MALERIER + ANTIKVITETER International Auktion 862

04/02/16 12.58 International auction 862 auction International FINE ART + ANTIQUES ART FINE

BRUUN RASMUSSEN FINE ART + ANTIQUES AUCTION 862 • MARCH 2016 862_antik_omslag.indd 1 FINE ART + ANTIQUES International auction 862

AUCTION 1 - 3 March 2016

PREVIEW Thursday 25 February 3 pm - 6 pm Friday 26 February 11 am - 5 pm Saturday 27 February 11 am - 4 pm Sunday 28 February 11 am - 4 pm Monday 29 February 11 am - 5 pm or by appointment

Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com

862_antik_s001-013_start.indd 1 04/02/16 11.54 Lot 9

862_antik_s001-013_start.indd 2 04/02/16 11.54 DAYS OF SALE

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FINE ART + ANTIQUES

Tuesday 1 March 4 pm Hammershøi, Holsøe and Ilsted 1 - 15 Paintings 16 - 133

Wednesday 2 March 2 pm Furniture, clocks and bronzes 134 - 266 Silver, glass and ceramics 267 - 305 Oriental carpets 306 - 356

Thursday 3 March 3 pm Jewellery and handbags 357 - 578 Wristwatches 579 - 619 ______

MODERN ART

Tuesday 8 March 4 pm Modern paintings and sculptures

Wednesday 9 March 2 pm Modern paintings and sculptures Prints Photographs ______

NORDIC DESIGN

Wednesday 9 March 4 pm Silver Ceramics

Thursday 10 March 4 pm Furniture and lamps ______

DEADLINE FOR CLAIMING ITEMS: TUESDAY 22 MARCH Items bought at Auction 862 must be paid no later than eight days from the date of the invoice and claimed on Bredgade 33 by Tuesday 22 March at the latest. Otherwise, they will be moved to Bruun Rasmussen’s storage facility at Baltikavej 10 in Copenhagen at the buyer’s expense and risk. This transportation will cost DKK 100 per item VAT included, and storage will cost DKK 100 per item per week VAT included.

862_antik_s001-013_start.indd 3 04/02/16 11.54 MALERIER + ANTIKVITETER International auktion 862

Lot 25

862_antik_s001-013_start.indd 4 04/02/16 11.54 MALERIER + ANTIKVITETER International auktion 862

AUKTION 1. - 3. marts 2016

EFTERSYN Torsdag 25. februar kl. 15 - 18 Fredag 26. februar kl. 11 - 17 Lørdag 27. februar kl. 11 - 16 Søndag 28. februar kl. 11 - 16 Mandag 29. februar kl. 11 - 17

Danske katalogtekster kan ses på bruun-rasmussen.dk

Bredgade 33 · 1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.dk

862_antik_s001-013_start.indd 5 04/02/16 11.54 SPECIALISTS IN FINE ART AND ANTIQUES

Paintings Ceramics and oriental art Birte Stokholm Ralph Lexner +45 8818 1122 +45 8818 1161 [email protected] [email protected]

Paintings Ceramics, glass and oriental art Julie Arendse Voss Charlotte Hviid +45 8818 1123 +45 8818 1162 [email protected] [email protected]

Jewellery and wristwatches Silver and ceramics Katrin Mikkelsen Sørensen Heidi Schophuus Jensen +45 8818 1174 +45 8818 1163 [email protected] [email protected]

Jewellery and handbags Ceramics and oriental art Lise Jacobsen Alexandra Nilsson +45 8818 1175 +45 8818 1164 [email protected] [email protected]

Jewellery Ceramics and oriental art Julie Gram Torben Friis Møller +45 8818 1171 +45 8818 1165 [email protected] [email protected]

Wristwatches Furniture and carpets Kristian Haagen Henrik Schleppegrel +45 8818 1168 +45 8818 1145 [email protected] [email protected]

International relations Furniture, bronzes and clocks Frederik Bruun Rasmussen Anders Fredsted +45 8818 1003 +45 8818 1142 [email protected] [email protected]

Silver and branding Alexa Bruun Rasmussen +45 8818 1091 [email protected]

Director of sales Kasper Nielsen +45 8818 1121 [email protected]

862_antik_s001-013_start.indd 6 04/02/16 11.54 AUKTIONSKALENDER

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FINE ART + ANTIQUES

Tirsdag 1. marts kl. 16 Hammershøi, Holsøe og Ilsted 1 - 15 Malerier 16 - 133

Onsdag 2. marts kl. 14 Møbler, ure og bronzer 134 - 266 Sølv, glas og keramik 267 - 305 Orientalske tæpper 306 - 356

Torsdag 3. marts kl. 15 Smykker og dametasker 357 - 578 Armbåndsure 579 - 619 ______

MODERN ART

Tirsdag 8. marts kl. 16 Moderne malerier og skulpturer

Onsdag 9. marts kl. 14 Moderne malerier og skulpturer Grafik Fotografier ______

NORDIC DESIGN

Onsdag 9. marts kl. 16 Sølv Keramik

Torsdag 10. marts kl. 16 Møbler og belysning ______

SIDSTE FRIST FOR AFHENTNING: TIRSDAG DEN 22. MARTS Effekter købt på auktion 862 skal være betalt senest 8 dage efter fakturadatoen og afhentet i Bredgade 33 senest tirsdag den 22. marts. I modsat fald bliver de transporteret til Bruun Rasmussens lager på Baltikavej 10 i Københavns Nordhavn for købers regning og risiko. Transporten koster 100 kr. pr. effekt inkl. moms, og opbevaringen koster 100 kr. pr. effekt pr. påbegyndt uge inkl. moms.

862_antik_s001-013_start.indd 7 04/02/16 11.54 Lot 384

862_antik_s001-013_start.indd 8 04/02/16 11.54 The Opening of the Preview in Bredgade 33 Thursday 25 February 3 pm

Presentations in the Saleroom

4 pm Welcome – The French Ambassador to Denmark, His Excellency François Zimeray (in English)

4:15 pm “Introduction to Hammershøi” – lecture by art critic, author and MA in art history Bente Scavenius (in Danish)

The lectures can also be seen on bruun-rasmussen.dk via live streaming.

‘Modern Art Gallery Talk’ Friday 26 February

The Saleroom near the Stairs

3 pm Bruun Rasmussen’s valuation expert in modern art, Niels Boe Hauggaard, will show us around the preview and give a talk about Asger Jorn, Per Kirkeby, Allan Otte and other artists (in Danish)

Åbningen af eftersynet i Bredgade 33 torsdag 25. februar kl. 15

Foredrag i Auktionssalen

Kl. 16.00 Velkomst ved Frankrigs ambassadør i Danmark, Hans Excellence François Zimeray (på engelsk)

Kl. 16.15 “Introduktion til Hammershøi” ved kunstkritiker og forfatter, mag.art. Bente Scavenius (på dansk)

Foredragene kan også opleves på bruun-rasmussen.dk via live streaming.

’Modern Art Gallery talk’ fredag 26. februar

Auktionssalen ved trappen

Kl. 15.00 Bruun Rasmussens vurderingsekspert i moderne kunst, Niels Boe Hauggaard, viser rundt og fortæller om værker af Asger Jorn, Per Kirkeby og Allan Otte m.fl.(på dansk)

862_antik_s001-013_start.indd 9 04/02/16 11.54 Paintings, Gold Ruby Glass and a Cartier Panther Ring

This year marks the 100th year since the death of painter Wilhelm Marstrand from 1837 (cat. no. 37) the famous Danish painter Vilhelm Hammershøi. – a study for the famous work ”Et Selskab af danske Ordrupgaard is marking the occasion with the ex- Kunstnere i Rom” (A Group of Danish Artists in Rome). hibition ”At Home with Hammershøi”, and at Bruun Rasmussen we also focus on Hammershøi at the It is rare to see gold ruby glass on the auction first international auction of the year. With eight market, but this time we can present two German works from the artist we touch on all the aspects of Baroque cups. They both have silvergilt mountings Hammershøi’s artistic work - from early academic and one is engraved with a grotesque mask. The studies and nudes to a sublime portrait of his wife Ida beautiful deep red colour was achieved by mi- and two Danish landscapes, one from Gentofte. The xing gold chloride with the molten glass – an ex- crowning piece of the selection is one of his renow- pensive method that is believed to have been ned interior paintings from 1904 depicting a woman used during antiquity. In the late 1600s the method with her back turned and in the process of reading was rediscovered, and gold ruby glass found its (cat. no. 10). Placed together, the works of art pro- way to the royal houses all over Europe (cat. no. vide a unique insight into the special enigmatic 275). From the Baroque period in Denmark comes ”Hammershøi” idiom, which you can read more a few baluster-shaped silver candlesticks by the about on p. 16. The brother-in-law Peter Ilsted and Master Oluf Clausen, who most likely made them in the close friend Carl Holsøe also had the interior as the then thriving town of Ærøskøbing during the their favourite motif, and included in the auction early 1700s (cat. no. 273). is Ilsted’s atmospheric painting of two small girls in a living room lit up by sunshine (cat. no. 9), and Among the auction’s other notable antiques you Holsøe’s interior with a young woman sitting in can find a set of five Italian Louis XVI mirrors from front of a window with her back turned (cat. no. 3). the late 1700s (cat. no. 210) and an impressive Gustavian sofa bench from 1790 in its original While Hammershøi was working in Copenhagen the length of 2.7 meters. It was made by Anders Hellman, group of Danish painters from the artists’ colony who was one of the period’s finest cabinetmakers in in Skagen were preoccupied with light and the Sweden (cat. no. 237). environment around the northernmost point of Denmark. Included in the auction is a beach motif The catalogue concludes with exclusive jewellery painted during the ’blue hour’ on a May evening and wristwatches from all the well-known interna- in 1907 by P.S. Krøyer (cat. no. 47). Anna Ancher tional brands, and among the highlights there are has moved inside and depicted a number of women clear references to the animal and plant kingdoms. carrying babies in their arms during a christening The panther is, with its elegance and ferocity, a in Skagen Church (cat. no. 61), while we with lasting icon of Cartier, as reflected in the timeless Michael Ancher meet a young fisherman, who is gold ring with numerous brilliant-cut diamonds saying goodbye to his family before setting out to totalling approximately 4,50 ct. and two tear- sea (cat. no. 51). shaped emeralds, which constitute the animal’s sharp eyes (cat. no. 375). Beauty can also be ascri- We move further back into Danish art history with bed to Chanel’s rhodium-plated white gold ring with depictions from the world of theatre in the shape of brilliant-cut diamonds, which takes its name and Jens Juel’s portrait of the ballet dancer Marie Christine shape after the Camellia flower (cat. no. 413). Bjørn (cat. no. 27) and C.W. Eckersberg’s (cat. no. 35) portrait of Birgitte Elisabeth Andersen, who was We hope the selection is to your liking! an actress at the Royal Danish Theatre. The Danish Golden Age is also represented by Constantin Hansen’s sun drenched motif from 1841 from the Temple of Ceres (cat. no. 36), as well as his portrait of the Jesper Bruun Rasmussen

862_antik_s001-013_start.indd 10 04/02/16 11.55 EXHIBITION

PARIS - 12, RUE DROUOT: 10 - 11 FEBRUARY

LONDON - THE ROYAL DANISH EMBASSY: 22 - 23 FEBRUARY

COPENHAGEN - BREDGADE 33: 25 - 29 FEBRUARY Hammershøi

862_antik_s001-013_start.indd 11 04/02/16 11.55 Malerier, guldrubinglas og en Cartier-panterring

Det er i år 100 år siden, at den verdensberømte to lågbægre fra barokkens Tyskland. De har begge danske maler Vilhelm Hammershøi døde. I lighed monteringer af forgyldt sølv, og det ene er slebet med kunstmuseet Ordrupgaard og deres udstilling med en grotesk maske. Den smukke dybe røde ”Hjemme hos Hammershøi” markerer vi ham på årets farve blev opnået ved at blande guldklorid i smeltet første internationale auktion. Med otte værker kom- glas – en kostbar metode, der menes at have været mer vi hele vejen rundt om Hammershøis kunstneri- anvendt i antikken. I slutningen af 1600-tallet blev ske virke – fra tidlige akademi- og nøgenstudier til metoden genopdaget, og guldrubinglasset fandt et sublimt portræt af hustruen Ida og to landskaber vej til kongehusene rundt omkring i Europa (kat. fra Gentofte. Kronen på værket er et af hans kendte nr. 275). Fra barokkens Danmark kommer et par ba- interiørmalerier med en rygvendt kvinde i færd med lusterformede sølvstager af mesteren Oluf Clausen, at læse fra 1904 (kat.nr. 10). Tilsammen giver ma- der med stor sandsynlighed udførte dem i den den- lerierne et enestående indblik i det særlige gåde- gang driftige købstad Ærøskøbing i begyndelsen af fulde ”hammershøiske” formsprog. Læs mere om 1700-tallet (kat.nr. 273). Hammershøi på s. 18. Svogeren Peter Ilsted og den nære ven Carl Holsøe havde også interiøret som Blandt auktionens andre bemærkelsesværdige an- deres foretrukne motiv, og med på auktionen er bl.a. tikviteter finder man et sæt på fem italienske Louis Ilsteds stemningsfulde skildring af to små piger i en XVI-spejle fra slutningen af 1700-tallet (kat.nr. 210) solskinsfyldt stue (kat.nr. 9) og Holsøes interiør med og en imponerende gustaviansk sofabænk i sin ori- en ung rygvendt kvinde foran et vindue (kat.nr. 3). ginale længde på 2,7 meter fra 1790. Den er udført af Anders Hellman, som var en af periodens bedste Samtidig med Hammershøis virke i København var møbelsnedkere i Sverige (kat.nr. 237). rækken af danske malere fra kunstnerkolonien i Skagen optagede af lyset og miljøet omkring Kataloget afsluttes med eksklusive smykker og arm- Danmarks nordligste punkt. Med på auktionen er båndsure fra alle de kendte internationale brands, et strandmotiv malet i den ’blå time’ en majaften og blandt højdepunkterne er der stærke referencer i 1907 af P.S. Krøyer (kat.nr. 47). Anna Ancher har til dyre- og planteriget. Panteren står med sin ele- bevæget sig inden for og skildret en række kvinder gance og vildskab som et gennemgående ikon for med babyer i favnen under en barnedåb i Skagen Cartier, som det kommer til udtryk i den tidløse Kirke (kat.nr. 61), mens man hos Michael Ancher guldring med talrige brillantslebne diamanter på i møder en ung fisker, der tager afsked med sin fami- alt ca. 4.50 ct. og to dråbeformede smaragder, der lie inden fangsten på havet (kat.nr. 51). udgør dyrets skarpe øjne (kat.nr. 375). Smuk er også Chanels rhodinerede hvidguldsring med brillant- Vi skruer tiden længere tilbage i dansk kunsthistorie slebne diamanter, der har taget navn og form efter med skildringer fra teatrets verden i form af Jens kameliablomsten (kat.nr. 413). Juels ovale portræt af solodanserinden Marie Christine Bjørn (kat.nr. 27) og C.W. Eckersbergs Håber udvalget falder i smag! portræt af Birgitte Elisabeth Andersen, der var skuespillerinde på Det Kongelige Teater (kat.nr. 35). Guldalderen er også repræsenteret med Constantin Hansens solbeskinnede motiv fra Cerestemplet i Jesper Bruun Rasmussen Pæstum fra 1841 (kat.nr. 36) og hans portræt af maleren Wilhelm Marstrand fra 1837 (kat.nr. 37) – et studie til det kendte værk ”Et Selskab af danske Kunstnere i Rom”.

