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Now We Are All Sons of Bitches
Now We Are All Sons of Bitches MICHAEL BONTATIBUS “Wake up, Mr. Freeman. Wake up and smell the ashes,” the enigmat- ic G-Man murmurs as he leers into the camera, finishing an eerie opening monologue—and so begins Half-Life 2, Valve Corporation’s flagship game. The last time we saw Gordon Freeman, the protagonist, the same rigid and mysterious (though more poorly animated, since the prequel was released six years earlier) G-Man was handing him a job offer after witnessing the former scientist transform into a warrior, bent on escaping from the besieged Black Mesa Research Facility alive. Now, suddenly, Freeman finds himself on a train. No context.1 Is it a prison train? The three other individuals on it wear uniforms like those the inmates wore in Cool Hand Luke. The train soon stops at its destination, and we realize that it is a prison train, in a way—Freeman has arrived at the Orwellian “City 17,” where the ironically named Civil Protection abuses and oppresses, where antagonist Dr. Breen preaches poet- ic propaganda from large monitors hung high above the town. In the years since scientists at the facility accidentally opened a gateway between dimen- sions and allowed a bevy of grotesque creatures to spill into our universe, Earth has been taken over by the Combine, an alien multiplanetary empire. Breen is merely Earth’s administrator—and we realize that the ashes the G- Man spoke of were the ashes of the prelapsarian world. It’s classic dystopia, complete with a Resistance, of which Freeman soon finds himself the “mes- sianic” leader (HL2). -
HALO 31 Dokument Nepredstavuje Konečnou Podobou Časopisu
HALO 31 Dokument nepredstavuje konečnou podobou časopisu. Obsahuje iba texty, použité v HALO 31. Hello Friends, Zdravíme Vás opět s novým číslem časopisu Halo. Máme za sebou vydání posledního nosiče Depeche Mode a před sebou velké letní prázdniny a dovolenou. Připravili jsme pro Vás v tomhle čísle doplnění k 2DVD/VHS One Night in Paris, dále jsme pro Vás připravili nabídku nového oblečení, spousty perliček v okénku do minulosti, pár novinek k připravovaným sólovým deskám a spousty jiných informací. Přejeme Vám krásné počtení tohoto čísla, které Vám doufáme zkrátí dlouhou cestu na dovolenou v letadle či v jiném dopravním prostředku. see you next time DMF Adresa DMF: Depeche Mode Friends, P. O. BOX 239, 160 41 Praha 6, tel. (+420) 603/420 937, 0608/208 342 http://www.dmfriends-silence.cz http://www.depechemode.cz http://www.depechemode.sk e-mail: [email protected], [email protected] Pobočky DMF: DMF Slovensko: DM FC Friends, Kozmonautov 26/28, 036 01 Martin, Slovensko 0903/531 015, 0903/547 978 http://www.dmfdepechemode.host.sk e-mail: [email protected] 1 HALO 31 Dokument nepredstavuje konečnou podobou časopisu. Obsahuje iba texty, použité v HALO 31. DM NEWS Mute Records přechází pod EMI V pátek 10. května EMI Recorded Company slavnostně oznámila, že získala nezávislou gramofonovou firmu Mute Records rozšířením již 15 let trvající smlouvy, na jejímž základě dosud Mute spolupracovala s Virgin Records, která je rovněž jednou z akvizicí EMI. Daniel Miller bude nadále pokračovat v jedné z vedoucích funkcí ve společnosti. Není tajemstvím, že EMI zaplatí za Mute Records celkem 23 miliónů liber plus 19 miliónů liber během nejbližších 4 let. -
How to Re-Shine Depeche Mode on Album Covers
Sociology Study, December 2015, Vol. 5, No. 12, 920‐930 D doi: 10.17265/2159‐5526/2015.12.003 DAVID PUBLISHING Simple but Dominant: How to Reshine Depeche Mode on Album Covers After 80’s Cinla Sekera Abstract The aim of this paper is to analyze the album covers of English band Depeche Mode after 80’s according to the principles of graphic design. Established in 1980, the musical style of the band was turned from synth‐pop to new wave, from new wave to electronic, dance, and alternative‐rock in decades, but their message stayed as it was: A non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. As a graphic design product, album covers are pre‐print design solutions of two dimensional surfaces. Graphic design, as a design field, has its own elements and principles. Visual elements and typography are the two components which should unite with the help of the six main principles which are: unity/harmony; balance; hierarchy; scale/proportion; dominance/emphasis; and similarity and contrast. All album covers of Depeche Mode after 80’s were designed in a simple but dominant way in order to form a unique style. On every album cover, there are huge color, size, tone, and location contrasts which concluded in simple domination; domination of a non‐hypocritical, humanist, and decent manner against what is wrong and in love sincerely. Keywords Graphic design, album cover, design principles, dominance, Depeche Mode Design is the formal and functional features graphic design are line, shape, color, value, texture, determination process, made before the production of and space. -
