Beat Writers Collection

Total Page:16

File Type:pdf, Size:1020Kb

Beat Writers Collection Beat Writers Collection Illinois Wesleyan University Tate Archives and Special Collections May 2021 This collection is primarily comprised of monographs and periodicals created by writers in the Beat Generation. The entire collection is cataloged and housed in call number order in Special Collections (The Ames Library, 4th Floor, Tate Archives & Special Collections). This collection guide is arranged in alphabetical order by author or publication title. A small amount of conference material is also available for the Literary Renaissance Conference, May 1994, including a Tenth Anniversary Issue (No. 26, Spring 1994) of The Kerouac Connection. Algren, Nelson Algren, Nelson The Man with the Golden Arm New York: Double Day, 1949. PS 350 .L4625 M377 The Ark San Francisco, Calif. : The Ark, 1947- PS301 .A75 1947: Spring Ark II. Moby I. Poetry. Cross Section. San Francisco, Calif. : The Ark, 1956. PS 301 .A7 1956/1957 Ball, Gordon Ball, Gordon, ed. Allen Verbatim: Lecture on Poetry, Politics, Consciousness. New York: McGrall- Hill, 1974. PS 3513. I74 A69 Baraka, Amiri See Jones, LeRoi Beat Generation & other Avant-garde Writers, The Santa Barbara, CA: Anacapa Books, 1970. PS228 .B6 B43 1970z Beatitude Anthology San Francisco: City Lights, 1960. PS 536 .B38 Berlowitz, Leslie Berlowitz, Leslie, and Rick Beard. Greenwich Village: Culture and Counterculture New Brunswick, NJ: Rutgers University Press, 1991. F 128.68 .G8 G74 Big Table (volumes 1-5) Chicago: Big Table, Inc., 1959-60 AP 2 .B48 Black, D.M Black, D.M. A Dozen Short Poems London: Turret Books, 1968. PR 6052 .L27 D6 Blazek Douglas Blazek Douglas. Ole Anthology: the best poetry as selected from all eight v olumes of Ole magazine Glendale, Calif. : Poetry X/change, 1967. [numbered 9/5000, inscribed by ed.] PS615. O54 1967 Brossard, Chandler Brossard, Chandler, ed. The Scene Before You: A New Approach to American Culture New York: Rinehart and Co., 1955. E 169.1 .B817 Brown, Bob Brown, Bob Globe-Gliding Diessen: Roving Eye Press, 1930 PS 3502 .R8283 G66 1930 Brown, Bob 1450-1950 New York: Jargon Books and Corinth Books, 1959 PS 3505 .R8283 F6 Buckley, Lord Richard Buckley, Lord Richard Hiparama of the Classics San Francisco: City Lights, 1960. PS 3552. U243 H5 Burns, Jim Burns, Jim Beats, Bohemians and Intellectuals Nottingham : Trent Editions, 2000. PS228.P67 B87 2000 Burroughs, William (see also Nuttal, Jeff) Burroughs, William Jr. Speed New York: Olympia, 1970. PS 3552 .U752 S64 1984 Burroughs, William Jr. Kentucky Ham New York: E.P. Dutton, 1973. PS 3552 .U749 K46 Burroughs, William Blade Runner: A Movie Berkeley, CA: Blue Wind, 1979. PS 3552 .U75 B55 Burroughs, William Gysin, Brion. Brion Gysin Let the Mice In West Grover, VT: Something Else Press, 1973. PS 3557 .Y8 B7 Burroughs, William Cities of the Red Night New York: Holt, 1981. PS 3552 .U75 D63 Burroughs, William Doctor Benway Santa Barbara, CA: Bradford Morrow, 1979. PS 3552 .U75 D63 Burroughs, William Electronic Revolution. Bonn: Expanded Media Editions, 1994. PS3552.U75 E4 1994 Burroughs, William Exterminator! New York: Viking, 1973. PS 3552 .U75 E75 1973 Burroughs, William