Hemispheres Studies on Cultures and Societies Vol. 29, No. 1
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Israel Resource Cards (Digital Use)
WESTERN WALL ַה ּכֹו ֶתל ַה ַּמ ַעָר ִבי The Western Wall, known as the Kotel, is revered as the holiest site for the Jewish people. A part of the outer retaining wall of the Second Temple that was destroyed by the Romans in 70 CE, it is the place closest to the ancient Holy of Holies, where only the Kohanim— —Jewish priests were allowed access. When Israel gained independence in 1948, Jordan controlled the Western Wall and all of the Old City of Jerusalem; the city was reunified in the 1967 Six-Day War. The Western Wall is considered an Orthodox synagogue by Israeli authorities, with separate prayer spaces for men and women. A mixed egalitarian prayer area operates along a nearby section of the Temple’s retaining wall, raising to the forefront contemporary ideas of religious expression—a prime example of how Israel navigates between past and present. SITES AND INSIGHTS theicenter.org SHUK ׁשוּק Every Israeli city has an open-air market, or shuk, where vendors sell everything from fresh fruits and vegetables to clothing, appliances, and souvenirs. There’s no other place that feels more authentically Israeli than a shuk on Friday afternoon, as seemingly everyone shops for Shabbat. Drawn by the freshness and variety of produce, Israelis and tourists alike flock to the shuk, turning it into a microcosm of the country. Shuks in smaller cities and towns operate just one day per week, while larger markets often play a key role in the city’s cultural life. At night, after the vendors go home, Machaneh Yehuda— —Jerusalem’s shuk, turns into the city’s nightlife hub. -
Causes of the Rise and Flourishing of Civilizations
www.ijcrt.org © 2021 IJCRT | Volume 9, Issue 5 May 2021 | ISSN: 2320-2882 Causes of the rise and flourishing of civilizations Habibullah hazem Abstract A cursory glance at human history makes it very clear that civilizations are born as human beings, reach maturity and growth, and collapse and die due to more internal causes. The death of civilizations is something that history has talked about a lot and it is called forgotten civilizations. In the science of history and more in the philosophy of history, the issue of how the causes and factors of the emergence, flourishing and destruction of civilizations are mentioned and history analysts study these causes and factors. According to them, the mentioned causes and factors are natural and in the field of events related to natural and human laws. But in intra-religious analysis, looking at causes and factors is done from another angle; The Qur'an, with the aim of guiding human beings, looks at events from an educational point of view. On this basis, each of the events is closely related to the issues of punishment and encouragement of human beings and finds meaning and meaning with monotheism and its belongings. Although it is necessary to look at the events and their causes from the perspective of philosophy of history and natural traditions and laws, but these traditions are closely related to human actions and behavior. In a comprehensive analysis, although earthquakes, floods and other natural disasters are related to natural laws, but human actions are effective in its creation and emergence, and these actions can have a positive and negative impact on natural laws and nature. -
RESEARCH, ART and VIDEO GAMES: ETHNOGRAPHY of an EXTRA-DISCIPLINARY EXPLORATION Cédric Parizot and Douglas Edric Stanley
antiAtlas Journal #01 - Spring 2016 RESEARCH, ART AND VIDEO GAMES: ETHNOGRAPHY OF AN EXTRA-DISCIPLINARY EXPLORATION Cédric Parizot and Douglas Edric Stanley Cédric Parizot is Researcher in Anthropology at IREMAM (CNRS UMR 7310). He is initiator and coordinator of the antiAtlas of Borders project. His most recent publications are: Israelis and Palestinians in the Shadows of the Wall. Spaces of Separation and Occupation, 2015, Ashgate (co-edited with S. Latte Abdallah) and “Marges et Numérique/Margins and Digital Technologies”, 2015, Journal des anthropologues 142-143 (co-edited with T.Mattelart, J. Peghini and N. Wanono). Douglas Edric Stanley is an American-born artist and teaches in Aix en Provence where he founded the Atelier Hypermédia, an atelier dedicated to the exploration of algorithms and code as artistic materials. Douglas also teaches Algorithmic Design in the Media Design Master of the Geneva University of Art and Design (HEAD). As an artist, he has participated in several exhibitions related to digital art. Translated by Caroline Mackenzie. Keywords : apparatus, art, digital art, distanciation, device (dispositif), ethnography, borders, Intifada, Israel, video