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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Epica Lyriel Freedom Call Robin Trower Bret Hard
www.rtp-bonn.de Nr. 1 · Frühjahr 2012 KÖLN | DÜSSELDORF rockt! Region BONN | KOBLENZ | KOSTENLOS 24.03., Andernach, JUZ EPICA LYRIEL 30.03. FREEDOM CALL Andernach, JUZ ROBIN TROWER mit Terminkalender zum Herausnehmen BRET HARD RECORDS Liebe Leser, * 23.03.1932 � 25.02.2012 das Jahr 2012 ist nun schon zwei Monate alt und einige tolle Konzerte sind mit Erfolg gelaufen. Doch auch in den kommenden Monaten haben wir tolle Events für euch organisiert. In Andernach, Juz schwingen wir die Heavy Metal-Keule mit RAGE, EPICA, FREEDOM CALL, zudem stellen wir euch das Juz vor (schade, so etwas gibt es in Bonn nicht!). Außerdem gibt es Interviews zu kommenden Konzerten mit ROBIN TROWER, PERZONAL WAR, LYRIEL etc. Im Businesstalk stellen wir Chris von Bret Hard Records vor. Wir wünschen euch ein schönes Jahr 2012 und viel Erfolg bei euren Plänen und Vorsätzen. Ach ja, ab jetzt ist das Wir möchten diese Ausgabe dem Bluesmusiker LOUISIANA RED (bürger- lich Iverson Minter) widmen, der am 25.02.2012 im Alter von 79 Jahren Heft komplett farbig, schreibt doch mal, wie Euch das unerwartet gestorben ist. Das geplante Konzert am 7.4. Bonn, Harmonie neue Layout gefällt. fällt damit natürlich aus. Er war einer der letzten großen amerikanischen Delta Blues-Musiker. Die beiden Konzerte, die wir in der Harmonie mit ihm Viel Spaß beim Lesen, veranstaltet haben (2006/07), werden uns immer in toller Erinnerung blei- Jürgen + Manni ben. Rest in Peace, Red! Impressum: INHALT SEITE Verlag: Interview: FREEDOM CALL . 4 SP Medienservice Friesdorferstr. 122, 53173 Bonn Interview: RAGE . 6+7 Tel.: 0228 / 390 22-0, Fax: 0228 / 390 22-10 Business Talk: Chris Brett Hard Records . -
Rage Full Moon Live DVD CD
RRR AAA GGG EEE - Full Moon In St. Petersburg - Style: Symphonic Progressive Metal VÖ: 23.02.2007 27361 1858-2 CD+ DVD 27361 1819-2 DVD/CD 27361 1819–0 DoDVD+CD limit. Metal Boxset FACTS - Das ultimative Live Erlebnis, in der limited Edition auf 2 DVDs + CD mit 375 Minuten Gesamtspielzeit! - Anzeigenschaltung auf den Rückseiten von Rock Hard, Metal Reviews in allen Metalmagazinen Print und Online - Interviews EMP, Metal Hammer, Rock Hard, Heavy, Blast, Hammer, Legacy - Ladendekorationen mit A1 Poster - Verteilung von 20.000 Aufklebern via Streeteam - Werbung in 250.000 Metal CDs - Email Versand an 70.000 Metalfans - Einsatz von E-Cards via e-team - Festival Tour 2008: CD+ DVD 27361 1858-2 DVD04 20.01 Illingen - New Years Rock 01.04 Hannover - Faust festival 16.06 Kleinwenkheim - Queens of Metal Open Air 06.07 Osterode - Rock Harz Open Air 14.07 Brande-Hörnerkirchen - Headbangers Open Air 2.-4.08 Wacken - Wacken Open Air DVD + CD 27361 1819-2 DVD04 3.-4.08 Pratteln (CH) - Metal Days 25.08 Andernach - JUZ Festival TRACKLISTS: DVD: (103 Min.) Ltd. 2 DVD+CD im Metalbox DVD01 Live in St. Petersburg 20.05.06: CD: (68 Min.) 01. Speak Of The Dead Live in St. Petersburg 20.05.06: 02. No Fear 01. Intro 03. Sent By The Devil 02. Speak Of The Dead 04. Soul Survivor 03. No Fear Label 05. Enough Is Enough 04. Sent By The Devil 06. Baby, I’m Your Nightmare 05. Soul Survivor 07. Morituri Te Salutant 06. Enough Is Enough 08. Prelude Of Souls 07. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
Sonic Signatures in Metal Music Production : Teutonic Vs British Vs
