DOCSLIB.ORG

Annual Report for 1997

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report for 1997 Couv médiateur 11 langues 7/07/98 9:48 Page 4 77 01 06 99 9 The European Ombudsman ANNUAL REPORT ME-13-98-750-EN-C FOR 1997 ANNUAL REPORT ÊÔÚ Price (excluding VAT) in Luxembourg: ECU 10 OFFICE FOR OFFICIAL PUBLICATIONS OF THE EUROPEAN COMMUNITIES L-2985 Luxembourg En MEDIATEUR EN 6/07/98 12:07 Page 1 The European Ombudsman ANNUAL REPORT FOR 1997 En MEDIATEUR EN 6/07/98 12:07 Page 3 Strasbourg, 20 April 1998 Mr José María Gil-Robles Gil-Delgado President European Parliament rue Wiertz B - 1047 Bruxelles Mr President, In accordance with Article 138e (1) of the Treaty establishing the European Community and Article 3 (8) of the Decision of the European Parliament on the Regulations and General Conditions Governing the Performance of the Ombudsman’s Duties, I hereby present my report for the year 1997. Jacob Söderman, Ombudsman of the European Union MEDIATEUR EN 6/07/98 12:07 Page 5 CONTENTS 5 1 FOREWORD BY THE EUROPEAN OMBUDSMAN 11 2 COMPLAINTS TO THE OMBUDSMAN 15 2.1 THE LEGAL BASIS OF THE OMBUDSMAN'S WORK 16 2.2 HOW COMPLAINTS ARE DEALT WITH 17 2.2.1 The mandate of the European Ombudsman 17 2.2.2 Admissibility of complaints 27 2.2.3 GROUNDS FOR INQUIRIES 29 2.3 ANALYSIS OF THE COMPLAINTS 30 2.4 ADVICE TO CONTACT OTHER AGENCIES AND TRANSFERS 31 2.5 DECISIONS FOLLOWING AN INQUIRY BY THE OMBUDSMAN 31 3 DECISIONS FOLLOWING AN INQUIRY 35 3.1 CASES WHERE NO MALADMINISTRATION WAS FOUND 35 3.1.1 The European Parliament Decision on non-active status under Article 41 of the Staff Regulations . 35 Handling of a complaint . 37 3.1.2 The European Parliament, the European Commission, the Court of Auditors, the Committee of the Regions and the Economic and Social Committee Actio popularis complaint: Age limits in recruitment competitions . 40 3.1.3 The Council of the European Union Recruitment: Exclusion from a competition . 43 3.1.4 The Council of the European Union and the European Commission Discrimination in open competitions . 45 Recruitment: Assessment of work experience and failure to reply . 47 3.1.5 The European Commission Selection of trainees: Access to the "Blue Book" . 52 Refusal to accept an EUR 1 certificate from Ivory Coast . 53 Recruitment: Oral selection procedure . 58 Freedom of movement: Handling of complaints lodged with the Commission. 59 MEDIATEUR EN 6/07/98 12:07 Page 6 6 CONTENTS Recruitment of a temporary agent . 67 Termination of a contract . 70 Interpretation of Commission regulations . 72 Rights of free movement for persons on pre-retirement pensions . 76 Recruitment: Level of qualification required to take part in a competition . 79 Invitation for tender: Procedure . 82 Termination of a Phare sub-contract: Responsibilities of the Commission . 84 Refusal of access to a document . 88 Alleged delay in payment of a subvention . 90 Handling of a request for information by a Commission representation . 95 Contract for technical assistance in Algeria . 98 Non-recognition of a third-country diploma . 101 Recognition of a diploma: Handling of a complaint with the Commission . 105 Financing of a project under the MED-URBS programme . 109 Treatment by a Commission representation . 110 Recruitment of temporary agents . 112 Radionavigation systems in Europe: Lack of implementation. 113 Agriculture: Tender for the supply of rye flour . 115 Appeal against a decision not to prolong an inter-university programme . 116 Staff: Additional salary payments . 118 Development: Application for funding under the budget heading for tropical forests . 120 Alleged failure to respond to a complaint . 121 Staff: Reimbursement by the administration . 123 Recruitment: Rights of a person on a reserve list . 124 Failure to promote a Commission official . 127 Staff: Freedom of expression . 129 Car imports into another Member State: Handling of complaints lodged with the Commission . 133 Recruitment: Exclusion from an open competition . 