DOCSLIB.ORG

Back in the Swing

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Back in the Swing Ron run|Memorial marathon returns to Upton:Page 1page The Sundance3 Times 75¢ Thursday, August 22, 2019 Volume 134 • Issue No. 34 Thursday, August 22, 2019 Thewww.sundancetimes.com Sundance Times Back in the swing -H௺0REHUJSKRWR The playgrounds of Crook County are once again filled with laughter and young voices as the 2019 school year gets underway. The school year started early this year, accord- ing to Superintendent Mark Broderson, because almost every holiday falls in the middle of the week – both Christmas and New Year are on a Wednesday and “you can’t have school on Monday and not the rest of the week”. He assures parents that, next year, the schedule will again commence on the third week of August. Parents address suicide policy Birthday bash planned the policy that “students who experi- School board ence serious depression are unable “Not talking about for Old Stoney stands by suicide to benefit fully from the educational program of the school” and “pose a it isn’t the way to policy but promises danger both to self and possibly to others”. handle this” to seek out best Jess told the board that her son was Jess Donnell addresses the school practices diagnosed with depression in 2015 board but still benefited from his education. BY SARAH PRIDGEON Doug echoed this thought, pointing in Section 504, part of the Rehabili- Supported by a group of community out that a policy is intended to be tation Act of 1973 that prohibits dis- members, Jess and Doug Donnell ad- guidance on what the district should crimination based on disability and dressed the school board on Monday do; what, he asked, can be done with requires that the needs of a child with evening to encourage more communi- that policy? a limiting mental or physical impair- cation about the issue of teen suicide Doug asked what the policy would ment be met as adequately as the and a rethink on the district’s new require be done with a kid who fit the needs of non-disabled children. policy regarding suicide prevention. description. There used to be a time when we The Donnells, who lost their son, “You should get rid of them, right? thought a deaf child or a kid in a Josh, to suicide earlier this sum- Before they hurt themselves or oth- wheelchair could not benefit from an mer, feel the policy is discriminatory ers,” he said, stating that he wished education, either, Jess said. against children with mental health he had known there was “no need” for “I wish I had known what a 504 issues. Specifically, the couple takes Josh to be in school. issue with statements included in Jess spoke to the federal guidelines See Policy: page 5 Commissioners fix Fair Little funding clerical mistake acts of BY SARAH PRIDGEON not a special district, and it’s also The County Commissioners met harder to understand,” says Fritz. in special meeting last week to fix a “We worked through preparing a kindness clerical mistake that left the Crook new budget for them, working with County Fair Board budget short by al- them.” Rachel’s Challenge most $78,000. The issue was caused Fritz explains that, when a budget by misunderstandings during the is prepared, one of the items listed is comes to county changeover to a new style of budget, cash to be carried over from one year -H௺0REHUJSKRWR says County Clerk Linda Fritz, and to the next. One of three types of cash BY SARAH PRIDGEON The iconic building will celebrate its 96th birthday this month. she stresses that it involved no mis- carry-over listed on the fair budget From tragedy, hope can often handling of money. was depreciation, which was reported spring. The story of one young girl BY SARAH PRIDGEON Meanwhile, says Thompson, Andy “The fair board has not been care- at roughly $14,000. has impacted the lives of millions of Sundance’s iconic school building and Jim Nelson will be on hand to less in their money, they have not “What I did not know is that the students across America since she has reached its 96th birthday and the entertain the crowd. The Idaho-born over-spent their money, it was sim- depreciation money had already been lost her life 20 years ago as the first community is invited to share the brothers host a weekly syndicated ply a clerical error of money that put into the cash and investments,” person killed in the Columbine High celebration with cake and entertain- radio broadcast called “Clear Out was never there to begin with,” she she says, explaining that this meant School shooting, and her legacy of ment. On August 30 from 4 to 6 p.m., West”. stresses. the same money