Det hører til sjældenhederne at se guldrubinglas på auktionsmarkedet, men denne gang præsenterer vi

862_antik_s001-013_start.indd 12 04/02/16 11.55 Vilhelm Hammershøi, 1912 Photo: The Royal Library of Denmark

862_antik_s001-013_start.indd 13 04/02/16 11.55 862_antik_s014-136_malerier.indd 14 04/02/16 12.07 HAMMERSHØI, HOLSØE AND ILSTED

Tuesday 1 March 4 pm Lot 1 - 15

Lot 7

862_antik_s014-136_malerier.indd 15 04/02/16 12.07 The Enigmatic Hammershøi

Vilhelm Hammershøi (1864-1916) still continues serted or inhabited by a single woman with her back to challenge the spectator with his mysterious turned, engrossed in reading or everyday pursuits: universe. He is undoubtedly the Danish artist who has achieved the greatest international recognition, “I have always found such beauty in the living room, and his work is represented at many museums and even if there were no people in it, or perhaps precisely he has been the subject of exhibitions all over because there was no one there.” the world - from the Musée d’Orsay in Paris and the Royal Academy in London to the Guggenheim In his landscapes Hammershøi found his subjects in Museum in New York and The National Museum both the wide-open spaces with views of fields or of Western Art in Tokyo. Here in Denmark the in the forest, where he liked to reproduce the dark art museum Ordrupgaard has just opened the treetops. The landscape paintings are always empty exhibition “At Home with Hammershøi”, while of people and done with a minimum degree of de- the National Gallery of Denmark is exhibiting tail. The last main subject of Hammershøi consists almost their entire collection of Hammershøi in of the intense and almost ethereal portraits of close New York. family members and friends. Here the figures often face the viewer, but it is as if they are not looking The interest in art began early on for Hammershøi. out towards the viewer, but rather have their gaze He grew up as the son of a merchant in a bour- turned inwards, to an inner space of their own. geois home in Frederiksberg, Copenhagen, where Hammershøi began receiving drawing lessons at The Unsaid the early age of eight. In 1879 he was accepted at Regardless of the motif, the works are all enveloped the Royal Danish Academy of Fine Arts. Parallel to in the same enigmatic atmosphere of silence, melan- this he received training from 1883 at the Danish choly and absence that is hard to pin down exactly, art school Kunstnernes Frie Studieskoler (The Free but which is at the core of Hammershøi’s collected School of Study for Artists) by, among others, the works. You cannot completely grasp, which mood Skagen painter P.S. Krøyer, who at one point expres- his portrayed figures are in, or why the interiors are sed the following to his painter colleague Kristian so empty, and it is precisely this lack of narrative Zahrtmann about the young Hammershøi: that makes Hammershøi’s work as alluring today as they were more than 100 years ago at their creation. “I have a student who paints quite strangely. I don’t understand him. I think that he will become prominent, Hammershøi was controversial for his time. He broke will try not to influence him.“ with the common naturalistic portrayals of reality in favour of a more atmospheric idiom. At the same Hammershøi’s Motifs time his empty canvases and lack of narrative stirred Hammershøi repeated the same motifs through- quite a debate on the Danish art scene. The depic- out his work, and the most central of his oeuvre is tion of his sister Anna in the debut work “Portrait of the interior, the landscape and the portrait, which a Young Girl” was exhibited at the Charlottenborg were all done with the distinct use of a dimmed Spring Exhibition in 1885 and made Hammershøi and monochrome colour palette composed of both famous and notorious. He was quickly awarded shades of grey. the predicate of a “neurasthenic” painter in a tem- pestuous art debate in which medical science, in the During his lifetime Hammershøi lived in seven form of the psychiatrist Knud Pontoppidan, drew different locations in Copenhagen, including parallels between a nervous disorder and the prac- in Bredgade and Strandgade. The beautiful old titioners of modern art. Later Hammershøi’s works apartments functioned as a private home and studio were censored from the established Charlottenborg, for Hammershøi. They also became the subject of a and in protest against the backward-looking art large part of his work, in particular the depictions of world Hammershøi founded “The Free Exhibition” sparsely furnished interiors, which today belongs to in 1891 together with a number of other Danish his most famous works of art. They are mostly de- artists.

16 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s014-136_malerier.indd 16 04/02/16 12.07 Peter Ilsted: New Year’s Eve with the artist families Ilsted and Hammershøi. Signed and dated Peter Ilsted 92. Grisaille. Oil on panel. 29 x 40 cm. Sold at Bruun Rasmussen in 2006. Around the table are gathered: Peter Ilsted’s parents merchant Jens Peter Ilsted and Johanne Sophie. The father stands with a pocket watch while the mother sits on the right. Peter Ilsted’s wife Ingeborg sitting to the left and in the back the painter Vilhelm Hammershøi with his wife Ida, sister of Peter Ilsted, who is standing with a smile and a raised glass.

Artistic Inspiration and Kinships In 2012 the National Gallery of Denmark placed Pierre-Auguste Renoir, Rainer Maria Rilke, Sergei Hammershøi in a broader European context with Diaghilev and Théodore Duret. the special exhibition “Hammershøi and Europe”. The artist himself spoke only sparingly about his From a Danish perspective, Hammershøi can be seen sources of inspiration, but he has undoubtedly as having an artistic kinship with J.F. Willumsen been acquainted with the new trends of the period and Johan Rohde, among others. In the beginning through his many trips to Paris, London, Florence, of the 1880s Hammershøi met his future brother- Berlin and other places. It is also possible to trace in-law Peter Ilsted (1861-1933) and the friend Carl some degree of influence from the American Holsøe (1863-1935) at the Royal Danish Academy of painter James McNeill Whistler and French- Fine Arts. Ilsted and Holsøe also had the interior as man Pierre Puvis de Chavannes. Internationally, their favourite motif, and there is a clear interaction Hammershøi was quick to achieve attention, between motif and mood among these artists – es- and a number of the leading art and cultural pecially between Holsøe and Hammershøi. In 1891, personalities of the time were intrigued by the Hammershøi married Ilsted’s sister Ida, who came to special “Hammershøi aesthetic”, including be the subject of many of his most famous works.

BRUUN RASMUSSEN BREDGADE AUCTION 862 17

862_antik_s014-136_malerier.indd 17 04/02/16 12.25 Sælsomme Hammershøi

Vilhelm Hammershøi (1864-1916) formår til Til sine landskaber hentede han både motiverne i stadighed at udfordre med sit gådefulde univers. de åbne vidder med udsyn over marker eller i Han er uden tvivl den danske kunstner, der har skoven, hvor han yndede at gengive træernes opnået størst international anerkendelse, og hans mørke trækroner. Landskabsmalerierne er altid af- værker er repræsenteret på museer og har været folkede og udført med et minimum af detaljer. Den genstand for særudstillinger verden over – fra sidste primære motivgruppe består af de intense Musée d’Orsay i Paris og Royal Academy i London og nærmest æteriske portrætter af nære familie- til Guggenheim Museum i New York og The medlemmer og venner. Her vender figurerne ofte National Museum of Western Art i Tokyo. Her- front mod beskueren, men det er som om, de ikke ser hjemme åbner Ordrupgaard netop nu udstillingen ud, men har blikket rettet mod deres eget indre rum. ”Hjemme hos Hammershøi”, mens Statens Museum for Kunst udstiller stort set hele deres samling af Det usagte Hammershøi i New York. Uanset motiv er værkerne alle indhyllede i samme særegne stemning af stilhed, melankoli og fravær, Interessen for kunsten begyndte tidligt for Hammers- der er svær præcis at sætte fingeren på, men som høi. Han voksede op som grosserersøn i et borgerligt udgør kernen i Hammershøis samlede værk. Man hjem på Frederiksberg og modtog allerede som kan ikke blive klog på, hvilken sindsstemning hans otteårig tegneundervisning. I 1879 blev han optaget portrætterede figurer befinder sig i, eller hvorfor på Det Kongelige Danske Kunstakademi og mod- interiørerne er så tomme, og det er netop denne tog fra 1883 sideløbende undervisning på ”De Frie mangel på fortælling, der får Hammershøis værker Studieskoler” af bl.a. skagensmaleren P.S. Krøyer, til at vedblive med at drage her mere end 100 år der på et tidspunkt udtrykte følgende til maler- efter deres tilblivelse. kollegaen Kristian Zahrtmann om sin unge elev: Hammershøi var kontroversiel for sin tid. Han brød ”Jeg har en Elev, som maler ganske mærkeligt. Jeg med den gængse naturalistiske virkelighedsskildring forstaar ham ikke, tror, at han bliver betydelig, søger til fordel for et mere stemningsbåret udtryk. Sam- ikke at indvirke paa ham.” tidig vakte hans tomme lærreder og manglen på fortælling furore i dansk kunstliv. Skildringen af Hammershøis motivverden søsteren Anna i debutværket ”Portræt af en ung Hammershøi gentog samme type motiver, og de Pige” blev udstillet på Charlottenborgs Forårs- mest centrale i hans oeuvre er interiøret, landskabet udstilling i 1885 og gjorde både Hammershøi og portrættet, der alle blev udført med den iøje- kendt og berygtet. Han fik hurtigt prædikatet faldende nedtonede og monokrome farveholdning ”neurastenisk” maler i en heftig kunstdebat, hvor opbygget af gråtoner. lægevidenskaben i form af psykiateren Knud Pon- toppidan mente at kunne drage paralleller mellem Gennem tiden boede Hammershøi syv forskellige en nervøs lidelse og den moderne kunsts udøvere. steder i København, bl.a. i Bredgade og Strand- Senere blev Hammershøis værker bortcensureret på gade, og de gamle smukke lejligheder fungerede det etablerede Charlottenborg, og i protest mod den både som privat hjem og atelier. De kom samtidig tilbageskuende kunstverden stiftede Hammershøi til at udgøre motivet for en stor del af hans værker, ”Den Frie Udstilling” i 1891 sammen med en række nemlig skildringerne af de sparsomt møblerede andre danske kunstnere. interiører, der i dag hører til hans mest kendte værker. De er hovedsageligt mennesketomme eller Kunstneriske inspirationer og fælleskaber befolket af en enkelt rygvendt kvinde dybt koncen- I 2012 placerede Statens Museum for Kunst treret om læsning eller dagligdags sysler: Hammershøi i en bred europæisk sammenhæng med særudstillingen ”Hammershøi og Europa”. Selv ud- “Jeg har altid syntes, der var saadan en Skønhed over talte kunstneren sig kun ganske lidt om sine inspi- saadan en Stue, selv om der ikke var nogen Mennesker rationskilder, men han har uden tvivl på sine mange i den, maaske netop, naar der ingen var.” rejser til bl.a. Paris, London, Firenze og Berlin stiftet

18 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s014-136_malerier.indd 18 04/02/16 12.07 Carl Holsøe: Self-portrait of the artist at his easel. Unsigned. Oil on canvas. 38 x 33 cm. Sold at Bruun Rasmussen in 2013.

bekendtskab med internationale kunstretninger. Man kan da også drage paralleller til den ameri- kanske maler James McNeill Whistler og franskman- den Pierre Puvis de Chavannes. Internationalt vakte Hammershøi tidligt opmærksomhed, og en række af tidens førende kunst- og kulturpersonligheder blev fanget af den særlige ”Hammershøiske” æste- tik, heriblandt Pierre-Auguste Renoir, Rainer Maria Rilke, Sergei Diaghilev og Théodore Duret.

Set i et dansk perspektiv indgik Hammershøi i flere kunstneriske fællesskaber med blandt andre J.F. Willumsen og Johan Rohde. I begyndelsen af Litteratur/Literature: 1880’erne mødte Hammershøi svogeren Peter Ilsted Kasper Monrad (ed.): ”Hammershøi og Europa” og vennen Carl Holsøe på Det Kongelige Danske (Hammershøi and Europe), The National Gallery of Kunstakademi. De havde også interiøret som de- Denmark, 2012 res foretrukne motiv, og der tale om en gensidig Bente Scavenius and Jens Lindhe: ”Hammershøis påvirkning motiv- og stemningsmæssigt – sær- København” (Hammershøi’s Copenhagen), Politikens ligt mellem Holsøe og Hammershøi. I 1891 blev Forlag, 2003 Hammershøi gift med Ilsteds søster Ida, og hun Poul Vad: ”Hammershøi. Værk og liv” (The Life and udgør motivet i en lang række af hans meste kendte Work of Hammershøi), Gyldendal, 1988 værker.

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1 CARL HOLSØE b. Aarhus 1863, d. Asserbo 1935 Interior with vegetables on a chair. Signed C. Holsøe. Oil on canvas. 73 x 56 cm. DKK 75,000 / € 10,000

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2 VILHELM HAMMERSHØI b. Copenhagen 1864, d. s.p. 1916 Forest scene with slender tree trunks. Unsigned. Pencil on paper. 35 x 43 cm. Provenance: Given as a gift to the lawyer Frederik H. Jacobsen (1883-1938) in 1920 by Ida Hammershøi, see the accompanying letter (In Danish): "Lawyer Jacobsen I would very much like to ask you to accept this small drawing, which was carried out by my late husband. Best regards from your devoted Ida Hammershøi 7th of April 20". His descendants until today.

In the summer of 1896 Vilhelm and Ida Hammershøi rented a small house near Halskov Vænge (Enclosure) Ida Hammershøi's letter on Falster. Vilhelm's brother Svend visited them there and he wrote in a letter to their sister Anna about his could be a study for "Store træer. Halskov Vænge, experiences. The two brothers went into the forest, Falster" (Large trees. Halskov Vænge (Enclosure), Falster), known for its numerous ancient monuments. Svend which is reproduced in Poul Vad, Hammershøi - Værk painted the ancient monuments, while his brother og liv", 2003 p. 181. painted the tall slender trees. The present drawing DKK 60,000-80,000 / € 8,050-10,500

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3 CARL HOLSØE b. Aarhus 1863, d. Asserbo 1935 Interior with a young woman by the window. Signed C. Holsøe. Oil on mahogany. 41 x 33 cm. DKK 75,000-125,000 / € 10,000-17,000

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4 PETER ILSTED b. Sakskøbing 1861, d. Copenhagen 1933 Sunshine in the living room. Signed with monogram. Oil on canvas. 37.5 x 32.5 cm. The painting was most likely completed around 1910-1912, and the young girl presumed to be the artist's daughter Kamma sitting in the family's home on Ermelundsvej in Gentofte, according to information from the owner.