136 Handling of a complaint lodged with the Commission . 138 VAT exemption on services provided to a Commission contractor . 140 Recruitment: Expiry of reserve list . 142 Taxation of remuneration paid to experts . 143 Selection of contractors in call for tenders . 146 Contested recruitment . 147 Unsuccessful application under the Copernicus programme . 150 The Commission's inquiry into the annual tax on Italian passports . 151 Rejection of a call for tender . 154 Procedures for the adjudication of a call for tenders in Pakistan . 157 Contested grading of an official . 159 Admission to competition refused . 162 MEDIATEUR EN 6/07/98 12:07 Page 7 CONTENTS 7 3.1.6 The Court of Justice Recruitment: Criteria for the selection of candidates in an open competition . 165 3.2 CASES DROPPED BY THE COMPLAINANT 168 3.2.1 The European Commission Delay in replying to complainants . 168 Recruitment: Wrong information . 168 Anti-dumping duties . 169 Research: Refusal of information . 169 3.3 CASES CLOSED FOR OTHER REASONS 170 3.3.1 The European Parliament Dismissal by the Parliament . 170 3.3.2 The European Parliament and the European Commission Withholding of Community tax by the European Commission and the European Parliament to free-lance interpreters . 170 3.3.3 The European Commission Lack of recognition of medical degrees in public health by the Spanish authorities . 172 Alleged discrimination in an competetion . 173 Staff: Pension rights of a local agent . 174 3.3.4 The Court of Auditors Admissibility: Time limit exceeded . 174 3.4 CASES SETTLED BY THE INSTITUTION 175 3.4.1 The European Parliament Recruitment: Language discrimination . 175 Exclusion from an invitation to tender . 175 Amount paid to trainees . 176 Ackowledgement of a petition to the European Parliament . 177 3.4.2 The Council of the European Union Conservation of draft agendas of the Council of Justice and Home Affairs Ministers . 179 3.4.3 The European Commission Failure to reply to correspondence . 181 Failure to reply to letters . 183 Handling of a complaint on barriers to social security payments . 184 Disclosure of documents concerning infringement procedures . 185 Failure to reply to letters . 187 Free movement of persons: Handling of complaint to Commission . 188 Request for information . 189 Failure to reply to a letter . 190 MEDIATEUR EN 6/07/98 12:07 Page 8 8 CONTENTS 3.4.4 The European Agency for the Evaluation of Medical Products (EMEA) Registration of veterinary drugs on the list of the EMEA . 190 3.5 FRIENDLY SOLUTIONS ACHIEVED BY THE EUROPEAN OMBUDSMAN 3.5.1 The European Commission Recruitment: Publication of the names and marks of successful candidates in a competition . 191 Delay in payment of salary and settling of travel costs . 197 Late payment of translation services . 199 3.6 CASES CLOSED WITH A CRITICAL REMARK BY THE OMBUDSMAN 3.6.1 The European Commission Failure to carry out sufficient checks before appointing a BRE representative . 201 Measures taken by the Commission to assist Portuguese customs agents entry into force of the internal market . 206 Recruitment: Unreasonable and disproportionate measures against a candidate . 210 Failure to take adequate steps to inform external staff of their position . 213 Responsibility for Community-financed projects: The LIFE programme . 218 Late payment of fees and expenses and failure to answer correspondence. 221 Alleged infringement of directive: Handling of complaints lodged with the Commission . 224 Commission's responsibility for "intermediary organisations". 226 Recruitment: Criteria of evaluation and disclosure of names of correctors . 232 Recruitment: Procedures in an open competition . 236 Recruitment: Information of applicant . 239 Refusal of public access to documents . 241 Recruitment: Appeal against decision of a Selection Board . 243 Recognition of diploma: Complaint not properly considered. 245 Selection of a consultant to carry out a TACIS project . ..
