DOCSLIB.ORG

Students Admitted from 2019-2020 & Onwards

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Students Admitted from 2019-2020 & Onwards Avinashilingam Institute for Home Science and Higher Education for Women (Deemed to be University under Category ‘A’ by MHRD, Estd. u/s 3 of UGC Act 1956) Re-accredited with ‘A+’ Grade by NAAC. Recognised by UGC Under Section 12 B Coimbatore – 641 043, Tamil Nadu, India B.A. Sanskrit Programme Specific outcomes: 1. Develop vocabulary and reading skills in Sanskrit. 2. To know the salient features of Indian cultural heritage preserved in Sanskrit. 3. Expose the students with various forms of Sanskrit literature. 4. To lay strong foundation to take up postgraduate and research programmes. 5. To acquire the skill to be placed as Acharyas, Archeologist, Teachers, Translators, Astrologer, Linguist. Scheme of instruction and examinations (For students admitted from 2019-2020 & onwards) Hours of Scheme of Examination Name of Instruction/week Part Subject Code Paper/Component Theory Practical Duration CIA CE Total Credit of exam First Semester I 18BLT001/ Ilakkiyam I - 5 - 3 50 50 100 4 llakkanam,Ilakkiya varalaru/ Prose and NonDetailedTexts/ 18BLH001/ French-I 18 BLF001/ Pravesha 19BLS001 II 18BLE001 English Language for 5 - 3 50 50 100 4 Communication - I III Core Course 19BSAC01 Initiation to Samskritam 2 3 3 50 50 100 2 19BSAC02 Vyakaranam 5 - 3 50 50 100 3 19BSAC03 Introduction to Shabdas 5 - 3 50 50 100 3 Discipline Specific Elective 19BSAI01 DSE - I Musical forms in - 4 3 50 50 100 3 1 Sanskrit (Music) Games 1 - - - - Second Semester I 18BLT002/ Ilakkiyam II- 5 - 3 50 50 100 4 llakkanam,Ilakkiya varalaru/ Grammar,Translation and 18BLH002/ General Essay/ 18BLF002/ French-II 19BLS002 Parichaya II 18BLE002 English Language for 5 3 50 50 100 4 Communication -II III Core Course 19BSAC04 Prose and Non detailed Texts 5 - 3 50 50 100 3 19BSAC05 History of Samskrita Literature 5 - 3 50 50 100 3 19BSAC06 Science in Samskritam 2 3 3 50 50 100 2 Discipline Specific Elective 19BSAI02 DSE –II Technical Terms and 4 3 50 50 100 3 Sacred forms in Sanskrit (Music) Games 1 - - - - Third Semester 18BLT003/ Ilakkiyam III - 5 - 3 50 50 100 4 llakkanam,Ilakkiya varalaru/ Ancient and Modern Poetry/ 18BLH003/ French-III 18BLF003/ Shiksha 19BLS003 II 18BLE003 English Language for 5 - 3 50 50 100 4 Communication-III III Core Course 19BSAC07 Letter Writing and Translation 2 3 3 50 50 100 2 (Practicals) 2 19BSAC08 Introduction to Kavya 5 - 3 50 50 100 3 Literature 19BSAC09 Ayurveda – The Science of Life 5 - 3 50 50 100 3 Discipline Specific Elective 19BSAI03 DSE –III 2 3 3 50 50 100 4 Basics of Computer in Samaskritam (Practicals) Fourth Semester I 18BLT004/ Ilakkiyam IV 5 - 3 50 50 100 4 llakkanam,Ilakkiya varalaru/ Introduction to Functional 18BLH004/ Hindi And Journalism/ 18BLF004/ French-IV 19BLS004 Kovida II 18BLE004 English Language for 5 - 3 50 50 100 4 Communication-IV III Core Course 19BSAC10 Gita Praveshah 5 - 3 50 50 100 3 19BSAC11 History of Samskrita Drama 5 - 3 50 50 100 3 19BSAC12 Patanjali Yoga Sutram 5 - 3 50 50 100 3 Discipline Specific Elective 18BSAI04 DSE –IV Personality 4 3 50 50 50 3 Development Internship during summer vacation for 15 days Fifth Semester 19BSAC13 Sri Ramodantam 5 - 3 50 50 100 3 19BSAC14 History of Gadya & Champu 5 3 50 50 100 3 Kavya 19BSAC15 Introduction to Vedic 