Interzone New York: Viking, 1989. PS 3552 .U75 I5 1989 Burroughs, William Letters to Allen Ginsburg, 1953-1957. New York: Full Court, 1982. PS 3552 .U75 Z49 1982 Burroughs, William Port of Saints London: Covent Garden, 1975. PS 3552 .U75 P6 1983 Burroughs, William Queer New York: Viking Press, 1985. PS 3552 .U75 Q8 1985 Burroughs, William The Job NY: Penguin Books, 1974. PS 3552 .U75 Z467 1989 Burroughs, William The Last Words of Dutch Schultz: A Fiction in the Form of a Film Script London: Cape, 1970. PN 1997 .L345 1981 Burroughs, William The Letters of William S. Burroughs, 1945-1959 New York: Viking, 1993. PS 3552 .U75 Z48 1993 Burroughs, William The Place of Dead Roads New York: Holt, 1984. PS 3552 .U75 P54 1983 Burroughs, William The Seven Deadly Sins New York: Loco Mulder 1992 PS 3552 .U75 S48 1001 Burroughs, William The Western Lands New York: Viking Press, 1987. PS 3552 .U75 W47 1987 Burroughs, William The Yage Letters (with Allen Ginsberg) San Francisco: City Lights, 1963. PS 3552 .U75 Y3 Cassady, Carolyn Cassady, Carolyn Off the Road New York: William Morrow, 1990. PS 3521 .E735 Z594 1990 c.2 Cassady, Neal Cassady, Neal The First Third and Other Writings San Francisco: City Lights Books, 1971. CT 275 .C3458 A3 Charters, Ann Charters, Ann Beats and Company New York: Doubleday, 1986. PS 228 .B6 C48 1986 Cherkovski, Neeli Cherkovski, Neeli Ferlinghetti: A Biography Garden City, NJ: Doubleday, 1979. PS 3511 .E557 Z6 Chicago Review (volumes 9-14; 36-45) Chicago: University of Chicago Press, 1945. AP 2. C5 152 Circle nine Berkeley, CA: Circle, c1946. PS3537 .S819 A5c City Lights Anthology San Francisco: City Lights, 1974. PN 6014 .F47 City Lights Review. Ferlinghetti, Lawrence and Nancy J. Peters, eds. City Lights Review 1. San Francisco: City Lights Books, 1987. PN6010.5 .C58 v.1 Ferlinghetti, Lawrence and Nancy J. Peters, eds. City Lights Review 2. San Francisco: City Lights Books, 1988. PN6010.5 .C58 v.2 Ferlinghetti, Lawrence and Nancy J. Peters, eds. City Lights Review 3. San Francisco: City Lights Books, 1989. PN6010.5 .C58 v.3 Peters, Nancy J. and Lawrence Ferlinghetti, eds. City Lights Review 4. San Francisco: City Lights Books, 1990. PN6010.5 .C58 v.4 Peters, Nancy J., ed. War After War. City Lights Review 5. San Francisco: City Lights Books, 1992. PN6010.5 .C58 v.5 Ferlinghetti, Lawrence, ed. Ends and Beginnings. City Lights Review 6. San Francisco: City Lights Books, 1994 PN6010.5 .C58 v.6 Clark, Leonard Clark, Leonard English Morning and Other Poems London: Hutchinson, 1953. PR 6005 .L317 E5 c.2 Collins, Ronald K. L. Collins, Ronald K. L. and David M. Skover The Trials of Lenny Bruce: The Fall and Rise of an American Icon Naperville: Sourcebooks, 2002 KF 224 .B78 C65 2002 Contact (Volumes 4-6) Sausalito, CA: Angel Island, 1958. AP 2 .W5242 Cook, Bruce Cook, Bruce The Beat Generation New York: Scribner's, 1971. HQ 799.7 .C66 1971 Corso, Gregory Corso, Gregory Bomb San Francisco: City Lights Books, 1958. PS 3505 .0763 B6 1958 Corso, Gregory Earth Egg New York: Unmuzzled Ox, 1974. PS 3505 .0763 E37 Corso, Gregory Herald of the Autochthonic Spirit New York: New Directions, 1981. PS 3505 .0763 H4 1981 Corso, Gregory Vestal Lady on Brattle and Other Poems Cambridge, MA: Richard Brukenfeld, 1955. PS 3505 .0763 V4 1969 Creely, Robert Creely, Robert For Love Poems 1950-1960 NY: Scribner, 1962. PS 3505 .R43 F55 Creely, Robert The Island NY: Scribner, 1963. PS 3505 .R43 I8 Deitch, Gene Deitch, Gene The Cat NY: The Record Changer, 1948. ML111.5 .D4 Di Prima, Diane Di Prima, Diane Revolutionary Letters SanFrancisco: City Lights Books, 1971. PS 3507.168 R4 1979 Di Prima, Diane Memoirs of a Beatnik New York: Penguin Books, 1969. PS3507 .I68 M41998 Di Prima, Diane. Dinners and Nightmares. San Francisco: Last Gasp, 1998. PS3507.I68 D56 1998 Floating Bear, The New York: [s.n.], 1967. PS1 .F62 Holdings incl. no.3(1961), no.9(1961), no.12(1961)-no.13(1961), no.15(1961)- no.21(1962), no.23(1962), no.25(1962)-no.38(1971) The Floating Bear: A Newsletter: Numbers 1-37, 1961-1969. Ed. by Diane di Prima & LeRoi Jones. La Jolla, CA: Laurence McGilvery, 1973. PS1 .F62 Discovery 1-6 Pocket Books, 1955. PS1 .D47 Dissent (volumes 4, no.3 and 7, no.2) NY: Dissent Publications, Inc., 1954. HX1 .D58 Duryee, Mary Ballard Duryee, Mary Ballard Signs and Wonders Ireland: Dolmen Press, 1972. PS 3507 .U88 S53 1972 c.2 Dylan Thomas Yale Literary Magazine v. 122 no. 2 PR 6039 .H52 Z95 1954 Evergreen Review (v.1-22, 26-30) NY: Grove Press, 1957. AP 2 .E884 Everson, William (aka Brother Antoninus) Everson, William In the Fictive Wish [Berkeley, CA]: Oyez, 1967. PS3509 .V65 I5 Brother Antoninus The Rose of Solitude Garden City, NY: Doubleday, 1967. PS3501 .N77 R6 Everson, William The Tarantella Rose Santa Cruz, CA: Peter & Donna Thomas, 1995. PS3509 .V65 T37 1995 (shelved with Book Arts Collection) “Six poems written in 1972-74, originally intended for inclusion in a work entitled Eros and Thanatos, never published. See Pref.” Everson, William Tendril in the Mesh [San Francisco]: Cayucos Books, 1973. PS3509 .V65 T45 Brother Antoninus Who Is She That Looketh Forth as the Morning Santa Barbara, CA: Capricorn Press, 1972.PS3509 .V65 W45 Feied, Frederick Feied, Frederick No Pie in the Sky: The Hobo as American Cultural Hero in the Works of Jack London, John Dos Passos, and Jack Kerouac New York: Citadel Press, 1964. PS 3523 .O46 Z6235 Feldman, Gene Feldman, Gene, and Max Gartenberg, eds. Protest New York: Citadel, 1958. PS 536 .F45 Ferlinghetti, Lawrence Ferlinghetti, Lawrence After the Cries of the Birds San Francisco: City Lights, 1967. PS 3511 .E557 A69 Ferlinghetti, Lawrence An Eye on the World: Selected Poems London: MacGibbon and Kee, 1967. PS 3511 .E557 A17 1967 Ferlinghetti, Lawrence Her New York: New Directions, 1960. PS 3511 .E557 H4 Ferlinghetti, Lawrence Howl of the Censor San Carlos, CA: Nourse, [1961]. KF 224 .F4 E45 1961 Ferlinghetti, Lawrence, and Nancy Joyce Peters Literary San Francisco: A Pictorial History from its Beginnings to the Present Day San Francisco: City Lights/ Harper and Row, 1980. PS 285 .S3 F4 1980 Ferlinghetti, Lawrence Routines New York: New Directions, 1964. PS 3511 .E557 R6 Fielder, Leslie Fielder, Leslie An End to Innocence Boston: Beacon Press, 1955. E 169.1 .F5 Fiedler, Leslie A Waiting for the End New York: Stein and Day, 1964. PS 221 .F44 Fifties, The (third issue) Pine Island, MN: The Fifties PN 1010 .F5 Fisher, Stanley Fisher, Stanley, ed.