Load more

Recommended publications
  • Konstkalendern 2003/1 Januari–Augusti
    www.konstkalendern.se KONST KALENDERN THE ART GUIDE konst i eskilstuna, göteborg, lund, malmö, norrtälje, sala sigtuna, storstockholm, södertälje, uppsala, västerås januari–augusti 2003 vi är med på Sthlm Art Fair 6 – 9 mars Centrum för Fotografi Galleri GKM (Sthlm) 2C:25 Siwert Bergström Julia Peirone (Malmö) 2C:27 Jens Olof Lasthein Galleri Embla Galleri Eva Solvang (Sthlm) 4B:27 (Sthlm) 4A:21 Karin Ward Elisabeth Persson Thomas Qvarsebo Gunnar Falk Galleri Hera Galerie Leger (Sthlm) 4B:16 (Malmö) 2B:21 Lars Agger Claes Eklundh Brita Lanning Max Book Kira Malmsten Ola Billgren Galleri Lorentzon Saltsjöateljén (Sthlm) 4A:28 Grünewaldvillan Lagula Annamaria Forsberg (Saltsjöbaden) 1B:20 Ola Rosling Jonas Petter Lundquist Stefan Persson Anders Wallin KONSTKALENDERN Nr 1 januari – augusti 2003 Göteborg . .4 Malmö & Lund . .6 Stockholms gallerier & museer Centrala stan, Östermalm . 7 Gamla Stan . .16 Söder . .17 Söder om Sthlm . .21 Norr om Sthlm . .23 Uppsala, Västerås m fl . .25 Vernissageregister . .28 Konstnärsregister . .33 omslagsbild: foto Irving Penn, Dancer, 1999. 21 februari – 27 april på Dansmuseet, Gustav Adolfs torg 22-24, Stockholm Konstkalendern Lignagatan 2 117 34 Stockholm tfn: 08-556 08 050 fax: 08-556 08 041 mobil 070-734 59 09 [email protected] www.konstkalendern.se postgiro 19 04 39-0 bankgiro: 5537-1785 ISSN 1650-9013 Redaktör grafisk form mm Anders Blume Nästa nummer utkommer i september 2003 GÖTEBORG a gallery 24 maj–24 aug: (Stenasalen & Falkhallen) Tredje Långgatan 6, Tfn 031-7750550, Göteborgs internationella konstbienal . www.agallery.se, [email protected], mån-fre 11-18, lör 11-15. Galleri Konstepidemin Svensk och internationell nutida konst Konstepidemins väg 6, Tfn 031-41 00 53 och foto.
    [Show full text]
  • WILLIAM KENTRIDGE Johannesburg, South Africa, 1955 Lives and Works in Johannesburg
    WILLIAM KENTRIDGE Johannesburg, South Africa, 1955 Lives and works in Johannesburg EDUCATION 1973–1976 Politics and African Studies, University of Witwatersrand, Johannesburg, South Africa 1976–1978 Fine Arts, The Johannesburg Art Foundation, Johannesburg, South Africa 1981–1982 Physical Theatre, L‘École Internationale de Théâtre Jacques Lecoq, Paris, France SOLO EXHIBITIONS (SELECTION) 2017 Tummelplatz, Ivorypress, Madrid, Spain Smoke, Ashes, Fable: William Kentridge, St John’s Hospital Museum, Bruges, Belgium Basta y sobra, Reina Sofía Museum, Madrid, Spain Thick Time: Installations and Stagings, Museum der Moderne, Salzburg, Austria Thick Time, Louisiana Museum of Modern Art, Humlebæk, Denmark William Kentridge: O Sentimental Machine, Marian Goodman Gallery, Paris, France 2016 Thick Time, Whitechapel Gallery, London, United Kingdom NO IT IS!, Martin-Gropius-Bau, Berlin, Germany Triumphs and Laments, Piazza Tevere, Rome, Italy Notes Towards a Model Opera, Goodman Gallery, Johannesburg, South Africa The Refusal of Time, SFMOMA, San Francisco, USA William Kentridge: The Nose Series, David Krut Projects, New York, USA 2015 Notes Towards a Model Opera, National Museum of Modern and Contemporary Art, Seoul, South Korea Notes Towards a Model Opera, Ullens Centre for Contemporary Art, Beijing, China I Am Not Me, Museum Haus Konstruktiv Zurich, Zurich, Switzerland More Sweetly Play the Dance, Marian Goodman Gallery, London, United Kingdom William Kentridge: Fortuna, Museo Universitario de Arte Contemporáneo, Mexico City, Mexico Lulu, Duth National
    [Show full text]
