Lerner – “African-American Women's History”
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UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
FORUM : the Magazine of the Florida Humanities Florida Humanities
University of South Florida Scholar Commons FORUM : the Magazine of the Florida Humanities Florida Humanities 9-1-2010 Forum : Vol. 34, No. 03 (Fall : 2010) Florida Humanities Council. Johnny Bullard Jennine Capo Crucet Follow this and additional works at: https://scholarcommons.usf.edu/forum_magazine Recommended Citation Florida Humanities Council.; Bullard, Johnny; and Crucet, Jennine Capo, "Forum : Vol. 34, No. 03 (Fall : 2010)" (2010). FORUM : the Magazine of the Florida Humanities. 51. https://scholarcommons.usf.edu/forum_magazine/51 This Article is brought to you for free and open access by the Florida Humanities at Scholar Commons. It has been accepted for inclusion in FORUM : the Magazine of the Florida Humanities by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. THE MAGAZINE OF THE FLORIDA HUMANITIES COUNCIL The Art and Soul of Florida FROM THE DIRECTOR 2010 Board of Directors letter Rachel Blechman,Chair Miami B. Lester Abberger Tallahassee Carol J. Alexander Jacksonville WITH FLORIDA PIONEERS Julia Tuttle and Henry Meredith Morris Babb Ormond Beach Flagler intertwined among a primordial tangle of mangrove roots, the cover of this issue of FORUM reminds us that John Belohlavek, Vice-Chair Tampa barely a century ago Miami’s Biscayne Bay, now lined with Frank Billingsley Orlando sleek steel skyscrapers and luxury hotels, was a mangrove William Carlson Tampa forest. In a series of paintings of mangroves—a tree that David Colburn Gainesville thrives in the brackish places between land and sea—Miami Juan Carlos Espinosa Miami artist Xavier Cortada provides us with a potent metaphor for Jeanne Godwin Miami Florida’s resilience and adaptability. -
CONGRESSIONAL RECORD— Extensions of Remarks E812 HON
E812 CONGRESSIONAL RECORD — Extensions of Remarks March 30, 2009 Engine Repair Shop. The USS Tutuila func- of the Year by the United States Track & Field tion on Florida folk life while working for the tioned as a repair ship for the hundreds of and Cross Country Coaches Association WPA’s Federal Writers Project. As a result of small armed craft, or swift boats, used by the (USTFCCCA). her extensive anthropological research, her U.S. Navy and their South Vietnamese coun- Overall, the win marks SUNY Cortland’s writings have become invaluable sources on terparts in patrolling the numerous inland and 22nd national team title, including 16 NCAA African American life during the Harlem Ren- coastal waterways. Mr. Nissen and his fellow crowns in seven different sports. aissance. In all, Hurston wrote four novels and sailors worked around the clock to keep the Madam Speaker, I am honored to represent more than 50 published short stories, plays, swift boats functioning. They were often re- such skilled and hard-working athletes in my and essays, and she is best known for her sponsible for towing boats out of hostile areas district. Please join me in congratulating the 1937 novel ‘‘Their Eyes Were Watching God.’’ and transporting wounded sailors to safety. team and wishing them the best of luck in Madam Speaker, I would also like to recog- During his service on the USS Tutuila, Mr. their future athletic and scholarly pursuits. nize Dr. Gladys Pumariega Soler. Dr. Soler Nissen became interested in the work of the f was born in Cuba in 1930 and earned a med- medical staff and became a ‘‘striker’’ for a rat- ical degree from Havana University in 1955. -
Miami-Dade County Public School District's Universal Parent/Student Handbook
MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK ZORA NEALE HURSTON ELEMENTARY SCHOOL 13137 S.W. 26 ST. Miami, Fl. 33175 305-222-8152 Office Hours: 8:00 a.m. to 4:00 p.m. http://znhurston.dadeschools.net Before/After School Care Hours: 7:00 a.m. - 6:00 p.m. Facebook: Facebook.com/zoranealehurstonelem Twitter: @znhelem Instagram: znh_elem 1 MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK Miami-Dade County Public Schools The School Board of Miami-Dade County, Florida Ms. Perla Tabares Hantman, Chair Dr. Steve Gallon III, Vice Chair Dr. Dorothy Bendross-Mindingall Ms. Susie V. Castillo Dr. Lawrence S. Feldman Dr. Martin Karp Dr. Lubby Navarro Dr. Marta Pérez Ms. Mari Tere Rojas Student Advisor Maria Martinez SUPERINTENDENT OF SCHOOLS Mr. Alberto M. Carvalho SCHOOL OPERATIONS Mrs. Valtena G. Brown Deputy Superintendent/Chief Operating Officer 2 MIAMI-DADE COUNTY PUBLIC SCHOOL DISTRICT’S UNIVERSAL PARENT/STUDENT HANDBOOK Vision Statement We provide a world class education for every student. Mission Statement To be the preeminent provider of the highest quality education that empowers all students to be productive lifelong learners and responsible global citizens. Values Excellence - We pursue the highest standards in academic achievement and organizational performance. Equity - We foster an environment that serves all students and aspires to eliminate the achievement gap. Student Focus - We singularly focus on meeting our students’ needs and supporting them in fulfilling their potential. Innovation - We encourage creativity and adaptability to new ideas and methods that will support and improve student learning. Accountability - We accept responsibility for our successes and challenges and seek to transparently share our work in an ethical manner, as we strive towards continuous improvement. -
July 5-9 Prek-3 Educational Programming on NHPBS
July 5-9 PreK-3 Educational Programming on NHPBS Series Monday 7/5 Tuesday 7/6 Wednesday 7/7 Thursday 7/8 Friday 7/9 Ready Jet Go! - 6 am Mindy Turns Five Focus: Which Moon Is Best?/ Try And Try Again/Racing Mission To Mars/Sounds Astronaut Ellen Ochoa! Fo- Tea party on the Moon Detective Mindy Focus: On Sunshine Focus: rover Abound Focus: Mars/no cus: solving an engineering and a trip tp Pluto Saturn and Jupiter moons wheels/how solar panels work sound in space problem with Ellen Ochoa Arthur - 6:30 am George Scraps His Sculp- Buster’s Green Thumb/My Popular Girls/Buster’s Grow- Lights, Camera.... Opera!/ Arthur Rides The Bandwagon/ ture/Arthur’s Big Meltdown Fair Tommy Focus: growing ing Grudge Focus: trying to All Worked Up Focus: Opera Dad’s Dessert Dilemma Focus: a garden/Best Behavior be popular/stolen jokes singer Rodney Gilfrey everyone is collecting Woogles Molly of Denali - 7 am & 4 pm Rocky Rescue/Canoe Jour- Valentine’s Day Disaster/Por- Seal Dance/Snowboarding Busy Beavers/The Night First Fish/A-Maze-Ing Snow Fo- ney Focus: Nina hurts her cupine Slippers Focus: sun Qyah Style Focus: Unangax Watchers Focus: diverting cus: salmon life cycle/escaping ankle snowboarding catchers/porcupine quills dances/snowboarding water/nocturnal life a snow maze Wild Kratts - 7:30 am & 3:30 pm Honey Seekers Focus: hon- Whale Of A Squid Focus: Platypus Cafe Focus: Mom Of A Croc Focus: heat Elephant Brains! Focus: ele- ey guide bird, honey badger sperm whale, giant squid platypus have a special and conduction phants have feelings, emotions & symbiotic relationships and pressure is a force electromagnetic sense and real intelligence. -
Florida Women's Heritage Trail Sites 26 Florida "Firsts'' 28 the Florida Women's Club Movement 29 Acknowledgements 32
