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Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
Television Film
8/16/2019 LIAM LUNNISS | TELEVISION X Factor Finale w/ James Arthur & Anne Marie Choreographer ITV The Grind 2018 Choreographer MTV The Grind 2017 Choreographer MTV Little Big Shots UK Creative Director/Choreographer ITV/Seasons 1 & 2 Britain's Got Talent "Crying in the Club" w/ Camila Cabello Choreographer ITV The Voice UK "Baby" w/ Pixie Lott Creative Director/Choreographer ITV "Ego" & "Good Times" w/ Ella Eyre Choreographer MTV Britain's Got More Talent w/ Pixie Lott Choreographer ITV The Voice UK "Stitches" w/ Shawn Mendes Choreographer ITV The Voice of Italy Creative Associate/Choreographer RAI/ Season 5 The Voice UK Choreographer ITV/2016 FILM Bohemian Rhapsody Choreographer 20th Century Fox https://msaagency.com/portfolio/liam-lunniss/ 1/4 8/16/2019 LIAM LUNNISS | CONCERTS/TOURS/EVENTS Jingle Bell Ball Tour 2018 w/ Louisa Johnson Choreographer Capital FM Men of the Year Awards "Boys" w/ Charlie XCX Choreographer GQ Rock City Choreographer Celebrity Cruises AWARD SHOWS EMA Awards 2018 Creative Associate MTV EMA Awards 2017 Choreographer MTV EMA Awards 2016 Choreographer MTV EMA "Learn to Let Go" w/ Kesha Choreographer MTV EMA "Break the Rules" w/ Charlie XCX Choreographer MTV EMA "Bailando" w/ Enrique Iglesias Associate Choreographer MTV The Brit Awards w/ Dua Lipa 2018 Associate Choreographer ITV The Brit Awards w/ Katy Perry Associate Choreographer ITV MUSIC VIDEOS Kings of Leon " Waste a Moment" Choreographer https://msaagency.com/portfolio/liam-lunniss/ 2/4 8/16/2019 LIAM LUNNISS | Emi McDade "Faith" Choreographer COMMERCIALS -
The BBC Micro:Bit – from the UK to the World
The BBC micro:bit – from the UK to the World Jonny Austin Howard Baker Thomas Ball Micro:bit Ed. Foundation Micro:bit Ed. Foundation Microsoft Research James Devine Joe Finney Peli de Halleux Lancaster University, UK Lancaster University, UK Microsoft Research Steve Hodges Michal Moskal Gareth Stockdale Microsoft Research Microsoft Research Micro:bit Ed. Foundation 1. INTRODUCTION In 2015 the BBC launched the Make It Digital initiative, aiming to encourage a new era of creativity in the young using programming and digital technology as its medium. Simultaneously, the initiative also would support the UK's mandate to teach computer science concepts at all grade levels [13]. The micro:bit is a small programmable and embeddable computer designed, developed, and deployed by the BBC (a) (b) and 29 project partners to approximately 800,000 UK Year 7 (11/12 year old) school children in 2015-2016. Referring Figure 1: The BBC micro:bit: (a) front, with two back to its work with the BBC Micro [4], the BBC described buttons, 5x5 LED display, and edge connector (bot- the micro:bit as its \most ambitious education initiative in tom); (b) back, with processor, accelerometer, com- 30 years, with an ambition to inspire digital creativity and pass, Bluetooth, USB and battery connectors. develop a new generation of tech pioneers" [1]. Embracing a constructionist approach to computing ed- ucation [11], the micro:bit has moved from a local educa- tional experiment in the UK to a global effort driven by the 3. Have a Low Floor, High Ceiling and Wide Walls. Micro:bit Educational Foundation (microbit.org), a non- When designing the micro:bit, providing good educational profit organization established in September 2016. -
Air Time Event Status Chain Skip 12:00:00 AM Top of Hour
Air Time Event Status Chain Skip 12:00:00 AM Top of Hour - 12:00:00 AM 12:01:18 AM Michael Tyler In The Mix The Vortex On C89.5 30:41 1:00:00 AM Top of Hour - 1:00:00 AM 1:02:02 AM 1 Bandita 57:40 1:59:39 AM Guru BIJOU 03:09 Top of Hour - 2:00:00 AM 2:29:14 AM LEAN ON MAJOR LAZER 02:56 3:00:00 AM Top of Hour - 3:00:00 AM 3:29:09 AM TENNIS COURT (RMX) LORDE 04:38 NEVER FORGET YOU ZARA LARSSON 03:43 Top of Hour - 4:00:00 AM Top of Hour - 5:00:00 AM 5:58:13 AM THIS IS WHAT YOU CAME FOR CALVIN HARRIS 02:58 6:00:00 AM Top of Hour - 6:00:00 AM 7:00:00 AM Top of Hour - 7:00:00 AM 7:01:30 AM NEVER WOULD HAVE MADE IT MARVIN SAPP 04:58 7:06:16 AM I DESIRE MORE CRYSTAL AIKIN 04:13 7:10:45 AM THE ANTHEM TODD DULANEY 06:55 7:17:43 AM NO WEAPON FRED HAMMOND 04:59 7:22:41 AM BETTER HEZEKIAH WALKER 03:41 7:26:27 AM YOU'RE BIGGER JEKALYN CARR 07:22 7:40:01 AM NOW BEHOLD THE LAMB Kirk Franklin 06:52 