games, Palestine, walls, research, mobility regime, procedural rhetoric To quote this article: Parizot, Cedric, Stanley, Douglas Edric, "Research, Art and Video games: Ethnography of an extra-disciplinary exploration", antiAtlas Journal, 01 | 2016, [Online], published on June 30th, 2016, URL : http://www.antiatlas-journal.net/01-research-art-and-video-games- ethnography-of-an-interdisciplinary-exploration, accessed on juillet 7, 2016 Introduction Introduction 1 This article reviews the process of conception and development of a documentary and artistic video game: A Crossing Industry. This game focuses on the operations of the Israeli separation regime in the West Bank during the three years following the second Intifada (2007-2010). -
Verbotsliste Zum Members´ Favourite 2012 (MF 2012)
Verbotsliste zum Members´ Favourite 2012 (MF 2012) Interpret Titel Wettbewerb MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2012 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2012 auch nicht erlaubt: alle ESC- Vorentscheidungs-Titel 2012 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 3Js De stroom SCC 11 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aalto, Saara Blessed with love SCC 11 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 ABBA oder Abba Slipping through my fingers MF 11 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Ace of Base Black Sea MF 11 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adele Set fire to the rain MF 11 Adele Someone like you OGAESC 11 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adler, Ines Ich war so lange nicht verliebt MF 11 Adomaitis, Linas Floating to you SCC 11 Adoro Horizont MF 11 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aharoni, Chen Or SCC 11 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Airport Impressions Freedom OGAESC 11 Åkerström, C.-S. -
A Contribution to the Study of the Persian Concept of Âberu 113
A Contribution to the Study of the Persian Concept of Âberu 113 Magdalena Zaborowska* PL ISSN 02398818 HEMISPHERES Vo l. 29, No. 1, 2014 A Contribution to the Study of the Persian Concept of Âberu Abstract The concept of âberu is one of those key concepts in Iranian culture which are very hard to define. In this paper the author attempts to explain its philosophical meaning, both by philological analysis based on dictionary sources and by placing it within the context of Iranian, pre-Islamic and Islamic culture. Emphasizing the bond between the idea of water and the concept of âberu, as well as defining it as veil woven from values and principles that protects humans; thus enables an understanding of its significant status among Iranians in contemporary culture. Because loss of âberu or its destruction is commonly understood in the terms of a threat to life, many actions undertaken by Iranians are motivated by the desire to preserve it. Since various methodological approaches can be applied to the study of the concept of âberu, this article should be viewed only as an small contribution to reviling its complexity. There is no doubt that understanding another culture requires familiarizing oneself with its fundamental concepts. While representatives of a particular culture often refer to such concepts and ideas in an attempt to facilitate intuition for others they usually remain unintelligible and unclear. Grasping their meaning is a difficult task as most of them are culturally rooted and refer to cultural experience. Decoding these ideas may however help in understanding how people think, with reference to their value systems and beliefs. -
Love and Rock 'N' Roll in Sderot, an Israeli City Under Near-Constant
Love and Rock ‘N’ Roll in Sderot, an Israeli City Under Nea... http://www.tabletmag.com/scroll/192600/love-and-rock-n-roll... Print | Close Love and Rock ‘N’ Roll in Sderot, an Israeli City Under Near-Constant Fire A new documentary from filmmaker Laura Bialis explores the influential music scene in a place you’d least expect By Beth Kissileff | August 4, 2015 1:28 PM The story goes like this: A woman journeys to a desolate, forsaken, and unlovable place for purely professional reasons. There, she falls in love—first with the place itself and the brave spirit of its people, and then with a local who becomes her husband and the father of her child. Now, she’s made a movie about her experience. The woman is Laura Bialis, whose documentary film Rock in the Red Zone recently premiered at the San Francisco Jewish Festival, and will open to a wider release in November; and the place is Sderot, a city in southern Israel near the Gaza Strip that’s populated mainly by Jews from Moroccan backgrounds (with some Persian and Kurdish Jews also in the mix), who settled there in waves of mass immigration in the 1950s. For years, Sderot—a city far from the center of Israel with limited economic and educational opportunities—has been shelled by rockets over 2500 times since 2012. In fact, the city has special underground playgrounds so that kids who have to spend much time in bomb shelters will have something fun to do. (A recent study showed that 40% of Sderot’s children suffer from post-traumatic stress.) And yet, Sderot is home to an important part of the Israeli music scene. -