A Florida Heritag I fii 11 :i rafiM H rtiS ^^I^H ^bIh^^^^^^^Ji ^I^^Bfi^^ Florida Association of Museums The Florida raises the visibility of muse- Women 's ums in the state and serves as Heritage Trail a liaison between museums ^ was pro- and government. '/"'^Vm duced in FAM is managed by a board of cooperation directors elected by the mem- with the bership, which is representa- Florida tive of the spectrum of mu- Association seum disciplines in Florida. of Museums FAM has succeeded in provid- (FAM). The ing numerous economic, Florida educational and informational Association of Museums is a benefits for its members. nonprofit corporation, estab- lished for educational pur- Florida Association of poses. It provides continuing Museums education and networking Post Office Box 10951 opportunities for museum Tallahassee, Florida 32302-2951 professionals, improves the Phone: (850) 222-6028 level of professionalism within FAX: (850) 222-6112 the museum community, www.flamuseums.org Contact the Florida Associa- serves as a resource for infor- tion of Museums for a compli- mation Florida's on museums. mentary copy of "See The World!" Credits Author: Nina McGuire The section on Florida Women's Clubs (pages 29 to 31) is derived from the National Register of Historic Places nomination prepared by DeLand historian Sidney Johnston. Graphic Design: Jonathan Lyons, Lyons Digital Media, Tallahassee. Special thanks to Ann Kozeliski, A Kozeliski Design, Tallahassee, and Steve Little, Division of Historical Resources, Tallahassee. Photography: Ray Stanyard, Tallahassee; Michael Zimny and Phillip M. Pollock, Division of Historical Resources; Pat Canova and Lucy Beebe/ Silver Image; Jim Stokes; Historic Tours of America, Inc., Key West; The Key West Chamber of Commerce; Jacksonville Planning and Development Department; Historic Pensacola Preservation Board. -
Aneta Pawłowska Department of Art History, University of Łódź [email protected]
Art Inquiry. Recherches sur les arts 2014, vol. XVI ISSN 1641-9278 Aneta Pawłowska Department of Art History, University of Łódź [email protected] THE AMBIVALENCE OF AFRICAN-AMERICAN1 CULTURE. THE NEW NEGRO ART IN THE INTERWAR PERIOD Abstract: Reflecting on the issue of marginalization in art, it is difficult not to remember of the controversy which surrounds African-American Art. In the colonial period and during the formation of the American national identity this art was discarded along with the entire African cultural legacy and it has emerged as an important issue only at the dawn of the twentieth century, along with the European fashion for “Black Africa,” complemented by the fascination with jazz in the United States of America. The first time that African-American artists as a group became central to American visual art and literature was during what is now called the Harlem Renaissance of the 1920s and 1930s. Another name for the Harlem Renaissance was the New Negro Movement, adopting the term “New Negro”, coined in 1925 by Alain Leroy Locke. These terms conveyed the belief that African-Americans could now cast off their heritage of servitude and define for themselves what it meant to be an African- American. The Harlem Renaissance saw a veritable explosion of creative activity from the African-Americans in many fields, including art, literature, and philosophy. The leading black artists in the 1920s, 1930s and 1940 were Archibald Motley, Palmer Hayden, Aaron Douglas, Hale Aspacio Woodruff, and James Van Der Zee. Keywords: African-American – “New Negro” – “Harlem Renaissance” – Photography – “African Art” – Murals – 20th century – Painting. -
FEMINIST and GENDER THEORY for HISTORIANS: a Theoretical and Methodological Introduction
University of North Carolina at Chapel Hill, Department of History History/WMST 730 (graduate course) (Cross-listed with the Department of Women’s Studies) FEMINIST AND GENDER THEORY FOR HISTORIANS: A Theoretical and Methodological Introduction SPRING 2018 DRAFT SYLLABUS Instructor: Karen Hagemann Time of the Course: Wednesday, 5:30 – 8:00 pm Location of the Course: HM 425 Office Hours: Tuesday 1-3 pm or by appointment Office: Hamilton Hall 562 Email: [email protected] SHORT DESCRIPTION After more than forty years of research, it is time for a critical stocktaking of the theoretical and