  • The European Ombudsman
    THE EUROPEAN OMBUDSMAN ANNUAL REPORT 2004 EN THE EUROPEAN OMBUDSMAN _________________________ _______________________ P. NIKIFOROS DIAMANDOUROS Mr Josep BORRELL FONTELLES President European Parliament Rue Wiertz 1047 Brussels BELGIQUE Strasbourg, 8 March 2005 Mr President, In accordance with Article 195 (1) of the Treaty establishing the European Community and Article 3 (8) of the Decision of the European Parliament on the Regulations and General Conditions Governing the Performance of the Ombudsman's Duties, I hereby present my Report for the year 2004. Yours sincerely, P. Nikiforos DIAMANDOUROS The European Ombudsman 1, avenue du Président Robert Schuman – B.P. 403 – F-67001 STRASBOURG Cedex : +33 (0)3.88.17.23.13 – Fax : +33 (0)3.88.17.90.62 http://www.euro-ombudsman.eu.int – [email protected] TABLE OF CONTENTS INTRODUCTION.................................................................................................. 7 1 EXECUTIVE SUMMARY......................................................................... 15 2 COMPLAINTS AND INQUIRIES............................................................ 29 2.1 THE LEGAL BASIS OF THE OMBUDSMAN'S WORK............................................ 31 2.2 THE MANDATE OF THE EUROPEAN OMBUDSMAN............................................ 31 2.2.1 Unauthorised complaints ..................................................................................................... 32 2.2.2 Community institutions and bodies ....................................................................................
    [Show full text]
  • The European Ombudsman
    8 . 9 . 97 1 EN | Official Journal of the European Communities C 272/ 1 I (Information) THE EUROPEAN OMBUDSMAN ANNUAL REPORT 1996 ( 97/C 272/01 ) Strasbourg, 21 April 1997 Mr JOSE MARIA GIL-ROBLES GIL-DELGADO President European Parliament 97—113 , rue Belliard B — 1047 Brussels Mr President , In accordance with Article 138e ( 1 ) of the Treaty establishing the European Community and Article 3 ( 8 ) of the Decision of the European Parliament on the Regulations and General Conditions Governing the Performance of the Ombudsman's Duties , I hereby present my report for the year 1996 . JACOB SÖDERMAN Ombudsman of the European Union C 272/2 I EN I Official Journal of the European Communities 8 . 9 . 97 CONTENT Page 1 . FOREWORD BY THE EUROPEAN OMBUDSMAN 4 2 . COMPLAINTS TO THE OMBUDSMAN 6 2.1 . The legal basis of the Ombudsman's work 6 2.2 . How complaints are dealt with 6 2.2.1 . The mandate of the European Ombudsman 7 2.2.2 . Admissibility of complaints 7 2.2.3 . Grounds for inquiries 8 2.3 . Analysis of the complaints 8 2.4 . Advice to contact other agencies 8 2.5 . Decisions following an inquiry by the Ombudsman 8 3 . DECISIONS FOLLOWING AN INQUIRY 10 3.1 . Cases where no maladministration was found 10 3.1.1 . The European Parliament 10 Termination of a contract 10 3.1.2 . The European Commission 10 • Nuclear tests in French Polynesia 10 Method of assessment of LIEN Phare-Tacis applications 11 Access to information held by the Commission 13 Rights of persons on reserve list 13 Access to information on Commission programmes 14 Access to a Commission document 14 Confidentiality of information about nuclear materials 15 Measures taken after abolition of customs operations at borders 16 Overcrowding at the Brussels II European School 17 Recruitment from a reserve list after a competition 18 Nationality as a condition for a grant 18 3.2 .