7:46:52 AM SILENT NIGHT LE'ANDRIA JOHNSON FEAT AMBE… 03:22 Air Time Event Status Chain Skip O HOLY NIGHT SMOKIE NORFUL 05:13 7:51:04 AM STEADY ALEXIS SPLIGHT 04:46 7:55:48 AM SO GOOD JOSHUAH RODGERS 03:23 #YDIA (YOU DID IT AGAIN) ZACARDI CORTEZ 03:45 Top of Hour - 8:00:00 AM 7:59:29 AM 123 Victory Kirk Franklin 03:57 8:03:26 AM MY NAME IS VICTORY JONATHAN NELSON 04:22 8:07:48 AM VICTORY KIERRA "KIKI" SHEARD 06:25 8:25:39 AM CAROL OF THE BELLS MARY MARY 03:13 8:33:41 AM SWEET LITTLE JESUS BOY TAKE SIX 03:25 8:37:06 AM MARY DID YOU KNOW VANESSA BELL ARMSTRONG 03:34 8:49:21 AM HE BROUGHT JOY TO THE WORLD CECE WINANS 03:59 8:53:19 AM CANNOT TELL IT ALL JONATHAN -
Judge Tosses Annexation
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Tennis: Back at Wimbledon, Coco Gauff advances /B1 FRIDAY TOD AY C I T R U S C O U N T Y & nex t m orning HIGH 88 P a r t l y u n n y ; LOW n u m e r o u s s h o w e r s , t o r m s . 72 PAGE A4 w w w.chronicleonline.com JULY 2, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 268 NEWS BRIEFS Judge tosses annexation Citrus gov’t offices closed July 5 Lakeside property had been at the center of a dispute between city, county C t r u s C u n t y o v e r n - MIKE WRIGHT Circuit Judge Peter RV Resort is planned for mile east of the city limits Brigham said the Eden m e n t f f i c e s i l l e Staff writer Brigham said in his ruling the 234-acre property. on State Road 44. property is “geographi- c l o s e d o n d a y , u l y , n that the city violated state Brigham agreed with “Simply put, the city cally isolated” from the o b s e r v a n c e f I d e p e n - A judge has sided with law by allowing the the county’s argument and the NH parcel do not city that would create a d e n c e D y . -
Assessment Day 2013 1. Gender 2. Race Or Ethnicity
Campus Activities Board Survey Results – Assessment Day 2013 Last Modified: 03/28/2013 1. Gender # Answer Response % 1 Male 67 34% 2 Female 133 67% Total 200 100% 2. Race or Ethnicity # Answer Response % 1 White 182 91% African 2 9 5% American 3 Hispanic 3 2% Asian/Pacific 4 4 2% Islander American 5 Indian/Alaskan 0 0% Native 6 Other 2 1% Total 200 100% Other white/black Human 3. Current Classification # Answer Response % 1 Freshman 24 12% 2 Sophomore 38 19% 3 Junior 32 16% 4 Senior 77 39% Graduate or 5 29 15% Professional Total 200 100% 4. Major # Answer Response % 1 Accounting 2 1% 2 Economics - BBA 1 1% 3 Economics - BA 1 1% 4 International Business 0 0% 5 Finance 3 2% 6 Management 10 5% 7 Marketing 8 4% 8 Management Information Systems 0 0% 9 MBA 2 1% 10 Health Care Administration 1 1% 11 Human Resource Management 1 1% 12 Nurse Anesthesia 0 0% 13 Business Undecided 0 0% 14 Early Childhood Education 0 0% 15 Elementary Education 4 2% 16 Secondary Education 7 4% 17 Pre-Elementary Education 0 0% 18 Pre-Secondary Education 1 1% 19 Family and Consumer Science 0 0% 20 Hospitality Management 0 0% 21 Education Undecided 0 0% 22 Special Education 2 1% 23 Literacy Education 0 0% 24 Educational Leadership Studies 0 0% 25 Counseling 1 1% 26 EdD Program 0 0% 27 EdS Program 0 0% 28 EdS in School Psychology 0 0% 29 MAT Program 0 0% 30 RBA Program 1 1% 31 Bachelor of Applied Science Program 1 1% 32 Education Undecided 0 0% 33 Music 4 2% 34 Theatre 2 1% 35 Art 4 2% 36 Pre-Music 0 0% 37 Undecided Fine Arts 0 0% 38 Athletic Training 4 2% 39 Exercise -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Bright Lights
ABOUT Bright Lights is a multi-Grammy nominated, American pop singer-songwriter, responsible for several career-defining hits including "Language" with Porter Robinson, "Never Say Goodbye," with Hardwell, "How You Love Me" with 3LAU, and a feature on Zedd's #1 Clarity album. Bright Lights' debut single "Runaway (feat. 3LAU)" landed her in the Top 5 on Billboard's Dance charts, while her powerful voice and beautiful compositions make her one of the most sought after singers in all of electronic music. With a brand new single on the way, a solid string of high- profile tour dates, and support from the many artists she's helped along the road, Bright Lights is quickly becoming an international fan favorite. HIGHLIGHTS NOTABLE SHOWS - San Diego Pride - Staples Center, Los Angeles - Ultra Music Festival [Main Stage] - Singapore, Japan & Korea - EDC Las Vegas [Main Stage] - Red Rocks - Morrison, CO SOCIALS + STATS Facebook Soundcloud 146K+ followers 17K+ followers Instagram YouTube 