June July 2018 Bulletin
A Congregation Affiliated with the Congregation B’nai Israel United Synagogue of Conservative Judaism 6525 Sylvania Avenue Sylvania OH 43560 151 Years of (419) 517-8400 Consecrated Service to www.cbitoledo.org God, Torah and Israel 5778 1 Notes from the Cantor ………………………………………. POWER OF MUSIC V The past month in Jewish history and in our calendar has been momentous. We experienced Israel’s 70th anniversary, celebrated in several excellent events in our community, the 51st anniversary of the reunification of Jerusalem, and the relocation of the US Embassy in Israel from Tel Aviv to Jerusalem. In the midst of all this euphoria, what might have escaped your attention is Israel’s winning the prestigious Eurovision song contest on May 12th 2018 in Lisbon, Portugal. That night in our Jewish calendar - the 28th of Iyar, commemorates the reunification of Jerusalem during the Six Day War of 1967. This is the fourth time Israel has won Eurovision, one of the world’s most famous international song contests. The winning song “Toy”, a pop anthem about female independence, was performed by 25 year old Netta Barzilai, accompanied by her signature “chicken dance.” Netta had placed third by the official judges, but won thanks to tele-voters from around the world catapulting her to victory. Hours before the victory, Israeli superstar film actress Gal Gadot had urged her twenty million Instagram followers to vote for Israel’s entry. Including words like “I’m not your toy you stupid boy...,” it was influenced by the #MeToo movement. The Eurovision contest has often been embroiled in political and religious controversies, although politically tinged songs are unofficially disallowed. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
The Effect of Tolerance on Balancing Social Relations in Terms of Molana’S Point of View in Masnawi
Journal of History Culture and Art Research (ISSN: 2147-0626) Tarih Kültür ve Sanat Araştırmaları Dergisi Vol. 6, No. 3, June 2017 Revue des Recherches en Histoire Culture et Art Copyright © Karabuk University http://kutaksam.karabuk.edu.tr مجلة البحوث التاريخية والثقافية والفنية DOI: 10.7596/taksad.v6i3.986 Citation: Kalesara, G., & Mashoor, P. (2017). The Effect of Tolerance on Balancing Social Relations in Terms of Molana’s Point of View in Masnawi. Journal of History Culture and Art Research, 6(3), 1158-1175. doi:http://dx.doi.org/10.7596/taksad.v6i3.986 The Effect of Tolerance on Balancing Social Relations in Terms of Molana’s Point of View in Masnawi Ghasem Yaghubinezhad Kalesara*1, Parvindokht Mashoor2 Abstract Fresh perceptions and variations in concepts introduced by Molana are among the beautiful effects of Masnavi. It is full of various ploys and mystical paraphrases which imply a new meaning in social issues. In this paper, after a short study of tolerance and its background in Islamic culture and western civilization, it has been discussed socially in Molana’s period. The researchers try to explain tolerance on the basis of two standpoints, by believing that it has a deep influence on balancing human relations. Firstly, we want to know if it is a heavenly or a secular issue since our mystical works talk about an inner source while modern thought is focused on the scientific and experiential roots of wisdom. But in the second step we investigate the relationship between the tolerance and its benefit for the human social rights. Although Molana’s attitude in most of Masnavi’s poems relies on the traditional points of view, this study has realized his mind clarity and vigilance and has come to valuable deductions. -
Video Games Within Middle Eastern Conflicts CALLUM Mcdonald