2 3 3 50 50 100 2 Mathematics(Practicals) 19BSAC16 Introduction to Jyothisham 5 - 3 50 50 100 3 19BSAC 17 Alankara and Chandas 5 - 3 50 50 100 3 3 19BSAC 18 Sri Adi Shankaracharya - (Self 1 - 3 100 -- 100 4 Study Course) 19BSAC 19 Samaskritam Online -Computer - - 3 -- 100 100 2 based Test 19BSAC 20 Internship - - - 100 -- 100 4 Generic Elective 2 - 3 100 -- 100 2 Sixth Semester III Core Course 19BSAC 21 Laghu Sidhdhantakaumudi 5 - 3 50 50 100 3 19BSAC 22 Bhagavata Purana 4 - 3 50 50 100 3 19BSAC 23 Women in Samskrita Literature 4 - 3 50 50 100 3 19BSAC 24 Chandra Peeda Charitam 5 - 3 50 50 100 3 19BSAC 25 Human values in Samskrita 4 - 3 50 50 100 3 literature. 19BSAC 26 Introduction to Darsanas 5 - 3 50 50 100 3 Total Credits:122 Semester Subject Name of Paper/ Hours of Instruction/ Credit/ Total Code Component week/Course Course Credits Part IV Components A. Ability Enhancement Courses I. Ability Enhancement Compulsory Courses (AECC) 2 18BAES01 Environmental Studies 4 Remarks 4 (Foundation Course) 5 18BSCS01 Communication Skills 3 Remarks 2 6 18BSSS01 Soft Skills 3 Remarks 2 II. Skill Enhancement Courses (SEC) 3 Value Added Course 40 hrs. duration Remarks 2 (from a basket of choices offered) 4 4 Co-curricular Courses Add on Certificate/ Quantitative Aptitude/ Certificate Courses – Gandhian Studies /Women’s Studies//Ambedkar Varied duration Remarks 2 Studies/Verbal and Non- Verbal Reasoning/ General Awareness/ others as per list. B. Extra-Curricular Course 1-6 18BXNC01-06/ NCC/NSS/Sports - - Remarks 6 18BXNS01-06/ (representing the Institute) 18BXSP01 -06 Total Credits 18 * For the first four semesters there will be a minimum of two core courses/semester ** Project/ Training / Internship: minimum 15 days (4 credits) – Maximum 30 days (6 credits) The above may be within the regular working hours or during the vacation of the I year and II year. Total credits to earn the degree 1. Part I, II & III components - 122 2. Part IV components - 18 ---------- Total credits - 140 credits ------------ Other courses offered by the Department Discipline Specific Electives - Generic Elective Course - Value Added Course - Spoken Sanskrit Others (specify) - DSE – 19BMUI04 - Spoken Sanskrit-Practical 5 Initiation to Samskritam Semester - I Hours of instruction/ week: 2+3 19BSAC01 No of Credits: 2 Objectives: 1. To make them learn Sanskrit Script, Read and Write. 2. To familiarize common and special usage of Sanskrit words. 3. Forming of simple sentences involving the 3 Purusha Prathyayas Unit I Alphabet 15 hrs. Vowels, Consonants, Joint Letters. Unit II Bhasha Pravesha 15 hrs. Words and Sentence formation. Unit III Noun 15 hrs. Declination of nouns based on its sound and its cases as well as the verb and its tenses Unit IV Interrogative sentence 15 hrs. Formation of questions and declination of verbs. Unit V Verb 15 hrs. Usage of conjunctives and auxiliary verbs and sentences. Total Hours: 75 Course Outcomes: 1. Get familiarize with Sanskrit script and numbers. 2. Learn words. 3. Learn basic grammar. 4. Know to form sentences. 5. Know usage of conjunctions. Text Books: 1. Samskrita Bharati, Bhasha Pravesha – 1, Samskrita Bharati, New Delhi – 110002. VI Edition – 2018. 2. Samskrita Bharati, Sulekhavali, Samskrita Bharati, New Delhi – 110002, XIV Edition – 2017. 