Recommended publications
  • One Fast Move Or IFINAL
    1 One Fast Move or I’m Gone: Kerouac’s Big Sur. Dir. Curt Worden. Perfs. Joyce Johnson, Lawrence Ferlinghetti, Carolyn Cassady, John Ventimiglia, Tom Waits, Sam Shepard, Patti Smith, Bill Morgan, Brenda Knight, and others. DVD. Kerouacfilms, 2008. $29.98 Reviewed by Tom Pynn If you think Kerouac found salvation on the road . you don’t know jack. Since 1986 we’ve had a handful of films about Jack Kerouac and the “beat generation” that have appealed to a general audience. Documentaries such as John Antonelli’s Kerouac (1986), Lerner and MacAdams’ What Happened to Kerouac? (1986), and, more recently, Chuck Workman’s The Source (2000), however, fail to get to the heart of the matter concerning the works themselves, but have instead tended to focus on the lives of the artists. This conceptual failure has tended to perpetuate the cult(s) of personality of particular members, mostly the men, while obscuring the deeper significance of the works and the place in American arts and letters of these important writers and artists. Beat Studies scholars have therefore faced difficult challenges in convincing the public and academia of the importance of the literature and elevating Kerouac et al. beyond mere fodder for Euro-American teenage male fantasy, which is especially true of the work of Jack Kerouac, the so-called “King of the Beats.” Curt Worden and Jim Sampas’ One Fast Move or I’m Gone, therefore, is a welcome addition to the scholarship devoted to excavating the depth and richness of Kerouac’s work. Unlike previous documentaries, this one focuses exclusively on what has sometimes been called his last great novel, Big Sur (1962).
    [Show full text]
  • Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
    Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration.
    [Show full text]
  • Everything Lost
    Everything Lost Everything LosT THE LATIN AMERICAN NOTEBOOK OF WILLIAM S. BURROUGHS GENERAL EDITORS Geoffrey D. Smith and John M. Bennett VOLUME EDITOR Oliver Harris THE OHIO STATE UNIVERSITY PRESS / COLUMBUS Copyright © 2008 by the Estate of William S. Burroughs. All rights reserved. Library of Congress Cataloging-in-Publication Data Burroughs, William S., 1914–1997. Everything lost : the Latin American notebook of William S. Burroughs / general editors: Geoffrey D. Smith and John M. Bennett ; introduction by Oliver Harris. p. cm. Includes bibliographical references. ISBN-13: 978-0-8142-1080-2 (alk. paper) ISBN-10: 0-8142-1080-5 (alk. paper) 1. Burroughs, William S., 1914–1997—Notebooks, sketchbooks, etc. 2. Burroughs, William S., 1914–1997— Travel—Latin America. I. Smith, Geoffrey D. (Geoffrey Dayton), 1948– II. Bennett, John M. III. Title. PS3552.U75E63 2008 813’.54—dc22 2007025199 Cover design by Fulcrum Design Corps, Inc . Type set in Adobe Rotis. Text design and typesetting by Jennifer Shoffey Forsythe. Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanance of Paper for Printed Library Materials. ANSI Z39.49-1992. 9 8 7 6 5 4 3 2 1 coNtents ACKNOWLEDGMENTS vii INTRODUCTION BY OLIVER HARRIS ix COMMENTS ON THE TEXT BY GEOFFREY D. SMITH xxvii NOTEBOOK FACSIMILE 1 TRANSCRIPT AND FAIR COPY (with notes and variant readings) 105 ABOUT THE EDITORS 217 acknoWledgments First and foremost, the editors wish to thank James Grauerholz, literary execu- tor of the William S. Burroughs estate, for permission to publish this seminal holograph notebook.
    [Show full text]
  • Senses of Place in the Poetry of Gary Snyder and Derek Walcott
    RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT A thesis presented to the faculty of the Graduate School of Western Carolina University in partial fulfillment of the requirements for the degree of Master of Arts in English. By Jason T. Hertz Director: Dr. Laura Wright Associate Professor of English English Department Committee Members: Dr. Catherine Carter, English Prof. Deidre Elliott, English May 2011 ACKNOWLEDGEMENTS I would like to thank my committee members and director for their assistance and encouragement. I am especially grateful to Professor Laura Wright for being a wise and reliable adviser. I also extend sincere thanks to the following people, without whom this thesis would not have been possible: Mom and Dad, Tristan and Rikki, Michael, and Miranda. I offer my warmest regards and thanks to my extended family for their continued love and support. Above all, I thank my grandmother Lorraine. TABLE OF CONTENTS Abstract . 4 Introduction: Recasting the Castaway as an Island Re-Inhabitant . 6 Chapter One: Regarding Wave and Suwanose-Jima . 18 Chapter Two: O-Mer-Os, Singing the Sea‘s Quiet Culture . 37 Chapter Three: Snyder‘s and Walcott‘s Bioregional Muse . 56 Conclusion . 78 Works Cited . 83 ABSTRACT RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT Jason T. Hertz, M.A. Western Carolina University (May 2011) Director: Dr. Laura Wright Building on the castaway narratives in both Gary Snyder‘s and Derek Walcott‘s poetry, I use Yann Martel‘s novel Life of Pi as a contemporary analogue for reading Snyder‘s Pacific journeys, in Regarding Wave and Turtle Island, and the quests of Omeros’ fisherman protagonist, Achille.
