor of Architecture Thesis Co-Advisor Katsuhiko Muramoto Associate Professor of Architecture Craig Zabel Associate Professor of Art History Head of the Department of Art History Ute Poerschke Associate Professor of Architecture Director of Graduate Studies *Signatures are on file in the Graduate School ii Abstract Japanese-Americans and their culture have been perceived very ambivalently in the United States in the middle of the twentieth century; while they mostly faced discrimination for their ethnicity by the white majority in the United States, there has also been a consistent group of admirers of the Japanese art and architecture. Nisei (Japanese-Americans of the second generation) architects inherited the racial stigma of the Japanese minority but increasingly benefited from the new aesthetic light that was cast, in both pre- and post-war years, on Japanese art and architecture. This thesis aims to clarify how Nisei architects dealt with this ambivalence and how it was mirrored in their professional lives and their built designs. How did architects, operating in the United States, perceive Japanese architecture? How did these perceptions affect their designs? I aim to clarify these influences through case studies that will include such general issues as (1) Japanese-Americans’ general cultural evolution, (2) architects operating in the United States and their relation to Japanese architecture, and (3) biographies of three Nisei architects: George Nakashima, Minoru Yamasaki, and George Matsumoto. -
The Surrounds Layout and Form of Spanish Mission
THE SURROUNDS LAYOUT AND FORM OF SPANISH MISSION STYLE GARDENS OF THE 1920s GRADUATE REPORT FOR THE MASTER OF THE BUILT ENVIRONMENT (CONSERVATION) UNIVERSITY OF NEW SOUTH WALES D M TAYLOR B Larch 1989 UNIVERSITY OF N.S.W. 2 9 JUN 1990 LIBRARY TABLE OF CONTENTS PAGE ABSTRACT iv INTRODUCTION 1 CHAPTER 1 ORIGIN OF SPANISH MISSION STYLE 2 2 INTRODUCTION TO SPANISH MISSION IN AUSTRALIA 8 3 THE ARCHITECTURE OF SPANISH MISSION 1 9 4 INTRODUCTION TO AUSTRALIAN GARDEN DESIGN IN THE 1920S 30 5 SURROUNDS TO SPANISH MISSION 3 8 CONCLUSION 6 5 REFERENCES 6 7 APPENDIX I CONSERVATION GUIDELINES 6 9 II 1920s TYPICAL GARDEN FOR A BUNGALOW 7 3 III SPANISH MISSION GARDEN AT MOSMAN, NSW 7 5 BIBLIOGRAPHY 7 8 ii LIST OF ILLUSTRATIONS Page Fig 1 11 Fig 2 14 Fig 3 15 Figs 4 and 5 17 Fig 6 18 Fig 7 21 Fig 8 23 Fig 9 24 Fig 10 28 Fig 11 33 Fig 12 34 Fig 13 44 Figs 14 and 15 46 Fig 16 47 Figs 17 and 18 49 Fig 19 50 Fig 20 54 Figs 21 and 22 58 Figs 23 and 24 59 Figs 25 and 26 60 Fig 27 and 28 62 Fig 29 64 Fig 30 73 Fig 31 75 Fig 32 77 ill ABSTRACT This report examines the surrounds to Spanish Mission houses in the following areas: (i) Spanish Mission Style of architecture, its origins and adaptation to residential and commercial types in California from around 1890 to 1915 (ii) The introduction of Spanish Mission architecture into Australia and its rise in popularity from 1925 through to around 1936. -
An Introduction to Architectural Theory Is the First Critical History of a Ma Architectural Thought Over the Last Forty Years
a ND M a LLGR G OOD An Introduction to Architectural Theory is the first critical history of a ma architectural thought over the last forty years. Beginning with the VE cataclysmic social and political events of 1968, the authors survey N the criticisms of high modernism and its abiding evolution, the AN INTRODUCT rise of postmodern and poststructural theory, traditionalism, New Urbanism, critical regionalism, deconstruction, parametric design, minimalism, phenomenology, sustainability, and the implications of AN INTRODUCTiON TO new technologies for design. With a sharp and lively text, Mallgrave and Goodman explore issues in depth but not to the extent that they become inaccessible to beginning students. ARCHITECTURaL THEORY i HaRRY FRaNCiS MaLLGRaVE is a professor of architecture at Illinois Institute of ON TO 1968 TO THE PRESENT Technology, and has enjoyed a distinguished career as an award-winning scholar, translator, and editor. His most recent publications include Modern Architectural HaRRY FRaNCiS MaLLGRaVE aND DaViD GOODmaN Theory: A Historical Survey, 1673–1968 (2005), the two volumes of Architectural