Kubrick the Shining Pdf

Kubrick the shining pdf Continue We begin the story when Stephen King receives a call from the great Stanley Kubrick (in the middle of the night) informing him that Kubrick is interested in King's novel and he was very welcome. Despite this, this enthusiasm faded when he saw the film. The video below from Cinema Tyler shows us how Kubrick turned King's novels into works that haunt us. A new idea Kubrick's films, with the exception of his first Fear and Desire - were rejected by him, all of which came from the novel. Even Spartacus, a film considered a dune in Kubrick's career, was also an insothetic of Howard Fast's novel by Dalton Trumbo. His habit was to collect the material around him and read through the novels, and put them aside if they did not interest him. Stephen King's The Shining is a novel that interests him and stimulates his imagination a lot. Kubrick immediately asked Warner Bros. to buy the book, which King had written himself. Kubrick, however, was not interested in the king-made film, and wanted to start over, freshly. In the book, he says, I find it very difficult to read, and I think the idea of the story and its structure stimulates imagination more than anything I've ever read in this genre. And as a habit, he invited a new collaborator - in this case the American writer Diane Johnson - to join him in developing some of kubrick's version of the film in the eyes of a director. If you're reading a story written by someone else, the experience of the first reading is something you definitely can't get when writing an original story, he said. Cinema Tyler said: Kubrick felt that there were not many screenwriters of his calibre, and for the most part it allowed him to see the story objectively. The effect of passion As a director, Kubrick prepares the light and waits for everything to happen. The famous Singing in the Rain scene in A Clockwork Orange comes after weeks of waiting for the stage, waiting for inspiration to appear. Kubrick often likes to do things in a way new, and relentless, or for the actor to rest, before he gets what he wants, even if he usually doesn't know what it is. In the writing process, he follows a similar process, working with Johnson for weeks to complete the treatment, and draws everything from various sources such as Freud's The Uncanny and Bruno Bettelheim's The Uses of Enchantment By using a novel, he not only sees a new story, but can also take basic narrative errors and analyze them for The Picture. He actually translates paper words into the language of cinema to solve the problems in the story that cinema expresses, which is also an explanation for why he does not actually adapt psychologically heavy novels, or in that case he removes these elements so that ideas can be conveyed through images in such a way they can be translated into screens. For example, when it was necessary to convey the idea of sensipathy in Shining, he added scenes of Danny and Halloran talking to each other in the kitchen. Kubrick said: Halloran is an idyllic and naïve character, so the way he explains to Danny about psychopathy tends to be a little more dramatic than an explanation for a common scientific problem. You and Danny are a great duo. Kubrick's upheaval retains many elements of King's novels, but ignores many other elements, and some of the most famous parts of the film are not in the book, even the other way around. The novel has terrible monsters, and a bad water pipe, as well as a lot of focus on the hotel archives, where Jack finds out in the basement and makes his madness on the rise. But in the film, these details are just skimmed, starting here, as soon as the long shot turns into a close-up. The pages in front of jack get thicker and thicker with the terrible things that happen more and more in the hotel, which makes him crazy (although Kubrick was adamant, at least in the interview, that for storytelling purposes, occult is a pure thing. Jack's mental state is only in preparation for the murder and to temporarily misunderstand the audience.). Kubrick decided, as he often does, that cutting away is better than showing off. For example, he cut a remarkable passage from 2001, and that's a clever thing he did, as it will probably add to the feeling of mysticism in the film that he was trying to minimize. Other differences: In the book, Wendy is a blonde who takes good care of herself, but in the film the character played by Shelley Duvall, as well as the character Jack, is just dressed very common, something shabby (one of the main reasons King dislikes the film is because it makes him feel like he was writing a book full of hope, where, recovery is possible , especially for jack character, but Stanley Kubrick has come and upset them all. To be fair, that's what you usually do.) There are also other differences. King is known for being outstanding in describing supernatural things, Kubrick said: In fantasy, you want everything to be as real as possible. People should behave normally. You really have to pay attention to this in scenes that contain distinctive or fictional details of the story. An important factor for Kubrick is the imperfection of the sympathetic spirit: if Danny had the perfect ESP, nothing would have happened. He can anticipate things, warn people and solve problems. One of the ironies of history is that it has characters who are able to see the past and the future and have sympathetic communication, but phones and short-range radio waves are all disabled by blizzards, and mountain roads deep under the snow make it impossible to overcome. But the director, who repeated the script, even during filming, insisted: A supernatural story that cannot be separated and analyzed too closely. The last test of the separation reasoning is to see if it is good enough to make you behave your hair. If you try to justify things perfectly and analyze the details, it will eventually become ridiculous. Maybe it's terrible. nhất là, gần 40 năm sau, vô số người đã phân tích tính logic và chi tiết hoá bộ phim nhưng nó vờn giờ nguyên quyờn lờc cờa mình đối vời khán giả. Nguồn: No Film School Pixel Factory sưu tầm và biên dờch 1980 horror film directed by Stanley Kubrick The ShiningUK theatrical release posterDirectly byStanley KubrickProduced by Stanley KubrickScreenplay by Stanley Kubrick Diane Johnson Based on Shin editing by Stephen KingStarring Jack Nicholson Shelley Duvall Scatman Crothers Danny Lloyd Music by Wendy Carlos Rachel Elkind CinematographyJohn AlcottEdited by Ray LovejoyProductioncompany Manufacturer Circle CompanyPeregrine ProductionsHawk FilmsDistributed byWarner Bros.Release date May 23 , 1980 (1980-05-23) (UNITED STATES)[1] 2. The Shining is a psychological horror film from 1980 produced and directed by Stanley Kubrick and co-written with writer Diane Johnson. The film is based on Stephen King's 1977 novel of the same name and stars Jack Nicholson, Shelley Duvall, Scatman Crothers and Danny Lloyd. The film's central character is Jack Torrance (Nicholson), an aspiring writer and recovering alcoholic who accepts a position as the off-season janitor of the isolated historic Overlook Hotel in the Colorado Rockies. Wintering over with Jack are his wife, Wendy Torrance (Duvall) and young son, Danny Torrance (Lloyd). Danny possesses the shiny, psychic abilities that enable him to look into the hotel's terrible past. The hotel's chef, Dick Hallorann (Crothers), also has this ability and is able to communicate with Danny telepathically. The hotel had a former winter watchman who went crazy and killed his family and himself. After a winter storm leaves Torrance's snow-bound, Jack's sanity deteriorates due to the influence of the supernatural forces living in the hotel, putting his wife and son at risk. The production took place almost exclusively at EMI Elstree Studios, with sets based on real locations. Kubrick often worked with a small crew, which allowed him to do many takes, sometimes to the exhaustion of actors and employees. The new Steadicam bracket was used to shoot multiple scenes, giving the film an innovative and immersive look. There has been much speculation in the meanings and actions of the film due to inconsistencies, ambiguities, symbolism and differences from the book. The film was released in the United States on 23 June 2016. There were several versions for theatrical releases, each of which was cut shorter than the one before it; about 27 minutes were cut in total. to the film at the time of release was mixed; Stephen King criticized the film because of its departure from the novel. Critical opinion has become more favorable and it has become a staple of pop culture. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as culturally, historically or aesthetically significant. [7] A sequel, Doctor Sleep, was released on 8 November 2015. Plot Writer Jack Torrance arrives at the remote Overlook Hotel in the Rocky Mountains to be interviewed for the position of winter watchmaster. The hotel, which opened in 1909 and was built on the site of an Indian cemetery, closes during the snowy months. Once hired, Jack plans to use the hotel's loneliness to write.

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