The Chi-Lites You Got to Be the One Mp3, Flac, Wma

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The Chi-Lites You Got To Be The One mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: You Got To Be The One Country: Canada Released: 1974 Style: Rhythm & Blues, Soul MP3 version RAR size: 1210 mb FLAC version RAR size: 1884 mb WMA version RAR size: 1526 mb Rating: 4.2 Votes: 652 Other Formats: AA XM MMF AIFF APE AHX AAC Tracklist Hide Credits You Got To Be The One (Stereo) A 3:25 Songwriter – Eugene Record, Marshall Arrington Happiness Is Your Middle Name B 3:33 Songwriter – Eugene Record Companies, etc. Distributed By – GRT Of Canada Ltd. Credits Arranged By – Sonny Sanders Arranged By, Producer – Eugene Record Directed By – Quinton Joseph Engineer – Craig Barksdale Notes From Album 9210-764200 'Toby' Barcode and Other Identifiers Other (Deadwax info): A: 1210-55514-s1 / B: 1210-55514-s2 Other versions Category Artist Title (Format) Label Category Country Year You Got To Be The One / B 55514 The Chi-Lites Happiness Is Your Middle Name Brunswick B 55514 US 1974 (7", Single) You Got To Be The One / 55514 The Chi-Lites Happiness Is Your Middle Name Brunswick 55514 US 1974 (7", Single) You Got To Be The One / 55514 The Chi-Lites Happiness Is Your Middle Name Brunswick 55514 Italy 1975 (7") You Got To Be The One (7", B 55514 The Chi-Lites Brunswick B 55514 US 1974 Promo) You Got To Be The One (7", 630.005 The Chi-Lites Brunswick 630.005 Netherlands 1974 Single) Related Music albums to You Got To Be The One by The Chi- Lites Chi-Lites - We Are Neighbors / What Do I Wish For Chi-Lites - Oh Girl The Chi-Lites - Heavenly Body / Me And You The Chi-Lites - We Need Order Chi-Lites - The Twelfth Of Never / Let Me Be The Man My Daddy Was The Chi-Lites - I Like Your Lovin' (Do You Like Mine) The Chi-Lites Featuring Eugene Record - Try My Side (Of Love) The Chi-Lites - A Lonely Man The Chi-Lites - Toby The Chi-Lites - It's Time For Love.

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Chi-Lites Half a Love Mp3, Flac, Wma
Chi-Lites Half A Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Half A Love Country: US Released: 1975 Style: Soul MP3 version RAR size: 1747 mb FLAC version RAR size: 1954 mb WMA version RAR size: 1813 mb Rating: 4.8 Votes: 276 Other Formats: AAC MOD ASF TTA AU MP1 VQF Tracklist Hide Credits Half A Love A1 2:48 Written-By – Koster*, Randazzo*, Pike* Here I Am A2 3:45 Written-By – Allen*, Eugene Record I Never Had It So Good (And Felt So Bad) A3 5:06 Written-By – Eugene Record, McKenny* Living In The Footsteps Of Another Man A4 3:01 Written-By – Smith*, Garner* When Temptation Comes A5 4:20 Written-By – Eugene Record It's Time For Love B1 5:05 Written-By – Eugene Record Take A Trip To The Islands B2 3:20 Written-By – Eugene Record Go Away Dream B3 3:23 Written-By – Eugene Record, McKenny* I'm Not A Gambler B4 3:55 Written-By – Eugene Record Ain't Too Much Of Nothin' B5 3:05 Written-By – Eugene Record Credits Arranged By – Sonny Sanders (tracks: A2, B2), Tom Tom 84 (tracks: A1, A3 to B1, B3 to B5) Directed By – Quinton Joseph Producer, Arranged By – Eugene Record Other versions Category Artist Title (Format) Label Category Country Year BL-754204 Chi-Lites* Half A Love (LP, Album) Brunswick BL-754204 Netherlands 1975 BRLS.3015 Chi-Lites* Half A Love (LP, Album) Brunswick BRLS.3015 Australia Unknown Half A Love (LP, Album, GP 179 Chi-Lites* Brunswick GP 179 Japan 1976 Promo) Half A Love (LP, Album, BL 754204 Chi-Lites* Brunswick BL 754204 US 1975 Promo) 9210-754204 Chi-Lites* Half A Love (LP, Album) Brunswick 9210-754204 Canada 1975 Related Music albums to Half A Love by Chi-Lites Eugene - Free Your Life Eugene Ormandy / Andrew Wyeth - The Chi-Lites Featuring Gene Record - Me And You Chi-Lites - We Are Neighbors / What Do I Wish For Eugene OrmandyPhilidelphia Orchestra, The - Eugene Ormandy In Conversation With Roger Hall Eugene List - A Gottschalk Festival The Chi-Lites - (For God's Sake) Give More Power To The People The Chi-Lites Featuring Eugene Record - Heavenly Body.