3. Samskrita Bharati, Samskrita Vyavahara Sahasri, Samskrita Bharati, New Delhi – 110002, IV Edition – 2018. Reference Books: 1. R.S Vadhyar, Dhaturoopamanjari 2. Samskrita Bharati, Sulekhavali, Samskrita Bharati, New Delhi – 110002. 3. Samskrita Bharati, Lalithabodhini & Balathoshini, Samskrita Bharati, New Delhi – 110002. 6 Vyakaranam Semester - I Hours of instruction / week: 5 19BSAC02 No of Credits: 3 Objectives: 1. To make the students understand the pattern of Vibhakthi. (Cases) 2. Know Gender & Tense formation with Number (Singular, Dual, Plural) 3. Formation of sentences connecting the Correct Vibhakthi and Gender. Unit I Lingam, 15 hrs. Masculine, Feminine & Neuter Gender in relation to the verb and case. Unit II Vachanam. 15 hrs. Ekavachanam, Dveevachanam, Bahuvachanam. Unit III Vibhakthi 15 hrs. The Sapta Vibhakthis and its formation relating to sound structure. Unit IV Swara Sandhi 15 hrs. Knowledge of Swara Sandhi, its formation and usage including the usage of Avagrahah Unit V Subhashitam 15 hrs. Importance of Subhashitams - 15 Slokas Total Hours : 75 Course Outcomes: 1. Get familiarize with gender. 2.Know the connection between number and verb. 3. Know Saptha Vibhakthis. 4. Gain knowledge of sandhi. 5. Know importance of Subhashitams. Text Books: 1. Samskrita Bharati, Vibakthi Vallari, Samskrita Bharati-New Delhi. 2. Chaukhamba Publishing House, Anuvada Chandrika, Dr. Brahmananda Tripati, 3. Chaukhamba Publishers, Arya Subhashita Sahasri, Dr. Ramji Upadhyaya Reference Books: 1. Chaukhamba Publishers, Subodh Samskritam, Dr. P.S. Roodrumun, 2. Samskrita Bharati, Kala Bhodini, Samskrita Bharati- New Delhi 3. R.S.Vadyar and Son, Sabdarupamanjari 7 Introduction to Shabdas Semester - I Hours of instruction / week: 5 19BSAC03 No of Credits: 3 Objectives: 1. Enable the students to use the language in its right grammatical form. 2. Understand the role of Grammar in Scientific usage of language. 3. Identify person, number and tense. Unit I Shabdha Roopani 15 hrs. Ajanta & Sarvanama Shabdhah - Noun & Pronoun Unit II Halantha 15 hrs. Sankhyaa Vaachaka Shabdhah - Noun and Ordinal and Cardinal Numbers Unit III Prathyayah 15 hrs. Rules on the usage of Prathyayas to decline with roots to arrive at correct meaning. Unit IV Avayayam 15 hrs. Usage of Indeclinable words and its connection with verbs. Unit V Introduction to Puranas 15 hrs. Condensed knowledge about different Puranas and their evolution. Total Hours : 75 Course Outcomes : 1. Increase the vocabulary skill. 2. Know proper usage of Numerals in Sanskrit. 3. Understand compounding and splitting of words. 4. Know to Substitute word without affecting gender and number. 5. Know the importance of Puranas. Text Books: 1. Samskrita Bharati, Subanta Shevadhi, Samskrita Bharati-New Delhi. 2. Chaukhamba Publishing House, Shabdha Roopa Manjari, Anuvada Chandrika, Dr. Brahmananda Tripati, 3. Chaukhamba Publishers, Daatu Roopavali, Nirnayasaagariya Samskarnam. Reference Books: 1. Chaukhamba Publishers, Paanineeya Dhatu Patah, Dr. Naresh Jhah, 2. Samskrita Bharati, Bhasha Prevesha, Samskrita Bharati- New Delhi 3. Samskrita Bharati, Pratah Smaranam, Samskrita Bharati-Tamilnadu. 8 Prose and Non detailed Texts Semester - II Hours of instruction / week: 5 19BSAC04 No of Credits: 3 Objectives: 1. To help the students get firm in handling the language. 2. Increase repertoire of vocabulary and its apt usage. 3. The general rules governing of letters. Unit I Hal Sandhi 15 hrs.