    [Show full text]
  • Fall2011.Pdf
    Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa.
    [Show full text]
  • „As Always the Lunch Is Naked‟ Jack Kerouac‟S
    Universiteit Gent Academiejaar 2006-2007 „AS ALWAYS THE LUNCH IS NAKED‟ FORMAL EXPERIMENTS OF THE BEAT GENERATION FOCUSSING ON JACK KEROUAC‟S SPONTANEOUS PROSE AND WILLIAM BURROUGHS‟S CUT-UPS Promotor: Gert Buelens Verhandeling voorgelegd aan de faculteit Letteren en Wijsbegeerte voor het verkrijgen van de graad licenciaat in de taal- en letterkunde: Germaanse Talen door Lien De Coster 2 ACKNOWLEDGEMENTS I‟d like to thank Gert Buelens, my promoter, Ishrat Lindblad, Olga Putilina, and Rickey Mantley for their revisions, useful comments, enthusiasm and interest. 3 DEDICATION Last year, when I lived in Sweden, I caught a lung inflammation after I went swimming in the ice. One day during my long recovery, a friend of mine brought me a book. It was The Dharma Bums by Jack Kerouac. When I finally got better we talked about it, and for the first time I heard about the Beats. Back then my friend had a hard time defining who they were and my understanding did not come that evening – it came gradually through frequenting Wirströms, the wonderful jazz bar where the musicians made „IT‟ happen every week during the Tuesday jam session, through a lot of walking and talking in the everchanging everlasting woods, through travelling by myself, with my backpack as my only companion. Gradually it came - till the day the friend who had given me the book sent me a letter. When I read it, I knew I understood; 4 Monday, March 6, 2006, 4:53 AM last night i meet a old man(60 i think) spanish man in that party where i invite you...
    [Show full text]
  • Conscience and the Constitution) Emiko Omori (Rabbit in the Moon); Jim Houston & Jeanne Wakatsuki (FAREWELL to MANZANAR); Frank Emi-Ht
    1 OMURA, THE FAIR PLAY COMMITTEE & YASUI PANEL Frank Abe (Conscience and the Constitution) Emiko Omori (Rabbit in the Moon); Jim Houston & Jeanne Wakatsuki (FAREWELL TO MANZANAR); Frank Emi-Ht. Mt. Fair Play Committee; Yosh Kuromiya -resister Ht, Mt; Albert Saijo-Ht. Mt. 442nd, "OUTSPEAKS A RHAPSODY" Moderated by: James and Lane Hirabayashi OMURA, THE FAIR PLAY COMMITTEE & YASUI NARRATOR On November 25, 1942, the Minidoka Irrigator printed a letter from Minoru Yasui to George Tani. Tani had been recruited from Oakland to work as an optometrist, at Minidoka, a camp for people from Seattle and Portland. All the optometrist's at Minidoka refused to work for the maximum salary of $19. a month. Tani and Yasui had never met. Both were members of the JACL. Tani was surprised by Yasui's personal letter and appealing to Tani from jail to raise money for his defense fund. Why didn't he write to JACL people from Portland? YASUI "Well, I won my case for all good, loyal American citizens. Damn, I wish I were in a position to carry the fight further, but because of my personal citizenship status, I'm going to have my hands full. But even if I were to sacrifice my American citizenship which I have never and never will voluntarily relinquish, I'm glad to have established the fundamental citizenship rights of Americans citizens. "If the JACL doesn't carry on for me, all that I have endured thus far will have been in vain. George, rally the Nisei around and see if some definite steps cannot be taken to liberate the Nisei as a matter of right." NARRATOR Tani gave the letter the camp newspaper Minidoka 2 Irrigator: NEWSVOICE MINIDOKA IRRIGATOR Internee newspaper of Minidoka Relocation Center, Hunt, Idaho.