ARCHITECTUR Theory: An Anthology from Vitruvius to 2005 (Wiley-Blackwell, 2005–8, volume 2 with co-editor Christina Contandriopoulos), and The Architect’s Brain: Neuroscience, Creativity, and Architecture (Wiley-Blackwell, 2010). DaViD GOODmaN is Studio Associate Professor of Architecture at Illinois Institute of Technology and is co-principal of R+D Studio. He has also taught architecture at Harvard University’s Graduate School of Design and at Boston Architectural College. His work has appeared in the journal Log, in the anthology Chicago Architecture: Histories, Revisions, Alternatives, and in the Northwestern University Press publication Walter Netsch: A Critical Appreciation and Sourcebook. -
March 2015 NEWS
Nonprofit Org U.S. Postage PAID P.O. Box 653 Santa Monica, California 90406-0653 Santa Monica, CA Permit No. 36 IN THIS ISSUE: p1 Annual Meeting & Preservation Awards Preservation Center Update Presenting “90404 Changing” p2 Message from the President Remembering Rolfe Wyer p3 Volunteer Profile: Margaret Bach Following the Feet Exploring Julia Morgan’s Legacy California Preservation Conference Santa Monica Festival p4 Santa Monica Statue Website Updates! p5 2014 Holiday Party Happy Birthday Marion! p6 Landmarks Commision Report New and Business Members Civic Auditorium Visioning Process Spring Preservation Events p7 Membership Application p8 Spring Tour Sunday, May 3 SAVE THE AFTERNOON! Our Spring Tour is set for Sunday, May 3 Explore the Third Street Neighborhood Historic District Tickets on Sale March 25 watch your email or mailbox for details 8 March 2015 NEWS March 2015 • Vol 13 No 1 Annual Meeting and Preservation Resource Center Update Preservation Awards he Preservation Resource Center at Tthe Shotgun House is just months away from completion. e wood shingle roof is installed and the porch has been reconstructed. Wiring, plumbing, walls and floor finishing are underway. A working group has been meeting several times a month to manage preparations for operation of the Center. Most meetings have taken place at the home of Hilda Weiss The reconstructed porch, new shingled roof and and Wayne Lindberg – their living room windows are visible above the construction fence. almost exactly mirrors the size of the front Recipients of the Advocacy Award for the Marquez Family Cemetery, Sharon Kilbride, Ernie Marquez, two rooms of the Shotgun House when Furniture is being selected and ordered, Colleen McAndrews Wood, Tish Nettleship, and the hinged wall between the two rooms along with electronic equipment. -
The Spanish Colonial Revival in Southern California (1895-1930) Author(S): David Gebhard Source: Journal of the Society of Architectural Historians, Vol
The Spanish Colonial Revival in Southern California (1895-1930) Author(s): David Gebhard Source: Journal of the Society of Architectural Historians, Vol. 26, No. 2 (May, 1967), pp. 131-147 Published by: University of California Press on behalf of the Society of Architectural Historians Stable URL: http://www.jstor.org/stable/988417 . Accessed: 07/09/2011 18:02 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Society of Architectural Historians are collaborating with JSTOR to digitize, preserve and extend access to Journal of the Society of Architectural Historians. http://www.jstor.org The Spanish Colonial Revival in Southern California (1895-1930) DAVID GEBHARD University of California, Santa Barbara BY the end of the I920s the SpanishColonial Revival had tectural forms which in any way could be thought of as become thearchitecture of SouthernCalifornia. Block upon indigenous to California, it was the stucco-sheathedstruc- block of Los Angeles and other smallercities of the South- ture-with its broad areasof uninterruptedsurfaces-which land abounded with builders' versions of America's His- in fact and in myth have come to typify the buildings of panic heritage. -
Map-Print.Pdf