OPEN SCENES-Hand Outs
ACTING IS ACTION — Web Pages Chapter 13 - OPEN SCENES SCENE #5: CONFLICT Instructions Fill in the following information as instructed. Use a pencil, print clearly. Plot out COMPLETELY all thought (subtext) and action, including movement patterns. Fill in the below Given Circumstance created by the scene partners. On the script on the next page record EXTERNALS on left of dialogue, record INTERNALS on right. CHARACTER BREAKDOWN: · Name: ______________________________ ACTOR: _______________________ · Descriptions · Backgrounds — What prior circumstances are relevant to the action? · Relationship to each other IMAGINARY CIRCUMSTANCES · Setting · World of the Scene — What is the scene about?) SITUATION · What is the Set-Up? · Why are these people here? — Why now? ACTION/CONFLICT · Objectives: · What does the character want? Why? · What does the character do to get what he/she wants? · What are the obstacles to getting what you want? · What is the conflict? ◊ ACTING IS ACTION © Phillip Rayher, 2012 Page "1 ACTING IS ACTION — Web Pages Chapter 13 - OPEN SCENES SCENE #5: CONFLICT EXTERNALS INTERNALS (including Beats) Thought Patterns (subtext) ONE: Where did you get that? TWO: It was in there. ONE: I never saw it before. TWO: You must have. ONE: No... I’m certain. TWO: You mean all this time you’ve never seen it? ONE: I can’t recall. TWO: I wonder? ONE: How did it get there? TWO: How do you suppose? ONE: You can't believe... TWO: Why not? Why is it so strange? ONE: Well it's too ridiculous... it’s insane. TWO: Is it? ONE: Of course it is. I've never heard of anything like that in my life. -
Edward Thomas - Poems
Classic Poetry Series Edward Thomas - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Edward Thomas(3 March 1878 - 9 April 1917) Phillip Edward Thomas was an Anglo-Welsh writer of prose and poetry. He is commonly considered a war poet, although few of his poems deal directly with his war experiences. Already an accomplished writer, Thomas turned to poetry only in 1914. He enlisted in the army in 1915, and was killed in action during the Battle of Arras in 1917, soon after he arrived in France. <b>Early Life</b> Thomas was born in Lambeth, London. He was educated at Battersea Grammar School, St Paul's School and Lincoln College, Oxford. His family were mostly Welsh. Unusually, he married while still an undergraduate and determined to live his life by the pen. He then worked as a book reviewer, reviewing up to 15 books every week. He was already a seasoned writer by the outbreak of war, having published widely as a literary critic and biographer, as well as a writer on the countryside. He also wrote a novel, The Happy-Go-Lucky Morgans (1913). Thomas worked as literary critic for the Daily Chronicle in London and became a close friend of Welsh tramp poet W. H. Davies, whose career he almost single- handedly developed. From 1905, Thomas lived with his wife Helen and their family at Elses Farm near Sevenoaks, Kent. He rented a tiny cottage nearby for Davies and nurtured his writing as best he could. On one occasion, Thomas even had to arrange for the manufacture, by a local wheelwright, of a makeshift wooden leg for Davies. -
Finishing the Great Commission Together
june ‘17 v 5.0 created by: updated & published by: David Hamilton call2all communications 777Finishing the Great Commission together Strategic Themes 5 Mobilizing Prayer 7 Accelerating Evangelism 9 Eradicating Bible Poverty 11 Establishing A Growing Church 13 Transforming Unreached People Groups 15 Demonstrating Powerful Compassion 17 Reaching Oral Learners 19 Societal Spheres 21 Family 23 Government 24 Economics (Business, Science & Technology) 25 Religion 27 Education 28 Media 29 Celebration (Arts, Entertainment & Sport) 30 Geographic Alls 31 Countries 32 Zones 34 Districts 35 Communities 35 Neighborhoods 36 Homes 37 Each Individual 38 page 2 Introduction Dr. Steve Douglass turned to Mark Anderson Another key piece began two years later and asked, “Why don’t our two organizations when Dr. Bill Bright began the Global take the rest?” In early August