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Dominic Muldowney
Update April 2019 Dominic Muldowney The Anatomy Lesson (1993) Sinfonietta/Dominic Muldowney violin and piano Score 0-571-56341-4 (fp) on sale, parts for hire 8 minutes Commissioned by Tasmin Little with funds from the John S Cohen Concerto for Trumpet (1993) Foundation trumpet and orchestra with click-track tape FP: 12.10.1993, Pasydy Theatre, South Nicosia, Cyprus: Tasmin Little/ 20 minutes Piers Lane 2.2.2.2(II=cbsn) – 2000 – perc(2): 4 wdbl/2 susp.cym/2 mar – pno – Piano score and part 0-571-51469-3 (fp) on sale strings (Elec requirements): pre-recorded click-track tape/7 earpieces for The Brontes Suite (1998) conductor, tpt solo, pno, 2 cls and 2 perc Commissioned by the Premiere Ensemble and South Bank Centre and orchestra supported by the Arts Council of Great Britain 12 minutes FP: 14.6.1993, Queen Elizabeth Hall, London, UK: John Wallace/ 1(=picc).1.2(II=bcl).2(II=cbsn) – 2100 – perc(1): SD/BD+ped/3 tpl.bl/ Premiere Ensemble/Mark Wigglesworth wdbl/bongos/tgl/mcas/cabaca/susp.cym/glsp – pno – strings Score, parts and click-track tape for hire FP: 9.3.1998, St John’s Smith Square, London, UK: Orchestra of St John’s Smith Square/John Lubbock Score and parts for hire Concerto for Violin (1989) violin, large orchestra, tape, two conductors and click- The Brontes (1995) track tape Ballet for orchestra 26 minutes 120 minutes 3(II+III=picc).2.3.2(=cbsn) – 4431 – perc(4): 4 wdbl/4 tpl.bl/4 1121 – 2110 – perc(2): claves/tom-t/2 tamb/BD/glsp/vib/tgl/susp.cym/ sandblock/2 claves/4 conga/2 cabaca/2 BD/2 tom-t/2 tam-t/2 mar/2 SD/cabassa/tam-t/xylo/congas/bongos/tpl.bl/mcas/3 wdbl – keyboard susp.cym/2 splash cym/2 tgl/2 drum kit(=hi-hat/SD/BD+foot ped)/2 – harp – strings mcas or chocalho – 2 harp – strings FP: 6.3.1995, Grand Theatre, Leeds, UK: Northern Ballet Theatre (Elec requirements): pre-recorded 4-track tape, 6 radio earpieces to Score and parts for hire the 2 conductors and 4 perc. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec. -
What Is Performance Philosophy? Staging a New Field
What is Performance Philosophy? Staging a new field University of Surrey, Guildford, UK 11-13th April 2013 Co-organized by Laura Cull (University of Surrey) Eve Katsouraki (University of East London) Dan Watt (Loughborough University) Kindly sponsored by the University of Surrey, Loughborough University, University of East London & the practice.research.unit at Kingston University Schedule 3 Schedule with Abstracts 20 Biographies 79 General Information 99 Map 103 What is Performance Philosophy? Schedule Thursday 11th April 8.30-9 Registration and morning coffee on Lower Concourse 9-9.15 Opening Remarks: Laura Cull, Dan Watt, Eve Katsouraki Griffiths Lecture Theatre 9.15-10 1st Plenary: Bojana Kunst Griffiths Lecture Theatre “The Politics of Semblance: Performance Philosophy” 10-10.15 Respondent: Efrosini Protopapa 10.15-10.45 Q&A 10.45- 11 Coffee break on Lower Concourse 11-1 PARALLEL SESSIONS no. 1 Panel 1. Philosophies of ‘Performance Philosophy’ Griffiths Lecture Theatre 1. Jim Hamilton Title: Performance and Philosophy Chair: Laura Cull 2. Tasoula Kallenou & Edward Spence Volunteer assistant: Title: The Polarity of Performance, Theatre & Philosophy tbc 3. Edward Spence Title: Philosophy Plays: the Theatre of Philosophy 4. Daniel Meyer-Dinkgrafe Title: Performance and Philosophy as Experience Panel 2. New Philosophies of Music Lecture Theatre B 1. Aaron J. Yarmel Title: Musical Performances of Platonist Types Chair: Tomas McAuley 2. Jenny Judge Volunteer assistant: Title: How should philosophers approach normativity in musical tbc performance? 3 3. Catarina Leite Domenici Title: Challenging old paradigms: A dialogical ethics of musical performance 4. Charlotte De Mille Title: Towards Opera without Organs Panel 3. Phenomenology and Performance [Studies] Lecture Theatre E 1. -
