I'm Not There , Directed by Todd Haynes, Premieres at the Telluride Film Festival in Telluride, Colorado, USA

Total Page:16

File Type:pdf, Size:1020Kb

I'm Not There , Directed by Todd Haynes, Premieres at the Telluride Film Festival in Telluride, Colorado, USA I’M NOT THERE BOB DYLAN 2007 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , RECORDINGS & BOOKS . © 2010 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. I’m Not There — Bob Dylan 2007 page 2 of 111 1 INTRODUCTION .................................................................................................................................................................. 4 2 2007 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2007 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 LUCKY YOU ......................................................................................................................................................................... 7 4.2 DONT LOOK BACK - 65 TOUR EXCLUSIVE EDITION ............................................................................................................. 7 4.3 MARK RONSON ’S MOST LIKELY RE-VERSION ...................................................................................................................... 8 4.4 DYLAN ............................................................................................................................................................................... 8 4.5 THE OTHER SIDE OF THE MIRROR ......................................................................................................................................10 4.6 MUSIC FROM THE MOTION PICTURE I’ M NOT THERE .........................................................................................................11 4.7 THE TRAVELING WILBURYS COLLECTION ..........................................................................................................................12 5 THE NEVER-ENDING TOUR CONTINUES ...................................................................................................................12 5.1 INTRODUCTION ....................................................................................................................................................................12 5.2 THE MUSICIANS ...................................................................................................................................................................12 5.3 THE SHOW ...........................................................................................................................................................................13 5.4 EUROPE SPRING TOUR ........................................................................................................................................................14 5.4.1 Dates and venues ......................................................................................................................................................14 5.4.2 The songs ..................................................................................................................................................................16 5.4.3 Statistics ....................................................................................................................................................................20 5.4.4 Comments .................................................................................................................................................................21 5.4.5 Shows in Europe 1965-2007 .....................................................................................................................................21 5.5 US SUMMER TOUR ..............................................................................................................................................................22 5.5.1 Dates and venues ......................................................................................................................................................22 5.5.2 The songs ..................................................................................................................................................................24 5.5.3 Statistics ....................................................................................................................................................................29 5.5.4 Comments .................................................................................................................................................................29 5.6 TOUR DOWN UNDER ...........................................................................................................................................................30 5.6.1 Dates and venues ......................................................................................................................................................30 5.6.2 The songs ..................................................................................................................................................................31 5.6.3 Statistics ....................................................................................................................................................................33 5.6.4 Comments .................................................................................................................................................................33 5.7 US FALL TOUR ....................................................................................................................................................................34 5.7.1 Dates and venues ......................................................................................................................................................34 5.7.2 The songs ..................................................................................................................................................................36 5.7.3 Statistics ....................................................................................................................................................................41 5.7.4 Comments .................................................................................................................................................................41 5.8 SUMMARY ...........................................................................................................................................................................42 5.8.1 Song statistics ...........................................................................................................................................................42 5.8.2 Show Statistics - Summary ........................................................................................................................................42 5.8.3 Album statistics .........................................................................................................................................................43 5.8.4 Alphabetical song list ................................................................................................................................................44 5.8.5 Ten most played songs in 2007 .................................................................................................................................45 5.8.6 Played only