Load more

Recommended publications
  • M.A. Tamil Syllabus
    MASTER OF ARTS (TAMIL) TWO YEAR FULL TIME PROGRAMME RULES, REGULATIONS AND COURSE CONTENTS Department of Modern Indian Languages and Literary Studies Faculty of Arts University of Delhi Delhi – 110007 2009 MASTER OF ARTS (TAMIL) TWO YEAR FULL TIME PROGRAMME AFFILIATION The proposed programme shall be governed by the Department of Modern Indian Languages and Literary Studies, Tutorial Building, University of Delhi, Delhi – 110007. PROGRAMME STRUCTURE The M.A. Programme is divided into two parts as under. Each Part shall consist of two Semesters. Thus Part I has Semester I-1 & Semester I-2 and Part II has Semester II-1 & Semester II-2 respectively. Part I First Year Semester – I - 1 Semester – I - 2 Part II Second Year Semester – II - 1 Semester – II - 2 PART I: First Year - Semester – I - 1 Paper: 101 Navina Kavidaigal (Modern Poetry) Paper: 102 Punaivu Ilakkiyam (Fiction) Paper: 103 Nadaga Ilakkiyam (Dramatic Literature) Paper: 104 Ilakkanam: Nannul (Grammar: Nannul) PART I: First Year - Semester – I - 2 Paper: 201 Bhakti Ilakkiyam (Devotional Literature) Paper: 202 Cirrilakkiyam (Prabandha Literature) Paper: 203 Ilakkanam: Tolkappiyam – ‘Eluttu’ (Grammar: Tolkappiyam – ‘Letter’) Paper: 204 Interdisciplinary Course I Any one of the following: 1. Background Course for Indian Literature (CIL) 2. Sociology of Literature (CIL) 3. Old and Medieval Bengali Literature (Bengali) 4. Introduction to Linguitics (Linguistics) 5. Outline of Sanskrit Culture and Literature (Sanskrit) 2 PART II: Second Year - Semester – II - 1 Paper: 301 Optional: Course I 301 (1) Kappiyangal (Epics) 301 (2) Intensive study of Cilappadigaram Paper: 302 Optional: Course II 302 (1): Ara Ilakkiyam (Ethical Literature) 302 (2): Intensive study of Tirukkural Paper: 303 303 (1): Ilakkanam: Tolkappiyam – ‘Col’ (Grammar: Tolkappiyam –‘Word’) Paper: 304 Dissertation and Art of Thesis writing PART II: Second Year - Semester – II - 2 Paper: 401 Optional: Course III 401 (1): Ilakkanam: Tolkappiyam –‘Porul’ (Grammar: Tolkappiyam – ‘Poetics’) 401 (2): Ilakkanam: Agapporul,Purapporul, Ani & Yappu.
    [Show full text]
  • Tamil Movies Hard 873.Pdf
    Tamil Movies - Free Printable Wordsearch CPANCHATHANTIRAMFYWJ NRHEQGHAJINI XEKCDCEUDDJSLPCTVAZ HAKKUENNBVUOG KFELOEKONXSLSACIQDV OPMBJTHEDUOAP MBKSOQRPWGLNVQCFMASSSH OWIEBIISNA YGKAAKAKAAKAMCBQAZMJI GARTHANDAGN NSUBRAMANIAPURAMIYSO LYGSNYGHPEAI AABXZMZLPIVQOBFRIVV AUANHUBUMHCDM UAQOBBODTCQBHARATHIT TNWURPMOXPIA WYKRYHCCRWBECFBPOCAI EHAHXGWCYUTA WIFHASEJSMFHCXGUDUGC DXYGSCZPHDHN LRWPTBBIMADRASAPATTI NAMAUSSPMHED CABMUTHALMARIYATHAIT OQDAARIVSURP NTQGPYMHWBWGYEDUXOCDVUV KEVUMMPUE NHZOTYCFWANJALIMUTHI RIPOOKKALETR XIDLXJSFJCHANDRAMUK HIMOICIGNETHS ELJIEQPELPLVYVAAGA ISOODAVAAANTOO AODCWKATTRADHUTHAMIZH BNDAKHTKAZN PRRASVRCYHEGXAGVJZOF IRZRMDZWMIHA PUMTSPGJFHUEHBHYYEWNX GIMECUPFSAC VVTUHARIUVUSXYYOEYQZ PAAVCWDIJSAK UAFVLAVMXLSYCWFYEIJ ALHMZVIPWRMUL MNIAXLNAHEADUKALAMIA BAMEHNNETHLZ NNNYJKUITNWZVKMHVAHAR IECUEEVNAOR XBAAYAOMOHYJVMBMTTRKF RRRZNOTANPZ TANTUFNDMRACXHITUAIT AAAUNKFNABAB KABHTIPJIAUAXNURSV ZVLLDAUTAVSRNN WSAIHVUAAJLVRMOOMUAAA ZKVUHLUAFAU FHNNAEEKXTYAAABDUGMRE AINDARIDYWY CHRIMYCTMKHKRNMCUUAOHR PNHCTZIPGI GACLSYIKCCAEHUFMRVCT AUADBOANEBER JZDEEIFYBACKOSMAZTAM PJUUOKNGDBXE MNDMILQUKZYBFSMODRACI MYWQATRSUER AAYIRATHIL ORUVAN RATHA KANNEER MOUNA GURU SATHYAA ORU THALAI RAAGAM MARUMALARCHI ANDHA NAAL BAASHHA KATTRADHU THAMIZH CHANDRAMUKHI MUDHALVAN ANNIYAN ANIMA AND PERSONA VAZHAKKU ENN MUGAVAREE THOZHA MUTHAL MARIYATHAI KAAKA MUTTAI SARABHAM NANBAN VAAGAI SOODA VAA VIKRAM VEDHA BHARATHI VEYYIL SUBRAMANIAPURAM ANGADI THERU ADUKALAM ANJALI PANCHATHANTIRAM THANI ORUVAN VARALARU MASSS MADRASAPATTINAM JIGARTHANDA AM ARIVU SETHU UTHIRI POOKKAL
    [Show full text]
  • Cbcs-Handbook -2020-2021
    CBCS Hand Book 2020 - 2021 MADURAI KAMARAJ UNIVERSITY (University with Potential for Excellence) MADURAI 625 021 Re-Accredited by NAAC with ‘A’ Grade in the 3rd cycle . CBCS HAND BOOK 2020 - 2021 Madurai Kamaraj University CBCS Hand Book 2020 - 2021 VISION AND MISSION OF THE UNIVERSITY VISION To achieve excellence in Higher Education, with relevance comparable to National Standards and Global Competence. MISSION To empower teachers, students and society through value, skill and technology oriented teaching, learning, research and extension activities; to enhance their creative, innovative and employable abilities in the context of the evolving knowledge, society and economy, influenced by global challenges and changes; and to promote holistic and inclusive growth. Madurai