New Orleans Review LOYOLA UNIVERSITY VOLUME 18 NUMBER 4/$9.00
New Orleans Review LOYOLA UNIVERSITY VOLUME 18 NUMBER 4/$9.00 -------------··-···- Cover: "Dream of the Lizard" By Carlo Marcucci Acrylic on Canvas, 54" x SO" New Orleans Review Winter 1991 Editors John Biguenet John Mosier Managing Editor Sarah Elizabeth Spain Design Vilma Pesciallo Contributing Editors Bert Cardullo David Estes Jacek Fuksiewicz Alexis Gonzales, F.S.C. Andrew Horton Peggy McCormack Rainer Schulte Founding Editor Miller Williams The New Orleans Review is published by Loyola University, New Orleans, Louisiana 70118, United States. Copyright© 1991 by Loyola University. Critical essays relating to film or literature of up to ten thousand words should be prepared to conform with the new MLA guidelines. All essays, fiction, poetry, photography, or related artwork should be sent to the New Orleans Review, together with a self-addressed, stamped envelope. The address is New Orleans Review, Box 195, Loyola University, New Orleans, Louisiana 70118. Reasonable care is taken in the handling of material, but no responsibility is assumed for the loss of unsolicited material. Accepted manuscripts are the property of the NOR. Rejected manuscripts without self-addressed, stamped envelopes will not be returned. The New Orleans Review is published in February, May, August, and November. Annual Subscription Rates: Institutions $30.00, Individuals $25.00, Foreign Subscribers $35.00. Contents listed in the PMLA Bibliography and the Index of American Periodical Verse. US ISSN 0028-6400 NEW ORLEANS REVIEW CONTENTS WINTER 1991 VOLUME 18 NUMBER 4 Man and Nature in Ran and King Lear Christopher J. Bannon 5 The Answer Anna Rupertina Fuchsin/tr. Ronnie Apter 12 Theory, Language-Games, and Fish Joel Foreman 15 Breakfast in Wyoming Debra Bruce 28 Alfred Hitchcock and the Deviant Audience Greg Garrett 29 Watercolor William Virgil Davis 33 You Should Not Expect a Poem Bruce Henricksen 34 ToGo Home ~~~~ ~ The Portuguese Yves Theriault/tr. -
Donald Swann
divine art DONALD SWANN - The Isles of Greece Lucinda Broadbridge, soprano Juliet Alderdice, mezzo-soprano Jeffrey Cresswell, tenor 25010 1 Casos Sonnet I Far, far off in a distant southern sea - Donald Swann (with Bill Skeat) [2.45] 25010 2 Samiotissa - Lucinda Broadbridge, Juliet Alderdice, Jeffrey Cresswell [1.31] 3 Miranda - Lucinda Broadbridge [3.04] 4 Pes Mou ti - Jeffrey Cresswell [1.18] Tracks 2 - 20 (DDD) SWANN - The Isles of Greece - The SWANN 5 Casos Sonnet II I ve always feared the night before dawn - Juliet Alderdice [2.08] recorded at the Church 6 The Women of Souli - Lucinda Broadbridge, Juliet Alderdice [2.56] of St. Mary Magdalene, 7 Casiot Journey - Orchestral [3.26] London, 22/23 February 1996 8 The Favours - Lucinda Broadbridge, Jeffrey Cresswell [3.17] Producer: Brian Hunt 9 Casos Sonnet III With only a red night light for my pen - Jeffrey Cresswell [2.33] Engineers: Steven Evans Jonathan Mellor 10 Anatoli - Juliet Alderdice [5.17] Track 1 (ADD - 1991) 11 Nanourisma - Lucinda Broadbridge [3.53] Tracks 21-28 (ADD - 1986) 12 Casos Sonnet IV When shall I land on you, distant island - Lucinda Broadbridge [2.12] recorded by Donald Swann 13 Militsa - Juliet Alderdice, Lucinda Broadbridge, Jeffrey Cresswell [3.57] at Albert House, Battersea 14 Nikotsaras - Jeffrey Cresswell [3.32] Greek Language Coach: 15 Casos Sonnet V Casos, today I m writing you a letter - Juliet Alderdice [1.25] Robyn Sevastos 16 The Shepherdess - Jeffrey Cresswell [3.20] Music published by Thames Publishing 17 Idle Tears - Juliet Alderdice, Jeffrey Cresswell [5.13] Original sound recording 18 Casos Sonnet VI So far you re licking me, Casos, for real - Lucinda Broadbridge [2.36] made for the Donald Swann 19 The Isles of Greece - Juliet Alderdice [4.36] Estate. -