once in 2007 ..........................................................................................................................................46 5.8.7 Live debuts of Dylan songs .......................................................................................................................................46 5.8.8 Covers played in 2007 ..............................................................................................................................................46 6 THEME TIME RADIO HOUR ...........................................................................................................................................47 6.1 INTRODUCTION ....................................................................................................................................................................47 6.2 THEMES IN SHOW ORDER .....................................................................................................................................................47 6.2.1 Season 1 ....................................................................................................................................................................47 6.2.2 Season 2 ....................................................................................................................................................................48 6.3 IN THEME ORDER ................................................................................................................................................................49 6.4 THE ARTISTS .......................................................................................................................................................................50 6.5 THE SONGS .........................................................................................................................................................................75
Recommended publications
  • Seeing (For) Miles: Jazz, Race, and Objects of Performance
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
    [Show full text]
  • Brotherhood" “Timeless, Deeply Soulful and Uplifting Gospel-Drenched Blues, Street Corner Doo-Wop, Ballads, R&B, Country and Funk.” –NEW YORK TIMES
    New from THE HOLMES BROTHERS ! brotherhood" “Timeless, deeply soulful and uplifting gospel-drenched blues, street corner doo-wop, ballads, R&B, country and funk.” –NEW YORK TIMES “Fervent, inspired and joyful blues, R&B, soul, roadhouse rock and gospel… beautiful harmonies, true magic.” –NPR Over the course of a 30-year career, with ten acclaimed albums and thousands of live performances, revered roots trio The Holmes Brothers—Wendell Holmes on guitar, piano and vocals, Sherman Holmes on bass and vocals, brother-in-spirit Popsy Holmes on drums and vocals—have garnered heaps of critical praise and countless loyal fans. They have created a timeless blend of blues, soul, funk and country, highlighted by their heavenly gospel-inspired vocal harmonies. Brotherhood is a testament to the uplifting musical The band’s new Alligator Records album, Brotherhood, power that comes from the close-knit, fraternally produced by Glenn Patscha (Ollabelle, Marc Cohn), telepathic relationship of The Holmes Brothers. The Chris Bruce (Me’Shell NdegéOcello, Seal) and Hector album is full of deeply soulful performances, from the Castillo (Brazilian Girls, David Bowie), is another rocking Wendell original Stayed At The Party to the stellar chapter in their storied and still-evolving sweet harmonies of Ted Hawkins’ I Gave Up All I Had, history. It’s their most bluesy album yet, with the to Sherman’s intense Passing Through to the doo-wop band digging deep to deliver roadhouse wisdom, late- splendor of Popsy’s falsetto vocals on the Stax classic My night doo wop, soulful R&B and a proto-rock ‘n’ roll Kind Of Girl.
    [Show full text]
  • Finding Aid for the Sheldon Harris Collection (MUM00682)
    University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr.
    [Show full text]
  • Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
    Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism.
    [Show full text]
  • Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York NEWSLETTER Volume XXXIV, No
    Institute for Studies In American Music Conservatory of Music, Brooklyn College of the City University of New York NEWSLETTER Volume XXXIV, No. 2 Spring 2005 Jungle Jive: Jazz was an integral element in the sound and appearance of animated cartoons produced in Race, Jazz, Hollywood from the late 1920s through the late 1950s.1 Everything from big band to free jazz and Cartoons has been featured in cartoons, either as the by soundtrack to a story or the basis for one. The studio run by the Fleischer brothers took an Daniel Goldmark unusual approach to jazz in the late 1920s and the 1930s, treating it not as background but as a musical genre deserving of recognition. Instead of using jazz idioms merely to color the musical score, their cartoons featured popular songs by prominent recording artists. Fleischer was a well- known studio in the 1920s, perhaps most famous Louis Armstrong in the jazz cartoon I’ll Be Glad When for pioneering the sing-along cartoon with the You’ re Dead, You Rascal You (Fleischer, 1932) bouncing ball in Song Car-Tunes. An added attraction to Fleischer cartoons was that Paramount Pictures, their distributor and parent company, allowed the Fleischers to use its newsreel recording facilities, where they were permitted to film famous performers scheduled to appear in Paramount shorts and films.2 Thus, a wide variety of musicians, including Ethel Merman, Rudy Vallee, the Mills Brothers, Gus Edwards, the Boswell Sisters, Cab Calloway, and Louis Armstrong, began appearing in Fleischer cartoons. This arrangement benefited both the studios and the stars.
    [Show full text]
  • Settin' My Dial on the Radio
    SETTIN ’ MY DIAL ON THE RADIO BOB DYLAN 2006 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , RECORDINGS & BOOKS . © 2010 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Settin’ My Dial On The Radio — Bob Dylan 2006 page 2 of 86 1 INTRODUCTION ...................................................................................................................................................................4 2 2006 AT A GLANCE ..............................................................................................................................................................4 3 THE 2006 CALENDAR ..........................................................................................................................................................4 4 NEW RELEASES AND RECORDINGS ..............................................................................................................................6 4.1 MODERN TIMES ................................................................................................................................................................6 4.2 BLUES ..............................................................................................................................................................................6 4.3 THEME TIME RADIO HOUR : BASEBALL ............................................................................................................................8
    [Show full text]
  • August 2012 Newsletter
    August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th.