appeared in two positive change will be coming to the Old Stoney birthday party will “They are poets, announcers, humor- “It was an error in the budget in different places and was therefore Crook County next week. be taking place at the gazebo on the ists and Andy is an auctioneer and will cash carry-over and estimated rev- counted twice as cash carry-over. “The school district is bringing courthouse lawn. auction off the Old Stoney windows. enues, but it is not money that is The error was not caught because, Rachel’s Challenge to every building The event will include a BBQ meal, They tell funny former-rancher sto- missing.” Fritz says, she does not actually see and each attendance center,” says cupcakes courtesy of Melanie Wilmer ries and jokes and have written their The issue occurred during the pro- the fair board’s cash accounts or Superintendent Mark Broderson. and other snacks, says Pam Thomp- own poetry and read others’ [poetry],” cess of changing to a different style reports, so was not aware that the “I would like to make sure the com- son of the Old Stoney Restoration Thompson says. of budget, she says. $14,000 was already included in the munities are well aware of the oppor- Committee. Museum Director Rocky “They learned to shoe horses from “We had asked the fair board to cash and investments. tunity to attend the seminars.” Courchaine will be available to give their dad, and a lot of their stories are switch to the county’s form of budget “They were reporting more money Rachel Joy Scott’s story did not end tours of Old Stoney itself, where con- about their dad, too.” a few years ago. They used to do a struction is ongoing to renovate the special district budget, but they are See Error: page 5 See Challenge: page 5 first floor and basement level. See Birthday: page 9 Area Weather SUNDANCE, WYOMING CONTINUING THE CROOK COUNTY NEWS SINCE 1884 The Sundance Times Page 2 Thursday, August 22, 2019 Obituaries Churches Sundance Community Myra Clingan James Newell Church (SBC) 10th and Cleveland, Myra (Clark) Clingan, 96, of James “Jim” Newell, 59, of He is survived by his wife Pastor Bill Barton, 307- 391-0135, on Facebook: Sundance, Wyoming, passed Sundance, Wyoming, passed of 34 years, Laura Newell of away on Thursday, August Sundance Community away peacefully in his home Sundance; three children, Church of Wyoming; 15, 2019, at Crook County on Thursday, August 15, Majesta Byrne, Colorado, Sunday Worship - 11 a.m., Long Term Health Care. 2019. Kyle Newell (Eden), Wyoming, Fellowship - 10:30 a.m., Myra was born on February James was born March 18, Raysha Newell (Bjoe), South Sunday School - 9:30 a.m. 8, 1923 at Inyan Kara, Wyo- 1960 in Harvey, Ill to Donald Dakota; three grandsons, Chapel of Faith ming, to Nathan S. and Hilma and Romana (Rogers) Newell. Dalton Byrne, Wade Byrne 116 S. 3rd, Pastor Dave (Peterson) Clark. She was the He grew up in parts of Wiscon- and Justin McCoy; mother, Jagemann, Chapeloffaith. org, Non Denominational - seventh of nine children born sin and Illinois before moving Romona Newell, Illinois; and to the couple. Simply teaching the Bible, to Colorado in his teen years. sister, RaeJeanne Newell, Il- verse by verse. Sunday Myra grew up on the fam- James met the love of his linois. Also, numerous aunts, School - 9 a.m., Worship - 10 ily ranch and attended the life, Laura Lee Jewell, in 1985 uncles, cousins, nieces and a.m.; Wednesday Royal Burns School and Sundance and they were married in nephews. Rangers and M’Pact: Girls High School. She married 1988. James moved his family He was preceded in death - after school, Dinner - 5:30- Harry Clingan on May 15, to Sundance in 1991, where by his infant son, Jeramie 6:30, Boys - 6:30-8 p.m. 1942, in Sundance. After he worked construction and James; father, Donald New- Sundance United residing in Sundance, they drove truck. ell and in-laws, Charles and Methodist Church 306 Ryan Street, 283-1954, moved to Upton, Wyoming. James was an avid music Shirley Jewell. They raised seven children Pastor Mike Paschall; lover and loved going to con- James wishes were not to Sunday Worship - 11 a.m., She was preceded in death and then enjoyed all the certs and jamming out with have any services at the time Children’s Church grandchildren. by her husband, Harry, and his family and friends. He of his passing. A memorial is during Worship; Handicap She is survived by three granddaughter, Melody Bur- loved tinkering in his shop gardener and enjoyed sharing scheduled for Friday August, parking and stairlift sons, Raymond Clingan of rell. working on cars or wood work- his vegetables with everyone. 23, 2019 at 3 p.m.