Online publications of the Gesellschaft für Popularmusikforschung/ German Society for Popular Music Studies e. V. Ed. by Eva Krisper and Eva Schuck w w w . gf pm- samples.de/Samples1 8 / h e r bs t . pdf Volume 18 (2020) - Version of 11 May 2020 SONIC SIGNATURES IN METAL MUSIC PRODUCTION TEUTONIC VS BRITISH VS AMERICAN SOUND Jan-Peter Herbst Introduction Popular music studies have seen a rising interest in what could be called »sonic signatures« or »signature sounds«. According to Zagorski-Thomas (2014: 66), the »use of the term in music has been to describe the character of a particular individual or group's performance style and output, but can also relate to a record company or a producer.« He gives the example of producer Phil Spector, who worked with the same pool of musicians, and the Motown label with their iconic band the Funk Brothers, who recorded in the Snakepit studio. Other signature sounds from characteristic instruments and effects devices shape popular music genres (Brockhaus 2017). Even countries and cities can have signature sounds (Simmons 2004; Owsinski 2006; Zagorski- Thomas 2012; Massey 2015; Herbst 2019, 2021), e.g. Philly soul. Many ap- proaches for analysing a recording and its meaning have been pursued. Based on auditory analysis, von Appen (2015), Helms (2015), and Zagorski-Thomas (2015) have interpreted potential decisions in the production process con- cerning their creative and commercial reasons. But as Morey's (2008) analysis of the Arctic Monkeys' demos has shown, even highly skilled production ex- perts and musicologists can be wrong in their assumptions and interpreta- tions. -
Daniel 3:22-23 Daniel 3:22-Shadrach
Daniel 3:22-23 Daniel 3:22-Shadrach, Meshach And Abednego’s Executioners Are Killed Because The Command To Execute Them Was Uncompromisingly Severe So That The Furnace Was Excessively Hot Review of Daniel 3:1-21 Daniel 3:1 records Nebuchadnezzar the king of Babylon erecting a gold statue of himself, ninety feet tall, nine feet wide in the plain of Dura in the province of the city of Babylon. Daniel 3:1 Nebuchadnezzar the king sculptured an image composed of gold, its height ninety feet, its width nine feet. He erected it on the plain of Dura in the province of the city of Babylon. (Author’s translation) Daniel 3:1 records Nebuchadnezzar the king of Babylon sculpturing an image composed of gold, which was ninety feet tall and nine feet wide. It was erected on the plain of Dura in the province of the city of Babylon. This action taken by the king is the direct result of Daniel’s interpretation in Daniel 2:38, which records Daniel telling him that he was the head of gold of the statue. There are some commentators who suggest like Archer that the statue was not of himself but of one of the Babylonian gods, like Nabu. However, there is an obvious connection between the head of gold in the statue in Nebuchadnezzar’s dream in Daniel chapter 2 and the gold statue constructed by the king in chapter 3. That the events recorded in chapter 3 follow the events recorded in chapter 2 is indicated by the fact Daniel’s three friends are functioning in their new positions of authority (3:12) to which they were appointed by Nebuchadnezzar (2:49) per Daniel’s request. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros. -
Lita Ford and Doro Interviewed Inside Explores the Brightest Void and the Shadow Self