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • COLIN LINDEN from Canada to Nashville
    The Phenomenal RUTHIE FOSTER HADDEN SAYERS Breaking Free ANSON FUNDERBURGH Is Back COLIN LINDEN From Canada To Nashville NUMBER ONE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © SCOTT ALLEN / VIVIDPIX 4 BLUE NOTES NUMBER ONE From The Publisher 5 RIFFS & GROOVES 6 RUTHIE FOSTER From The Editor-In-Chief Timeless Voice by Tim Parsons 20 DELTA JOURNEYS “Rock Stars” 11 HADDEN SAYERS 22 AROUND THE WORLD Back To The Blues “Good Night, Ann Rabson” by Phil Reser 24 Q&A 14 The Many Facets Of with Michael Hill ANSON FUNDERBURGH by Grant Britt 27 BLUES ALIVE! Damon Fowler 17 COLIN LINDEN Ronnie Earl Guitar Master 30 REVIEWS by Larry Nager New Releases and Box Sets 70 LEGACIES 72 DOWN THE ROAD A S P A L S R A G I A © Y H P A R G O T O H P PHONE TOLL-FREE 866-702-7778 EMAIL [email protected] WEB bluesmusicmagazine.com GuitarDMasterEEP ROOTS COLIN LINDEN’S Journey from Howlin’ Wolf to Hollywood by Larry Nager WHO YOU THINK sideman deluxe flying under the radar for pre-war blues to his eerie recreation Colin Linden is depends on which side in his trademark black hat and shades. of Skip James’ “Hard Time Killing Floor.” of the border you call home. In his native Specializing in the bluesier side of He toured arenas with the O Brother Canada, he’s long been known as one Americana, he can be heard on spinoff tour Down From The Mountain of the world’s premier blues and roots wide-ranging, high profile projects and put in a year backing Country Music guitarists and producers, lending his including the O Brother Where Art Thou? Hall of Famer Emmylou Harris.
    [Show full text]
  • Bear Family Records UK Stock List 29/02/2004
    Bear Family Records UK Stock List 29/02/2004 Cat number Artist name Title Category Type Stock? 16135 BCD-AH ACHIEDER, Illo Sieben einsame tage German BCD 1 CD A 15652 BCD-BH ACUFF, Roy The king of country music Country BCD 2 Unit A 16590 BCD-BH ADAM & EVE Die fruhen jahre & raritaten German BCD 2 CD A 16312 BCD-AH ADAMS, Charlie Cattin' around Rockabilly/HillbBilClyD 1 CD A 16503 BCD-AE ADAMUS TRIO Georg Philipp Telemann - 6 suites German BCD 12 CD A 15120 BFX ALEXANDER, Peter Rocky tocky baby German BFX 1 LP A 15455 BCD-DH ALEXANDER, Peter Sag' es mit musik German BCD 4 Unit DEL 15508 BCD-AH ALEXANDER, Peter Die strasse meiner lieder German BCD 1 CD A 15992 BCD-AH ALEXANDER, Peter Filmtreffer Vol.1 German BCD 1 CD A 15993 BCD-AH ALEXANDER, Peter Filmtreffer Vol.2 German BCD 1 CD A 15994 BCD-AH ALEXANDER, Peter Filmtreffer Vol.3 German BCD 1 CD A 15995 BCD-AH ALEXANDER, Peter Filmtreffer Vol.4 German BCD 1 CD A 16189 BCD-AH ALEXANDER, Peter Filmtreffer Vol.5 German BCD 1 CD A 15998 BCD-AH ALEXANDER, Peter & LOUBE, Karl Rot - weiss - rot aufnahmen German BCD 1 CD A 15357 BFX ALLEN, Milton Don't bug me baby Rock'n'roll BFX 1 LP A 15024 BFX ALLEN, Rex Boney kneed, hairy legged cowboy Csonugnstry BFX 1 LP DEL 15192 BDP ALLEN, Rex Hawaiian cowboy (picture disc) Country BDP l LP DEL 15284 BCD-AH ALLEN, Rex Voice of the west Country BCD l CD A 15354 BFX ANDERSEN, Lale Hafentraume German BFX 1 LP A 15810 BCD-AH ANDERSEN, Lale Lili Marleen German BCD 1 CD A 15815 BCD-AH ANDERSEN, Lale Fernweh German BCD 1 CD A 15613 BCD-AH ANKA, Paul Zwei Madchen
    [Show full text]
  • The Songs of Bob Dylan
    The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
    [Show full text]