Provenance: General manager Ole Olsen's collection, his auction I, Winkel & Magnussen 305, 1944 no. 731. Bought by his daughter Elvira Abrahamsen. 1981 inherited by her stepson, in this family until today. DKK 300,000 / € 40,000

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5 VILHELM HAMMERSHØI b. Copenhagen 1864, d. s.p. 1916 Literature: Poul Vad, "Hammershøi - Værk og liv”, 2003, Study of a young man. 1883. Unsigned. Charcoal on p. 28. Here a portrait of a woman is reproduced, which paper. Visible size 44 x 35 cm. is close in date (23/12/1882) and technique to the The front of the paper inscribed with pencil "Pr 2" and study of "A young man". The inscriptions and stamps "bl No 21", and with pen a date 3/1 83. Labels stamped are almost identical in both drawings. It is further "Antaget til Prøve" (Approved for examination) and stated that the "Portrait of the Woman" was carried "Antaget" (Approved). The reverse of the paper in- out at Holger Grønvold's studio. This is most likely also scribed with pen "Januar kvartal (January quarter) the case with the present drawing. 1883. J. Exner" and with pencil "V. Hammershøi". DKK 50,000-75,000 / € 6,700-10,000

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6 VILHELM HAMMERSHØI b. Copenhagen 1864, d. s.p. 1916 Vilhelmine Bramsen was married to Alfred Bramsen in "Portræt-Hovede. Naturlig Størrelse". Portrait head, 1874. Alfred Bramsen was a dentist and an art collec- natural size of Mrs Vilhelmine Bramsen (1850-1932) tor, who very early on became aware of Hammershøi's on black background, dressed in a grey dress with a talent and became his patron and protector. After large white collar. Signed and dated on a label on Hammershøi's death, Bramsen worked out the Cata- the reverse: "Fru Bramsen malt i Stormgade 1889. V. logue Raisonné of his works. Alfred Bramsen was not Hammershøi" (Mrs Bramsen painted in Stormgade only the most important patron of Hammershøi, he 1889. V. Hammershøi). Oil on canvas laid on canvas. and Vilhelmine were also very close friends with Ida 40 x 32 cm. and Vilhelm. Sophus Michaëlis and Alfred Bramsen, A Catalogue Raisonné of the Works of Vilhelm Hammershøi no. 77. Literature: Poul Vad, "Hammershøi - Værk og liv", 2003, reproduced p. 93. The painting is a study for no. 76 in the Catalogue Raisonné, a half-lenght portrait of Vilhelmine Bramsen, Provenance: Alfred Bramsen's collection (1918). which was the artist's first commissioned portrait. DKK 100,000-150,000 / € 13,500-20,000

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862_antik_s014-136_malerier.indd 25 04/02/16 12.07 7 VILHELM HAMMERSHØI b. Copenhagen 1864, d. s.p. 1916 "Landskab fra Kongevejen ved Gentofte. Sommer". Landscape from Kongevejen near Gentofte, north of Copenhagen. Summer. The sky covers three quarters of the painting’s surface. The flat landscape with the low horizon consists of yellow and green fields through which the straight road runs across the painting. Tall trees along the road. 1892. Signed V. H. Oil on canvas. 32 x 46 cm. Sophus Michaëlis and Alfred Bramsen, A Catalogue Raisonné of the Works of Vilhelm Hammershøi no. 118. The painting is a study from nature for a larger painting no. 115 in the Catalogue Raisonné.

Exhibited: Liljevalchs Konsthall , Stockholm, " Nyare Dansk Konst", 1919 no. 425.

Literature: Poul Vad, "Hammershøi - Værk og liv", 2003 pp. 175, reproduced p. 180. Here Poul Vad describes Hammershøi's landscapes and ex- plains how he picks up the tradition from the landscape painters of the Romantic period such as Lundbye and Skovgaard: "Instead of painting the emotion’s sincere but unsentimental connection with the landscape upon the canvas, Hammershøi depicted the dual experience of heartfelt empathy and impassable distance; and instead of painting what is near and distant together in the successive connection inwards into the space of the landscape, he left out everything that could attract attention to the foreground and instead focused sharply on the middle ground; he based the image on the dialectic between the measurable extent of the horizontal plane (from one edge of the frame to the other) and the immeasurable deep space of the air's (and heaven's) perspective."

There is no better way of describing Hammershøi's way of painting the landscape, and the description fits so well with the present painting.

Provenance: Alfred Bramsen's collection (1918). Art historian Gustav Falck married to Karen Bramsen, daughter of Alfred Bramsen. DKK 1,500,000-2,000,000 / € 200,000-270,000

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8 PETER ILSTED b. Sakskøbing 1861, d. Copenhagen 1933 "Interiør fra Liselund Slot". Interior from Liselund. Signed with monogram and dated 1916. Oil on canvas. 59 x 52 cm. DKK 60,000 / € 8,050

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9 PETER ILSTED b. Sakskøbing 1861, d. Copenhagen 1933 "Interiør med to Smaapiger". Interior with two girls. Unsigned. Oil on canvas. 58 x 57 cm. Exhibited: Charlottenborg 1899 no. 185.

Provenance: Bought by Kunstforeningen and won by architect Kristoffer Varming (1865-1936), his descendants until today. DKK 400,000-500,000 / € 53,500-67,000

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862_antik_s014-136_malerier.indd 29 04/02/16 12.07 10 VILHELM HAMMERSHØI b. Copenhagen 1864, d. s.p. 1916 "Stue. En stor Empire-Sofa fylder hele den venstre Halvdel af Billedet. I Baggrunden læner en læsende Dame, halvt bortvendt, sig op til Sofaens bageste Skab. Foran og tilhøjre staar et af Rammekanten afskaaret - med et rødbrunt Tæppe tildækket - Bord, paa hvilket en krukke paa en bladformet Skaal". Stue i Strandgade 30. Living room. A large sofa in empire style occupies the entire left half of the painting. In the background a reading woman, half turned away. In front and to the right a table with a reddish-brown carpet. On the table a jar in a leaf shaped bowl. The living room in Strandgade 30. 1904. Signed V. H. Oil on canvas. 70 x 54 cm. Sophus Michaëlis and Alfred Bramsen, A Catalogue Raisonné of the Works of Vilhelm Hammershøi no. 266, reproduced plate 30.

Exhibited: Ordrupgaard, "Vilhelm Hammershøi - en retrospektiv udstilling", 1981 no. 101, reproduced p. 126. Ordrupgaard, "Vilhelm Hammershøi", 1997 no. 34, reproduced p. 113. Musee d'Orsay Paris, "L'univers poétique de Vilhelm Hammershøi," 1997- 1998 no. 34. Solomon R. Guggenheim Museum New York, "Vilhelm Hammershøi", 1998 no. 34.

Literature: Smaa Kunstbøger no. 13, "Vilh. Hammershøi", 1916 p. 50. Kunst i Privat Eje, 1945, vol. II, mentioned p. 89-90, reproduced p. 89. Poul Vad, "Hammershøi - Værk og liv", 2003 p. 235.

Kunst i Privat Eje, 1945, vol. II, p. 89-90, here the painting is highly praised (in Danish): "Hammershøi is represented (in the collection) by an Interior with Figure, in which a young woman is reading a book, as she leans up against a mahogany sofa. It is a painting that with its delicate, subtle colours belongs to the finest tonal paintings within Danish art. Hammershøi has achieved a truly impressive textual effect with the fine reflections in the sofa’s polish, and the composition has none of the emptiness, which often characterizes the living rooms of Hammershøi."

Provenance: Merchant Simmelhag (1918). Broker A. W. Simmelhag and wife's collection of paintings, Bruun Rasmussen auction 76, 1956 no. 26, reproduced p. 22, here bought by the present owner's family for 3500 DKK. DKK 4,000,000-6,000,000 / € 535,000-805,000

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11 CARL HOLSØE b. Aarhus 1863, d. Asserbo 1935 Interior with a view of the garden through an open window. Signed C. Holsøe. Oil on panel. 45.5 x 37 cm. DKK 75,000 / € 10,000

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12 CARL HOLSØE b. Aarhus 1863, d. Asserbo 1935 Interior with a woman in a dining room. Signed C. Holsøe. Oil on canvas. 44 x 37 cm. DKK 100,000-150,000 / € 13,500-20,000

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862_antik_s014-136_malerier.indd 35 04/02/16 12.08 13 VILHELM HAMMERSHØI b. Copenhagen 1864, d. s.p. 1916 "Landskabsstudie". Landscape study. Early spring. In the foreground a wide, bright green field. In the middle and to the left a group of trees, which decreases towards the left. Light grey sky. 1909. Unsigned. Oil on canvas. 42 x 58 cm. Sophus Michaelis and Alfred Bramsen, A Catalogue Raisonné of the Works of Vilhelm Hammershøi no. 318.

Hammershøi's landscapes are unique for their time. His landscapes do not resemble the landscape paintings of his contemporary fellow artists such as Theodor Philipsen, Hans Smidth and L. A. Ring. Most often Hammershøi paints a civilized, orderly nature, as in this painting, with its neatly planted trees. Note also how impulsively Hammershøi has placed many small light brush strokes in the sky, which causes it to vibrate.

Hammershøi positions himself at a 90-degree angle to his motif. The road and here the lined trees are oriented towards the sides of the frame and are in parallel to the picture plane. In the work of his contemporaries, the road is typically perceived as a direction leading into the motif and pro- vides depth and movement. With Hammershøi the quiet vibration rests in the brushstrokes, the light and the colour in an otherwise silent horizontal universe.

Provenance: Official in the Government (Expeditionssekretær) Einer Koch (1918). DKK 1,000,000-1,200,000 / € 135,000-160,000

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862_antik_s014-136_malerier.indd 38 04/02/16 12.08 14 VILHELM HAMMERSHØI b. Copenhagen 1864, d. s.p. 1916 "Nøgen Kvindelig Model. Staaende. Profil mod højre". Female nude. Standing. In profile towards right. Un- signed. Oil on canvas. 67 x 36,5 cm. Painted at P. S. Krøyer's art school in his atelier in Bredgade 33, Copenhagen. Sophus Michaëlis and Alfred Bramsen, A Catalogue Raisonné of the Works of Vilhelm Hammershøi no. 45.

Exhibited: Liljevalch, Stockholm, "Nyare Dansk Konst", 1919 no. 412. The National Gallery of Denmark, "Mit bedste Kunst- værk", 1941 no. 71. Ordrupgaard, "Vilhelm Hammershøi - en retrospektiv udstilling", 1981 no. 18, reproduced p. 51. Wildenstein, New York and The Philips Collection, 14 Washington, "Hammershøi. Painter of Stillness and Light", 1983 no. 11, reproduced p. 30.

Literature: Haavard Rostrup, "Om Hammershøis Kunst" in "Kunst og Kultur", Oslo 1940, p. 186. Poul Vad, "Hammershøi - Værk og liv", 2003, reproduced p. 430.

Provenance: Alfred Bramsen's collection. Director Smith, Hafnia Bryggeri (1918). Art historian Gustav Falck married to Karen Bramsen, daughter of Alfred Bramsen. Doctor C. Kattrup Lassen (1941). Ellen Kattrup Lassen. From her to the present owner. DKK 1,500,000-2,000,000 / € 200,000-270,000

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862_antik_s014-136_malerier.indd 39 04/02/16 12.08 15 VILHELM HAMMERSHØI b. Copenhagen 1864, d. s.p. 1916 Portrait of the artist's wife Ida, née Ilsted (1869-1949). About 20 years old in a blue dress with pearl buttons sitting at a round table. Signed V. H. and certified on the reverse (in Danish): "Painted by V. Hammershøi certified by Ida Hammershøi". Oil on canvas laid on canvas. 40 x 32 cm. Exhibited: Bachs Kunsthandel 1966 in Copenhagen.

Study for the double portrait of the artist himself and his wife Ida, painted in Paris 1892 (The David Collection, Copenhagen), where she is dressed in the same blue dress with pearl buttons. Several studies of Ida for the double portrait are mentioned in the Catalogue Raisonné under the year 1890, though none with the measurement 40 x 32 cm.

Provenance: Bruun Rasmussen auction 143, 1962 no. 104. Bruun Rasmussen auction 152, 1963 no. 76. Bruun Rasmussen auction 510, 1988 no. 52 reproduced p. 47. Bruun Rasmussen auction 522, 1989 no. 53 reproduced p. 48. DKK 1,000,000-1,500,000 / € 135,000-200,000

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862_antik_s014-136_malerier.indd 41 04/02/16 12.08 Vilhelm Hammershøi, I nterior with young woman from behind , 1904, Randers 1904, Kunstmuseum

“...a beautiful...exhibition at Scandinavia House...” THE NEW YORK TIMES “Once Hammershøi gets to you, you may well...be his for life.” THE NEW YORKER PAINTING TRANQUILITY MASTERWORKS BY VILHELM HAMMERSHØI FROM SMK - THE NATIONAL GALLERY OF DENMARK

EXTENDED THROUGH SAT—3-26-2016 TUE-SAT—12-6 PM, WED—12–7 PM

4 March - 19 June 2016

10 km north of Copenhagen SCANDINAVIA HOUSE: THE NORDIC CENTER IN AMERICA 42 BRUUN RASMUSSEN BREDGADE AUCTION 862 58 PARK AVENUE, NEW YORK, NY 10016 SCANDINAVIAHOUSE.ORG

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EXTENDED THROUGH SAT—3-26-2016 TUE-SAT—12-6 PM, WED—12–7 PM

4 March - 19 June 2016

10 km north of Copenhagen SCANDINAVIA HOUSE: THE NORDIC CENTER IN AMERICA BRUUN RASMUSSEN BREDGADE AUCTION 862 43 58 PARK AVENUE, NEW YORK, NY 10016 SCANDINAVIAHOUSE.ORG

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862_antik_s014-136_malerier.indd 44 04/02/16 12.08 PAINTINGS

Tuesday 1 March Lot 16 - 133

Lot 43

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16 CD OLE RING b. Baldersbrønde 1902, d. 1972 Spring day at Christianshavn's Kanal (Canal). Signed Ole Ring. Oil on canvas. 45 x 60 cm. DKK 30,000-40,000 / € 4,000-5,350

17 CD OLE RING b. Baldersbrønde 1902, d. 1972 View of Marmorbroen (the Marble Bridge) and Frederiksholm's Kanal (Canal). Signed Ole Ring. Oil on canvas. 45 x 62 cm. DKK 25,000-30,000 / € 3,350-4,000

18 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 Fish for sale at Gl. Strand in Copenhagen. Signed Paul Fischer. Oil on canvas. 58 x 74 cm. DKK 200,000-250,000 / € 27,000-33,500

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19 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 Street scene from Nygade (Strøget) in Copenhagen with a view towards Rådhuspladsen (the Town Hall Square) across Gammel- and Nytorv. Signed Paul Fischer. Oil on panel. 39 x 32 cm. DKK 60,000-80,000 / € 8,050-10,500

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20 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 Street view from Rådhuspladsen (the Town Hall Square) in Copenhagen. Signed Paul Fischer. Oil on panel. 25 x 20 cm. DKK 125,000-150,000 / € 17,000-20,000

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22 ALFRED BENZON b. København 1855, d. s.p. 1932 "Fra Dampskibsbroen ved Taarbæk. Sommermorgen. Efter Skibets Afgang". From the steamer wharf at Taarbæk. Summer morning, after the departure of the ship. Signed with monogram and dated Ny Taarbæk Juni 1883. Oil on canvas. 91 x 109 cm. Alfred Benzon was a student at P. S. Krøyer's school in 1883-84.