    [Show full text]
  • Statens Konstsamlingars Tillväxt Och Förvaltning 1975
    STATENS KONSTSAMLINGARS TILLVÄXT OCH FÖRVALTNING 1975 MEDDELANDEN FRÅN NATIONALMUSEUM Nr 100 STATENS KONSTSAMLINGARS TILLVÄXT OCH FÖRVALTNING 1975 Berättelse avgiven av överintendenten och chefen för NATIONALMUSEUM MEDDELANDEN FRÅN NATIONALMUSEUM Nr 100 Dirk Bouts: Kristus. Fragment av större målning. Inköpt med bidrag från Föreningen Nationalmusei Vänner Till REGERINGEN Utbildnings dep ar tementet Meddelanden från Nationalmuseum för 1975 är de hundrade i ordningen, vilket inte innebär att de första gången utkom 1876 och att vi sålunda skulle fira ett hundraårsjubileum. Till att börja med utkom de nämligen några gånger med två häften per år. Begynnelseåret är 1881. Under hela tiden har de handlat om statens konstsamlingars tillväxt och förvaltning. Emellanåt har särskilda uppsatser fogats till redogörelserna. En förteckning över dessa bifogas innevarande årgång. Det pågående återställandet av nationalmuseibyggnadens inre har tills vidare bragts till en avslutning i och med att den övre trapphallen i likhet med en del andra rum på första och andra våningen återfått sin ursprungliga röda färg. Meningarna om väggfärgen som bakgrund för målningar har varit delade, medan enighet rått om att den varit till fördel för rummens arkitek­ tur, inte minst för de kolonner som utgör ett så viktigt inslag i kupolsalen och den övre trapphallen. Moderna museet återinvigdes den 8 november efter den genomgripande om- och tillbyggnad som utförts med ledning av arkitekten Per Olof Olssons ritningar. Moderna museet har därigenom fått dubbelt så stort utrymme. Moderna museet hölls sålunda stängt allra största delen av året och hann därför inte med några större utställningar. Däremot gästade dess samlingar Liljevalchs konsthall och två institutioner i Danmark, Louisiana och Nordjyl- lands Museum.
    [Show full text]
  • WILLIAM KENTRIDGE Johannesburg, South Africa, 1955 Lives and Works in Johannesburg
    WILLIAM KENTRIDGE Johannesburg, South Africa, 1955 Lives and works in Johannesburg EDUCATION 1973–1976 Politics and African Studies, University of Witwatersrand, Johannesburg, South Africa 1976–1978 Fine Arts, The Johannesburg Art Foundation, Johannesburg, South Africa 1981–1982 Physical Theatre, L‘École Internationale de Théâtre Jacques Lecoq, Paris, France SOLO EXHIBITIONS (SELECTION) 2017 Smoke, Ashes, Fable: William Kentridge, St John’s Hospital Museum, Bruges, Belgium Basta y sobra, Reina Sofía Museum, Madrid, Spain Thick Time: Installations and Stagings, Museum der Moderne, Salzburg, Austria Thick Time, Louisiana Museum of Modern Art, Humlebæk, Denmark William Kentridge: O Sentimental Machine, Marian Goodman Gallery, Paris, France 2016 Thick Time, Whitechapel Gallery, London, United Kingdom NO IT IS!, Martin-Gropius-Bau, Berlin, Germany Triumphs and Laments, Piazza Tevere, Rome, Italy Notes Towards a Model Opera, Goodman Gallery, Johannesburg, South Africa The Refusal of Time, SFMOMA, San Francisco, USA William Kentridge: The Nose Series, David Krut Projects, New York, USA 2015 Notes Towards a Model Opera, National Museum of Modern and Contemporary Art, Seoul, South Korea Notes Towards a Model Opera, Ullens Centre for Contemporary Art, Beijing, China I Am Not Me, Museum Haus Konstruktiv Zurich, Zurich, Switzerland More Sweetly Play the Dance, Marian Goodman Gallery, London, United Kingdom William Kentridge: Fortuna, Museo Universitario de Arte Contemporáneo, Mexico City, Mexico Lulu, Duth National Opera, Amsterdam, the Netherlands
    [Show full text]
  • Soren Engblom
    From Interspaces and Broken Metaphors A View of the Swedish Art of the Eighties • SÖREN ENGBLOM FROM INTERSPACES AND BROKEN METAPHORS A VIEW OF THE SWEDISH ART OF THE EIGHTIES The Spacious Eighties This text treats «the eighties». «The eighties» do not exist yet. But with every text on «the eight- ies» that is brought to fruition, a bit is added to the map. Something worthwhile in itself. My ambition is not to paint the complete picture. A decade or so hence, the eighties will not present a uniform pattern - one that will be valid for everything and everybody. «Fashionable expres- sions have been bandied about but have never been linked together into a comprehensive theory or ideology».1 In point of fact, this type of reasoning is, in itself, typical of the eigthties. This text treats but one of “the eighties” which took place between 1980 and 1990; one of many. There was a great deal of art and artistic expression in the 1980s in Sweden. The decade is preceded by a period of narrow aestetic debate and is accompanied by intensive reasoning and interpretation. External factors such as the economic boom were almost certainly influential. But in the early days one elementary factor sufficed: that art was, once again, desirable. But where do the eighties begin? For myself I remebember the literary critic Mats Gellerfelt’s critique of contemporary Swedish prose published in Jacobs Stege in 1978 as a turning point. It was followed up in Expressen under the headline «It’s Art I want to discuss».2 Many consider «the wild Germans» in the Berlin exhibition «Gefühl und Härte» shown at Stock- holm’s Kulturhus in the spring of 1982 as the real thaw, and the question of rehabilitating painting was also raised by the exhibition «Der Hund Stösst in Laufe der Woche zu mir» (Im- mendorf, Kirkeby, Lüpertz, Penck) at Stockholm’s Moderna Museet the year before.