McDONALD Slingshots and Game Controllers: Video Games within Middle Eastern Conflicts CALLUM McDONALD This essay will place a series of Middle Eastern-made video games into the political and military conflicts in which they are played. In contrast to scholarship focusing on how video games represent and narrate colonial and post-colonial reality onscreen, this paper will focus on how video games relate to their (Middle Eastern) players’ lived experiences of ongoing conflicts such as the Arab-Israeli conflict and the global “War on Terror.” This paper will survey a selection of six primary video games, all participating in the aforementioned conflicts: two by the Islamic State’s online supporters, two by the Syrian developer Afkar Media, and another two by Lebanon’s Hezbollah. This selection contains games which serve a variety of political languages, whether colonial-imperial, anti-imperial, or post-colonial. This paper intends to show how the political character of these games is tightly bound to the local context of the playership, in ways that turn games into propaganda. This essay seeks to challenge a Euro-American, middle-class ideal in video game studies that treats gameplay as escapism—giving excitement to players who are otherwise disconnected from the world of politics. Consequently, historical video games, divorced from reality, are measured by how well (or poorly) they simulate a past or present. Increasing the focus on video games’ meaning within some Middle Eastern gamers’ highly politicized social worlds could permit video game studies to open itself up to both global politics and specific regional histories. Video games are a natural home for rich representations of reality, combining sound, visuals, text, and narrative.1 What is more, players can actively shape a game’s storyline. -
The Culture of Reconciliation. the Moral Aspect of Speech in Saʿdi's
ROCZNIK ORIENTALISTYCZNY, T. LXXI, Z. 1, 2018, (s. 109–126) MAGDALENA RODZIEWICZ The Culture of Reconciliation. The Moral Aspect of Speech in Saʿdi’s Teachings Abstract The 13th-century Persian poet Saʿdi from Shiraz is considered to be one of the most prominent representatives of medieval Persian ethical literature. His works full of moralizing anecdotes were well known and widely read not only in Persia, but in the other parts of the Islamic world as well. Due to his highly humanistic approach, the relations between people were one of the most important issues discussed by the poet. This article is an attempt to define the status of ‘speech’ in Saʿdi’s moral imagination and to show how it becomes a key instrument in shaping relations with others. In the poet’s opinion, the right words reasonably spoken, just like an appropriate silence, shape the relationship between people and help them avoid conflict and open dispute. Quarrels and confrontations, according to the poet, not only damage a person literally by exposing his flaws and imperfections of character, thereby compromising his reputation (aberu), but may also undermine the basis of social life, generating hostility between people. That is why Saʿdi urges his readers to use soft and gentle speech in dealing with people and always behave in a conciliatory manner in response to aggression and rudeness. Highlighting the moral aspect of speech, Saʿdi shows how kind words form an invisible veil between people, which should be preserved if man desires to maintain his image, good name and dignity. Keywords: Persian moral literature, Saʿdi, ethics, moral conduct, adab, aberu, taʿarof, face, human relations, speech In many cultures, the highest-ranking relation a human being was capable of entering into was his relationship with God. -
Jahangir Siddiqui & Co. Ltd. List of Shareholders (Unclaimed Dividend
Page 1 of 83 Jahangir Siddiqui & Co. Ltd. List of Shareholders (Unclaimed Dividend) Unclaimed S. No. Name of Shareholder Address Dividend (PKR) 1 (1081) MRS. LAILA NUSRAT 17-B, JUSTICE SARDAR IQBALROAD, GULBERG-III, LAHORE. 56 2 (1329) BURHAN ALI 341/B,NEW CHOUBURJI PARK,LAHORE. 90 3 (1350) MUBARIK ALI C/O ROOM#509, LAHORE STOCKEXCHANGE BUILDING, LAHORE. 450 4 (1538) MALIK MUHAMMAD ALEEM HOUSE#12, MAIN BAZAR QILLAGUJAR SINGH, LAHORE. 425 5 (1746) MUHAMAMD SALEEM BASHIR H.#17, S.#3, D-BLOCK MALIKMUNIR ROAD GULSHAN RAVILAHORE. LAHORE 650 6 (1746) MUHAMAMD SALEEM BASHIR H.#17, S.#3, D-BLOCK MALIKMUNIR ROAD GULSHAN RAVILAHORE. LAHORE 425 7 (1832) QAZI ZUBAIR GILL H.#26, S.#2, NADEEM PARK,NEW SHALIMAR TOWN, LAHORE. 340 8 (1882) MUHAMMAD AKRAM KHAN 185-KAMRAN BLOCK ALLAMAIQBAL TOWN, LAHORE. 128 9 (1944) MAZHAR MUNIR H.#94, ALALH RAKHA STREETSAIF ROAD,BHAGAT PURA SHADBAGHLAHORE. LAHORE 425 10 (2056) WAQAS AHMAD KALEEM 202-G/1, JOHAR TOWN,LAHORE 657 11 (2064)SANA UD DIN QURESHI HOUSE#1-1016, KUCHA KAMANGARAN RANG MAHAL, LAHORE. 650 12 (2067) MRS.RAFIA JAMAL AMJID HUSSAIN MUGHAL,QYARTER#10/61 SODEEWAL COLONY,MULTAN ROAD LAHORE 65 13 (2159) MUHAMMAD ALTAF BURJ ATTARI FEROZ WALADISTRICT SHEIKHUPURA 292 14 (2178) ZEESHAN MUSTAQ HOUSE# 279/A STREET#01,TAYYABA COLONY BHAGATPURASHAD BAGH LAHORE 353 15 (2244) GHAZANFAR ABBAS CHUGHTAI C/O MAQBOOL AHMAD STREET#05,QUAD-E-MILLAT COLONY GHUNGI AMAR 1,560 16 (2331) DILAWER HUSSAIN E-361 RAJAB ABAD BEDIAN ROAD,LAHORE CANTT 325 17 (2346) MUHAMMAD IMRAN AFZAL GOLDEN NUSERY, 9-SHALIMAR LINKROAD OPP.BOC GAS FACTORY,MUGHALPURA LAHORE 85 18 (786) M.