Exhibited: Charlottenborg 1885 no. 30. DKK 30,000-40,000 / € 4,000-5,350 21 CHRISTIAN MØLSTED 23 b. Dragør 1862, d. s.p. 1930 PEDER MØNSTED "Havnen ved gamle Knippelsbro 1893. Solnedgang, b. Grenaa 1859, d. Fredensborg 1941 i September". The old Knippelsbro in Copenhagen From the coast at Strandmøllen north of Copenha- 1893. Sunset, September. Signed and dated Chr. gen. A little girl standing and a woman with a red Mølsted 1893-1930. Oil on canvas. 106 x 137 cm. umbrella sitting on the beach. Signed and dated P. Exhibited: Charlottenborg 1930 no. 324. Mønsted 1899. Oil on cardboard. 25 x 32 cm. DKK 30,000 / € 4,000 DKK 30,000-40,000 / € 4,000-5,350

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25 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 After the performance outside Det kongelige Teater (The Royal Theatre) in Copenhagen. Signed and 24 dated Paul Fischer 1909. Oil on canvas. 58 x 48 cm. PAUL FISCHER Exhibited: Øregaard Museum, Hellerup, "Paul Fischer b. Copenhagen 1860, d. s.p. 1934 på Øregaard Museum", 2003-4, reproduced in colours "I stuen på Sofievej". In the living room on Sofie- on the catalogue cover. vej. The young girl reading is probably the artist's daughter Harriet. Signed and dated Paul Fischer Literature: Jane Sandberg, "Ingen kan tjene alle til 1916. Oil on canvas. 39 x 55 cm. takke", 2005, catalogued and reproduced in colours Exhibited: Øregaard Museum, Hellerup, "Paul Fischer p. 13. på Øregaard Museum", 2003-2004 no. 41, reproduced p. 24. For most of his paintings, Paul Fischer found inspiration in the daily life of the citizens of Copenhagen. Literature: Jane Sandberg, "Ingen kan tjene alle til However, he often gave his motifs an international takke", 2005, catalogued and reproduced in colours p. touch, indicating that they just as easily could have 44. DKK 60,000-80,000 / € 8,050-10,500 been painted in Paris. DKK 400,000 / € 53,500

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26 ERIK PAUELSEN b. Bygum 1749, d. København 1790 Portrait of an elegant lady playing music, dressed in a white satin dress with fur trimming. Beehive hair adorned with flowers. Unsigned. Oil on canvas. 78 x 61 cm. Period frame. Ellen Poulsen, A Catalogue Raisonné of the Works of It has been suggested that the portraited is Constanze Jens Juel no. 355, reproduced in colour p. 227. Mozart. DKK 25,000-30,000 / € 3,350-4,000 Exhibited: København, "Rådhusudstillingen af Dansk Kunst indtil 1890", 1901 no. 877a (doctor Carl Meyer). 27 Kunstforeningen, "Jens Juels Arbejder", 1909 no. 47. JENS JUEL National Gallery of Denmark, "Mit bedste Kunstværk", b. Balslev, Funen 1745, d. Copenhagen 1802 1941 no. 119. Portrait of solo dancer Marie Christine Bjørn, née Kunstforeningen, "Jens Juel - Malerier i privateje", Lorentzen (1763-1837) married to chamber secre- 1982 no. 43. tary Christian Bjørn, in blue dress with ruffle, in the Fyns Stiftsmuseum Odense, "Jens Juel", 1960 no. 76. neckline a bouquet of flowers, her long hair brushed back adorned with flowers. Unsigned. Oil on canvas. Provenance: Doctor Carl Meyer, his descendants until Oval. 71 x 56 cm. Period frame. today. DKK 60,000-80,000 / € 8,050-10,500

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28 ALBERT RAOUX French painter 19th century Peonies, score and lute at the base of a tree. Signed and dated Albert Raoux 1860. Oil on canvas. 120 x 140 cm. DKK 40,000 / € 5,350

29 I. L. JENSEN b. Copenhagen 1800, d. s.p. 1856 Roses and myrtles on a sill. Signed and dated I. L. Jensen 1841. Oil on panel. 17.5 x 23 cm. DKK 25,000 / € 3,350 29

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30 31 I. L. JENSEN I. L. JENSEN b. Copenhagen 1800, d. s.p. 1856 b. Copenhagen 1800, d. s.p. 1856 Figurine of a lyre-playing cherub by Bertel Thor- Still life with red, white and pink roses in a Greek valdsen decorated with a wreath of pink roses vase on a marble sill. Signed I. L. Jensen. Oil on on a pedestal. Signed I. L. Jensen. Oil on panel. panel. 33 x 44 cm. 33 x 44 cm. DKK 30,000-40,000 / € 4,000-5,350 DKK 40,000-50,000 / € 5,350-6,700

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862_antik_s014-136_malerier.indd 57 04/02/16 12.09 32 DANKVART DREYER b. Assens 1816, d. Barløse 1852 "Laurines Hus i Møllerhuse ved Assens". Laurine's house in Mølle- huse near Assens. 1846? Unsigned. Oil on panel. 28 x 35,5 cm. Sigurd Swane, A Catalogue Raisonné of the Works of Dankvart Dreyer no. 175. Suzanne Ludvigsen, A Catalogue Raisonné of the Works of Dankvart Dreyer no. 229 reproduced p. 97.

Exhibited: Kunstforeningen, "Udstilling af Dankvart Dreyers Arbejder", 1912 nr. 92.

Provenance: Consul General Johan Hansen (1912). P. F. A. Thomsen, his auction in 1920 no. 21, reproduced (not sold). The widow of P .F. A. Thomsen, Ulrika Thomsen's estate auction, 1924 no. 18. DKK 30,000 / € 4,000

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33 DANKVART DREYER b. Assens 1816, d. Barløse 1852 "Jysk hedelandskab". Moor landscape, Jylland. C. 1939. Unsigned. Oil on cardboard. 18.5 x 30 cm. Sigurd Swane, A Catalogue Raisonné of the Works of Dankvart Dreyer no. 69. Suzanne Ludvigsen, A Catalogue Raisonné of the Works of Dankvart Dreyer no. 88.

Exhibited: "Rådhusudstillingen af Dansk Kunst indtil 1890", 1901 no. 359 entitled "Jydsk Hedeegn, Studie". Kunstforeningen, "Udstilling af Dankvart Dreyers Arbejder", 1912 no. 39 entitled "Jydsk Hedelandskab. i Forgrunden en Klit". Kunstforeningen and Fyns Kunstmuseum, "Dankvart Dreyer", 1989 no. 46 reproduced p. 32.

Literature: Leo Swane, "Dankvart Dreyer 1816-1852", 1921 p. 59-62 reproduced p. 54. Leo Swane was excited about the small painting and compared it with depictions of the nature by the French landscape painter Théodor Rousseau, co-founder of the Barbizon School.

Henrik Bramsen, "Dansk Kunst fra Rokoko til vore Dage", 1942 p. 261 reproduced. Bramsen referred to the painting (in Danish): "Dankvart Dreyer was the first who tried to depict Jylland's nature. There is a strong romantic feeling in his studies of the moor, where he worked quite freely and with a clean, saturated and very expressive colour." Vagn Poulsen (ed.), "Dansk Kunsthistorie" vol. III, p. 352 reproduced. Hans Hertel in Bente Scavenius (ed.), "Guldalderhistorier", 1994 p. 183 reproduced. Ragni Linnet in "Meddelelser fra Thorvaldsens Museum", 1994 p. 32 plate 13. Storstrøms Kunstmuseum and Skovgaardmuseet, "Udsigt til Guldalderen", 2005-2006 reproduced p. 272, plate 31. Henning Jørgensen in "Billedkunst", December 2004 p. 3-14, plate 1. Suzanne Ludvigsen, "Maleren Dankvart Dreyer", vol. I p. 127-129, reproduced p. 129. DKK 30,000-50,000 / € 4,000-6,700

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862_antik_s014-136_malerier.indd 59 04/02/16 12.09 34 EMIL BÆRENTZEN b. Copenhagen 1799, d. s.p. 1868 A pair of portraits of Peder Withussen Bering (1806-1847) to Rygaard in Hellerup north of Copenhagen, dressed in a black vest, blue-black coat and black cravat tied in a bow, seated and his wife Emilie Jacobine née Klepser (1810-1895) in a green dress with white lace border and bonnet with pink ribbons, seated. Both signed and dated Emilius Bærentzen 1837. Oil on canvas. 79 x 66 cm each. Period frames. (2). Literature: Mikael Kristian Hansen (ed.), "Emilius Bærentzen. En por- trætkunstner i Guldaldertidens Danmark", 2014, no. 60 and 61, mentioned and reproduced p. 244-247.

Peder Withussen Bering took over Rygaard in Hellerup after his father Withus Bering in 1828. He was a skilled farmer who made the soil around Rygård into fertile farmland. In 1829 he became engaged to Emilie Jacobine Klepser, the daughter of a German saddler, who had a flourishing business in Gothersgade in Copenhagen. The family had immigrated to Denmark from Stuttgart. Emilie and Peder got two boys and eight daughters and lived in a happy marriage until Peder Bering caught a severe cold and pneumonia that led to his early death in 1847. With huge diligence and thrift Emilie Bering managed to raise all the children. Finally, she sold the farm and moved to Copenhagen. DKK 30,000-40,000 / € 4,000-5,350

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862_antik_s014-136_malerier.indd 61 04/02/16 12.10 35 C. W. ECKERSBERG b. Blåkrog near Aabenraa 1783, d. Copenhagen 1853 "Madam Andersen". Portrait of Royal actress Elisabeth Birgitte Andersen, neé Olsen (1791-1875). 1821. Unsigned. Oil on canvas. 55 x 44 cm. Emil Hannover, A Catalogue Raisonné of the Works of C. W. Eckersberg no. 282.

Exhibited: Kunstforeningen, "C. W. Eckersberg-udstillingen", 1895 no. 22. Eckersberg mentions in his diary 9 January 1822 (in Danish): "Received for Madam Andersen's Portrait 50 Rbdr silver".

Literature: The portrayed is extensively writen about in P. Hansen: Den danske Skueplads (the Danish Stage), Vol. 2, pp 76-109 (here with Erling Eckersberg's print after his father's painting reprodu ced)-162-163-202-213-214-289-290-550. She was indeed a famous actress!

Provenance: Journalist and theater historian Edgar Collin. Bruun Rasmussen auction 15, 1950 no. 117. DKK 100,000-150,000 / € 13,500-20,000

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36 CONSTANTIN HANSEN b. Rome 1804, d. Frederiksberg 1880 "Cerestemplet i Pæstum". The temple of Ceres at both Constantin Hansen and his travel companion Paestum. Signed and dated Const. H. Roma 1841. Jørgen Roed, when they visited the place in the spring Oil on canvas. 58 x 61 cm. of 1838. The visit was one of the highlights of their Emil Hannover, A Catalogue Raisonné of the Works of Italian journey. Both painters made many sketches of Constantin Hansen no. 226. the ruins later to be used for inspiration after returning to Denmark. Provenance: Commander S. Sverdrup, Kristiania (1901). The study for "The temple of Ceres in Pæstum" The magnificent remains of the ancient Greek colo- from 1838 (29 x 30 cm) is at the National Gallery of ny Poseidonia (Paestum) made a great impression on Denmark. DKK 400,000-500,000 / € 53,500-67,000

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862_antik_s014-136_malerier.indd 65 04/02/16 12.10 Constantin Hansen: “A Group of Danish Artists in Rome” (1837) Photo: The National Gallery of Denmark

37 CONSTANTIN HANSEN b. Rome 1804, d. Frederiksberg 1880 strangely detached from it. The painting is emblematic "Portræt i hel Figur af Marstrand". Portrait of of the Golden Age and the self-image of the Golden Marstrand in full figure. Study for "Et Selskab af Age painters. With the portrayal of the long slender danske Kunstnere i Rom". A group of Danish artists slightly bended figure of Marstrand detached from in Rome. 1837. Unsigned. Inscribed on the reverse anything else, this little study captures the whole essence of the canvas: Portraitstudie af Maleren W. Marstrand. of this new artistic self-awareness and self-esteem. Const. Hansen p. Oil on paper laid on canvas. 34 x 22 cm. Emil Hannover, A Catalogue Raisonné of the Works of "Et Selskab af danske Kunstnere i Rom" (National Constantin Hansen no. 117. Gallery of Denmark) is one of Constantin Hansen's most famous paintings. Centrally placed slightly left Exhibited: Copenhagen, "Raadhusudstillingen af Dansk of the center stands Marstrand leaning against the Kunst til 1890", 1901 no. 581. balcony's railing while he views the city and smokes a cigar - the epitome of casual elegance. As the only Provenance: The estate auction after the late one of the seven portrayed artists (Bindesbøll, Rørbye, Constantin Hansen, 1880 no. 28. The estate auction Kuchler, Blunck, Constantin Hansen and Jørgen Sonne) after the late Vilhelm Kyhn, 1903 no. 171. The estate Marstrand does not participate in the discussion that auction after the late Frans Schwartz, 1917 no. 4. takes place amongst the others in the room, he is look- Bruun Rasmussen auction 94, 1958 no. 81, reproduced ing out and away. He is both part of the artist group and p. 11. DKK 80,000-100,000 / € 10,500-13,500

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38 PETER KORNBECK b. Copenhagen 1837, d. s.p. 1894 A young couple in an archway in Italy, presumably from Riva at the northern shore of Lake Garda. Signed and dated P. Kornbeck 1879. Oil on canvas. 110 x 75 cm. DKK 25,000-30,000 / € 3,350-4,000

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39 MARTINUS RØRBYE b. Drammen 1803, d. Copenhagen 1848 Italian landscape with a view of a church or a chapel. Unsigned. Oil on paper laid on canvas. 24 x 22 cm. Exhibited: On the stretcher the following information on an old label: Udstillet "Den en italienske Udstilling" (Exhibited at the Italian exhibition).

At the exhibition "Udstilling af dansk Kunst til Fordel for de nødlidende i Syditalien", (Exhibition of Danish art for the benefit of the needy in Southern Italy") in Copenhagen in 1909 15 paintings by Martinus Rørbye were exhibited, including no. 327 entitled " Chapel", owned by art dealer M. Grosell. That must be the present painting. DKK 100,000-150,000 / € 13,500-20,000

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40 HENRI REGNAULT b. Paris 1843, d. Buzenval 1871 Italian morra players outside an osteria. Signed H. Regnault. Oil on canvas. 88 x 117 cm. "Morra" is an Italian game that can be played in different ways, most forms can be played with two, three, or more players. In the most popular version, all players throw out a single hand, each showing zero to five fingers, and call out loud their guess at what the sum of all fingers shown will be. If one player guesses the sum, that player earns one point. The first player to reach three points wins the game. Morra is related to the Celtic word for finger "meur". DKK 75,000-100,000 / € 10,000-13,500

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41 CARL BLOCH b. Copenhagen 1834, d. s.p. 1890 Street scene Rome. A young girl at her neddlework. Literature: Rikard Magnussen, "Carl Bloch", 1931, re- Signed C. Bloch gentaget (repeated) and dated produced p. 37. Bloch was attracted to the Roman 1865. Oil on canvas. 62 x 46 cm. street life and his unique abilities as a genre painter are This painting is a repetition of a painting dated 1861. indisputable, as well as his witty powers of observa- That one Rikard Magnussen, A Catalogue Raisonné no. tion and his good sense of humour. As in this painting, 84, listed under the year 1862. where the young girl sewing is openly flirting with the painter (and us), while the woman with the distaff is Exhibited: Kunstforeningen, "Arbejder af Carl Bloch", looking severely at the painter (and the viewer). 1903 no. 54. DKK 40,000-50,000 / € 5,350-6,700

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42 PETER JULIUS LARSEN b. Copenhagen 1818, d. Rome 1852 A bunch of kids teases the sleeping fiddler and his little helper. Signed and dated P. L. 1840. Oil on canvas. 70 x 56 cm. Exhibited: Charlottenborg 1840, no. 108 entitled (in Danish) "Genre painting". DKK 20,000-30,000 / € 2,700-4,000

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43 JØRGEN SONNE b. Birkerød 1801, d. Copenhagen 1890 "En barnedåbsfærd i det nordlige Sjælland". A fami- Charlottenborg). The assignment was a "Scene of the ly on their way to a christening. Signed and dated I. Danish national life". The art historian N. L. Høyen had Sonne 1854. Oil on canvas. 80 x 122 cm. encouraged the painters to depict "everyday life of the Thorvaldsens Museum, A Catalogue Raisonné of the Danish people". Sonne did indeed succeed in capturing Works of Jørgen Sonne no. 124. this national feeling with this bright evocative painting, where the newborn to be christened appears Literature: Nina Damsgaard, Dyveke Helsted and others, in the center of the painting. Thorvaldsens Museum and Aarhus Kunstmuseum, 1988, "Jørgen Sonne 1801-1890", mentioned p. 70. The painting may have been the middle part of a series consisting of three: "Marriage", "Christening" This painting is a repetition of Jørgen Sonne's paint- "and "Funeral". It is typical of Sonne's national ing from 1846, which made him a member of the romantic genre paintings. Royal Academy of Fine Arts in Copenhagen (owner DKK 80,000-120,000 / € 10,500-16,000

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44 P. C. SKOVGAARD b. Ringsted 1817, d. Copenhagen 1875 Summer day in Dyrehaven (The Deer Garden) north of Copenhagen with a horse-drawn carriage. Signed with monogram and dated 1847. Oil on canvas. 53 x 74 cm. Presumably exhibited Kunstforeningen 1848 no. 184 entitled "Sommerdag i en Dyrehave" (Summer day in a Deer Garden) or no. 187 "Partie af Plainen ved Ere- mitagen i Jægersborg Dyrehave" (View of the lawn at Eremitagen in Jægersborg Deer Garden). DKK 40,000-50,000 / € 5,350-6,700

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45 P. C. SKOVGAARD b. Ringsted 1817, d. Copenhagen 1875 "Fra Rudeskov". From Rude Forest. Signed and dated P. C. S. 1838. Oil on canvas. 94 x 112 cm. Exhibited: Kunstforeningen, "P. C. Skovgaards Arbejder i 100 Aaret for hans Fødsel", 1917, no. 23.