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The Chilites Discography 19692007 21
The ChiLites Discography 19692007 21 1 / 4 The ChiLites Discography 19692007 21 2 / 4 3 / 4 The Chi-Lites are an American R&B/soul vocal quartet from Chicago, Illinois, United States. The group's greatest fame came during the early 1970s. They were led by Eugene Record, and scored eleven Top Ten R&B hits from 1969 to 1974. They also charted 21 songs in the Billboard Hot 100 Pop Chart, and had chart ... 2 Honors; 3 Personnel; 4 Discography; 5 Filmography; 6 References .... The Chi-Lites discography and songs: Music profile for The Chi-Lites, formed 1959. Genres: Smooth Soul, Chicago Soul, Soul. Albums include Live at the .... Uldilyuyurte Mobi Download Book Download | Watch. Uldilyuyurte Mobi Download Book. Errata: In the book Lord Pacal of Palenque is mistakenly misidentified .... The 'Chi' in the Chi-Lites' name was derived from their hometown Chicago. They released 15 albums between 1969 - 1990 and are best known for their classics .... This is the discography of American R&B/soul vocal group The Chi-Lites. Contents. 1 Albums. 1.1 Studio albums; 1.2 Compilation albums. 2 Singles; 3 .... The Chi-Lites - Discography (1969-2007) > DOWNLOAD. 1159b5a9f9 The Chi-Lites - I Keep Comin' Back To You The Chi-Lites - I Keep .... Blue Rock, USA, B-4020, 7", Apr 1965, 1 Comment, Rated 5.0. The Chi- Lites. A: Never No More B: She's Mine. Blue Rock, USA, B-4037, 7", Nov 1965, ... 54ea0fc042 Livezilla Pro Nulled And Void Driver Samsung E1205t impulse by ellen hopkins download film india kabhi khushi kabhi gham bahasa indonesia Ibn Kathir Tafsir In Tamil Pdf Download The Gendered Society Reader download.zip Kajal Agarval Sexy Photos Fisicoquimica Laidler Solucionario Bestiality Girl And Dog Animal Sex Bestialityavi Materials Science Of Thin Films By Milton Ohring Solution Manualrar 4 / 4 The ChiLites Discography 19692007 21.
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Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends.
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Let's Talk Dusty! the Ultimate Forum for Dusty Springfield Fans
Let's Talk Dusty! The Ultimate Forum for Dusty Springfield Fans http://www.dustyspringfield.org.uk/forum/ Soulful Strut / Am I The Same Girl http://www.dustyspringfield.org.uk/forum/viewtopic.php?f=8&t=4385 Soulful Strut / Am I The Same Girl Page 1 of 1 by jeffery Posted: Mon Nov 12, 2012 7:22 am Somewhere in conversation I've heard that Dusty came up with the lyrics to Soulful Strut making it Am I The Same Girl. But in Paul Howes CDS it is said that Dusty's version was recorded before Barbra Acklin's, but released after that one. And no indication that Dusty penned the lyrics. I'm a little confused, and wonder is there any referance to confirm the song's origin of lyrics to Dusty ? Re: Soulful Strut / Am I The Same Girl by Brian Posted: Mon Nov 12, 2012 8:42 am The song was written by Eugene Record (producer of many hits for The Chi-lites) along with Sonny Sanders. It was first recorded by Barbara Acklin (who was Eugene's wife) in September 1968 but not issued immediately. The producer George Davis took the track, removed Barbara's voice and replaced it with a piano solo by Floyd Morris. It was issued in the USA in November 68 going on to reach the US top 3 pop. It was a number onerecord in Canada. It was credited to Young Holt Unlimited (which in fact were the session musicians). Barbara's version was then issued in February 1969, but only reached number 79 in the US pop chart (it did better in the R&B charts).