Kamaraj University CBCS Hand Book 2020 - 2021 MOTTO : "TO SEEK TRUTH IS KNOWLEDGE" The various items shown in the Coat of Arms of the Emblem signify and represent the following: Pandya Gopuram : Represents Madurai as an ancient city of learning in Tamil Nadu Burning Lamp and : Represent knowledge open Book Elephant and Rocket : Represent ancient tradition and modern technology Lotus : Represents purity and clarity Two fishes : Represent the symbol on the flag of the Pandya Kings Madurai Kamaraj University CBCS Hand Book 2020 - 2021 MADURAI KAMARAJ UNIVERSITY (University with Potential for Excellence) MADURAI 625 021 Prof. Dr. M. KrishnanM.Sc., Ph.D Vice-Chancellor THE VICE-CHANCELLOR’S MESSAGE Dear Students, As the Vice Chancellor, I extend a warm welcome to the new students on behalf of the members of the Faculty, Staff, and Administration of Madurai Kamaraj University. They have just become part of a university with tremendous positive momentum.
    [Show full text]
  • The Case of Tamil Nadu
    CINEMATIC CHARISMA AS A POLITICAL GATEWAY IN SOUTH INDIA: THE CASE OF TAMIL NADU Dhamu Pongiyannan, MA Submitted to the Faculty of Humanities and Social Sciences In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) at The University of Adelaide 2012 Table of Contents Table of Contents ............................................................................................................... i List of Figures .................................................................................................................. iv Abstract............. ............................................................................................................... vi Declaration. ..................................................................................................................... vii Acknowledgements ........................................................................................................ viii Dedication....... ............................................................................................................... viii Situating Tamil Nadu in the Subcontinent ........................................................................ x Preface................ ............................................................................................................. xi Introduction ....................................................................................................................... 1 Ordinary Tamils, extraordinary celebrity devotion .................................................
    [Show full text]
  • KR Sundaram Iyer Memorial Library
    K.R. Sundaram Iyer Memorial Library Catalogues Author/Title The Music Academy, Madras New No. 168 (Old No. 306), T.T.K. Road Chennai - 600 014 101 kirttana manimalai : sahityam: Tamil, Tevanakari, Ankilam : svarasahitya talakkurippu: Tamil, Ankilam = 101 keerthana mani malai / tokuttavar vitvan Kalyani Carma. -- Mumbai : Vidwan (Smt.) Kalyani Sharma, 2000. xxx, 437, [3] p. : ill. ; 19 x 26 cm. Sankita kalaniti Sri Ke. Es. Narayanasvami ninaivancali. Songs, with musical letter notation. Acc. no. 0240 108 tivya teca kirttanaikal : ittutan Mannarkuti Sri Rajakopala Svami, Sri Tiruvenkata Mutaiyan, Alvarkal parriya kirttanaikalum atankum / cakityankal iyarri rakatalakkuripputan amaittavar R. Parttasarati Ayyankar. -- Cennai : Itayaoli Accakam, 1983. xv, 78 p. : ill. ; 22 cm. Hindu devotional songs in letter notation. Includes index. Acc. no. 1947 150th aradhana festival of Saint Tyagaraja : souvenir 1997 / editor T. S. Parthasarathy ; deputy editor G. Srinivasan. -- Thiruvaiyaru : Sri Thiaga Brahma Mahotsava Sabha, 1997. [xx], 98 p. : ill., ports. ; 24 cm. Acc. no. 1183 1954 putu silapas saplimentu Karnataka sankitam : Intiya sankitam (Indian music) Mataras kavarnmentu teknikal hayarkretu pariksaikalukku mika upayokamana pata pustakam : itil tiyari peppar irantirkum muraiye patankalum, raka laksanankaum, krutikal, kalpanasvaram, taru. tarankam, astapati yavum svarasahityattutan cerkkappattullana / iktu Kallitaikkuricci vainika vitvan A. Suntaramayyar avarkalal piracuram ceyyappattatu. -- 2. patippu. -- Kallitaikuricci : A. Suntaramayyar, 1955. [iv], 76 p. : ill. ; 25 cm. Songs, with musical letter notation. Acc. no. 0169 1969-m antu Maha skanta casti vila malar. -- Cennai : Sri Palacupramanya Svami Tevastanam, 1969. 27, [3] p. ; 18 cm. Acc. no. 3689 1975 Sankita Vitvat Sapai kaccerikal patappatta Tiksita krutikal. -- Madras : Rajpriya Printers, 1975. 6 p. ; 24 cm. Caption title. List of Muttusvami Tiksitar's Kirtanas sung in the concerts.