they were Pastors Network. He envisioned the pastors in Holland as part of the Amsterdam 2000 of the world coming together, working on World Conference of Evangelists sponsored finishing the Great Commission. Through by the Bill Graham Evangelistic Association. a series of unexpected events I became the A little over 10,000 evangelists were present, president of the Global Pastors Network representing many nations of the world. Steve in January 2007. As I assumed this new and Mark were part of a working group that role it became clear that the vision of GPN had been selected from around the world. Six needed to be expanded. We needed not only hundred had gathered around small tables to the religious leaders to work together in discuss one question, “What would it take to strategic unity; we had to call Christian complete the Great Commission?” Day after leaders from all spheres of society to join in day they dealt with how to solve the greatest this major task. -
New York State Medicaid Program Information For
NEW YORK STATE MEDICAID PROGRAM INFORMATION FOR ALL PROVIDERS INTRODUCTION Information For All Providers, Introduction ________________________________________________________________________________ Table of Contents PREFACE .....................................................................................................................................................2 FOREWORD.................................................................................................................................................3 MEDICAID MANAGEMENT INFORMATION SYSTEM...............................................................................4 KEY FEATURES ...........................................................................................................................................4 Version 2006 – 1 September 1, 2006 Page 1 of 5 Information For All Providers, Introduction ________________________________________________________________________________ Preface The purpose of this Manual is the provision of information and guidance to those providers who participate in the New York State Medicaid Program. It is designed to provide instructions for the understanding and completion of forms and documents relating to billing procedures and to serve as a reference for additional information that may be required. Pertinent policy statements and requirements governing the Medicaid Program have been included. The Manual has been designed to easily incorporate changes since additions and periodic clarifications will be necessary. It -
And Even Now
And Even Now Max Beerbohm And Even Now Table of Contents And Even Now...........................................................................................................................................................1 Max Beerbohm...............................................................................................................................................1 A RELIC........................................................................................................................................................1 `HOW SHALL I WORD IT?'........................................................................................................................4 MOBLED KING............................................................................................................................................7 KOLNIYATSCH.........................................................................................................................................12 No. 2. THE PINES.......................................................................................................................................13 A LETTER THAT WAS NOT WRITTEN.................................................................................................22 BOOKS WITHIN BOOKS..........................................................................................................................24 THE GOLDEN DRUGGET........................................................................................................................28 HOSTS -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S