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South Side Harmony in the Windy City: The Calvaes, Blenders & Accents Stories by Charlie Horner With contributions from Pamela Horner and Val Shively Group Harmony on Chicago’s South Side The exact boundaries of Chicago’s South Side have changed over the years and vary slightly according to who you ask. In general, when someone talks about the South Side they’re referring to the area of the city south of the Loop. During the first half of the Twentieth Century, hun- dreds of thousands of African-Americans migrated from the Deep South to Chicago, making the South Side their home. The South Side has been home to Blues, Gospel and plenty of great Jazz. It’s been home to dozens of vocal groups, too, from the Soul Stirrers to the Chi-Lites. Of all the areas that have produced vocal groups, the Chicago’s South Side rates among the highest. A list of 1950’s groups from this fertile area would include the El Dorados, Five Chances, Five Ech- oes, Flamingos, Five Thrills, Orchids, Dukays, Sheppards, Pastels, Fortunes, Maples, Danderliers, Moroccos, Magnifi- cents, Rip Chords, Calvaes, Four Gents, Quintones, Debo- nairs, Nobles, Belvederes and countless others. “Solly McElroy and the Moroccos, the Danderliers… They were all right here on the South Side,” recalled Chicago vocalist Zeke Brown. “I knew the El Dorados. And the Five Chances. I grew up with these guys. We all used to meet and we’d be at shows. And Tommy Hunt of the Echoes. Tommy Hunt is the one who showed us how to do routines.
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December 2018 WILL-TV TM Patterns Membership Hotline: 800-898-1065 December 2018 Volume XLVI, Number 6 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N
FRIENDS OF WILL MEMBERSHIP MAGAZINE december 2018 WILL-TV TM patterns Membership Hotline: 800-898-1065 december 2018 Volume XLVI, Number 6 WILL AM-FM-TV: 217-333-7300 Campbell Hall 300 N. Goodwin Ave., Urbana, IL 61801-2316 Mailing List Exchange Donor records are proprietary and confidential. WILL does not sell, rent or trade its donor lists. Patterns Friends of WILL Membership Magazine Editor/Art Designer: Sarah Whittington Art Director: Kurt Bielema Printed by Premier Print Group. Printed with SOY INK on RECYCLED, TM Trademark American Soybean Assoc. RECYCLABLE paper. Radio 90.9 FM: A mix of classical music and NPR information programs, including local news. (Also with live streaming on will.illinois.edu.) See pages 4-5. 101.1 FM and 90.9 FM HD2: Locally produced music programs and classical music from C24. (101.1 is available in the Champaign-Urbana area.) See page 6. This time of year often brings about feelings of 580 AM: News and information, NPR, BBC, news, nostalgia for home. We gather with family and agriculture, talk shows. (Also heard on 90.9 FM HD3 with live streaming on will.illinois.edu.) See page 7. friends as we celebrate holidays and the close of another year. The spirit of home surrounds our Television festivities, reminding us of the traditions and WILL-HD values that built our foundations and guide us All your favorite PBS and local programming, in high definition when available. 12.1; Contact your cable or through the coming year. satellite provider for channel information. See pages People often speak to me of the same nostalgia 9-16.