Literature: Henrik Bramsen: "Malerier af P. C. Skovgaard", Copenhagen 1938, no. 3, reproduced p. 30.

Provenance: Manufacturer Louis Messerschmidt (1917), his descendants until today. DKK 60,000-80,000 / € 8,050-10,500

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46 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 Beach scene from Skagen with fluffy white clouds and sun reflections in the sea. Double signed M. A. and dated 21. Oil on canvas. 29 x 38 cm. DKK 30,000-50,000 / € 4,000-6,700 48 P. S. KRØYER 47 b. Stavanger 1851, d. Skagen 1909 P. S. KRØYER Two fishermen on Skagen Nordstrand (North b. Stavanger 1851, d. Skagen 1909 Beach). C. 1891. Signed P. S. Krøyer. Oil on panel. "Strandparti, maaneskin". On the beach, moonlight. 18 x 25 cm. Signed and dated S. Krøyer Skagen Maj 07. Oil on Study for "En gruppe fiskere på Skagens Nordstrand" (A panel. 32 x 42 cm. group of fishermen at Skagen Nordstrand) dated 1891 H. Chr. Christensen, A Catalogue Raisonné of the Works with the measurement 126 x 226. This painting no. of P. S. Krøyer no. 755. 486 in H. Chr . Christensen's Catalogue Raisonné of the Works of P. S. Krøyer. The two fishermen are part of a Provenance: Mrs Ellen Sjøqvist. group of men on the beach near a boat. DKK 300,000-400,000 / € 40,000-53,500 DKK 150,000-200,000 / € 20,000-27,000

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862_antik_s014-136_malerier.indd 77 04/02/16 12.11 49 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A walking fisherman on Skagen beach. In the background rowing boats. Signed M. A. Oil on panel. 61 x 40 cm. DKK 50,000-75,000 / € 6,700-10,000

50 CARL BLOCH b. Copenhagen 1834, d. s.p. 1890 "En fiskerdreng". A fisherboy. Signed and dated Carl Bloch 1872. On the reverse of the frame remains of Tsaritsa Maria Feodorovna of Russia's mitre crowned owner's label. Oil on panel. 37 x 26 cm. Rikard Magnussen, A Catalogue Raisonné of the Works of Carl Bloch no. 196 (listed under the year 1874) reproduced p. 69. Sidsel Maria Søndergaard, A Catalogue Raisonné of the Works of Carl Bloch (listed under the year 1872).

Exhibited: Charlottenborg 1874 no. 28 (merchant M. Hen- riques). Kunstforeningen, "Arbejder af Maleren Carl Bloch", 1921 no. 62 (Tsaritsa Maria Feodorovna).

49 Provenance: Merchant M. Henriques (1874). Tsaritsa Maria Feodorovna of Russia's estate auction at Hvidøre, 1929 no. 736, reproduced p. 34.

The tsaritsa was born Princess Dagmar of Denmark and after the Russian revolution she lived in exile in her birth country from 1919 until her death in 1928. DKK 30,000-40,000 / € 4,000-5,350

51 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 "Fiskeren der skal ud på Fangst, tager Afsked med sin Førstefødte". A fisherman going out fishing, taking leave of his firstborn. 1878. Unsigned. Oil on canvas. 97 x 61 cm. Elisabeth Fabritius, A Catalogue Raisonné of the Works of Michael Ancher no. 127, reproduced p. 85.

Exhibited: Charlottenborg 1878 no. 353.

Provenance: Purchased by Baron Otto Rosenørn-Lehn at the Charlottenborg exhibition. Auction after Rosenørn-Lehn, Winkel & Magnussen 90, 1931 no. 4 reproduced p. 17. Bruun Rasmussen auction 500, 1987 no. 51 reproduced p. 39.

Skagens Museum owns a later repetition no. 128 in Eli- sabeth Fabritius' Catalogue Raisonné. DKK 150,000-200,000 / € 20,000-27,000 50

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52 CARL LOCHER b. Flensburg 1851, d. Skagen 1915 Coastal scene with fishermen pulling the boat up on shore. Signed Carl Locher. Oil on canvas. 91 x 128 cm. Exhibition label on the stretcher. DKK 50,000-75,000 / € 6,700-10,000

53 VIGGO JOHANSEN b. Copenhagen 1851, d. s.p. 1935 Beach scene from Skagen. Signed and dated V. J. Skagen 90. Oil on canvas. 64 x 69 cm. DKK 30,000 / € 4,000 53

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862_antik_s014-136_malerier.indd 80 04/02/16 12.11 54 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A fisherman from Skagen in bright sunlight on the beach with the sea in the background. Signed and dated M. A. 21. Oil on canvas. 37 x 30 cm. DKK 30,000-35,000 / € 4,000-4,700

55 CARL LOCHER b. Flensburg 1851, d. Skagen 1915 Seascape with numerous ships. Signed Carl Locher. Oil on canvas. 30 x 53 cm. DKK 30,000 / € 4,000 54

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56 CARL LOCHER 57 b. Flensburg 1851, d. Skagen 1915 ANTON MELBYE "Storm. Skagen". Stormy weather Skagen. Signed and b. Copenhagen 1818, d. Paris 1875 dated Carl Locher 1902. Oil on canvas. 82 x 128 cm. Sailing ships off the white cliffs of Dover. Signed Exhibited: Charlottenborg 1903 no. 775 (supplement). and dated Anton Melbye 1864. Oil on canvas. DKK 40,000-50,000 / € 5,350-6,700 47 x 69 cm. DKK 40,000-50,000 / € 5,350-6,700

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58 JULIUS FRIEDLÆNDER b. Copenhagen 1810, d. s.p. 1861 "En hjemkommen Fisker bringer Efterretning om en Kammerats Forliis". A fisherman returning from the sea brings news about his friend's wreck. Signed with monogram and dated 1837. Oil on canvas. 90 x 98 cm. Exhibited: Charlottenborg 1838 no. 93.

Provenance: Won in Kunstforeningen by Counsellor Wilde, Randers. Councillor of State Fenger. Female Groom of the Chamber Barnekow. DKK 30,000-50,000 / € 4,000-6,700

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59 ANNA ANCHER b. Skagen 1859, d. s.p. 1935 "Trøst". Consolation. A mother comforts her little girls. Signed A. Ancher. Oil on canvas. 35.5 x 44 cm. On the reverse an exhibition label. DKK 125,000-150,000 / € 17,000-20,000

60 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 A woman from Skagen with a golden headscarf. Signed M. A. Oil on panel. 44.5 x 34.5 cm. DKK 30,000 / € 4,000 60

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61 ANNA ANCHER b. Skagen 1859, d. s.p. 1935 Christening in Skagen Church. The women seen from the right side holding the babies are: Elvine Nielsen, Karen Nielsen, Marie Christoffersen as well as two unidentified girls. Signed A. Ancher. Oil on canvas. 42 x 53 cm. Exhibited: Skagens Museum, "Skagen Guld, værker i privat eje", 2011 no. P223, reproduced p. 27. DKK 150,000-200,000 / € 20,000-27,000

62 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 Portrait of a girl in a pink dress and a straw hat with a pink ribbon. Signed M. A. Oil on canvas. 53 x 39 cm. Michael Ancher offered to paint the summer guests visiting Skagen. Many of these can not be identified today. Skagen Museum owns several of these portraits. DKK 40,000 / € 5,350 62

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63 ANTON MELBYE b. Copenhagen 1818, d. Paris 1875 Sail boats off a rocky coast. Presumably near Gibraltar. Signed and dated A. Melbye 1845. Oil on canvas. 39 x 55 cm. DKK 20,000-25,000 / € 2,700-3,350

64 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 Portrait of the artist's daughter Helga 11 years old. Signed and dated M. A. 94. In- scribed by the artist himself "Helga 11 Aar". Oil on canvas. 26 x 31 cm. DKK 20,000-25,000 / € 2,700-3,350 64

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65 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 Three fishermen from Skagen standing on the beach in the evening sun. Signed and dated M. A. 1901. Oil on panel. 38 x 59 cm. DKK 100,000 / € 13,500

66 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 "Interieur fra Kunstnerens Hjem. Fru Anna Ancher ved Sytøjet". Interieur from the artist's home. Anna Ancher at her needlework. 1915. Signed M. Ancher. Oil on canvas. 53 x 40 cm. Anna Ancher sitting in the living room facing south on Markvej.

Provenance: Lawyer and alderman in Lund, Gustaf Oscar Sandahl (1885-1975). A letter from Anna Ancher, dated Skagen August 15 1933, to Gustaf Sandahl is enclosed. The letter is about the sale of the painting. DKK 40,000 / € 5,350 66

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67 MICHAEL ANCHER b. Bornholm 1849, d. Skagen 1927 "Hedearbejderen vender hjem". Homeward bound across the moor, evening light. Signed and dated M. A. 1903. Oil on canvas. 64 x 85 cm. Exhibited: Charlottenborg 1904 no. 799 (supplement) DKK 40,000-50,000 / € 5,350-6,700

68 FRITZ SYBERG 69 b. Faaborg 1862, d. Kerteminde 1939 MICHAEL ANCHER "Kvinder i Køkken". Sunlight in the kitchen with b. Bornholm 1849, d. Skagen 1927 two young women preparing vegetables. Signed Four fishermen in a boat at sea off Skagen. Signed with monogram and dated 1918. Oil on canvas. and dated Michael Ancher 1903. Oil on canvas. 81 x 103 cm. 95 x 145 cm. On the reverse an exhibition label from "Samlerens Presumably exhibited Charlottenborg 1904 no. 8 enti- Kunstudstillinger" (The Collectors Art Exhibitions). tled "Fiskere paa Søen" (Fishermen at sea). DKK 30,000-40,000 / € 4,000-5,350 DKK 150,000-200,000 / € 20,000-27,000

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70 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Summer day on a lake. In the background a meadow with graz- ing cows. Signed and dated P. Mønsted 1903. Oil on canvas. 70 x 100 cm. DKK 100,000-150,000 / € 13,500-20,000

71 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Summer day with children playing behind a thatched farm. Signed and dated P. Mønsted Bromølle 1924. Oil on canvas. 70 x 100 cm. Bromølle is located near Jyderup on Sjælland. DKK 80,000-100,000 / € 10,500-13,500

72 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Blooming anemones in the forest floor next to a stream. Signed and dated P. Mønsted Bromølle 1924. Oil on canvas. 41 x 62 cm. Bromølle is located near Jyderup on Sjælland. DKK 30,000-40,000 / € 4,000-5,350

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73 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Spring day in the forest with blooming anemones. Signed and dated Mønsted 1910. Oil on canvas. 24 x 38 cm. DKK 60,000-80,000 / € 8,050-10,500

74 C. F. AAGAARD b. Odense 1833, d. Copenhagen 1895 "Humlebæk Allé. Septemberdag". Children playing on a late summer day in Humlebæk. Signed and dated C. F. Aagaard, 1894. Oil on canvas. 134 x 88 cm. Udstillet: Charlottenborg 1894 nr. 2. DKK 40,000-50,000 / € 5,350-6,700

75 BERTHA WEGMANN b. Soglio, Switzerland 1847, d. Copenhagen 1926 Mother and child. Signed and dated B. Wegmann 1882. Oil on canvas. 134 x 83 cm. A painting entitled "Portrait" was exhibited 1882 no. 266 at Charlottenborg. Presumably the present portrait of the young mother. DKK 100,000-150,000 / € 13,500-20,000 74

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76 JANUS LA COUR b. Ringkøbing 1837, d. Odder 1909 77 Montain landscape with snowy peaks. Signed and JANUS LA COUR dated J. la Cour 1878. Oil on canvas. 35 x 45 cm. b. Ringkøbing 1837, d. Odder 1909 Presumably from the area around Engadin or from the View from Capri. Signed and dated J. l. C. Capri 2. Bernese Oberland, two places he visited in 1878. Aug. 1870. Oil on canvas. 26 x 36 cm. DKK 30,000 / € 4,000 DKK 20,000-25,000 / € 2,700-3,350

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78 HOLGER H. JERICHAU b. Copenhagen 1861, d. s.p. 1900 On the shores of Lac Leman near Villeneuve in Switzerland. Signed and dated Holger H. Jerichau Villeneuve 1897. Oil on canvas. 100 x 190 cm. Villeneuve is town located on the border of the eastern part of Lac Leman. DKK 30,000-50,000 / € 4,000-6,700

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79 A. E. KIELDRUP b. Haderslev 1827, d. Copenhagen 1869 81 Norwegian landscape from Burdalen Hardanger, VILHELM KYHN Norway. Unsigned. Oil on canvas. 52 x 78 cm. b. Copenhagen 1819, d. Frederiksberg 1903 DKK 25,000-35,000 / € 3,350-4,700 "Sommerlandskab. Motivet fra Østkysten af Jyl- land". A Danish summer landscape. Signed V. Kyhn 80 (in one word). Oil on canvas. 74 x 109 cm. THORALD BRENDSTRUP Exhibited: Charlottenborg 1866 no. 108. Kunstfore- b. Sengeløse 1812, d. Copenhagen 1883 ningen, "Vilhelm Kyhn", 1993 no. 34 with the title "En View of Sommerspiret, Møn's Cliff. Unsigned. Oil on sommerdag" (A summer day), according to informa- canvas. 34 x 46 cm. tion written on the reverse, however measures are here Provenance: Chamberlain, Baron A. H. Bille - Brahe, misstated as 53 x 65 cm. former prefect in Sorø, his auction Winkel & Magnus- sen 188, 1936 no. 6. Provenance: Nykredit (1993). DKK 30,000-40,000 / € 4,000-5,350 DKK 30,000-40,000 / € 4,000-5,350

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82 FRITZ GREBE b. Heisebeck 1850, d. Düsseldorf 1925 Summer day in a Norwegian fjord with several ships. Signed F. Grebe. Oil on canvas. 70 x 100 cm. DKK 20,000-30,000 / € 2,700-4,000

83 A. RIIS CARSTENSEN b. Sennels near Thisted 1844, d. Helsingør 1906 Scene from the Caribbian with ships at anchor off the coast between small islands. Signed and dated A. Carstensen San Domingo 1871. Oil on canvas. 67 x 100 cm. DKK 30,000 / € 4,000

84 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Scene from North Africa. Bedouins and camels are resting at an oasis. Signed and dated P. Mønsted 1895. Oil on canvas laid on panel. 62 x 98 cm. Period gilt frame with corner ornamentation. Mønsted's landscapes from Greece, Italy and North Africa painted before 1900 are very highly regarded. They show a very varied observation of the nature and a fine sense of the changing light and colour conditions. The "Scene from North Africa" is a good example. DKK 175,000-225,000 / € 23,500-30,000

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85 CD EMANUEL A. PETERSEN b. Frederiksberg 1894, d. Farum 1948 Umiak in a Greenlandic fjord. Signed Em. A. P. Oil on canvas. 70 x 100 cm. DKK 25,000 / € 3,350

86 I. E. C. RASMUSSEN b. Ærøskøbing 1841, d. The Atlantic Ocean 1893 Umiaks and kayaks in a Greenlandic fjord on a summer day. Signed and dated J. E. C. R. 1892. Oil on canvas. 28 x 42 cm. DKK 40,000 / € 5,350