COMES WITH 78 FREE SONGS AND BONUS INTERVIEWS! Issue 75 £5.99 SUMMER Jul-Sep 2016 9 771754 958015 75> EXPLORES THE BRIGHTEST VOID AND THE SHADOW SELF LITA FORD AND DORO INTERVIEWED INSIDE Plus: Blues Pills, Scorpion Child, Witness PAUL GILBERT F DARE F FROST* F JOE LYNN TURNER THE MUSIC IS OUT THERE... FIREWORKS MAGAZINE PRESENTS 78 FREE SONGS WITH ISSUE #75! GROUP ONE: MELODIC HARD 22. Maessorr Structorr - Lonely Mariner 42. Axon-Neuron - Erasure 61. Zark - Lord Rat ROCK/AOR From the album: Rise At Fall From the album: Metamorphosis From the album: Tales of the Expected www.maessorrstructorr.com www.axonneuron.com www.facebook.com/zarkbanduk 1. Lotta Lené - Souls From the single: Souls 23. 21st Century Fugitives - Losing Time 43. Dimh Project - Wolves In The 62. Dejanira - Birth of the www.lottalene.com From the album: Losing Time Streets Unconquerable Sun www.facebook. From the album: Victim & Maker From the album: Behind The Scenes 2. Tarja - No Bitter End com/21stCenturyFugitives www.facebook.com/dimhproject www.dejanira.org From the album: The Brightest Void www.tarjaturunen.com 24. Darkness Light - Long Ago 44. Mercutio - Shed Your Skin 63. Sfyrokalymnon - Son of Sin From the album: Living With The Danger From the album: Back To Nowhere From the album: The Sign Of Concrete 3. Grandhour - All In Or Nothing http://darknesslight.de Mercutio.me Creation From the album: Bombs & Bullets www.sfyrokalymnon.com www.grandhourband.com GROUP TWO: 70s RETRO ROCK/ 45. Medusa - Queima PSYCHEDELIC/BLUES/SOUTHERN From the album: Monstrologia (Lado A) 64. Chaosmic - Forever Feast 4. -
313 3D in Your Face 44 Magnum 5 X a Cosmic Trail A
NORMALPROGRAMM, IMPORTE, usw. Richtung Within Temptation mit einem guten Schuß Sentenced ALLOY CZAR ANGEL SWORD ACCUSER Awaken the metal king CD 15,50 Rebels beyond the pale CD 15,50 Dependent domination CD 15,50 Moderater NWoBHM Sound zwischen ANGRA BITCHES SIN, SARACEN, DEMON, Secret garden CD 15,50 Diabolic CD 15,50 SATANIC RITES gelegen. The forlorn divide CD 15,50 ALLTHENIKO ANGRA (ANDRE MATOS) Time to be free CD 29,00 ACID Back in 2066 CD 15,50 Japan imp. Acid CD 18,00 Devasterpiece CD 15,50 ANGUISH FORCE Engine beast CD 18,00 Millennium re-burn CD 15,50 2: City of ice CD 12,00 ACRIDITY ALMANAC 3: Invincibile imperium Italicum CD 15,50 For freedom I cry & bonustracks CD 17,00 Tsar - digibook CD & DVD 18,50 Cry, Gaia cry CD 12,00 ACTROID ALMORA Defenders united MCD 8,00 Crystallized act CD 29,00 1945 CD 15,50 Japan imp. RRR (1998-2002) CD 15,50 Kalihora´s song CD 15,50 Sea eternally infested CD 12,00 ABSOLVA - Sid by side CD 15,50 ADRAMELCH Kiyamet senfonisi CD 15,50 Broken history CD 15,50 ANIMETAL USA Shehrazad CD 15,50 Lights from oblivion CD 15,50 W - new album 2012 CD 30,00 313 ALTAR OF OBLIVION Japan imp. Opus CD 15,50 Three thirteen CD 17,00 Salvation CD 12,00 ANNIHILATED ADRENALINE KINGS 3D IN YOUR FACE ALTERED STATE Scorched earth policy CD 15,50 Same CD 15,50 Faster and faster CD 15,50 Winter warlock CD 15,50 ANNIHILATOR ADRENICIDE Eine tolle, packende Mischung aus AMARAN Alice in hell CD 12,00 PREMONITION (Florida) ILIUM, HAN- War begs no mercy CD 15,50 KER und neueren JAG PANZER. -
The Routledge Companion to Remix Studies
THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group. -
Rasen Sissi Perlinger Tito&Tarantula Hard'n