Load more

Recommended publications
  • * FINAL FINISHED Practice Mountain Nov 2019.Indd
    ^ ^ ^ ^ ^ ^ PRACTICE MOUNTAIN ^ ^ ^ ^ ^ ^ ^^ ^ ^^^^ ^^ ^^ ^^^^^^ ^^^^ ^^^^ ^^^^^^^^^ ^^^^^^^^^^ ^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ The emblem of the mountain has been returning continuously to ^ me recently, ever-enduring through a variety of aesthetics. My ^^^ ^^ mountains symbolise the eternal return, survival and demise held ^^^^^^^^ together by the pulse of recent recessions - the climb, the exertion ___________________________^^^^^^^^^^^^^_______^________ of labour leading to a fall. Is creativity a survival instinct? How do feelings and relationships come into play? How might recessions affect humans and their creative productivity? A productivity The early 1980s, recession. The sharp, regular jagged mountains which inherently has a different value within capitalism. on stock market screens began to descend. Manufacturing declined and the mines and miners stopped creating coal slag-heaps. The dust settled there. A descent without a fall, everyone just landed. ^ THWACK ^ Perhaps we could have entered a level playing field? Taxes go up. Government spending goes down, the birth of neoliberalism. I wasn’t born yet. But my Dad had been working with the stock markets. These experiences are traced as all pinstripe suits, late ^ nights and abandoned women, like in Hollywood movies. These ^^^ ^^ cinema stories a murmur of what was to come off the screen for ^^^^^^^^ me. Apparently my Dad designed software for Wall Street, creating _____________________________________________^^^^^^^^^^^ computer programmes to keep track of the economy’s heart rate, ^^___________________^______ an ever-fluxing beat. A mountainous landscape to practice living on, working out ways to succeed or fail. We never really did know each other. I still feel a sense of loss about that. A mountain can be both a peak of accomplishment or a point to fall from.
    [Show full text]
  • SIGNAL 8 SUMMER SHOW 2010 the Cat Street Gallery Signal 8 Summer Show
    SIGNAL 8 SUMMER SHOW 2010 The Cat Street Gallery Signal 8 Summer Show Signal 8, The Cat Street Gallery’s annual summer salon show, will feature the curator’s choice of international contemporary artists and includes an array of paintings, drawings, photography, sculptures and new media works. The gallery’s core artists will be complimented by new faces, acting both a retrospective and a preview of new artists to come. Opening reception: Wednesday 4th August 6-9pm Show Dates: Thursday 5th August - Saturday 4th September Giles Alexander Based in Australia, the British artist Giles Alexander blurs the boundaries between realism and abstraction in his paintings. An ardent researcher, his work displays an enduring interest in the themes of memory and history. His paintings include images from personal documentary, as well as historically significant and insignificant ‘found’ images, therefore juxtaposing personal and second hand experience and confusing the banal, important and sublime. His work is many ways a response to the modern condition of existing in a world which proliferates with vast and rapidly disseminated images. Alexander’s paintings often use images of historical significance to draw parallels with and critically reflect on contemporary issues and their representation in the media. Some of his paintings rework seminal history paintings using contemporary people and symbols. In other paintings, images or sometimes formal abstractions are juxtaposed in surprising ways with architecture. This dialogue concerning the status of the image is also central to the materiality of the work. Philosophy aside, the artist displays an academic touch which he can manipulate at will, which reveals his commitment to investigate the possibilities of painting.