MAP .................................................... page TOUR 1 .................................................... page TOUR 2 .................................................... page TOUR 3 .................................................... page TOUR 4 .................................................... page TOUR 5 .................................................... page TOUR 6 .................................................... page TOUR 7 .................................................... page TOUR 8 .................................................... page TOUR 9 .................................................... page jodi summers Sotheby’s International realty 310.392.1211 jodi summers Sotheby’s International realty 310.392.1211 Tour 1 - Adelaide Drive - ¾ mile distance Adelaide Drive is located at the Santa Monica Canyon rim and forms the Northern Boundary of the City and features majestic canyon views. Since the turn of the 20th Century, this street has attracted numerous prominent southern Californians. This street is named after Robert Gillis’ daughter, Adelaide. Robert Gillis was the owner of the Santa Monica Land and Water Co. and bought thousands of acres in the Palisades in the 1880s. In 1923, Gillis sold 22,000 acres to Alphonso Bell, who developed Bel Air, and went on to develop the Pacific Palisades. 6. Worrell “Zuni House,” 1923-24 710 Adelaide Pl. Architect Robert Stacey-Judd is best known for his Mayan-themed architecture, as is evident in the Pueblo Revival style home, the only known example of his work in Santa Monica. The design of the house embodies many of the character-defining features of the Pueblo Revival style, including an asymmetrical facade, block composition, and flat roofs with parapets highlighted by red tile coping. Noteworthy are projecting roof beams (a.k.a. vigas) typical of the Zuni tribe of Arizona Indians. The rounded corners of the terraced walls, simulate adobe. A stepped Mayan motif is repeated in the door and window frames. It’s said that the work of this architect "is always a surprise.” 7. -
Ranch Houses in Georgia Come in a Wide Variety – As Seen Here in These Pictures of Ranch Houses in Just One Small Community
1 Ranch Houses in Georgia: A Guide to House Types (Sub-Types) May 2010 Richard Cloues, Ph.D. 2 Ranch Houses in Georgia come in a wide variety – as seen here in these pictures of Ranch Houses in just one small community. 3 Their diversity is extreme -- more so, perhaps, than any other kind of historic house -- and sometimes perplexing. 4 And yet there are recurring patterns of underlying forms as well as outward appearances. 5 The outward appearances are indicative of different architectural styles. 6 The underlying forms of Ranch Houses reveal something quite different: variations on the basic Ranch House type that might be considered sub-types. 7 This presentation is about house types -- more precisely, Ranch House sub-types. (A complementary presentation on our website discusses the various architectural styles of Ranch Houses in Georgia.) 8 It builds upon the historic house types first identified in our 1991 Georgia’s Living Places report. 9 In that report, house types were defined by a seemingly simple formula: House Type equals Plan (or plan-shape) plus Height (or mass-form). A house type is sometimes called a plan-form. 10 This concept of house type is based on distinctive patterns of interior spaces and exterior forms rather than stylistic conventions. 11 Sub-types were defined as variations on fundamentally similar concepts of interior plans and exterior massing. 12 House types are especially useful when dealing with houses whose forms and floor plans rather than stylistic conventions are the sole or principal character-defining features. The architectural character of these houses literally derives from their combinations of plans and forms. -
Mid-Century Modernism Historic Context