87 EMANUEL LARSEN b. Copenhagen 1823, d. s.p. 1859 "En Morgen ved Islands Kyst". Morning off the Icelandic coast. Signed and dated Emanuel Larsen Pinx 1847. Oil on canvas. 59 x 85 cm. Exhibited: Charlottenborg 1847 no. 111. DKK 50,000 / € 6,700

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88 HOLGER H. JERICHAU b. Copenhagen 1861, d. s.p. 1900 Summer day in Capri with peasant woman on a mountain road. Signed Holger H. Jerichau Capri. Oil on canvas. 98 x 65 cm. DKK 30,000 / € 4,000

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89 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 A peasant family outside their cottage in the outskirts of Bordighera in Italy. Signed and dated P. Mønsted Bordighera 1902. Oil on canvas. 70 x 118. The Italian town of Bordighera is located right on the Mediter- ranean coast between the border town of Ventimiglia to France and the fashionable San Remo. DKK 150,000 / € 20,000

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90 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Lake Garda seen from Torbole. Signed and dated P. Mønsted Torbole 1932. Oil on canvas. 47 x 62 cm. DKK 50,000 / € 6,700

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91 MARTINUS RØRBYE b. Drammen 1803, d. Copenhagen 1848 Fountain in the garden of Villa Borghese in Rome. Signed and dated CRørby (in one word) Villa Borghese 1841. Pencil and watercolour on paper. 29 x 46 cm. Exhibited : Nivaagaards Malerisamling and Ribe Kunst- museum, "Martinus Rørbye. Det nære og det fjerne", 2015 no. 92, reproduced p. 169, fig. 126. 92 Provenance: Winkel & Magnussen auction 389, 1954 PEDER MØNSTED no. 251. b. Grenaa 1859, d. Fredensborg 1941 View at Lago di Tenno in Italy. Signed and dated P. Martinus Christian Wedseltoft Rørbye is his full name. Mønsted Tenno 1908. Oil on canvas. 50 x 75 cm. DKK 30,000-40,000 / € 4,000-5,350 DKK 30,000-40,000 / € 4,000-5,350

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93 PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 "Ved Fontænen". Classical scene with two women with water jars next to a fountain. 1922. Signed Paul Fischer. Oil on canvas. 58 x 75 cm. Provenance: Paul Fischer's estate auction, Winkel & Magnussen 156, 1934 no. 88. DKK 60,000-80,000 / € 8,050-10,500

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94 HARALD SLOTT-MØLLER b. Copenhagen 1864, d. s.p. 1937 "En Vision". A vision. A young man sitting in a meadow sees in a vision a young naked woman. Signed and dated Harald Slott Møller 1897. Oil on canvas. 94 x 94 cm. Richly carved gilt wooden frame made by the artist. DKK 60,000-80,000 / € 8,050-10,500

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95 H. A. BRENDEKILDE b. Brændekilde 1857, d. Jyllinge 1942 "Susaaen ved Næstved." A mother with her little girls picking flowers at the riverbank of Suseåen. Signed H. A. Brendekilde. Oil on canvas. 58 x 85 cm. DKK 50,000 / € 6,700

96 H. A. BRENDEKILDE b. Brændekilde 1857, d. Jyllinge 1942 Summer landscape near Næstved with a view of Rønnebækholm's mill. Signed H. A. B. Oil on canvas. 50 x 77 cm. DKK 50,000-60,000 / € 6,700-8,050

97 H. A. BRENDEKILDE b. Brændekilde 1857, d. Jyllinge 1942 Summer day at Brændekilde church. Two little girls picking flowers at the roadside. Signed H. A. B. Oil on canvas. 61 x 80 cm. On the reverse an exhibition label. DKK 80,000-100,000 / € 10,500-13,500

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98 CARL BØGH b. Copenhagen 1827, d. s.p. 1893 Farm exterior with a donkey surrounded by hens and rabbits. Signed and dated Carl Bøgh 1863. Oil on canvas. 54 x 64 cm. DKK 30,000 / € 4,000

99 PAUL LÉON JAZET b. Paris 1848, d. 1918 Cuirassiér asks a goosegirl for directions. Signed Paul Jazet 1893. Oil on panel. 35 x 26 cm. DKK 20,000-25,000 / € 2,700-3,350 99

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100 CHRISTEN DALSGAARD b. Skive 1824, d. Sorø 1907 Interior from Torup Church. Signed and dated C. D. 1851. Oil on canvas. 36 x 50 cm. Provenance: Christian Axel Jensen (1878-1952), Director of Copen- hagen City Museum 1915-52, his descendants until today.

The fine church interior can also be seen in "En kones højtidelige kirkegang efter barselsfærd". A wife's solemn visit to church after childbirth (1860) at the National Gallery of Denmark. That one reproduced in the exhibition catalogue from Vestsjællands Museum , "Christen Dalsgaard 1824-1907", 2001 fig. 9. DKK 20,000-25,000 / € 2,700-3,350

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862_antik_s014-136_malerier.indd 111 04/02/16 12.15 101 FRITZ PETZHOLDT b. Copenhagen 1805, d. Patras 1838 Woman selling fruit in Wandsbeck. 1829? Unsigned. Oil on canvas laid on cardboard. 17 x 14 cm. Erik Drigdahl, A Catalogue Raisonné of the Works of Fritz Petzholdt no. 28.

The collection of Johan Hansen, Consul General, 1927 no. 1486, his auctions, part VI, Winkel & Magnussen 131, 1933 no. 149.

On his first trip abroad Fritz Petzholdt went to the Harz Mountains in 1829. The purpose of the trip was to experience real mountains and the inspiration came from Heinrich Heine's "Harzreise", which was published 3 years earlier. Petzholdt actually met Heine in Hamburg on this trip. Wandsbek is now a part of Hamburg. DKK 20,000-25,000 / € 2,700-3,350 101

102 PEDER MØNSTED b. Grenaa 1859, d. Fredensborg 1941 Bondedammen (pond) in Hellebæk in evening light. Signed and dated P. Mønsted 1896. Oil on canvas laid on canvas. 23 x 39 cm. DKK 25,000 / € 3,350

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103 H. A. BRENDEKILDE b. Brændekilde 1857, d. Jyllinge 1942 Two little girls in front of a thatched house. Signed and dated H. A. Brendekilde 1915. Oil on canvas. 48 x 69 cm. Brendekilde's social consciousness is expressed in this painting with the poor peasant girl, who is watching the little rich girl in an elegant dress holding her doll. DKK 60,000-80,000 / € 8,050-10,500

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104 GODTFRED RUMP b. Hillerød 1816, d. s.p. 1880 "Vinterlandskab med to Drenge kjöre Riis på en slæde". Winter landscape with two boys and a sledge with twigs. Inscribed on the reverse Rump 38. Oil on canvas. 64,5 x 79 cm. Exhibited: Charlottenborg 1838 no. 313.

Provenance: Old label with the following information (in Danish): "Bought in .... 1864 at the auction after F VII (?)). Prince Christian (Chr . VIII). Chamberlain Treschow, Brahesborg. DKK 20,000-25,000 / € 2,700-3,350

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105 A. ANDERSEN-LUNDBY b. Lundby near Aalborg 1840, d. Munich 1923 "Vinteraften. Motiv ved München". Winter evening, Munich. Signed A. Andersen-Lundby. Oil on canvas. 105 x 173 cm. Exhibited: Charlottenborg 1913 no. 25. DKK 40,000-50,000 / € 5,350-6,700

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106 ELISABETH JERICHAU BAUMANN b. Warsaw 1819, d. Copenhagen 1881 Interior with three little girls around a cradle with a sleeping child. Double signed Elisabeth Jerichau and E. J. and dated 1859. Oil on canvas. 42 x 45 cm. DKK 30,000 / € 4,000

107 BERTHA WEGMANN b. Soglio, Switzerland 1847, d. Copenhagen 1926 A convalescent. Interior with a small girl reading. Signed. B. Wegmann. Oil on canvas. 75 x 60 cm. DKK 30,000 / € 4,000

108 OTTO BACHE b. Roskilde 1839, d. Copenhagen 1927 Interior with a nude secretly watched by an old man. Signed and dated Otto Bache 1862. Oil on canvas. 47 x 64 cm. DKK 60,000 / € 8,050

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109 SIMON SIMONSEN b. Munich 1841, d. Copenhagen 1928 A dachshund with her five puppies. Signed and dated Simon Simonsen 1905. Oil on canvas. 50 x 74 cm. DKK 50,000 / € 6,700

110 CD JOHANNES LARSEN b. Kerteminde 1867, d. s.p. 1961 Two greylag-geese (grågæs). Signed with monogram and dated 1918. Oil on canvas. 90 x 135 cm. DKK 40,000-60,000 / € 5,350-8,050

111 THEODOR PHILIPSEN b. Copenhagen 1840, d. s.p. 1920 Calves at the watering place on Saltholm. Signed with monogram. Oil on canvas. 69 x 98 cm. DKK 25,000 / € 3,350

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112 NILS NILSEN BERGSLIEN b. Voss 1853, d. Eidfjord 1928 Interior from a Norwegian peasant's farm. An elegant couple visiting a Norwegian peasant family. Signed N. Bergslien. Oil on canvas. 45 x 63 cm. The elegant couple could be tourists, he with the red Baedeker guide in his hand, visiting the local cooper. DKK 40,000-50,000 / € 5,350-6,700

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113 AXEL HELSTED b. Copenhagen 1847, d. s.p. 1907 "En Forelæsning for Damer". A lecture for women. Signed and dated Axel Helsted 1888-91. Oil on canvas. 85 x 123 cm. Exhibited: Charlottenborg 1888 no. 409. Münchener Jahresausstellung 1891 no. 598 ("Eine Vorlesung"). Kunstforeningen "Fortegnelse over arbejder af Axel Helsted udstillede i Kunstforeningen", 1907 no. 76.

Provenance: Chief inspector of custom Ring (1907). DKK 30,000-40,000 / € 4,000-5,350

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114 CLÉMENCE VAN DEN BROECK b. 1843, d. 1922, Belgian painter "Dans l'atelier". A sculptor gets a visit in his studio. Signed Clémence van der Broeck. Oil on panel. 77 x 97 cm. DKK 40,000-50,000 / € 5,350-6,700

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115 DITLEV BLUNCK b. Holstein 1798, d. Hamburg 1854 Portrait of the Danish sculptor Jens Adolf Jerichau (1816-1883). Unsigned. Oil on canvas. 40 x 33 cm. Literature: Ulrich Schulte-Wülwer, "Sehnsucht nach Arkadien: Schleswig-Holsteinische Künstler in Italien", 2009, reproduced p. 136.

Portraits of fellow artists was a popular motif in the Danish Golden Age - often the paintings show an appreciation of warm friendships as well as professional respect and admiration towards the portrayed. When Jerichau arrived for the first time in Rome in 1838 he received a warm welcome by the painter Ditlev Blunck. Jerichau has described their first meeting in a letter home to, among others, the painters J. Th. Lundbye and Th. Læssøe (in Danish): "I was standing ... alone in the Café Greco; there were no Danes in sight: Hansen, Roed, Marstrand, etc. had all gone away. A German told me where Blunck lived, and from that moment on I suffered no more." (Nicolaj Bøgh, "Erindringer af og om Jens Adolf Jerichau", 1884, p. 71). This portrait is from the beginning of Jerichau's stay in Rome, where he lived almost continuously for 10 years.

Portraits of fellow artists from Rome in the 19th century are shown right now at the exhibition "Venskabsportrætter fra Rom" at Nivaagaard until 22 May 2016. DKK 20,000 / € 2,700

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116 FERDINAND RICHARDT b. Brede 1819, d. Oakland, California 1895 "Vandmølle". Watermill. 1847. Signed F. Richardt. Oil on canvas. 40 x 60 cm. In the list of Ferdinand Richardt's surviving paintings the watermill is given the title "Old Swedish Mill".

Literature: Melinda Young and Niels Peter Stilling,""Danske herregårde og Amerika", (Danish manors and America), 2003 p.101 a painting of the same subject is reproduced with the measurement 76 x 117 cm. Owner Garzoli Gallery, San Rafael. The authors believe, however, that it is not a Swedish mill, but rather a Danish. DKK 40,000 / € 5,350

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117 FREDERIK ROHDE b. Copenhagen 1816, d. Frederiksberg 1886 Visiting the vicarage. Signed and dated Fr. Rohde 1881. Oil on canvas. 40 x 55 cm. DKK 30,000 / € 4,000

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118 119 PAUL FISCHER PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 b. Copenhagen 1860, d. s.p. 1934 Summer evening in Tivoli in Copenhagen with el- Tivoli in Copenhagen by night. An elegant couple egant visitors outside Glassalen (the Glass Hall). is walking by restaurant Nimb. Signed Paul Fischer. Signed Paul Fischer. Watercolour and ink on paper. Watercolour and ink on paper. 17 x 25 cm. 17 x 25 cm. DKK 20,000 / € 2,700 DKK 20,000 / € 2,700

119

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120 121 PAUL FISCHER PAUL FISCHER b. Copenhagen 1860, d. s.p. 1934 b. Copenhagen 1860, d. s.p. 1934 Summer day in Tivoli. The guests are enjoying the At the entrance to Tivoli. Elegant visitors on their music. Signed Paul Fischer. Watercolour and ink on way into the amusement park. Signed Paul Fischer. paper. 17 x 25 cm. Watercolour and ink on paper. 17 x 25 cm. DKK 20,000-25,000 / € 2,700-3,350 DKK 20,000 / € 2,700

121

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122 PAINTER UNKNOWN, 18TH CENTURY Three scenes with French soldiers from c. 1780. 1. The cavalry is being inspected. 2. The soldiers have camped. In the background mountains and a town. 3. The infantry is being inspected. In the background a bridge. Unsigned. Oil on canvas. 87 x 115 cm each. Unframed. (3). It has not been possible to establish what event the paintings depict. It has been suggested that they are scenes from the Battle of York- town in 1781 during the American War of Independence. Another suggestion is that the paintings are made for the house of Orléans, ca. 1780. The cavalry may be the Orléans-Cavalerie who wore blue uniforms with light blue facings and the infantry may be Orléans' Infantry in red uniforms. DKK 40,000-50,000 / € 5,350-6,700

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862_antik_s014-136_malerier.indd 129 04/02/16 12.16 123 PIETRO BELLOTTI, STYLE OF, 17TH CENTURY Palace exterior with an elegant couple. Inscribed P. Bellotti P.... Oil on panel. 100 x 80 cm. Carved and gilted frame. DKK 20,000-30,000 / € 2,700-4,000

123

124 HANS MEMLING, AFTER, 16TH CENTURY Portrait of a young girl or Sibylla Sambetha. Un- signed. Oil on panel. On the reverse of the panel two hands are cut out, which is the Antwerp Guild's mark of quality for the panel. 27 x 21 cm. This fine portrait is painted in the 16th century after Hans Memling's portrait of "Sibylla Sambetha", which is dated to 1480 and is at the Hans Memling Museum in Old St. John's Hospital in Bruges.

The portrayed has never been identified. Above to the left an inscription: "Sibylla Sambetha quae a Persia, an: ante Christ: Nat: 2040 ". (The Sibyl Sambetha, the Persian, in the year 2040 BC).

Provenance: Bruun Rasmussen auction 573, 1992 no. 191, reproduced p. 125. DKK 25,000 / € 3,350 124

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125 JUSEPE DE RIBERA, STYLE OF, 17TH CENTURY An old man reading. Unsigned. Oil on canvas. 73 x 57 cm. Exhibited: Portrait-ausstellung Lübecker Kunstvereins 1897.