CHAN 9812 FRONT.Qxd 29/8/07 11:13 Am Page 1
CHAN 9812 FRONT.qxd 29/8/07 11:13 am Page 1 CHAN 9812 CHANDOS CHAN 9812 BOOK.qxd 29/8/07 11:14 am Page 2 A Shakespeare Celebration Mark-Anthony Turnage 14 Ophelia’s Lament† 2:51 Anne Dudley 15 ‘O what a noble mind is here o’erthrown!’ (Hamlet) 1:15 1 Strange Capers* 3:54 16 ‘A plague of all cowards’ (Henry IV: Part One) 1:37 2 ‘I remember when I was in love’ (As You Like It) 0:54 Ilona Sekacz Django Bates 17 A Plague of All Cowards† 6:29 3 † A Glooming Peace 5:11 18 ‘If I profane with my unworthiest hand’ (Romeo and Juliet) 1:28 4 ‘Where be these enemies?’ (Romeo and Juliet) 0:42 5 ‘When daffodils begin to peer’ (The Winter’s Tale) 1:37 Stephen Warbeck 19 The Beginning of the Partnership‡ 1:56 Guy Woolfenden 20 ‘O, thus she stood’ (The Winter’s Tale) 2:17 6 Sweet Swan§ 6:21 7 ‘My lord, I have news to tell you’ (Hamlet) 0:35 Shaun Davey 21 The Winter’s End† 3:58 Jason Carr 22 ‘The man that hath no music in himself’ 8 Poem Unlimited* 4:14 (The Merchant of Venice) 0:25 9 ‘There is a willow grows aslant a brook’ (Hamlet) 1:15 Dominic Muldowney Stephen Warbeck 23 Lear’s Trumpets* 5:50 10 The Death of Ophelia* 6:45 TT 69:50 11 ‘Come, poor babe’ (The Winter’s Tale) 2:33 Malcolm Storry . Harriet Walter speakers Musicians of the Royal Shakespeare Theatre Huw Warren conducted by 12 Lullaby Exit Bear† 6:18 Michael Tubbs* . -
PROGRAM Concert 2
presents Thank you for coming! Please join us on the CCRMA Stage TRANSITIONS for the next Fall Concerts: 2018 Sideband [multimedia works for laptop ensemble] –this event is part of the Artful Design Manifestival– Thursday, November 1, 7:30 PM IMA [percussion, electronics, and vocals] Tuesday, November 13, 7:30 PM The World According to Sound, Live! [stories with sounds] Monday, November 26, 7:30 PM Concert 2 BEAM SPLITTER [voice, trombone, and analog electronics] Thursday, December 6, 7:30 PM CCRMA Stage, The Knoll Friday, October 19 7 PM / 9 PM He is Compositeur Associé with Maison des Arts Sonores, Montpellier, PROGRAM France and has undertaken a number of composition residencies, including in Basel (Switzerland), Ohain (Belgium) and Bangor (Wales, UK), and has been guest composer at numerous international festivals. (2010) Automata | Mechanical Garden Kotoka Suzuki In 2010 he was Guest Professor of Computer Music at the Technische 16 channels diffused in Ambisonics Universität, Berlin. In 2014 he was Master Artist-in-Residence at the Atlantic Center for the Arts in Florida and a recipient of the Klingler 66.02N22.06S (2018) Christopher Jette ElectroAcoustic Residency at Bowling Green State University, Ohio in 5th order Ambisonics 2015. In 2014-15 he was a Leverhulme Emeritus Fellow. His music is performed and broadcast worldwide and appears on four solo albums on empreintes DIGITALes, as well on compilations on SAN/NMC, Canoe Patron (2018) Mark Applebaum Cultures électroniques/Mnémosyne Musique Média, CDCM/Centaur, PowerPoint animation and stereo sound Asphodel, Clarinet Classics, FMR, Edition RZ and EMF. Works for Listening Nos. 2 & 6 (2017- ) Tine Surel Lange 5th order Ambisonics Brian Cullen received his Ph.D. -
Microbiologytoday
microbiologytoday vol34|aug07 quarterly magazine of the society for general microbiology food and water viruses in water fruit and veg that make you sick rapid molecular detection probiotics the aesthetic microbe badgers and bovine tb contents vol34(3) regular features 102 News 132 Schoolzone 140 Reviews 107 Addresses 134 Gradline 130 Meetings 138 Hot off the press other items 119 Micro shorts 142 Obituaries articles 108 Viruses in water: the 124 Science in the fight against imaginative in pursuit of water-borne disease the fugitive Joan Rose Science has produced some powerful tools to ensure our Peter Wyn-Jones water is safe. With political support, these could be used to Persistent viruses in drinking and recreational water may prevent contamination with faecal pathogens and eradicate cause many outbreaks of disease, but proving it is difficult. some major diseases. 