    [Show full text]
  • ARTPAPER ISSUE 6 48 PAGES ONLINE.Pdf
    24 17 20 INTERVIEW REVIEW COMMENT The playful paradox of Female modernist artists see Konrad Buhagiar on art, SJ Fuerst’s hyperreal the light of day in Vienna politics, beauty and satire superwomen No:6 + LISA GWEN BALDACCHINO €2.00 WHERE SOLD OPINION 11 “Yet, isn’t that the sheer beauty of public art? It’s a ‘phenomenon’, whereby an artwork or monument, irrespective of size, shape or colour, is placed in a strategic hard-to- ignore space, demanding some form of public engagement – positive or negative.” Opinion pg.11 ANN DINGLI The cuts endure, as does the unknown - Lucio Fontana, ‘Neon Structure for the Ninth Milan 1951/2019, Glass tube and neon, Recon Triennial’, struction authorised by Fondazione Lucio Fontana he work of Lucio Fontana enjoys the same sensorial ac- knowledgement as T that of a song heard in passing that stops you short Sèvres Goliathus Scarabaeidae, Gilcée print on paper, by Magnus Gjoen Sèvres Goliathus Scarabaeidae, Gilcée print on paper, in your tracks and the melody of which unquestionably sparks NEWS: Tracy Emin at the White Cube DESIGN: The Bauhaus centenary and the grand tour of memory: you know it, but you’re not precisely clear about who Modernism OPINION: Women in art in Malta ART NEWS: Senegalese art makes a global splash it’s by, where you first encoun- BOOKS: The environment in comic form INTERVIEW: Ritty Tacsum’s mysterious world tered it or why you really, really REVIEW: Pierre Bonnard, colour and life ART NEWS: Mapplethorpe exhibition in Naples like it. >> Pg.44 #beinspired W Welcome / Team / Inside Mar – May –‘19 rt provides respite from the page 36); and Karen Grech discovers unique politics in portraiture (page 20) and Joanna Editor-in-Chief mundane.
    [Show full text]
  • Stuart Semple Is One of Our Most Buzzed About and Collected Artists Be This?’ Because I Didn’T Know and It Changed Things for Me
    8 4 Stuart Semple is one of our most buzzed about and collected artists be this?’ Because I didn’t know and it changed things for me. of recent times. His journey to success is incredibly intriguing too. At “Then, I guess it was a couple of years ago, Saatchi said, these artists are only 28, he has the eyes of the some of world’s biggest collectors nothing but a footnote in history and then he flogs Damian Hurst’s shark. firmly fixed on him. Basically, he cashes the work in as if it’s just anything, like it’s not real and there’s no spirit in it. It really pissed me off and I just found myself painting Stuart was born in Dorest on the South West coast of England. As a this piece and it said British Painting Still Rocks because he made this student he was equally as gifted at science as well as art and knew statement like British art wasn’t important. which he preferred. In the process he fought off comments such as ‘You’re going to be a doctor.’ “I left the school because their art “He did this huge show of German artists and stuff like that and I don’t department was shit really. There was nothing there so I went to art have a problem with that, but I just felt angry and then the piece sort of college and I enrolled in a whole heap of A-levels – to kind of please had a resonance and it didn’t seem to make sense, until it was in the my parents – and did Art as well,” he says.