mid-century Modernism Historic Context September 2008 Prepared for the City of Fresno Planning & Development Department 2600 Fresno Street Fresno, CA 93721 Prepared by Planning Resource Associates, Inc. 1416 N. Broadway Fresno, CA 93721 City of Fresno mid-century Modernism Historic Context mid-century Modernism, Fresno Historical Context Prepared For City of Fresno, Planning and Development Department Prepared By Planning Resource Associates, Inc. 1416 N. Broadway Fresno CA, 93721 Project Team Planning Resource Associates, Inc. 1416 Broadway Street Fresno, CA 93721 Lauren MacDonald, Architectural Historian Lauren MacDonald meets the Secretary of the Interior’s Professional Qualifications in Architectural History and History Acknowledgements Research efforts were aided by contributions of the following individuals and organizations: City of Fresno Planning and Development Department Karana Hattersley-Drayton, Historic Preservation Project Manager Fresno County Public Library, California History and Genealogy Room William Secrest, Librarian Fresno Historical Society Maria Ortiz, Archivist / Librarian Jill Moffat, Executive Director John Edward Powell Eldon Daitweiler, Fresno Modern American Institute of Architects, San Joaquin Chapter William Stevens, AIA Les Traeger, AIA Bob Dyer, AIA Robin Gay McCline, AIA Jim Oakes, AIA Martin Temple, AIA Edwin S. Darden, FAIA William Patnaude, AIA Hal Tokmakian Steve Weil 1 City of Fresno mid-century Modernism Historic Context TABLE OF CONTENTS I. PROJECT DESCRIPTION Introduction………………………………………………………………………………………………….3 -
Los Angeles Department of City Planning RECOMMENDATION REPORT
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2019-4766-HCM ENV-2019-4767-CE HEARING DATE: September 5, 2019 Location: 2421-2425 North Silver Ridge Avenue TIME: 10:00 AM Council District: 13 – O’Farrell PLACE : City Hall, Room 1010 Community Plan Area: Silver Lake – Echo Park – 200 N. Spring Street Elysian Valley Los Angeles, CA 90012 Area Planning Commission: East Los Angeles Neighborhood Council: Silver Lake Legal Description: Tract 6599, Lots 15-16 PROJECT: Historic-Cultural Monument Application for the HAWK HOUSE REQUEST: Declare the property an Historic-Cultural Monument OWNER/ Bryan Libit APPLICANT: 2421 Silver Ridge Avenue Los Angeles, CA 90039 PREPARER: Jenna Snow PO Box 5201 Sherman Oaks, CA 91413 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as an Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation suggest the submittal warrants further investigation. 2. Adopt the report findings. VINCENT P. BERTONI, AICP Director of PlanningN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Melissa Jones, City Planning Associate Office of Historic Resources Attachment: Historic-Cultural Monument Application CHC-2019-4766-HCM 2421-2425 Silver Ridge Avenue Page 2 of 3 SUMMARY The Hawk House is a two-story single-family residence and detached garage located on Silver Ridge Avenue in Silver Lake. Constructed in 1939, it was designed by architect Harwell Hamilton Harris (1903-1990) in the Early Modern architectural style for Edwin “Stan” Stanton and Ethyle Hawk. -
Historic Preservation
10 HISTORIC PRESERVATION 10.1 PREHISTORIC AND HISTORIC CONTEXT 10.2 IDENTIFICATION AND PRESERVATION OF HISTORICAL RESOURCES 10.3 EDUCATIONAL OPPORTUNITIES AND INCENTIVES RELATED TO HISTORICAL RESOURCES NORTH PARK COMMUNITY PLAN 10 HISTORIC PRESERVATION INTRODUCTION The purpose of the City of San Diego General Plan Historic Preservation Element is to preserve, protect, restore and rehabilitate historical and cultural Historic Preservation Goals: resources throughout the City of San Diego. It is also 1. Identification and preservation of the intent of the element to improve the quality of the significant historical resources in North built environment, encourage appreciation for the Park. City’s history and culture, maintain the character and 2. Create educational opportunities and identity of communities, and contribute to the City’s incentives related to historical resources economic vitality through historic preservation. The in North Park. element’s goals for achieving this include identifying and preserving historical resources, and educating citizens about the benefits of, and incentives for, historic preservation. The North Park Historic Preservation Element contains An Archaeological Study (Appendix C) and Historic Survey specific goals and recommendations to address the Report (Appendix D) were prepared in conjunction history and cultural resources unique to North Park in with the Community Plan. The Archaeological Study order to encourage appreciation of the community’s (Appendix C) describes the pre-history of the North history and culture. These policies along with the Park Area; identifies known significant archaeological General Plan policies provide a comprehensive historic resources; provides guidance on the identification of preservation strategy for North Park. The North Park possible new resources; and includes recommendations Historic Preservation Element was developed utilizing for proper treatment. -