    [Show full text]
  • Barney Rosset by Win Mccormack
    A Conversation with Barney Rosset by Win McCormack its heyday, the most influential alternative book press in the history of American publishing. Grove—and Grove’s magazine, the Evergreen Review, launched in 1957—published, among other writers, most of the French avant-garde of the era, including Alain Robbe-Grillet, Jean Genet, and Eugene Ionesco; most of the American Beats of the fifties, including Jack Kerouac, William Burroughs, and Allen Ginsberg; and most of the key radical political thinkers of the six- ties, including Malcolm X, Frantz Fanon, and Regis Debray. He pub- lished Samuel Beckett’s play Waiting for Godot after it had been scorned by more mainstream publishers—and sold two million copies of it in the bargain. He made a specialty of Japanese literature, and intro- duced the future Nobel Prize winner Kenzaburo Oe to an American public. He published the first unexpurgated edition of D. H. Law- A CONVERSATION WITH rence’s Lady Chatterley’s Lover and the first edition of Henry Miller’s BARNEY ROSSET Tropic of Cancer in America, partly to deliberately provoke the censors. Through his legal victories in the resulting obscenity cases, as well as in one brought on by I Am Curious (Yellow), a sexually explicit Swedish Win McCormack documentary film he distributed, he was probably more responsible than any other single individual for ending the censorship of litera- ture and film in the United States. In bestowing on Barney Rosset the honorific of Commandeur dans Grove Press was sold in 1985; its backlist is now part of Grove/ l’Ordre des Arts et des Lettres in 1999, the French Ministry of Cul- Atlantic Inc.
    [Show full text]
  • The Impact of Allen Ginsberg's Howl on American Counterculture
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository UNIVERSITY OF RIJEKA FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH Vlatka Makovec The Impact of Allen Ginsberg’s Howl on American Counterculture Representatives: Bob Dylan and Patti Smith Submitted in partial fulfillment of the requirement for the M.A.in English Language and Literature and Italian language and literature at the University of Rijeka Supervisor: Sintija Čuljat, PhD Co-supervisor: Carlo Martinez, PhD Rijeka, July 2017 ABSTRACT This thesis sets out to explore the influence exerted by Allen Ginsberg’s poem Howl on the poetics of Bob Dylan and Patti Smith. In particular, it will elaborate how some elements of Howl, be it the form or the theme, can be found in lyrics of Bob Dylan’s and Patti Smith’s songs. Along with Jack Kerouac’s On the Road and William Seward Burroughs’ Naked Lunch, Ginsberg’s poem is considered as one of the seminal texts of the Beat generation. Their works exemplify the same traits, such as the rejection of the standard narrative values and materialism, explicit descriptions of the human condition, the pursuit of happiness and peace through the use of drugs, sexual liberation and the study of Eastern religions. All the aforementioned works were clearly ahead of their time which got them labeled as inappropriate. Moreover, after their publications, Naked Lunch and Howl had to stand trials because they were deemed obscene. Like most of the works written by the beat writers, with its descriptions Howl was pushing the boundaries of freedom of expression and paved the path to its successors who continued to explore the themes elaborated in Howl.
    [Show full text]
  • This Is Not a Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University
    Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations 1-1-2015 This Is Not A Dissertation: (Neo)Neo-Bohemian Connections Walter Gainor Moore Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Moore, Walter Gainor, "This Is Not A Dissertation: (Neo)Neo-Bohemian Connections" (2015). Open Access Dissertations. 1421. https://docs.lib.purdue.edu/open_access_dissertations/1421 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Graduate School Form 30 Updated 1/15/2015 PURDUE UNIVERSITY GRADUATE SCHOOL Thesis/Dissertation Acceptance This is to certify that the thesis/dissertation prepared By Walter Gainor Moore Entitled THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS For the degree of Doctor of Philosophy Is approved by the final examining committee: Lance A. Duerfahrd Chair Daniel Morris P. Ryan Schneider Rachel L. Einwohner To the best of my knowledge and as understood by the student in the Thesis/Dissertation Agreement, Publication Delay, and Certification Disclaimer (Graduate School Form 32), this thesis/dissertation adheres to the provisions of Purdue University’s “Policy of Integrity in Research” and the use of copyright material. Approved by Major Professor(s): Lance A. Duerfahrd Approved by: Aryvon Fouche 9/19/2015 Head of the Departmental Graduate Program Date THIS IS NOT A DISSERTATION. (NEO)NEO-BOHEMIAN CONNECTIONS A Dissertation Submitted to the Faculty of Purdue University by Walter Moore In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2015 Purdue University West Lafayette, Indiana ii ACKNOWLEDGEMENTS I would like to thank Lance, my advisor for this dissertation, for challenging me to do better; to work better—to be a stronger student.