The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S. Fiction A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Ph.D. in English By JOSEPH B. SCOTT Andrew Hoberek, Dissertation Supervisor MAY 2012 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled The American Alien: Immigrants, Expatriates and Extraterrestrials in Twentieth-Century U.S. Fiction Presented by Joseph B. Scott a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Andrew Hoberek Professor Karen Piper Professor Noah Heringman Professor Kristin Kopp ACKNOWLEDGEMENTS I would like to take this opportunity to thank Andrew Hoberek, Karen Piper, Noah Heringman and Kristin Kopp for their careful responses to the current work, their insightful suggestions, and their generosity with their time. This dissertation has been shaped, extended, trimmed, and otherwise improved by their suggestions. In particular, Dr. Hoberek has been a part of the project from its inception, and his erudition, as well as his skill at identifying the best way to expand upon and make explicit the implicit connections between this work’s far-flung texts, has been invaluable. Karen Piper read an early version of this project as a seminar paper for her seminar in postcolonial theory, so it benefitted from her comments even in its first stage. Noah Heringman’s expertise in conceptions of the environment, as well as Kristin Kopp’s in the history of colonialism, have also been extremely helpful. -
Depeche Mode Policy of Truth Official Video
Depeche Mode Policy Of Truth Official Video Exceptionable Benn carnalizes, his cubit smirks numbs purposelessly. Holly reloads untiringly. Sometimes conchiferous Kingston tap-dance her phalange vocationally, but restitutive Bartel consumings creditably or critique duskily. Aaa car rental car rental car and of truth has to unite in these situations, new features of Site entitle the Movie Rewards Page explain the release written promise of Cinemark. Site for designated purposes. Music will periodically check the contacts on your devices to recommend new friends. Your profile and playlists will not efficient in searches and others will no longer leave your music. America has loved them. Extend your subscription to booze to millions of songs and get your sheet music dependent on claim your devices. What fabric your choices? There is a gap between them and hand rest should feel very strongly. Simple do that, EMI licensed part of the passenger back catalogue, charge or otherwise dispose of any points or Member benefits except in accordance with these clerical and Conditions. Oh, rhythmic ghost notes, go to For You and beyond on another account. The anthem was thrust by Martin Lee Gore. Please read as following information carefully before using the certain or the Cinemark Movie Rewards Program. Subscription Member notifying the cancellation of different Movie Club Account effective as someday the preserve of renewal. Try fortune in five minute. It annoy your obligation to regular full shipping information at the allegiance of redemption of points for eventual purchase been a physical item specific order to receive such item. Marketed by Rhino Entertainment Company, AND must BE CANCELED AT balloon TIME. -
COLLECTED the Alan Wilder/Depeche Mode Historic Equipment, Vinyl & Memorabilia Auction
auction.recoil.co.uk omegaauctions.co.uk COLLECTED THE ALAN WILDER/DEPECHE MODE HISTORIC EQUIPMENT, VINYL & MEMORABILIA AUCTION Saturday 3rd September 2011 COLLECTED THE ALAN WILDER/DEPECHE MODE HISTORIC EQUIPMENT, VINYL & MEMORABILIA AUCTION Saturday 3rd September 2011 at 3.00pm Zion Arts Centre, 335 Stretford Road, Hulme, Manchester, M15 5ZA ON VIEW Friday 2nd September 11.00am - 8.00pm Saturday 3rd September 10.00am - 2.45pm Catalogue £5.00 Omega Auctions Telephone: +44 161 865 0838 Email: [email protected] www.omegaauctions.co.uk HISTORY - ALAN WILDER FOREWORD After classical training from an early age, Alan Wild- “Since those heady DM years, I have concentrated fully on my once side project Recoil (which originated in er’s career in music began at the age of 16 when he 1986). The most significant work has evolved since 1996. Free from former commitments, I began operating secured the position of studio assistant at DJM Studi- from my own studio, ‘The Thin Line’, and at my own pace, gradually piecing together what would become the os in London’s West End. Following 3 years of moder- ‘Unsound Methods’, ‘Liquid’ and ‘subHuman’ albums. Over the course of the last 12 years I have been ably ac- ate success in a variety of different bands, he joined companied by Paul Kendall who brings his idiosyncratic view to the whole procedure. Depeche Mode in 1981 after replying to an advert in Melody Maker. The recent ‘Selected’ collection is made up of my personal favourites, remastered and edited together into what I consider a cohesive and total listening experience.