Spokane Register of Historic Places Nomination Spokane City/County Historic Preservation Office, City Hall, Sixth Floor 808 W
Spokane Register of Historic Places Nomination Spokane City/County Historic Preservation Office, City Hall, Sixth Floor 808 W. Spokane Falls Boulevard, Spokane, WA 99201 1. Name of Property Historic Name HARRY & EVELYN STIMMEL HOUSE 2. Location Street & Number 1009 West 24th Avenue City, State, Zip Code Spokane, WA 99203 Parcel Number 35303.2110 3. Classification Category Ownership Status Present Use X building __public X occupied __agricultural __museum __site X private __work in progress __commercial __park __structure __both __educational __religious __object Public Acquisition Accessible __entertainment X residential __in process X yes, restricted __government __scientific __being considered __yes, unrestricted __industrial __transportation __no __military __other 4. Owner of Property Name Robert S. and Kathleen R. Pate Street & Number 1009 West 24th Avenue City, State, Zip Code Spokane, WA 99203 Telephone Number/E-mail 701-0998 5. Location of Legal Description Courthouse, Registry of Deeds Spokane County Courthouse Street Number 1116 West Broadway City, State, Zip Code Spokane, WA 99260 County Spokane 6. Representation of Existing Surveys Title City of Spokane Historic Landmarks Survey Date Federal____ State____ County____ Local 1979 Location of Survey Records Spokane Historic Preservation Office Final Nomination Reviewed & Recommended for Listing, 17 March 2004 7. Description Architectural Classification Condition Check One (see nomination, section 8) X excellent __unaltered __good X altered __fair __deteriorated Check One __ruins X original site __unexposed __moved & date_______ 8. Spokane Register Categories and Statement of Significance Applicable Spokane Register of Historic Places Categories: Mark “x” on one or more for the categories that qualify the property for the Spokane Register listing: __A Property is associated with events that have made a significant contribution to the broad patterns of Spokane history. -
Campbell Historic Design Guidelines for Residential Buildings
GUIDELINES FOR HISTORIC RESIDENTIAL BUILDINGS CITY OF CAMPBELL CONTENTS City of Campbell Historic Design Guidelines for Residential Buildings Chapter 1: The Purpose of the Guidelines 3 Chapter 4: Guidelines for All Projects 23 Projects Subject to Design Guidelines 4 Compatible Architectural Styles 23 Campbell’s Historic Resources Inventory 4 Building Massing 23 Historic Preservation Review Process 4 Roof Design 23 Historic Review Parameters 4 Front Porches and Entry Features 25 Preservation Principles for Projects in Campbell 5 Windows 26 Building Materials 28 Chapter 2: Planning and Design for Historic Homes 6 Streetscape and Neighborhood Character 28 Garages 29 Your “Old” House 6 Driveways 31 Doing Your Homework 6 What Needs to be Done 6 Glossary of Terms 33 Construction Phase 6 The first appearance of glossary terms in the text are bold faced. Chapter 3: Architectural Styles 7 Notes 39 Traditional Neighborhoods 7 Architectural Style 7 References 39 Significant Styles in Campbell 8 Descriptions of Common Architectural Styles Found in Campbell 9 Resources 39 • Queen Anne Cottage (1885-1910) 9 • Colonial Revival Cottage (1890-1930) 11 Appendix A – Campbell Municipal Code – • Arts and Crafts Period: Title 21, Zoning Code 21.14.020.P and Q 40 • Craftsman (1895-1935) 13 • Prairie (1900-1920) 15 Appendix B – The Secretary of the Interior’s • Craftsman/California Bungalow (1910-1930) 17 Standards for Rehabilitation 43 • Spanish Eclectic/ Spanish Colonial Revival (1920-1940) 19 • Tudor Revival (1920-1940) 21 Page 2 May 2006 THE CITY OF CAMPBELL DESIGN GUIDELINES FOR HISTORIC RESIDENTIAL BUILDINGS CHAPTER ONE: THE PURPOSE OF THESE GUIDELINES Historic buildings as well as the urban pattern of street trees, sidewalks, fences, and front porches all contribute to Campbell’s charm and distinctive character.