    [Show full text]
  • Konsthistoriska Klubben I Linköping
    Konsthistoriska klubben Aktuellt bokbestånd 2015-08-06 Inventering/sammanställning: Wivien Arweson och Ingela Gustafsson Tillägg 2013-04-01, 2014-01-17, 2014-02-23, 14-11-23, 2015-08-06 Charlotte Kroon Alla medlemmar i KKL som önskar en egen kopia kan skicka ett mail till [email protected] Beståndet klassificerat enligt nedanstående: A Skrivkonst/skriftsystem C Religion bl a kristna samfund, kyrkliga symboler Fb Runologi Ia Konst: allmänt Ib Konsthistoria Ibt Kyrklig konst Ibv Ikonografi Ibz Särskilda konstnärer Ic Arkitektur Id Skulptur Ie Målarkonst If Grafik Ig Teckningskonst Ih Konsthantverk Iib Konstmuséer Iit Konstutställningar: kataloger Iit-c Konstutställningar: kataloger: Sverige J Arkeologi Ky Medaljkonst M Etnografi/folklivsforskning N Geografi P/Pm Kemisk industri/Pn Fotografi... Qz Särskilda företag Referenslitteratur (ej hemlån) Om skolplanschsamlingen och skolmuséet i Gamla Linköping. 8 ex i kapsel Tidningsklipp med anknytning till konst. Sammanställda av Kerstin Hedenstierna . 14 pärmar Ib(p) Konsthistorisk tidskrift. Journal of Art History. 2005:1-4 Ib(p) Konstperspektiv. 2007:1 3 ex. Ib(p) Konstvetaren. Olika årgångar. Se kapsel Ib(p) KRO matrikel. Sthlm 2002 Ib(x) Allmänt konstlexikon. T. Wrangel. Bd 1-2 Ib(x) Fogtdals konstlexikon. 1. A-Bane Ib(x) Kulturhistoriskt lexikon. Bd 19 Ib(x) Signums svenska konsthistoria 1-13 (lucka vol 8) Ib(x) Svenska konstnärer. Biografisk handbok. 2 ex. 1946, 1995. A Skrivkonst mm Af Lindqvist, Cecilia, Tecknens rike. En berättelse om kineserna och deras skrivtecken. Stockholm 1989 C Religion Cb Bibel 2000. Verbum, 1999. Cm Carlsen, Leif, Nordisk religion. Ill. Jörgen Thiesen. Vejle 1986 Chd Dahlby, De heliga tecknens hemlighet Ck Helmfrid, Björn, Norrköpings tyska församling – dess genesis och tidiga historia Cjz Den Heliga Birgitta.