methodological developments in the field of women's and gender history. The course will therefore acquaint students with the major development of the field since the 1970s and consider the texts of authors such as Judith Bennett, Gisela Bock, Judith Butler, Kathleen Canning, R.W. Connell, Natalie Z. Davis, Evelyn Brooks Higginbottam, Joan Kelly, Gerda Lerner, Joan W. Scott, Sonya O. Rose, and John Tosh, in a chronological and systematical order, to understand how and why the theoretical and methodological debates developed in a specific direction. AIMS AND AGENDA OF THE COURSE Recovering the lives of women from the neglect of historians was the goal of women's history from its inception. Its methodology and interests have evolved over time as it has become established as an academic discipline. From its early origins in cataloguing great women in 15 September 2017 2 history, in the 1970s it turned to recording ordinary women's expectations, aspirations and status. Then, with the rise of the feminist movement, the emphasis shifted in the 1980s towards exposing the oppression of women and examining how they responded to discrimination and subordination. -
Women in Archives: an Historian's View on the Liberation of Clio by JOANNA SCHNEIDER ZANGRANDO
Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/36/2/203/2745774/aarc_36_2_201u366290227045.pdf by guest on 29 September 2021 Women in Archives: An Historian's View on the Liberation of Clio By JOANNA SCHNEIDER ZANGRANDO UCY STONE, a leading feminist, addressing a national woman's L rights convention in Cincinnati in 1855, declared: The last speaker alluded to this movement as being that of a few disap- pointed women. From the first years to which my memory stretches, I have been a disappointed woman. When, with my brothers, I reached forth after the sources of knowledge, I was reproved with "It isn't fit for you; it doesn't belong to women." ... I was disappointed when I came to seek a profession worthy an immortal being—every employment was closed to me, except those of the teacher, the seamstress, and the housekeeper. In education, in marriage, in religion, in everything, dis- appointment is the lot of woman. It shall be the business of my life to deepen this disappointment in every woman's heart until she bows down to it no longer. I wish that women, instead of being walking show-cases, instead of begging of their fathers and brothers the latest and gayest new bonnet, would ask of them their rights.1 Echoes of Lucy Stone's disappointment have persisted for over a century. So, too, have the scorn and derision directed at "disap- pointed women," couched in questions such as "Who are these women?" and "What do they want?" Among professional historians the question is whether there are enough sources to justify research and teaching efforts devoted only to women. -
A Life of Learning by Gerda Lerner 1-21 the Charles Homer Haskins Lecture
A LIFE OF LEARNING Gerda Lerner Charles Homer Haskins Lecture for 2005 American Council of Learned Societies ACLS OCCASIONAL PAPER, No. 60 ISSN 1041-536X Contents The Charles Homer Haskins Prize Lecture Series ii Brief Biography of Gerda Lerner iii Introduction by Pauline Yu v A Life of Learning by Gerda Lerner 1-21 The Charles Homer Haskins Lecture Charles Homer Haskins (1870–1937), for whom the ACLS lecture series is named, was the first Chairman of the American Council of Learned Societies, from 1920 to 1926. He began his teaching career at the Johns Hopkins University, where he received the B.A. degree in 1887, and the Ph.D. in 1890. He later taught at the University of Wisconsin and at Harvard, where he was Henry Charles Lea Professor of Medieval History at the time of his retirement in 1931, and Dean of the Graduate School of Arts and Sciences from 1908 to 1924. He served as president of the American Historical Association in 