www.rtp-bonn.de Nr. 2 · Sommer 2014 KÖLN | OBLENZ | SIEGBURG rockt! Region BONN | K KOSTENLOS „30 Jahre RAGE“ 5.9. Andernach, JUZ DESERTED KUNST!RASEN SISSI PERLINGER mit Terminkalender TITO &TARANTULA zum Herausnehmen! HARD‘N‘HEAVY‘S SUMMER NIGHT Liebe Leser, Impressum: der Sommer rückt näher und somit beginnt auch die Festivalzeit. Wir stellen euch Gesamtherstellung wie immer das traditionelle Open Air der Hard‘n‘Heavys Bonn Rhein-Sieg vor, wie schon die letzten drei Jahre in Mechernich, Mühlenpark (Voreifel bei Euskirchen) Herausgeber: beheimatet. Diesmal ist der Termin der 25./26.07.2014. Wir stellen die beiden Rock-Times Production Jürgen Both (JB) Headliner ATTIC und LONEWOLF vor und den Festivalplan. Frongasse 20 a, 53121 Bonn Aber auch wir selber waren nicht untätig. Im August (28.8. Siegburg, Kubana) Tel.: 0228 / 61 63 09, Mobil: 0175 / 499 33 14 E-Mail: [email protected] kommt der Knüller, das einzige Clubkonzert in unserer Region 2014 von TITO+TARANTULA, der Kultband aus dem Film „From Dusk Till Dawn“. Sie spielen Redaktion: das Beste aus ihren fünf CDs, natürlich auch dem Hit „After Dark“. Dazu stellen Manfred Rothe (MR) Lerchenweg 21, 53119 Bonn wir euch Sissi Perlinger vor (ist das noch nötig?), die am 12.9. mit Lisa Fitz + Tel.: 0228 / 966 30 09 Patrizia Moresco im Brückenforum Bonn das Programm „Weiberpower Pur“ vom E-Mail: [email protected] Stapel lässt. Dazu gibt es noch Berichte/Interviews über/von RAGE (5.9. „30 Jahre Layout: RAGE“ Andernach, Juz), DESERTED (Support von TITO), KUNST!RASEN, Pop-Beauf- Partnersatz Media tragter Bonn Hans-Joachim Over etc. -
R a G E - 21 - Genre: Metal Ltd
R A G E - 21 - Genre: Metal Ltd. 2 CD Digibook 27361 2810-0, CD- 2, 2LP -1 VÖ: 24.02.2012 FACTS Es ist kaum zu glauben, dass RAGE bereits 2 Jahre später nach „Strings To A Web“ den 21. Longplayer ihrer 25 jährigen Karriere vom Stapel lassen und dabei immer noch so viel Spielfreude und Ideenreichtum drauf haben. Hier kann jeder Rage Fan wieder blind zugreifen und wird zu keiner Sekunde enttäuscht, kein Wunder ist die Rage - Fanbase der Band so treu seit Jahrzehnten… „superbe Songs, eine grandiose Produktion …purer Metal-Genuss!“ METAL HAMMER / 6 Punkte „…der erste Eindruck ist spektakulär gut“ ROCK HARD / Feb. Ausgabe Limit. 2CD im CD „RAGE liefern mit „21“ ein überraschend hartes Album ab, das mit aufwändigen Deluxe Digibook Arrangements, spektakulärer Gitarrenarbeit und den typischen Trademarks 27361 2810-0 BV 27361 2810-2 YX überzeugt. Eine Stunde, die wie im Flug vergeht und zeigt, dass mit RAGE noch lange zu rechnen ist. “ LEGACY # Hörprobe online auf facebook.com/OfficialRage # Ltd. Edition im Digi Book mit live CD! 2LP im Gatefold+ Poster # Tourstart 1 Abend vor Album Veröffentlichung! 27361 2810-1 FZ # Platz 2 im „Rock It“ Soundcheck! # Albumvorstellung/Studioreport in den Februarausgaben von Metal Hammer, Rock Hard, Legacy, Rock It und Heavy # Interviews, Reviews, Soundchecks in den März Ausgaben von: Rock Hard, Metal Hammer, Heavy, Rock It, Legacy, RCN, Rocks, Guitar, Musix, Label Hard Times, Classic Rock,Hardline,Breakout, Piranha und EMP # Beiträge auf der RH und MH – DVD Beilage im März # Anzeigenschaltung in den März Ausgaben von: Rock Hard, Metal Hammer, Heavy, Legacy, Piranha, Chaos # Konzertberichte in den Mai Ausgaben Line - Up # TV : Interview auf iMusiciMusic1, Nachtfahrt TV mit Rage # Videoclip zum Titelsong “21” ab Anfang Februar auf den Online Kanälen # Video-Clipeinsätze auf: iMusic1, Just Music TV, DW TV: PopXport # Bannerschaltung auf metalflirt (DE) (1mio.