Provenance: H. Gaedertz, Hamburg. His estate catalogue mentions the painting: "Jos. Ribera, genannt il Spagnoletto (called the Spaniard): Halbfigur eines stattlichen Alten mit vollem Barte und kahlem Scheitel, in vielfaltigem blauen Überkleide und braunm Mantel, ein Manuscript, in welchem er mit Aufmerksamkeit liefert, befinden sich en seinem Händen. In lebensgroße. Von sehr Kühner und meisterhafter Pinselführung”. DKK 50,000-60,000 / € 6,700-8,050

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127

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126 MATHIEU-IGNACE VAN BRÉE, STYLE OF, C. 1800 Allegorical scene. An elderly man with a red cape and a young girl sleeping under the trees in the forest. Depicting Ossian and Malvina? Unsigned. Oil on canvas. 81 x 101 cm. DKK 30,000-40,000 / € 4,000-5,350 128 MELCHIOR DE HONDECOETER 127 STYLE OF, 18TH CENTURY DANISH PAINTER, Geese, ducks, a magpie and other exotic birds at a 19TH CENTURY pond in an architectural landscape. Unsigned. Oil on A young esquire keeps guard of a sleeping king. Un- canvas. 163 x 201 cm. signed. Oil on canvas. 66 x 58 cm. Provenance: Dorotheum, Vienna, 21 April 2015 lot 257. DKK 20,000-25,000 / € 2,700-3,350 DKK 350,000-400,000 / € 47,000-53,500

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129 DUTCH PAINTER, 17TH CENTURY Landscape with a watermill. Unsigned. Oil on panel. 50 x 66 cm. DKK 50,000-75,000 / € 6,700-10,000

130 PHILIPP PETER ROOS, NAMED ROSA DI TIVOLI, STYLE OF, 18TH CENTURY Two rural scenes with herdsmen and cattle. Unsigned. Oil on canvas. 63 x 54 cm. (2). DKK 15,000-25,000 / € 2,000-3,350 130

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131 DAVID TENIERS II, SCHOOL OF, 17TH CENTURY Distinguished party having lunch in front of an inn. Unsigned. Oil on canvas. 70 x 88 cm. Provenance: Purchased by the present owners family in Prague in 1934 at art dealer and -res- taurer Ernst Bleuer (handwritten letter with his description of the painting, dated Prague 1934, and stamped Ernst Bleuer is enclosed). Collec- tion of Adam Greve Knuth (1926 - 2011), his descendants until today. DKK 75,000 / € 10,000

130

BRUUN RASMUSSEN BREDGADE AUCTION 862 135

862_antik_s014-136_malerier.indd 135 04/02/16 12.17 132 132

132 CARL GUSTAV PILO, SCHOOL OF, 18TH CENTURY Queen Louise (1724-1751) and Queen Juliane Marie (1729-1796), both married to King Frederik V. Un- signed. Oil on canvas. 42 x 32 cm each. DKK 20,000-25,000 / € 2,700-3,350

133 PAINTER UNKNOWN, C. 1800 Portrait of a nobleman, decorated with the Order of St. Andrew. Unsigned. Oil on canvas. 61 x 47 cm. Provenance: Bruun Rasmussen auction 68, 1955 no. 28. Museum director at Koldinghus Sigvard Skov. DKK 15,000-20,000 / € 2,000-2,700 133

136 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s014-136_malerier.indd 136 04/02/16 12.17 INDEX

A Dasson, Henry 169, 170 Jaeger-LeCoultre 590, 596, 607 De AMBROSI 379, 384 Ancher, Anna 59, 61 Jazet, Paul Léon 99 490, 519, 568 Jensen, Georg 360, 548, 549 Ancher, Michael 46, 49, 51 Ditzel, Nanna & Jørgen 357, 543 Jensen, I. L. 29, 30, 31 54, 60, 62, 64 Dragsted, A. 442 Jensen, Jørgen 365 65, 66, 67, 69 Dreyer, Dankvart 32, 33 Jerichau Baumann, Elisabeth 106 Andersen, David 461 E Jerichau, Holger H. 78, 88 Andersen-Lundby, A. 105 Johansen, Viggo 53 Annikat 467 Eckersberg, C. W. 35 Juel, Jens 27 Audemars Piguet 599 Effepi Gioielli 381 Ekvall & Rosgaard 438, 497 Junget, Willy 391 B 498, 542, 547 K Bache, Otto 108 F Kieldrup, A. E. 79 Bellotti, Pietro, style of 123 Fischer, Paul 18, 19, 20, 24, 25 Kløve, Jytte 544 Benzon, Alfred 22 93, 118, 119, 120, 121 Kornbeck, Peter 38 Bergslien, Nils Nilsen 112 Fog, Astrid 359, 551 Krøyer, P. S. 47, 48 Bloch, Carl 41, 50 Friedlænder, Julius 58 Kyhn, Vilhelm 81 Blunck, Ditlev 115 Borup, Per 443 G L Breitling 591, 592, 593, 594 Georg Jensen & Wendel 533, 546 la Cour, Janus 76, 77 Brendekilde, H. A. 95, 96, 97, 103 Girard-Perregaux 600 Larsen, Emanuel 87 Brendstrup, Thorald 80 Grebe, Fritz 82 Larsen, Johannes 110 Broeck, Clémence van den 114 H Larsen, Peter Julius 42

Brée, Mathieu-Ignace van, style of Hammershøi, Vilhelm 2, 5, 6 Locher, Carl 52, 55, 56 126 7, 10, 13, 14, 15 M Bvlgari 398, 518 Hansen, Constantin 36, 37 Magnussen, Erik 358 Bærentzen, Emil 34 Hartmann’s 556 Mauboussin 377, 439 Bøgh, Carl 98 Helsted, Axel 113 Melbye, Anton 57, 63 Hermès 572, 573, 574 C Memling, Hans, after 124 575, 576, 578 C’est Laudier 434 Mølsted, Christian 21 Holmstrup, V. 562 Carstensen, A. Riis 83 Mønsted, Peder 23, 70, 71, 72, 73 Holsøe, Carl 1, 3, 11, 12 Cartier 375, 378, 432 84, 89, 90, 92, 102 Hondecoeter, Melchior de, style of 435, 464, 465, 476, 553 128 N 581, 582, 601, 606, 609 Hublot 616, 617 Nielsen, Evald 468 Chanel 413, 577 Chaumet 587 I O Chopard 373, 495, 499, 557 Ilsted, Peter 4, 8, 9 Omega 585, 589, 604 D IWC 602 P

Dalsgaard, Christen 100 J Pauelsen, Erik 26 Damiani 456 Jacobsen, Ole W. 541, 550 Petersen, Emanuel A. 85

386 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s386-400_slut.indd 386 04/02/16 12.39 INDEX

Petzholdt, Fritz 101 Philippe, Patek 580, 597, 598, 610 Philipsen, Theodor 111 Picchiotti 536 Pilo, Carl Gustav, school of 132 R

Raoux, Albert 28 Rasmussen, I. E. C. 86 Regnault, Henri 40 Ribera, Jusepe de, style of 125 Richardt, Ferdinand 116 Ring, Ole 16, 17 Rohde, Frederik 117 Rolex 554, 579, 586 603, 605, 608, 611, 612 613, 614, 615, 618, 619 Roos, Philipp Peter, style of 130 Rump, Godtfred 104 Rørbye, Martinus 39, 91 S

Shamballa 494, 496 Simonsen, Simon 109 Skovgaard, P. C. 44, 45 Slott-Møller, Harald 94 Sonne, Jørgen 43 Syberg, Fritz 68 T

Teniers II, David, school of 131 Tiffany & Co 538 V

Vacheron & Constantin 588, 595 Van Cleef & Arpels 437, 540 W

Wegmann, Bertha 75, 107 WIN 509 Å

Aagaard, C. F. 74

BRUUN RASMUSSEN BREDGADE AUCTION 862 387

862_antik_s386-400_slut.indd 387 04/02/16 12.39 CITES EXPORT PERMIT CITES EKSPORT TILLADELSE Catalogue numbers marked with (¥) are Katalognumre markeret med (¥ ) er effek- items covered by the Washington Conven- ter, der omfattes af Washingtonkonven- tion. Items made or processed from 1947 tionen. Effekter udført eller forarbejdet fra and onwards are sold with a CITES certifi- 1947 og frem sælges med CITES-certifikat cate, which is valid within the EU. Items pro- gyldigt inden for EU. Effekter forarbejdet cessed before 1947 do not require a CITES før 1947 kræver ikke CITES-certifikat før certificate for a sale within the EU. For salg inden for EU. For udførsel til lande export to countries outside the EU, a Dan- uden for EU kræves en dansk CITES- ish CITES export permit is required for items eksporttilladelse både for effekter udført før processed both before and after 1947, and og efter 1947 samt muligvis en tilsvarende possibly also a corresponding import permit importtilladelse i det land, som effekten for the country, which the export of the item ønskes indført i. is intended for. AFHENTNING DISPATCH Afhentning af effekter købt på traditionel Collection of purchases bought at auktion SKAL SKE senest 2 uger efter sidste traditional auctions must be no later than auktionsdag. 2 weeks after the last auctionday. Uafhentede effekter vil herefter uden Uncollected items will without further yderligere varsel blive sendt til opbevaring notice be sent into storage at the expence for købers regning og risiko. and risk of the buyer. SALGSRESULTATER SALES RESULTS Hammerslagspriser fra de seneste auktioner Sales results from the latest auctions are kan ses på vores hjemmeside: available at our website: bruun-rasmussen.dk bruun-rasmussen.dk FOTO PHOTO Fotos af alle effekter kan ses på vores hjem- Photos of all items are available at our meside: bruun-rasmussen.dk website: bruun-rasmussen.dk EURO EURO Der bydes og faktureres i danske kroner. INFORMATION Bids and invoicing are made in DKK. For the conversion from DKK into Euro, Ved omregning fra DKK til Euro er anvendt Bruun Rasmussen has used the official rate Nationalbankens officielle valutakurs på of exchange from Denmarks Nationalbank tidspunktet for udarbejdelse af kataloget. (the Danish National Bank) at the time of Beløbet i Euro er afrundet til et tal, der preparation of the catalogue. efter Bruun Rasmussens skøn fremtræder The amount in Euro is, in Bruun Rasmus- på en præsentabel måde i forhold til sen’s judgment, roughly adjusted to beløbet i DKK. presentable figures. BEVARINGSTILSTAND CONDITION Bruun Rasmussen henleder opmærksom Bruun Rasmussen draws attention to the heden på, at katalognumrene som fact that, as a rule, no information is udgangspunkt ikke er forsynet med oplys- provided regarding the condition of the lots ninger om tilstand (jvf. købskondition- (cf. conditions of purchase § 10). ernes § 10). Vi henviser imidlertid til vores However, we refer to our website: hjemmeside: www.bruun-rasmussen.dk, www.bruun-rasmussen.dk where infor hvor der under det enkelte katalognummer mation regarding condition, repairs, etc. ofte er oplysninger om bevaringstilstand, can usually be found for the individual lot. reparationer o. lign. Er disse oplysninger Venskabsportrætter Should this information be insufficient, ikke tilstrækkelige kan én af afdelingens further details can be obtained by contact- sagkyndige kontaktes for yderligere infor- ing one of the experts of the department. mationer. fra Rom BANKERS BANKFORBINDELSE Danske Bank · Account: 30014310970638 Danske Bank · Konto: 30014310970638 IBAN: DK4130004310970638 IBAN: DK4130004310970638 Swift-BIC DABADKKK Swift-BIC DABADKKK 14.2. – 22.5.16 BUSINESS REGISTRATION VIRKSOMHEDSREGISTRERING CVR-nr. DK25472020 CVR-nr. DK25472020 Tirsdag – fredag kl. 11-20, weekend kl. 11-17 388 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s386-400_slut.indd 388 04/02/16 12.39 Venskabsportrætter fra Rom 14.2. – 22.5.16

Tirsdag – fredag kl. 11-20, weekend kl. 11-17

862_antik_s386-400_slut.indd 389 04/02/16 12.39 CONDITIONS OF PURCHASE

§ 1. BIDDING buyer. Any further profit on the sale shall be payable to the person who had deposited the goods for sale by auction. The buyer shall be the highest bidder at the “hammer price”. Any If the defaulting buyer is entitled to proceeds from a sale of goods person bidding on behalf of a third party shall be liable in surety by Bruun Rasmussen, Bruun Rasmussen shall be entitled to set off for completion of the sale. its receivables against its payables to the defaulting buyer. At the request of Bruun Rasmussen Kunstauktioner (hereinafter If the defaulting buyer has deposited other goods for sale, Bruun called Bruun Rasmussen), all bidders, whether they wish to make Rasmussen shall be entitled to sell such goods at a Bruun bids in person at the place of auction or commission bids by Rasmussen auction without being bound by the reserve stipu- letter, fax or the homepage direct telephone bids or the home- lated by the defaulting buyer. The defautling buyer shall not be page, should be able to document their ability to pay and be entitled to demand the surrender of goods deposited for sale as able to provide proof of identity at any time. Bruun Rasmussen long as the debt payable to Bruun Rasmussen has not been dis- is entitled to refuse to accept a bid if, when requested, adequate charged, regardless of whether the value of such goods may be security or adequate payment on account has not been rendered. deemed to exceed the debt payable. Bids should be made by the bidder in person at the place of auc- Bruun Rasmussen shall be entitled to refuse a bid made by a tion or by written commission by letter, fax or the homepage. buyer who is in default in respect to his payment obligations For online auctions alle bids are submitted via the homepage. to Bruun Rasmussen, as well as a bid made by a third party on Telephone bidding is possible within certain conditions made behalf of such a defaulting buyer. Bruun Rasmussen shall further out by Bruun Rasmussen. Bruun Rasmussen is not to be held be entitled to demand a deposit as a condition of accepting any responsible for any errors that may occur using this service. The future bids from such a purchaser. auctioneer shall have absolute discretion as to the increment of the bids. The auctioneer will also make decisions in all cases of § 3. MONEY-BACK GUARANTEE doubt regarding the bidding. Credit/debit card information must be registered with Bruun A. Purchases made on all traditional salesroom auctions are unco- Rasmussen before bids can be submitted. ditional and can not be cancelled regardless of the type of bid such as absentee web bid, live-bidding or otherwise. § 2. PAYMENT B. Online purchase of items by private individuals is subject to Danish consumer law, which extends 14 days of money-back Purchases made at all Bruun Rasmussen traditional salesroom auc- guarantee. The purchaser is liable for any costs related to the tions are subject to a 30% fee (for wines, coins and stamps 25%), transport of returned items. which covers 24% buyer’s premium plus VAT of the premium. Should a purchaser seek to avail himself or herself of the Purchases made at all Bruun Rasmussen online auctions are sub- money-back guarantee, Bruun Rasmussen will refund the ject to a 25% fee, which covers 20% buyer’s premium and VAT payment on receiving the returned items. Please note that of the premium. the date on which accounts are debited is subject to the poli- cy of the purchaser’s bank/credit card company. Certain lots are sold in accordance with specific rules on normal VAT arrangement (hereinafter called normal VAT), so that the § 4. EXEMPTION FROM VAT purchase price is the hammer price plus an additional 24% (for online auctions, wines, coins and stamps 20%) in buyer’s pre- Foreign buyers who meet the following conditions pay the applica- mium and VAT of 25% levied on both the hammer price and the ble auction fees, cf. above, but are not charged Danish VAT. How- buyer’s premium. The lots subject to Full VAT are indicated as ever, the Danish VAT must be deposited at Bruun Rasmussen until such in the catalogue and on the homepage with an asterisk (*). documentation has been provided to show that the goods have Danish VAT registered buyers shall provide Bruun Rasmussen been exported as required by law. with documentation of their SE-/CVR -number (VAT No.) as this A. Buyers who are VAT-registered in another EU country are has to be quoted on the invoice for goods bought at full VAT. exempt from paying Danish VAT when it can be documented For some foreign buyers, specific VAT-exemption rules apply (cf. that the item purchased has been transported to the address Article 3). VAT-exemption does not apply to private buyers from declared by the buyer to Bruun Rasmussen and specified on the the EU who are considered as Danish buyers (cf. current Dan- invoice. In such cases, VAT must be settled in accordance with ish legislation on Special VAT Scheme for Sales of Works of Art, the rules in force in the country where the company is VAT-reg- Collectors’items and Antiques by Public Auction). istered. It is advisable to check with the relevant local authorities. The purchase price falls due for payment when the goods have B. Buyers domiciled outside the EU may be exempt from Danish been knocked down. Payment may be made in cash up to DKK VAT when it can be documented that the purchase has been 50,000, by Dankort, banker’s cheque, Visa-, Master- or Eurocard. transported out of the EU. As far as possible, Bruun Rasmussen Personal foreign cheques may only be used for payment by prior issues the necessary export documents to be presented to the arrangement. customs authorities, and reserves the right to charge a fee for At traditional auctions payment for purchased items must be doing so. made during or immediately after the auction. Under all circum- If the goods are being exported by a freight forwarder authorised stances payment must be made no later than eight days from by Bruun Rasmussen, the VAT need not be deposited. See the the date of the invoice. With online auctions, payment automati- list of approved freight forwarders cally takes place when the items are prepared for dispatch (circa 12 hours after the purchase has been made) using the credit/ § 5. PAYMENT OF TAXES AND DUTIES debit card details submitted by the purchaser. At the same time an invoice and dispatch information will be sent to the purchaser. A. VAT-registered businesses in other EU Member States may Should the purchase price not be paid by the due date, interest opt out of exercising the option of VAT exemption and at 1.5 % per new month will be charged. instead pay Danish VAT on second-hand goods/full VAT. If the purchase price and interest are not paid within eight Bruun Rasmussen must be informed of this before 10 am on days after Bruun Rasmussen has sent its demand to the buyer, the day after the purchase. Bruun Rasmussen shall be entitled to rescind the sale and resell B. VAT-registered businesses in Denmark may choose to pay full the goods at a Bruun Rasmussen auction or privately, and to VAT, cf. above. Bruun Rasmussen must be informed of this demand reimbursement of any related losses from the defaulting before 10 am on the day after the purchase.