    [Show full text]
  • 2Bbb2c8a13987b0491d70b96f7
    An Atlas of Rare & Familiar Colour THE HARVARD ART MUSEUMS’ FORBES PIGMENT COLLECTION Yoko Ono “If people want to make war they should make a colour war, and paint each others’ cities up in the night in pinks and greens.” Foreword p.6 Introduction p.12 Red p.28 Orange p.54 Yellow p.70 Green p.86 Blue p.108 Purple p.132 Brown p.150 Black p.162 White p.178 Metallic p.190 Appendix p.204 8 AN ATLAS OF RARE & FAMILIAR COLOUR FOREWORD 9 You can see Harvard University’s Forbes Pigment Collection from far below. It shimmers like an art display in its own right, facing in towards Foreword the glass central courtyard in Renzo Piano’s wonderful 2014 extension to the Harvard Art Museums. The collection seems, somehow, suspended within the sky. From the public galleries it is tantalising, almost intoxicating, to see the glass-fronted cases full of their bright bottles up there in the administra- tive area of the museum. The shelves are arranged mostly by hue; the blues are graded in ombre effect from deepest midnight to the fading in- digo of favourite jeans, with startling, pleasing juxtapositions of turquoise (flasks of lightest green malachite; summer sky-coloured copper carbon- ate and swimming pool verdigris) next to navy, next to something that was once blue and is now simply, chalk. A few feet along, the bright alizarin crimsons slake to brownish brazil wood upon one side, and blush to madder pink the other. This curious chromatic ordering makes the whole collection look like an installation exploring the very nature of painting.
    [Show full text]
  • DACS Annual Review 2011 DACS Annual Review 2011
    DACS Annual Review 2011 DACS Annual Review 2011 04 17 Introduction DACS Open 07 19 A message from Gilane Tawadros, DACS Artists’ Profiles Chief Executive DACS interviews Martina Schmücker, the Estate of John Craxton, Gavin Turk and Jeremy Deller. 09 Introducing DACS Chair, Mark Stephens CBE 31 The DACS Team 11 The Board of Directors, Creators’ Council and What does DACS do? DACS Staff. 15 DACS Debates: The New Economy of Art Gavin Turk Ajar (white) © Gavin Turk / Live Stock Market 2012 Elpida Hadzi-Vasileva Butterflies in the Stomach 2008 Caul fat © Elpida Hadzi-Vasileva 2012 3 DACS Annual Review 2011 Introduction What is DACS? Established by artists for artists, DACS is a not-for-profit visual arts rights management organisation. We were established more than 28 years ago. Among our founding artists were Eduardo Paolozzi, Susan Hiller and Elaine Kowalsky. 4 DACS Annual Review 2011 Introduction DACS translates rights into revenues for artists and their heirs. We are here to ensure that artists’ rights are respected and that these rights are recognised financially and morally. We exist to collect and distribute royalties to visual artists which in turn helps to sustain their practice and livelihood. We do this through our three rights management services: Payback, the Artist’s Resale Right and Copyright Licensing. 5 DACS Annual Review 2011 Introduction DACS promotes the value of artists to society and culture. We actively campaign on behalf of visual artists and their right to be recognised and rewarded for their work. DACS has its eye on the future. We are exploring ways in which we can support artists to generate income from new forms of practice and through new digital technologies in the visual arts.
    [Show full text]
  • Curriculum Vitae: Dr
    CV: Dr. Catherine Crockford Curriculum Vitae: Dr. Catherine Crockford Current Position: Group Leader & ERC awardee, Scientific Co-Director of the Taï Chimpanzee Project, Ivory Coast, at Max Planck Institute for Evolutionary Anthropology, Primatology Dept. Address: Max Planck Institute for Evolutionary Anthropology, Deutscher Platz 6, 04103 Leipzig, Germany. Email: [email protected] Tel: +49 (0)341 3550 220 Education 1/2005: PhD in Psychology, from Max Planck Institute for Evolutionary Anthropology (MPI EVA) and University of Leipzig. Grade: magna cum laude, under Profs. Christophe Boesch & Mike Tomasello. PhD title: ‘Vocal communication in wild chimpanzees: similarities with and differences to humans’ 6/1991: BSc Speech (Honours), Received 2:1, at University of Newcastle upon Tyne. Received ‘First Class Honours’ for undergraduate research dissertation, under Prof. Ruth Lesser. Positions Held 2012 – present: Group Leader & ERC awardee at MPI EVA, Primatology Dept, Scientific Co-Director of the Taï Chimpanzee Project, Ivory Coast. My group combines observational, experimental and hormonal research to examine questions related to the evolution of sociality, cooperation, communication and social cognition in wild chimpanzees, bonobos and mangabeys. 2008 – 2012: British Academy Fellow at University of St. Andrews, under animal cognition scientist, Prof. Klaus Zuberbühler, combining observational, experimental and hormonal research to examine social intelligence and communication in wild chimpanzees in the Budongo Forest, Uganda. Some of these projects are conducted jointly with Dr. Roman Wittig. 2004 - 2007: Postdoctoral position under animal cognition scientists, Profs. Cheney and Seyfarth, University of Pennsylvania, Philadelphia, conducting experimental and hormonal research, relating to primate social knowledge and social stress, in wild baboons, Botswana. Projects were conducted jointly with Dr.