112 Fruits and vegetables that make you sick: 126 The aesthetic microbe: what’s going on? ProkaryArt and EukaryArt Robert Mandrell Simon Park The safety of some salad crops has come into Microbes have served both as an inspiration question following several recent outbreaks of for artists and as a canvas for their creations for disease. centuries. The boundaries between microbiology and art are becoming increasingly blurred. 116 Rapid molecular detection of food- and water-borne Comment: diseases 144 Bovine TB and badgers Anja Boisen Cheap, disposable devices to spot pathogens could soon be Chris Cheeseman used by producers to improve the safety of food and water. The findings of an independent, extensive field experiment to determine the effect of badger culling on bovine TB have just been announced. -
Annual Report 2009 Annual Report 2009
King’s College, Cambridge Annual Report 2009 Annual Report 2009 Contents The Provost 2 The Fellowship 7 Undergraduates at King’s 18 Graduates at King’s 24 Tutorial 26 Research 32 Library 35 Chapel 38 Choir 41 Staff 43 Development 46 Members’ Information Form 51 Obituaries 55 Information for Members 259 The first and most obvious to the blinking, exploring, eye is buildings. If The Provost you go to the far side of the Market Place and look back, you now see three tall buildings: Great St Mary’s, King’s Chapel, and a taller Market Hostel. First spiky scaffolding reached above the original roof. Now it has all been shrouded in polythene, like a mystery shop window offering. It’ll stay 2 Things could only get better. You wrapped for a year until the major refit is completed next summer. 3 may remember that when I wrote THE PROVOST these notes last year, I had just Moving back into the main college in my exploratory perambulation, I find discovered that the College had more scaffolding. It’s on the Wilkins Screen. It’s on the Chapel, where through written to the local authorities THE PROVOST the summer we’ve moved down the entire South side, cleaning and treating saying that they were unaware of the glazing bars so that they no longer rust, expand, and prise off bits of the my place of residence. The College stone. Face lifts for the fountain and founder’s statue. So I see much activity, did not know where I was and I expensive activity. -
JONATHAN HARVEY List of Works BIOGRAPHY CONTENTS
“He is a rare spirit, ever in search of the new and numinous” The Sunday Times JONATHAN HARVEY List of Works BIOGRAPHY CONTENTS Born in Warwickshire in 1939, Jonathan Harvey was a chorister at page St Michaelʹs College, Tenbury and later a major music scholar at St Biography 2 Johnʹs College, Cambridge. He gained doctorates from the Article by Paul Griffiths (Eng) universities of Glasgow and Cambridge and (on the advice of 3-4 Benjamin Britten) also studied privately with Erwin Stein and Hans Article by Paul Griffiths (German) 5 Keller. He was a Harkness Fellow at Princeton (1969-70). Article by Paul Griffiths (French) 6 An invitation from Boulez to work at IRCAM in the early 1980s has so far resulted in seven realisations at the Institute, and two for the List of works Ensemble Intercontemporain, including the celebrated tape piece Opera 7-8 Mortuos Plango, Vivos Voco, Bhakti and Advaya for cello, live electronics and pre-recorded sounds. Harvey has also composed for Orchestral 8-12 most other genres: orchestra (Tranquil Abiding, White as Jasmine and Ensemble 12-17 Madonna of Winter and Spring - the latter scheduled for a Chamber Music 17-19 performance by the Berlin Philharmonic and Simon Rattle in Instrumental 20-23 autumn 2006), chamber (four string quartets, Soleil Noir/Chitra, and Choral 24-28 Death of Light, Light of Death, for instance) as well as works for solo instruments. He has written many widely-performed Vocal 28-29 unaccompanied works for choir - as well as the large-scale cantata Works involving Live or for the millennium BBC Proms, Mothers shall not Cry (2000). -