    [Show full text]
  • Isbn 91-87968-65-7 Detta Är Det Andra Numret AV Göteborgs Konstmuseums Skriftserie Skiascope This Is the Second Issue Of
    FÖRFATTARE /AUTHORS: GÖTE BORG S KONSTMUSEUMS SKRIFTSERIE DETTA ÄR DET ANDRA NUMRET AV GÖTEBORGS KONSTMUSEUMS SKRIFTSERIE Skiascope Folke Lind, Mutation II, 1970, olja på duk / oil on canvas, 38 × 46 cm, Namnet är hämtat från ett instrument som den inflytelserike museimannenB enjamin Ives Gilman utvecklade Göteborgs konstmuseum / Göteborg Museum of Art. i början av 1900-talet för att ge betraktaren möjlighet att fokusera på konsten i de, enligt upphovsmannen, Foto / photo: Lars Noord, © Folke Lind / BUS 2009. ofta alltför stora och tätt hängda museisalarna. Ett finns på Göteborgs konstmuseum, sannolikt inköpt av Axel Romdahl. Skiascopet blev aldrig någon succé. Det blev kanske obsolet genom att en glesare hängningsideologi vann mark under mellankrigstiden. Ändå kan nog många museibesökare känna igen sig i det som Gilman beskriver UPP MED RULLGARDINERNA! ISBN 91-87968-65-7 som ett av museiväsendets grundproblemen: den museitrötthet som infinner sig redan efter ett par salar.R e- KONSTEN I GÖTEBORG UNDER dan vid sekelskiftet stod det klart att museernas själva essens – att samla och ställa ut – hotade att göra dem alltför omfattande och omöjliga för besökarna att ta till sig. Sovring blir med tiden lika viktigt som samlande. 1960- OCH 1970-TALET Denna skriftseries ledstjärna är just fokusering. Liksom Gilmans instrument vill vi bidra till att rama in, lyfta fram och intensivt studera frågor som vi ser som betydelsefulla. Det kan vara enskilda verk, konstnärskap eller tidsperioder. THIS IS THE SECOND ISSUE OF Skiascope, KRISTOFFER ARVIDSSON Forskare vid Göteborgs konstmuseum / Researcher, Göteborg Museum of Art. GÖTEBORG MUSEUM OF ART PUBLICATION SERIES LENA BOËTHIUS 1:e intendent vid Göteborgs konstmuseum / Senior Curator, Göteborg Museum of Art.
    [Show full text]
  • National Ombudsmen & Similar Bodies in the EU
    National Ombudsmen & Similar Bodies in the EU -Austria 01 Name: Herrn Dr. Peter Kostelka Title: Volksanwalt Institution: Volksanwaltschaft Address: Singerstrasse 17 Postfach 20 A - 1015 Wien Austria Telephone: +43151505110 Telephone 2: + Fax: +43151505160 Email: [email protected] Website: http://www.volksanw.gv.at National Ombudsmen & Similar Bodies in the EU -Austria 02 Name: Mag. Ewald Stadler Title: Volksanwalt Institution: Volksanwaltschaft Address: Singerstrasse 17 Postfach 20 A - 1015 Wien Austria Telephone: +43151505120 Telephone 2: + Fax: +43151505180 Email: [email protected] Website: http://www.volksanw.gv.at National Ombudsmen & Similar Bodies in the EU -Austria 03 Name: Frau Rosemarie Bauer Title: Volksanwalt Institution: Volksanwaltschaft Address: Singerstrasse 17 Postfach 20 A - 1015 Wien Austria Telephone: +43151505131 Telephone 2: + Fax: +43151505170 Email: [email protected] Website: http://www.volksanw.gv.at National Liaison Officers -Austria 01 Name: Frau Dr. Adelheid Pacher Title: Liaison officer Institution: Volksanwaltschaft Address: Singerstrasse 17 Postfach 20 A - 1010 Wien Austria Telephone: +43151505243 Telephone 2: + Fax: +43151505160 Email: [email protected] Website: http://www.volksanw.gv.at National Liaison Officers -Austria 02 Name: Herrn Dr. Gerhard Peternell Title: Liaison officer Institution: Volksanwaltschaft Address: Singerstrasse 17 Postfach 20 A - 1010 Wien Austria Telephone: +43151505112 Telephone 2: + Fax: +43151505150 Email: [email protected] Website: http://www.volksanw.gv.at National Liaison Officers -Austria 03 Name: Herrn Dr. Michael Mauerer Title: Liaison officer Institution: Volksanwaltschaft Address: Singerstrasse 17 Postfach 20 A - 1010 Wien Austria Telephone: +43151505131 Telephone 2: + Fax: +43151505170 Email: [email protected] Website: http://www.volksanw.gv.at Regional Ombudsmen & Similar Bodies in the EU -Austria 01 Name: Herrn Dr.