    [Show full text]
  • Lizzie Lloyd Thesis FINAL Feb 2019
    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Lloyd, Lizzie Title: Art Writing and Subjectivity Critical Association in Art-Historical Practice General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Art Writing and Subjectivity: Critical Association in Art-Historical Practice Lizzie Lloyd A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of PhD in the Faculty of Arts.
    [Show full text]
  • MONA O S M a N ALIGNMENT Sophie Morrish Island Time: North Uist Works
    FREE 27 HOT & COOL ART THE STARS IN MONA O S M A N ALIGNMENT Sophie Morrish Island Time: North Uist Works An exhibition curated by Mel Gooding 31 JULY - 1 SEPTEMBER BERMONDSEY PROJECT SPACE 183 -185 Bermondsey Street, London SE1 3UW Tue - Sat :11am - 6 pm Telephone : 0203 441 5152 Email : [email protected] WWW.PROJECT-SPACE.LONDON 5 JULY - 8 SEPTEMBER 1960s CALIFORNIA HARD-EDGE KARL BENJAMIN, LORSER FEITELSON & HELEN LUNDEBERG 82 KINGSLAND ROAD, LONDON E2 8DP | +44 (0)20 7920 7777 [email protected] | www.flowersgallery.com Lorser Feitelson, Untitled, Magical Space Forms, 1960, Oil on canvas © The Feitelson/Lundeberg Art Foundation CLAUDIA DE GRANDI WAVES & HORIZONS Curated by Alan Rankle 3–9 September 2018 BERMONDSEY PROJECT SPACE 183–185 Bermondsey Street, London SE1 3UW (adjacent to White Cube Bermondsey) +44 (0) 203 441 51 52 www.project-space.london IN ASSOCIATION WITH >> DIARY NOTES The Observer Gone - But assassination was on the phone I could not scream. Not Forgotten Pushing him away was the only thing of Anthony I could do,’ she told The Observer. AS THE 2018 art season prepared to Another claims the dealer demeaned awake from its Winter slumbers, just d’Offay based her, using inappropriate and sexu­ prior to the opening salvo of Janu­ ally suggestive language in front of ary’s London Art Fair, across the UK Mike von Joel on three others. The third, with extraordinary a few breakfasting readers flipped powers of perception, described a open their Sunday Observer. A few Editor anonymous phone conversation with d’Offay, – of that few – still interested in and deduced that he was actually ‘in contemporary art must surely have claims over his bath and masturbating’.