16K+ followers 10K+ subscribers Twitter Spotify 16K+ followers 580K+ monthly listeners - Multi GRAMMY Nominated Songwriter - Multi Platinum Selling Songwriter (Justin Bieber, Britney Spears, Usher) Debut single, “Runaway” has 8M+ streams total - Billboard Top 5 Artist, Dance Radio Airplay - Sirius XM #1 Artist (5x), "BPM" Second single scheduled to launch in Q4 2016 TESTIMONIALS "Singer-songwriter Bright Lights teamed up with dance music maestro 3LAU for another surefire hit entitled “Runaway." — Ryan Seacrest "In an age where mainstream music is designed to be as easily consumed as possible, listening to Bright Lights is refreshing, to say the least. Her sound is perfect for radio but complex enough to separate Bright Lights from other pop newcomers.” — PopULove.net PRESS PopULove.net Bright Lights Releases Explosive Cover of Kanye Wests Heartless Maniac Magazine Bright Lights Finally Takes Center Stage Rogue Magazine Print article only, please email for PDF clipping RyanSeacrest.com Bright Lights Drops Roomfiller Single Runaway Featuring 3lau VIDEOS 3LAU - How You Love Me ft. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Press Release Wednesday 29 August 2018 Further Cast
PRESS RELEASE WEDNESDAY 29 AUGUST 2018 FURTHER CAST ANNOUNCED FOR DEBRIS STEVENSON’S NEW WORK POET IN DA CORNER, DIRECTED BY OLA INCE OPENING IN THE JERWOOD THEATRE DOWNSTAIRS FRIDAY 21 SEPTEMBER 2018. New trailer here. Downloadable artwork here. Listen to a track Kemi from the show here. Left to right back row: Jammz, Debris Stevenson and Mikey ‘J’ Asante. Left to right front row: Kirubel Belay and Cassie Clare. Photo credit: Romany-Francesca Mukoro In the semi-autobiographical Poet in da Corner poet, lyricist, and dancer Debris Stevenson explores how grime helped shape her youth. Debris and previously announced writer and performer Jammz will be joined by Cassie Clare and Kirubel Belay. Directed by Ola Ince, Poet in da Corner will also feature music and composition from Michael ‘Mikey J’ Asante, co-founder and co-artistic director of Boy Blue. The production runs Friday 21 September 2018 – Saturday 6 October 2018 with press in from 7.30pm Tuesday 25 September 2018. In a strict Mormon household somewhere in the seam between East London and Essex, a girl is given Dizzee Rascal’s ground-breaking grime album Boy in da Corner by her best friend SS Vyper. Precisely 57 minutes and 21 seconds later, her life begins to change – from feeling muted by dyslexia to spitting the power of her words; from being conflicted about her sexuality to finding the freedom to explore; from feeling alone to being given the greatest gift by her closest friend. A coming of age story inspired by Dizzee Rascal’s seminal album, Boy in da Corner. -
Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
Uk - Artist Info – Smukfest – Skanderborg – 2017
UK - ARTIST INFO – SMUKFEST – SKANDERBORG – 2017 (Updated February 14th 2017) ABOUT “SMUKFEST” 2017 .................................................................................................. 1 THE SMUKFEST ARTISTHANDLING TEAM 2017 .................................................................... 3 GENERAL CONTRACTUAL TERMS: ....................................................................................... 4 CONTACTS: ......................................................................................................................... 5 LOCATION/DRIVING INSTRUCTIONS: .................................................................................. 6 PRODUCTION OFFICE: ......................................................................................................... 7 GUESTS/GUEST LISTS/VIP: .................................................................................................. 7 SECURITY: ........................................................................................................................... 8 TELEVISION AND RADIO: .................................................................................................. 10 MERCHANDISE: ................................................................................................................ 10 WIRELESS EQUIPMENT: .................................................................................................... 11 MAIN STAGES INFO: ........................................................................................................