    [Show full text]
  • William Kentridge
    Goodman Gallery William Kentridge Biography William Kentridge’s artist website can be visited here and Instagram account here William Kentridge was born in Johannesburg, South Africa in 1955. His career has spanned five decades and his work has been shown in major museums, galleries, fairs and biennials around the world since the 1990s, including Documenta in Kassel, Germany (1997, 2003, 2012), the Museum of Modern Art in New York (1998, 2010), the Albertina Museum in Vienna (2010), Jeu de Paume in Paris (2010), and the Musée du Louvre in Paris (2010), where he presented Carnets d’Egypte, a project conceived especially for the Egyptian Room. Kentridge’s production of Mozart’s The Magic Flute was presented at Theatre de la Monnaie in Brussels, Festival d’Aix, and in 2011 at La Scala in Milan, and his production of Shostakovich’s The Nose was seen at The New York Metropolitan Opera in 2010 and again in 2013, travelling to Festival d’Aix and to Lyon in 2011. The five-channel video and sound installation The Refusal of Time was made for Documenta (13) in Kassel, Germany, in 2012; since then it has been seen at MAXXI in Rome, the Metropolitan Museum, New York, and in many other cities including Boston, Perth, Kyoto, Helsinki and Wellington. A substantial survey exhibition of Kentridge’s work opened in Rio de Janeiro in 2012, going on in following years to Porto Alegre, São Paulo, Bogota, Medellin, and Mexico City. In the summer of 2014 Kentridge’s production of Schubert’s Winterreise opened at the Vienna Festival, Festival d’Aix, and Holland Festival.
    [Show full text]
  • Konsthistoriska Klubben
    Konsthistoriska klubben Aktuellt bokbestånd 2014-11-23 Inventering/sammanställning: Wivien Arweson och Ingela Gustafsson Tillägg 2013-04-01, 2014-01-17, 2014-02-23, 14-11-23 Charlotte Kroon Alla medlemmar i KKL som önskar en egen kopia kan skicka ett mail till [email protected] Beståndet klassificerat enligt nedanstående: A Skrivkonst/skriftsystem C Religion bl a kristna samfund, kyrkliga symboler Fb Runologi Ia Konst: allmänt Ib Konsthistoria Ibt Kyrklig konst Ibv Ikonografi Ibz Särskilda konstnärer Ic Arkitektur Id Skulptur Ie Målarkonst If Grafik Ig Teckningskonst Ih Konsthantverk Iib Konstmuséer Iit Konstutställningar: kataloger Iit-c Konstutställningar: kataloger: Sverige J Arkeologi Ky Medaljkonst M Etnografi/folklivsforskning N Geografi P/Pm Kemisk industri/Pn Fotografi... Qz Särskilda företag Referenslitteratur (ej hemlån) Om skolplanschsamlingen och skolmuséet i Gamla Linköping. 8 ex i kapsel Tidningsklipp med anknytning till konst. Sammanställda av Kerstin Hedenstierna . 14 pärmar Ib(p) Konsthistorisk tidskrift. Journal of Art History. 2005:1-4 Ib(p) Konstperspektiv. 2007:1 3 ex. Ib(p) Konstvetaren. Olika årgångar. Se kapsel Ib(p) KRO matrikel. Sthlm 2002 Ib(x) Allmänt konstlexikon. T. Wrangel. Bd 1-2 Ib(x) Fogtdals konstlexikon. 1. A-Bane Ib(x) Kulturhistoriskt lexikon. Bd 19 Ib(x) Signums svenska konsthistoria 1-13 (lucka vol 8) Ib(x) Svenska konstnärer. Biografisk handbok. 2 ex. 1946, 1995. A Skrivkonst mm Af Lindqvist, Cecilia, Tecknens rike. En berättelse om kineserna och deras skrivtecken. Stockholm 1989 C Religion Cb Bibel 2000. Verbum, 1999. Cm Carlsen, Leif, Nordisk religion. Ill. Jörgen Thiesen. Vejle 1986 Chd Dahlby, De heliga tecknens hemlighet Ck Helmfrid, Björn, Norrköpings tyska församling – dess genesis och tidiga historia Cjz Den heliga Birgitta.
    [Show full text]