    [Show full text]
  • Voiceless Heroines: Use of Dubbed Voices in Tamil Movies*
    Asian Women March 2017, Vol. 33, No. 1, pp. 73-98 Voiceless Heroines: Use of Dubbed Voices in Tamil Movies* Premalatha Karupiah Universiti Sains Malaysia, Malaysia 1 Abstract Scholars have argued that sound in films has not been given much theoretical attention. Without understanding the use of sound in films, a comprehensive knowledge of the meaning and ideology of movies is not possible. This paper explores how heroines’ voices are presented in Tamil movies and provides empirical evidence about gender inequality in the aural practices of Tamil movies. The data for this study came from a content analysis of 40 Tamil movies produced in India (1961–2012), 8 websites related to voice dubbing in Tamil movies, and 4 YouTube videos. The term “dubbed voice” refers to the practice of using a voice-actor or dubbing artist to deliver the dialogue while someone else acts in the movie. In Tamil movies, this trend has been common since the 1980s among female actors in lead roles but not among lead male actors. Even though the inability to speak Tamil is one of the reasons for this practice, it does not explain why female stars mostly use a dubbed voice. The male actors–including non-native speakers–often use their own voice. The use of a few select dubbing artists to lend their voices to heroines limits the type of female voices heard (from lead roles) in Tamil movies and narrowly defines the types of women’s voices that are associated with someone who is attractive or good. Therefore, Tamil movies are limiting not only the looks that are showcased on the screen but also the female voices heard in these movies.
    [Show full text]
  • Call Number Title 613. 7045 S S Factor
    Mississauga Library System DVD Library - S to Z 08/08 Call Number Title 613. 7045 S S factor. 1, the beginning 613. 7045 S S factor. 2, intermediate with lap dance 613. 7045 S S factor. Polework 101 CHINESE F SPL S.P.L. F SWAT S.W.A.T. 959. 6042 STW S21 the Khmer Rouge killing machine / HINDI F SAAJA Saajan PANJABI F SAAL Saal solvan chad ya URDU F SAAS Saas bhi aik maa hai HINDI F SAATH Saathiya PANJABI F SAAUN Saaun di jhadi HINDI F SAAWA Saawan F SABAH Sabah TAGALOG F SABEL Sabel SERBIAN F SABIR Sabirni centar F SABOT Sabotage F SABOT Saboteur F SABRI Sabrina F SABRI Sabrina 917.104 SAC Sacred spaces Canada's National parks. 792. 80947 SAC Sacred stage : the Mariinsky Theater MF AGATH Sad Cypress URDU NON-F SADAF SADAF supreme collection. Volume 1 URDU NON-F SADAF SADAF supreme collection. Volume 2 F SADDE The Saddest music of the world J SADDL The Saddle Club Horse crazy the new movie J SADDL The Saddle Club. The first adventure J SADDL The Saddle Club. The mane event 798. 40092 SAD Saddles & silks a jockey's story X GO Safari rescue J DANGE Safe & sound X SAFE Safe and sound 973. 7115 SAF Safe harbor J 004. 67808 SAF The safe side internet safety : hot tips for cool kids / 644 HOW Safety & security 971 SCA Saga of hope [an Icelandic odyssey] / Page 1 of 90 Mississauga Library System DVD Library - S to Z 08/08 PANJABI F SAGGI Saggi F SAHAR Sahara F SAHAR Sahara 916.6 SAH Sahara URDU F SAHAR Saharay 916.6 SAH Sahel a West African journey / VIETNAM NON-F SAI Sai Gon & mien tay VIETNAM NON-F SAI Sai Gon don xuan khoe sac J 782.