1922, and was a founder and the second president of the Medieval Academy of America in 1926. A great American teacher, Charles Homer Haskins also did much to establish the reputation of American scholarship abroad. His distinction was recognized in honorary degrees from Strasbourg, Padua, Manchester, Paris, Louvain, Caen, Harvard, Wisconsin, and Allegheny College, where in 1883 he had begun his higher education at the age of thirteen. Haskins Lecturers 2005 Gerda Lerner 1994 Robert K. Merton 2004 Peter Gay 1993 Annemarie Schimmel 2003 Peter Brown 1992 Donald W. Meinig 2002 Henry A. Millon 1991 Milton Babbit 2001 Helen Vendler 1990 Paul Oskar Kristeller 2000 Geoffrey Hartman 1989 Judith N. -
FG Small Anglo-American-Protestant
CENTER FOR THE STUDY OF PHILANTHROPY ANGELO T. ANGELIS Anglo-American Protestant Philanthropy, 1600 to the Present CURRICULUM C;[lIDE # 5 Kathleen D. McCarthy Centerfor the Study ofPhilanthropy Director THIS PROJECT HAS BEEN FUNDED BY A GENEROUS GRANT FROM THE ~K KELLOGG FOUNDATION Barbara Luria Leopold Series Editor Multicultural Philanthropy Curriculum Guides Copyright © 1999, Center for the Study of Philanthropy All Rights Reserved INTRODUCTION TO THE MULTICULTURAL PHILANTHROPY CURRICULUM PROJECT Giving and voluntarism are deeply ingrained traditions in American life. Yet these activities are frequently overlooked in the curricula of the nation's colleges and universities, or mistakenly por trayed as the exclusive province of elites. To address this, the Center for the Study of Philanthropy at the Graduate School and University Center of the City University of New York is developing a variety of materials to illuminate the significance of philanthropic activities at every level of society. A series of curriculum guides is one ofseveral resources designed to encourage the development ofundergraduate, graduate and extension courses on multicultural philanthropy. These materials reflect a variety of disciplinary approaches, examining the ways in which eleven different (but not necessarily mutually exclusive) groups-women, Catholics, Protestants, Jews, African Americans, Latinos, Northern Europeans, Southern and Eastern Europeans, Middle-Easterners, South and Southeast Asians, and East Asians-historically used their gifts of time and -
View the Full Chronology (PDF, 548KB)
CHRONOLOGY POLITICAL KEY POLITICAL ATLANTIC ART AND ART BACKGROUND EVENTS AND PEOPLE THOUGHT LITERARY EVENTS MOVEMENTS 0 Portuguese bring 0 5 African captives to 1 . Europe as slaves c 8 First African captives 1 5 shipped directly from 1 . c Africa to America Start of large-scale s slavetrading by 0 4 British slavers and 6 1 sugar cultivation in British Caribbean 0 4 7 1 Jamaica’s First – 5 Maroon War 6 6 1 5 Olaudah Equiano 4 7 born in what is now 1 . c Nigeria (West Africa) Ottobah Cugoano 7 5 born near Ajumako, 7 1 modern Ghana 3 8 – American War of 5 7 Independence 7 1 Ottobah Cugoano Freed black settlers publishes Thoughts 7 from England, Nova 8 and Sentiments on 7 1 Scotia and Jamaica the Evil of Slavery and arrive in Sierra Leone Commerce of the Human Species 9 9 – 9 French Revolution 8 7 1 4 0 8 1 – Haitian Revolution 1 9 7 1 Olaudah Equiano publishes The 9 Interesting Narrative of 8 7 the Life of Olaudah 1 Equiano, or Gustavus Vassa the African POLITICAL KEY POLITICAL ATLANTIC ART AND ART BACKGROUND EVENTS AND PEOPLE THOUGHT LITERARY EVENTS MOVEMENTS 1 January, 4 Haiti declared a 0 8 free republic 1 5 2 Wars for – 6 independence 0 8 in South America 1 25 March, Act for the Abolition of the Slave 7 0 Trade declares the 8 1 slave trade illegal in the British Empire Sierra Leone becomes a British colony, in which 8 0 Christian missionaries 8 1 settle and educate slaves rescued from slave ships 1 Chile gains 1 8 1 independence 8 1 8 1 14 February, r o Frederick Douglass 7 born (as slave) 1 8 1 9 About 8000 9 – Afro-Brazilian former