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DEDICATED TO THE i\IEEDS OF THE MUSIC/RECORD INDUSTRY JANUARY 26, 1974 WHO IN THE WORLD: SEALS & CROFTS Seals & Crofts Fans Eagerly Await The Warner Bros. Duo's Next Album And Single, 'Unborn Child.' Meanwhile, Their 'Diamond Girl' Is In Its 38th Week On The Album Charts. Its Predecessor, 'Summer Breeze,' Is Second In Chart Longevity Only To 'Tapestry' With Its 54 -Week Ride. See Story On Page 70. HITS OF THE WEEK t" ELVISPRESLEY, "I'VE GOT A THINGtr) GENEREDDING, "THIS HEART" (prod. by BOB DYLAN, "PLANET WAVES." Dylan ABOUT YOU BABY" (Swamp w Dennis LambertandBrian and The Band . a perfect match disc - 0 Fox, WhiteHaven, ASCAP).w Potter)(ABC / Dunhill,BMI). wise. In this long-awaited album, ship- z The Kingisback withthisw The first on Lambert and Pot- pinggold,the"NashvilleSkyline" uptempotuneshowinghis ter's label holds untold possi- sound has grown up and Dylan fluctu- ability to get as as the bilities as a charttopper. atesbetweenthisand best of them. Tight and tasty, Redding's voice comes across "gritty" vocalizing. Cuts with particular it should find the number one splendidly; nifty back-up and dazzle are "On A Night Like This," spot waiting with open arms. rhythmworkcompletethe "Forever Young" and "You Angel You." RCA APB0-0196. coup! Haven 7000 (Capitol). Elektra/Asylum 7E-1003 (6.98). THEJ.GEILS BAND, "DID YOU NO JOHNNY WINTER, "STONE COUNTY" JONI MITCHELL, "COURT AND SPARK." WRONG" (prod. by Bill Szym- (prod. by Rick Derringer) Ms. Mitchell's musical dynamics have APC59czyk).(JukeJoint,Walden, (Goshen Road, BMI). From his upsurged to the point where they are - )ASCAP).
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1970-05-23 Milwaukee Radio and Music Scene Page 30
°c Z MAY 23, 1970 $1.00 aQ v N SEVENTY -SIXTH YEAR 3 76 D Z flirt s, The International Music-Record-Tape Newsweekly COIN MACHINE O r PAGES 43 TO 46 Youth Unrest Cuts SPOTLIGHT ON MCA -Decca in Disk Sales, Dates 2 -Coast Thrust By BOB GLASSENBERG NEW YORK - The MCA - Decca was already well- estab- NEW YORK -Many campus at Pop -I's Record Room. "The Decca Records complex will be lished in Nashville. record stores and campus pro- strike has definitely affected our established as a two -Coast corn- In line with this theory, Kapp moters Records is being moved to the across the country are sales. Most of the students have pany, Mike Maitland, MCA Rec- losing sales and revenue because gone to the demonstrations in West Coast as of May 15. Sev- of student political activity. "The the city and don't have new ords president, said last week. eral employees have been students are concerned with records on their minds at the "There are no home bases any- shifted from Kapp's New York other things at the moment," moment. They are deeply moved more for the progressive record operation into the Decca fold according to the manager of the (Continued on page 40) company." He pointed out that and Decca will continue to be a Harvard Co -op record depart- New York -focused firm. The ment in Cambridge, Mass. The shift of Kapp to Los Angeles is record department does much a "rather modest change," business with students in the FCC Probing New Payola Issues Maitland said, as part of the Boston area.
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“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992.
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Cudd Dissertation to Deposit
©2020 Michael Seth Cudd ALL RIGHTS RESERVED FUNCTIONAL AND LENGTHY: PREVAILING CHARACTERISTICS WITHIN SUCCESSFUL LONG SONGS By MICHAEL SETH CUDD A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Christopher Doll And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey May 2020 ABSTRACT OF THE DISSERTATION Functional and Lengthy: Prevailing Characteristics within Successful Long Songs by MICHAEL SETH CUDD Dissertation Director: Christopher Doll Successful long popular songs consistently utilize formal structures and compositional techniques that are inherently particular to them. As a result, these recordings differ in more ways than simply length, because there are “long song” characteristics that distinguish this music. In order to better discuss these characteristics, it was important to develop a method for visually depicting songs in a manner that clearly outlines each groove. These “groove analyses” are used to discuss each piece of music in detail. As a result, groove is a primary point of discussion throughout this study, because most long song characteristics are directly linked to this quality within music. This type of analysis is explained in detail, and afterwards, it is utilized throughout much of the dissertation. It is also hypothetically possible that the structures and techniques in question can impact the listener’s perception of time when used outside of the context of a long song. A simple experiment was run in order to better understand how these concepts influence a person’s sense of duration, and the results were promising and demonstrated trends that merit further research.
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