    [Show full text]
  • Annual Review 2007/08
    Contents 02 Message from the Chairman 03 Chief Executive’s Report 04 Beyond Royalties 06 Payback 08 Copyright Licensing 11 Artist’s Profile 12 Money Paid to Artists 14 Artist’s Resale Right 16 The Creators’ Council 18 Board of Directors 19 Financial Report 20 Independent Auditors’ Statement 21 Financial Accounts Step by Step by Christian Furr 23 DACS Team © Christian Furr. All rights reserved, DACS 2008 24 Company Information 26 Members’ Charter DACS 33 Great Sutton Street London EC1V 0DX T +44 (0)20 7336 8811 F +44 (0)20 7336 8822 E [email protected] Annual Review 2007/08 www.dacs.org.uk Cheney Puppet Master, 2003 by Andy Davey © Andy Davey 2008 Mar – DACS Roadshow, Newcastle – DACS Royalties Report Mash Ups window painting published © Nicky Carvell & Stuart Semple 2008 – Artist’s Resale Right royalty payments are made DACS: in the Life A Year Charter Members’ Consultation Our staff will: staff Our Members’ Charter – treat you with courtesy, respect and DACS is committed to Apr consideration at all times ensuring that the interests of – DACS submits report to the DACS is a not-for-profit – identify ourselves by name when our Members are understood Gowers Review consultation Our aims on the future of copyright in membership organisation which In everything we do, we communicate with you and and reflected throughout the the digital age exists to promote and protect the DACS will be: listen and respond appropriately organisation. copyright of visual creators in the – Inclusive – conduct ourselves with efficiency, As well as reflecting this in – DACS contributes to UK and worldwide.
    [Show full text]
  • ATH 2011 Solution
    MOST SECRET ULTRA ATH EYES ONLY ATH 2011-12 solution Treasure location and themes The treasure was hidden in Shenley Wood [LOC1]1, on the outskirts of Milton Keynes. This is not far from Bletchley Park [LOC2], which during World War 2 was a secret establishment dedicated to the decryption of intercepted enemy communications. Its most famous achievement – which did not become public knowledge until the late 1970s and early 1980s - was the breaking of the method of encryption of Germany‘s Enigma cipher machine, which is reckoned to have shortened the war by a year or two and to have saved thousands of lives. One of the key figures in this work was the mathematical genius and computer pioneer Alan Turing. During his time at Bletchley Park, Turing stayed at the Crown Inn [LOC3] in Shenley Brook End. It is known that at some time during the war, he bought a couple of silver bars as a hedge against the possible collapse of the banks, and hid them in a wood near his digs. He returned to the wood a number of times during and after the war with the aim of retrieving the silver bars, but was unable to remember where he had hidden them. They essentially became lost treasure. There is no record of which wood he hid the bars in, so I chose Shenley Wood since it is close to where Turing stayed. The ATH thus had multiple themes, in tribute to Turing: - ―lost treasure‖ [LOC4], as represented by the centre puzzle on each page, and by Turing‟s silver bars [LOC5] - code-breaking [LOC6] or decryption or decipherment – I wasn‘t pedantic about the difference, but did expect you to realise that the theme was codebreaking, not just codes or ciphers in general.
    [Show full text]
  • Artist's Resale Right
    N EWS 2007 T RADE SHOW NEWS All the fun of the fairs: Emap TPS springs fresh ideas for buye r s SUMMER FAIR London, Emap TPS’s new mid-year show for the UK home fashion and gift market, has released details of confirmed exhibitors in the art sector. They include Gifted, Art Collection, Oberon Art and Icon by Luciana. ‘For me, it seems to be at the right time of year with a good chance of attracting buyers from London. Emap TPS have a good record of pushing on a show, so I’m hopeful this will be the case with Summer Fair London,’ said Susie Lipman of Oberon Art. Oberon will be showing alongside the internationally known brands Alessi, Kosta Boda, Hoff, French lifestyle brand Hatch and La Vie en Vert from Belgium. Details of the seminar programme on new trends, to be led by Michelle Ogundehin, editor of Elle Decoration, James Lohan of luxury concierge website Mr & Mrs Smith and fashion designer Wayne Hemingway MBE, have also been released. In a move to support the show, the Giftware Association has moved its prestigious Gift of the Year Awards at Grosvenor House to 19 June, so that they will coincide with the show. Emap TPS Group Exhibition Director, Louise Young, head of the Summer Fair team, said, ‘We Over 160 exhibitors will be showing Garden. Hopes are high that the new are working closely with industry partners, in the Gallery section, Hall 12, of this layout will attract more visitors, including from Elle Decoration to the GA to ensure year’s Spring Fair Birmingham.
    [Show full text]