    [Show full text]
  • TAMIL CIVILIZATION and CULTURE from 1336 to 1947 A.D. Author Narasimhan C Sekar, PGP Educational Institutions, Namakkal Units (1-14)
    ALAGAPPA UNIVERSITY [Accredited with ‘A+’ Grade by NAAC (CGPA:3.64) in the Third Cycle and Graded as Category–I University by MHRD-UGC] (A State University Established by the Government of Tamil Nadu) KARAIKUDI – 630 003 Directorate of Distance Education MA [History] II - Semester 321 22 TAMIL CIVILIZATION AND CULTURE FROM 1336 TO 1947 A.D. Author Narasimhan C Sekar, PGP Educational Institutions, Namakkal Units (1-14) "The copyright shall be vested with Alagappa University" All rights reserved. No part of this publication which is material protected by this copyright notice may be reproduced or transmitted or utilized or stored in any form or by any means now known or hereinafter invented, electronic, digital or mechanical, including photocopying, scanning, recording or by any information storage or retrieval system, without prior written permission from the Alagappa University, Karaikudi, Tamil Nadu. Information contained in this book has been published by VIKAS® Publishing House Pvt. Ltd. and has been obtained by its Authors from sources believed to be reliable and are correct to the best of their knowledge. However, the Alagappa University, Publisher and its Authors shall in no event be liable for any errors, omissions or damages arising out of use of this information and specifically disclaim any implied warranties or merchantability or fitness for any particular use. Vikas® is the registered trademark of Vikas® Publishing House Pvt. Ltd. VIKAS® PUBLISHING HOUSE PVT. LTD. E-28, Sector-8, Noida - 201301 (UP) Phone: 0120-4078900 Fax: 0120-4078999 Regd. Office: 7361, Ravindra Mansion, Ram Nagar, New Delhi 110 055 Website: www.vikaspublishing.com Email: [email protected] Work Order No.
    [Show full text]
  • K. S. Ravikumar Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    K. S. Ravikumar 电影 串行 (大全) Natpukkaga https://zh.listvote.com/lists/film/movies/natpukkaga-6980216/actors Sakthivel https://zh.listvote.com/lists/film/movies/sakthivel-7403115/actors Nattamai https://zh.listvote.com/lists/film/movies/nattamai-6980332/actors Samudhiram https://zh.listvote.com/lists/film/movies/samudhiram-7410680/actors Cheran Pandiyan https://zh.listvote.com/lists/film/movies/cheran-pandiyan-5091824/actors Oor Mariyadhai https://zh.listvote.com/lists/film/movies/oor-mariyadhai-16252637/actors Paattali https://zh.listvote.com/lists/film/movies/paattali-19808819/actors Periya Kudumbam https://zh.listvote.com/lists/film/movies/periya-kudumbam-7168949/actors Parambarai https://zh.listvote.com/lists/film/movies/parambarai-7135159/actors Pondatti Rajyam https://zh.listvote.com/lists/film/movies/pondatti-rajyam-16253049/actors Rana https://zh.listvote.com/lists/film/movies/rana-7290612/actors Paarai https://zh.listvote.com/lists/film/movies/paarai-7121465/actors Putham Pudhu Payanam https://zh.listvote.com/lists/film/movies/putham-pudhu-payanam-7262204/actors Dharma Chakkaram https://zh.listvote.com/lists/film/movies/dharma-chakkaram-5269221/actors Purusha Lakshanam https://zh.listvote.com/lists/film/movies/purusha-lakshanam-16253318/actors Kondattam https://zh.listvote.com/lists/film/movies/kondattam-6428970/actors Band Master https://zh.listvote.com/lists/film/movies/band-master-4854224/actors Suriyan Chandiran https://zh.listvote.com/lists/film/movies/suriyan-chandiran-16254550/actors Mudinja Ivana Pudi https://zh.listvote.com/lists/film/movies/mudinja-ivana-pudi-27957889/actors
    [Show full text]
  • Call Number Title F Ps P.S
    Mississauga Library System BOOKS ON DVD - P TO Z Revised March 2009 CALL NUMBER TITLE F PS P.S. I love you TAGALOG F PA Pa.Siyam 759.6 PICAS Pablo Picasso 709.2 PICAS Pablo Picasso a primitive soul. TAMIL F PACHH Pachhai vilakku SPANISH F PACHI Pachito Rex me voy, pero no del todo. 385. 0971 NAT The Pacific Scandal 940. 5426 PAC The Pacific war 940. 54725 PAC The Pacific War : a trilogy Kwai 940. 54252 PAC The Pacific War : a trilogy Nagasaki 940. 54266 PAC The Pacific War : a trilogy Saipan. F PACIF The Pacifier F PACKA The package F PADRE Padre Pio miracle man. J PAGEM The Pagemaster HINDI F PAHEL Paheli 613.71 PAI Pain free workout series 618.24 PAI Pain-free pregnancy pregnancy exercise. 322.42 PAI Painful deceptions WF PAINT Paint your wagon F PAINT The Painted Hills F PAINT A Painted house MF MIDSO Painted in blood MF PAINT The Painted lady 751.422 PAI Painting a portrait in watercolor. female 751.45 PAI Painting landscapes with David Dunlop. Program 1, Oil 751.426 PAI Painting landscapes with David Dunlop. Program 2, Acrylic 751. 42243 PAI Painting landscapes with David Dunlop. Program 3, Watercolor 755.4 PAI Painting Revelation 751.422 PAI Painting roses in crystal F PAIR A pair of Lewis Black shorts 792.842 PAI A pairing of Swans F PAJAM The Pajama game TAGALOG F PAKAS Pakasalan mo ako URDU F PAKEE Pakeezah TAGALOG F PAKNE Pakners F PAL Pal Joey WF PALE Pale rider WF PALEF The paleface GUJARAT F PALLA Pallavi bani parvati F PALLB The pallbearer F PALLI The Pallisers.