Bridging the Gap
Bridging the Gap PRESENTING – CONNECTING – NETWORKING – COLLABORATING Doctoral College Conference 2019 Tuesday 9 July and Wednesday 10 July Austin Pearce Building For more information please contact us: [email protected] CONFERENCE Welcome Information TO BRIDGING THE GAP 2019 To help the conference run as smoothly as Keeping it environment friendly Bridging the Gap is this year’s Doctoral College And everything in between. Twelve of possible, please be aware of the following: A two day conference can produce up to Conference at the University of Surrey. We these will be presented by international • We want you to enjoy the conference and 2850 kg of waste and we want to make a are especially pleased to have 18 international students from around the globe. get to everything that interests you, so we serious effort to reduce this. presenters joining us this year, courtesy of • 24 poster presentations covering have allowed an extra 5 minutes between generous sponsorship from Santander. topics like the experiences of women Our aim this year is to make this year’s the oral presentations to give you time to international education, blocking the conference as sustainable and eco- friendly This year’s conference is a jam-packed move rooms if you need to. entry of the cold sore virus, the effects as possible. event! Each contribution to the program • Welcome address and keynote speakers of quantum coherence in light harvesting has been carefully selected to support the are in Room 1. We have taken the following steps to help systems and the role of adrenergic conference theme of Bridging the Gap, in • Posters and refreshments are in Room 3 achieve this goal: signalling in promoting T-cell senescence. -
IGRC Conference 18Th - 23Rd March 2016
IGRC Conference 18th - 23rd March 2016 Abstracts and Biographies SATURDAY 19th MARCH 2016 Session 1 – 9.00 am to 10.30 am Papers in TB18 Benjamin Bruant (IGRC, University of Surrey) Andrès Segovia’s collaboration with Mario Castelnuovo-Tedesco (MCT): Case study - Passacaglia opus 180 The Passacaglia, opus 180, was composed by Mario Castelnuovo-Tedesco in 1956 and is dedicated to Andrès Segovia, who never played or recorded it. The score was published in 1970 by Berben, a publishing house which had never previously worked with Andrès Segovia. The score was revised and fingered in 1968 by the guitarist and musicologist Angelo Gilardino. We can therefore question if Segovia had any influence on the piece, during the compositional, editing or publication process. When the immediate answer would seem to be that Segovia’s influence on the piece is limited or even non-existent, the newly discovered correspondences between the composer and the guitarist refute this hypothesis. This case study, based on analysis of the manuscript score as well as study of the correspondences between Segovia and MCT, aims to define the role of Segovia in the compositional process, to question the value of the publication of the Passacaglia and to assess the importance of historical information contained in the MCT/Segovia correspondences. Born in Le Havre (France), Benjamin Bruant began his musical study at the age of seven in his hometown. After getting a bachelor degree in Physics, he moved to Paris in order to improve his music knowledge. He studied with Pedro Ibanez at the Conservatoire Nationale de Region of Paris for three years.