    [Show full text]
  • Snedeker: "Closing Time"
    Closing Time George Snedeker In his novels, William Burroughs constructs a complex mythological structure. The tropes of evolution and religion are central to novels like Nova Express and The Western Lands. In this essay, I will argue that these novels are political/philosophical representations of contemporary society. Burroughs moves concrete political conflicts to the plane of metatheoretical reflections by means of the construction of grand mythological frameworks. He rarely ever addresses politics directly. Instead, he offers movie-like narratives that the reader is forced to reconnect to everyday reality. Both the cut-ups and his fragmented narratives try to force the reader into the work of reconstructing the existential field of action. There are no blueprints or programs for action to guide our struggles in his novels. Burroughs' radicalism was a radicalism of the imagination. He tried to revive the capacity to dream and imagine alternative worlds, not to get stuck in this highly corrupt universe of thought. How does one think his/her way out of a prisonhouse of language and the symbolic order of domination? This is why there is so much emphasis on individual and collective struggles for personal liberty in his novels. I will argue that Burroughs understood the quest for freedom in both quotidian and global terms. In books like The Wild Boys, Cities of the Red Night and The Place of Dead Roads there is a clear attempt to formulate a collective struggle against the cosmic and social forces of evil. In The Wild Boys, this struggle takes the form of the politics of the imaginary.
    [Show full text]
  • City Lights Pocket Poets Series 1955-2005: from the Collection of Donald A
    CITY LIGHTS POCKET POETS SERIES 1955-2005: FROM THE COLLECTION OF DONALD A. HENNEGHAN October 2005 – January 2006 1. Lawrence Ferlinghetti. Pictures of the Gone World. San Francisco: City Lights Pocket Bookshop, 1955. Number One 2. Kenneth Rexroth, translator. Thirty Spanish Poems of Love and Exile. San Francisco: City Lights Pocket Bookshop, 1956. Number Two 3. Kenneth Patchen. Poems of Humor & Protest. San Francisco: City Lights Pocket Bookshop, 1956. Number Three 4. Allen Ginsberg. Howl and Other Poems. San Francisco: City Lights Pocket Bookshop, 1956. Number Four 5. Marie Ponsot. True Minds. San Francisco: City Lights Pocket Bookshop, 1956. Number Five 6. Denise Levertov. Here and Now. San Francisco: City Lights Pocket Bookshop, 1957. Number Six 7. William Carlos Williams. Kora In Hell: Improvisations. San Francisco: City Lights Books, 1957. Number Seven 8. Gregory Corso. Gasoline. San Francisco: City Lights Books, 1958. Number Eight 9. Jacques Prévert. Selections from Paroles. San Francisco: City Lights Books, 1958. Number Nine 10. Robert Duncan. Selected Poems. San Francisco: City Lights Books, 1959. Number Ten 11. Jerome Rothenberg, translator. New Young German Poets. San Francisco: City Lights Books, 1959. Number Eleven 12. Nicanor Parra. Anti-Poems. San Francisco: City Lights Books, 1960. Number Twelve 13. Kenneth Patchen. The Love Poems of Kenneth Patchen. San Francisco: City Lights Books, 1961. Number Thirteen 14. Allen Ginsberg. Kaddish and Other Poems. San Francisco: City Lights Books, 1961. Number Fourteen OUT OF SERIES Alain Jouffroy. Déclaration d’Indépendance. San Francisco: City Lights Books, 1961. Out of Series 15. Robert Nichols. Slow Newsreel of Man Riding Train. San Francisco: City Lights Books, 1962.
    [Show full text]