    [Show full text]
  • A. R. Rahman - Wikipedia, the Free Encyclopedia A
    1/18/2014 A. R. Rahman - Wikipedia, the free encyclopedia A. R. Rahman From Wikipedia, the free encyclopedia Allah-Rakha Rahman ( pronunciation ; born A. S. Dileep Kumar, 6 January 1967) A. R. Rahman is an Indian composer, singer-songwriter, music producer, musician, multi-instrumentalist and philanthropist.[2] Described as the world's most prominent and prolific film composer by Time,[3] his works are notable for integrating Eastern classical music with electronic music sounds, world music genres and traditional orchestral arrangements. He has won two Academy Awards, two Grammy Awards, a BAFTA Award, a Golden Globe, four Background information National Film Awards, fifteen Filmfare Birth name A. S. Dileepkumar Awards and thirteen Filmfare Awards South in addition to numerous other awards and Also known A. R. Rahman, A. R. R., Allah Rakha Rahman nominations. His extensive body of work for as film and the stage earned him the nickname Born 6 January 1967 "The golden boy of Indian music A R "the Mozart of Madras" and several Tamil Rahman turns 44" commentators and fans have coined him the (http://www.timesnow.tv/articleshow/4335762.cms). nickname Isai Puyal (English: Music The Times of India. Times Now. 6 January 2010. Storm).[4] In 2009, Time placed Rahman in </ref> Madras, Madras State, India[1] its list of World's Most Influential People.[5] The UK based World Music magazine Genres Film score, electronic, dance, classical Songlines named him one of 'Tomorrow's Occupations Singer, songwriter, composer, record producer, World Music Icons' in August 2011.[6] music director, arranger, entrepreneur, philanthropist, conductor Having set up his own in-house studio called Panchathan Record Inn at Chennai, arguably Instruments Vocals, guitar, percussion, drums, harpejji, one of Asia’s most sophisticated and high- continuum fingerboard, keyboard, piano, accordion, tech studios, Rahman's film scoring career goblet drum, concert harp began in the early 1990s with the Tamil film Years active 1987–present Roja.
    [Show full text]
  • Survey on Reading Habit of School Children In
    Survey on Reading Habit of School Children in Northern and Eastern Provinces 2016 National Library and Documentation Services Board Ministry of Education Preface As the main Professional Organisation in library field conducting research and survey in library and information field is a responsibility assigned to the National Library and Documentation Services Board (NLDSB). To fulfil this responsibility, NLDSB conducts research and surveys on different areas of library and information science. This study on reading habit of school children in Northern and Eastern provinces is one of such projects conducted by the National Library and Documentation Services Board. Through this study NLDSB expects to understand the situation of reading habit of school children in Northern and Eastern Provinces and also to recommend and implement remedial measures for the problems prevail in these provinces. I thank all the officers who were involved in conducting this survey. Dr. W.A. Abeysinghe Chairman i Introduction As the main government organisation in library and information field in Sri Lanka, National Library and Documentation Services Board has a special responsibility for conducting research and encouraging research in library and information field in Sri Lanka. Reading society is a very important indicator of the educational, cultural and social development in a country. Therefore, reading promotion is very important in creating a knowledge society. National Library and Documentation Services Board presently implements a number of reading promotion programmes. The main programme is the National Reading month programmes which is implemented in October every year. This study is very important because a research of this nature has not been conducted in Northern and Eastern provinces in recent past.
    [Show full text]