390 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s386-400_slut.indd 390 04/02/16 12.39 § 6. COLLECTION OF PURCHASES arise after the purchase regarding the genuineness of the purchased lot or its conformance with the description, Bruun Ras- The purchase price must be paid in full before the purchased lot mussen should immediately be informed thereof. can be passed over to the buyer. From the time of the lot being Should the purchased lot be proved to be a forgery, or if the knocked down to the buyer, until its collection, the purchased lot description contains material errors which lead to a considerably will be held at the buyer’s own expense and risk. higher hammer price than that which a correct description would A storage fee will be charged for lots which have not been collected presumably result in, the buyer shall be entitled to cancel the pur- according to agreement. Lots which have been paid for but not col- chase, after which the buyer shall be reimbursed for the total pur- lected will be storaged at buyers expense. Lots not collected within chase price paid plus buyer’s premium and VAT, when applicable. 1 year will be resold at auction or privately at the buyer’s expense. For material errors in the description in respect to measurements or weight, compensation shall only be paid on a percentage § 7. DISPATCH basis in proportion to the difference. The right of cancellation of a purchase in pursuance of the Should Bruun Rasmussen undertake the packaging and forward- present conditions can only be exercised by the party who has ing of purchased goods, this shall be done at the buyer’s own bought the lot in question at Bruun Rasmussen and shall be expense and risk. Bruun Rasmussen shall thus not be held liable subject to the presentation of a claim for cancellation in writ- neither for any damage caused to purchased goods during dis- ing to Bruun Rasmussen within 2 years of the purchase date and patch nor for any missing consignments. to the purchased lot being returned to Bruun Rasmussen in the same condition in any and all respects which the purchased lot § 8. DROIT DE SUITE was in at the time of the lot being knocked down to the buyer. In the event of cancellation the buyer shall not be entitled to In accordance with Danish copyright law, an additional royalty fee claim payment of interest on the purchase price nor shall the is to be paid for the purchase of works by contemporary Danish art- buyer be entitled to claim compensation for any other expenses ist and some international artists who are either still alive or who or loss incurred, including any possible loss of profit in connec- have been dead for less than 70 years. The additional royalty fee will tion with reselling. be collected by Bruun Rasmussen on behalf of Copydan, which is a It shall not be possible to state cancellation of a purchase in Danish-based joint collecting society. Such works are marked with pursuance of the above provisions if: (CD) for Copydan next to the lot number. The Copydan royalty fee is added to the auction price including the a the description on the day the lot was knocked down to the buyer’s premium when the total exceeds €300. buyer was in accordance with the then generally accepted opinion of scholars and experts; Copydan royalty fees: b the only way of establishing whether the lot was a forgery at • 5% of the auction price and buyer’s premium (excluding VAT) € the time of the sale was the implementation of scientific pro- totalling up to 50,000. cesses, the validity of which was only acknowledged after the • 3% of the auction price and buyer’s premium (excluding VAT) time of the sale, or which would have required a dispropor- of totals between €50,000 and €200,000. tionate amount of cost, or which would have been impos- • 1% of the auction price and buyer’s premium (excluding VAT) sible to carry out without damaging the lot in question. of totals between €200,000 and €350,000. In addition to the time-limits stated above, all purchases are • 0.5% of the auction price and buyer’s premium (excluding subject to the Statute of Limitations stipulated by danish law by VAT) of totals between €350,000 and €500,000. which Bruun Rasmussen is under no circumstance liable for purchases after 5 years from the date of purchase. • 0.25% of the auction price and buyer’s premium (excluding VAT) of totals above €500,000. Bruun Rasmussen Auctioneers Copydan royalties must not exceed €12,500 for an individual artwork. Jesper Bruun Rasmussen, auctioneer The euro exchange rate has been set by Copydan for 2016 at DKK Jørgen Byriel, officially appointed external supervisor 746,02 per €100. § 9. EXPORT LICENCE COMMISSION Applications for an export licence must be made to the Dan- Bruun Rasmussen undertakes to execute commission bids for ish Cultural Assets Committee when required in accordance with bidders who are unable to be present at the auction. It is a pre- current Danish legislation on the protection and preservation of requisite that Bruun Rasmussen receives the commissions by let- cultural assets in Denmark. Where such a licence has not been ter, fax or telephone 24 hours before the start of the auction for obtained, the foreign buyer will be informed thereof immedi- the bidders’ credit to be checked, if necessary. Bids by the home- ately after the lot has been knocked down to the buyer. Anoth- page are to be recieved a minimum of 3 hours before the start of er application will subsequently be sent to the Danish Cultural the auction. Bruun Rasmussen is not to be held responsible for Assets Committee by Bruun Rasmussen on behalf of the buyer, any errors that may occur using this service. now that the price is known. Should an export licence not be granted, the Danish Cultural Assets Committee would be obliged CONDITION REPORTS to acquire the purchased lot at the purchase price, and the buyer would thus not be bound to the purchase. Bruun Rasmussen undertakes to provide further information about the state and condition of the lots if possible. This is § 10. DESCRIPTION OF LOTS regarded as a service for customers who are unable to make a personal inspection of the lots at the preview. Bruun Rasmussen All lots are sold in the condition in which they are found when stresses that the information given cannot be used as the basis knocked down and as described in the catalogue and on the for complaints; complaints can only be based on the description. homepage with subsequently published changes and modifica- tions. Description is done according to the best of Bruun Ras- EXEMPTION FROM VAT mussen’s knowledge and on the cataloguing principles stated. The lots auctioned are often of some age or of a kind which Buyers shall, according to § 2, pay full VAT on lots marked with makes it possible that they may contain defects, deficiencies, or an asterisk (*). may have been subject to restoration or damage not necessarily No Danish VAT is to be paid when VAT registered companies stated in the catalogue and on the homepage. Pictures are for from other EU countries buy at Bruun Rasmussen and resell identification only and cannot be used for an evaluation of the to private buyers, The private buyer then only has to pay VAT condition of the goods. according to the rules in force in the country where the foreign Any person who wishes to bid at an auction should therefore sa- company is VAT registered. For further information please con- tisfy himself of the condition of the lots for which he intends to sult your local authorities. bid by personal inspection at the preview held prior to the auc- The above is an English translation of the Danish version of the tion. The description is an indication of the prevailing opinion of Conditions of Purchase. In case of dispute, only the Danish version scholars and expert at the time of the sale. If any doubts should of the present Conditions of Purchase of Bruun Rasmussen is valid.

BRUUN RASMUSSEN BREDGADE AUCTION 862 391

862_antik_s386-400_slut.indd 391 04/02/16 12.39 KØBSKONDITIONER

§ 1. BUDGIVNING er Bruun Rasmussen berettiget til at bortsælge sådanne effekter på auktion hos Bruun Rasmussen uden at være bundet af en af Køber er den byder, der får hammerslag. Den, der byder for andre, den misligholdende køber fastsat mindstepris. Den mislighold- hæfter som selvskyldnerkautionist for berigtigelsen af købet. ende køber er ikke berettiget til at kræve udlevering af effekter indleveret til salg, så længe forfalden gæld til Bruun Rasmussen På opfordring fra Bruun Rasmussen Kunstauktioner (herefter ikke er betalt, uanset om værdien af sådanne effekter må anses benævnt Bruun Rasmussen), skal alle bydere, hvadenten de at overstige forfalden gæld. ønsker at afgive et bud ved personligt fremmøde på auktions- stedet eller afgive en kommission pr. brev, fax eller hjemmeside Bruun Rasmussen er berettiget til at afvise bud afgivet af en eller byde direkte pr. telefon eller hjemmeside, kunne dokumen- køber, der er i misligholdelse med sine betalingsforpligtelser over tere deres betalingsdygtighed samt til enhver tid identificere sig. for Bruun Rasmussen eller et bud afgivet af en anden på den Bruun Rasmussen er altid berettiget til at nægte at acceptere et pågældendes vegne, ligesom Bruun Rasmussen er berettiget til at bud, hvis på forlangende ikke tilstrækkelig sikkerhed er stillet kræve et depositum som betingelse for accept af fremtidige bud. eller en passende à conto betaling har fundet sted. Bud afgives af byderen ved personligt fremmøde på auk- § 3. FORTRYDELSESRET tionsstedet eller ved skriftlig kommission enten pr. brev, fax eller hjemmeside. På online-auktioner afgives bud direkte fra A. Ved køb på alle traditionelle auktioner er der ikke fortrydelses- hjemmesiden. Afgivelse af bud pr. telefon er muligt under visse ret. Køb kan derfor ikke fortrydes, uanset om budafgivning er forudsætninger, der afgøres af Bruun Rasmussen. Bruun Ras- via web-kommissionsbud, live-bidding eller på anden vis. mussen påtager sig intet ansvar for eventuelle fejl eller fejlt- B. For privatkøb af emner på en online-auktion gælder loven agelser, der måtte opstå ved brug af denne service. Auktionarius om fjernsalg, herunder også 14 dages fortrydelsesret. Even- bestemmer overbuddets størrelse og træffer ligeledes afgørelse i tuelle omkostninger forbundet med transport af købte emner alle tvivlstilfælde om budgivningen. retur fra køber, betales af køber selv. For at kunne byde på Bruun Rasmussens auktioner kræves forud- Såfremt køber benytter sig af sin fortrydelsesret, refunderer gående registrering af byders betalingskort-/kreditkortoplysninger. Bruun Rasmussen betalingen umiddelbart efter, at varen er sendt retur og modtaget af Bruun Rasmussen. Bruun Ras- mussen gør opmærksom på, at det herefter er op til bank- § 2. BETALING erne/kreditkortselskaberne, hvornår refusionen indgår på købers konto. Ved køb på alle traditionelle auktioner tillægges hammerslagsprisen 30% (for vin, mønter og frimærker 25%), der dækker salær på 24% samt moms af salæret. § 4. AFGIFTSFRITAGELSE Ved køb på alle net-auktioner tillægges hammerslagsprisen 25%, Udenlandske købere, der opfylder en af nedenstående betingelser, der dækker salær på 20% samt moms af salæret. betaler de gældende salærsatser jf. ovenstående, men bliver ikke Visse numre handles efter særlige regler til fuldmoms, så udover belastet af dansk moms. Den danske moms deponeres dog hos auktionsomkostninger på 24% (for net-auktioner, vin, mønter og Bruun Rasmussen, indtil eksporten er gennemført på dokumenteret lovpligtig vis. frimærker dog 20%), beregnes moms på 25% af både hammerslag og auktionsomkostninger. Disse numre er mærket med en stjerne (*). A. Købere, som er momsregistreret i et andet EU-land, kan fritages for at betale dansk moms, når det kan dokumenteres, at købet Danske momsregistrerede købere skal overfor Bruun Rasmussen er transporteret til den adresse, som køber har angivet over for oplyse deres SE-/CVR-nr. (moms-nr.), da dette skal anføres på de Bruun Rasmussen og som er anført på fakturaen. I sådanne fakturaer, hvor varen købes i fuld moms. tilfælde skal der afregnes moms i henhold til de gældende regler For visse udenlandske købere gælder der særlige regler for i det land, hvor virksomheden er momsregistreret. Det tilrådes at afgiftsfritagelse jvf. § 4. Afgiftsfritagelse omfatter ikke EU pri- søge oplysning hos de lokale myndigheder. vate købere, som ligestilles med danske købere jvf. gældende B. Købere med bopæl uden for EU kan fritages for dansk moms, dansk lovgivning om handel med brugte varer, kunstgenstande, når det kan dokumenteres, at købet er transporteret ud af EU. samlerobjekter og antikviteter. Bruun Rasmussen udsteder så vidt muligt de fornødne eksport- Købesummen forfalder til betaling ved tilslaget. Der kan betales papirer, som skal fremvises ved toldmyndighederne, og forbe- kontant op til DKK 50.000 eller med Dankort, banknoteret holder sig ret til at opkræve et gebyr herfor. check, Visa-, Master- eller Eurocard. Personlige udenlandske Foretages eksporten af en af Bruun Rasmussen godkendt speditør checks kan kun anvendes efter forudgående aftale. skal momsen ikke deponeres. Se listen over godkendte speditører På de traditionelle auktioner i Bredgade skal betaling af købte emner finde sted under eller umiddelbart efter auktionen og § 5. AFGIFTSBETALING under alle omstændigheder senest 8 dage efter fakturadatoen. På net-auktionerne trækkes købesummen automatisk på det af A. Momsregistrerede virksomheder i andre EU-lande kan und- kunden oplyste betalings-/kreditkort i forbindelse med, at det lade at gøre brug af muligheden for momsfritagelse og i ste- købte emne udtages til transport (ca. 12 timer efter dagens salg). det betale dansk brugtmoms/fuldmoms. Dette skal meddeles Samtidig tilsendes køber faktura og transportoplysninger. Bruun Rasmussen inden kl. 10 dagen efter købet. Betales købesummen ikke rettidigt, skal der svares rente heraf B. Momsregistrerede virksomheder i Danmark kan vælge at med 1,5% pr. påbegyndt måned. betale fuldmoms jf. ovenstående. Dette skal meddeles Bruun Rasmussen inden kl. 10 dagen efter købet. Betales købesum og renter ikke inden 8 dage efter at Bruun Ras- mussen har afsendt påkrav herom til køber, er Bruun Rasmus- sen berettiget til at annullere købet og bortsælge det købte på § 6. UDLEVERING ny auktion hos Bruun Rasmussen eller underhånden og afkræve køber ethvert herved opstået tab. Et eventuelt overskud tilfalder Købesummen skal være betalt, inden det købte kan udleveres til den, der har indleveret det købte til auktion. køberen. Det købte henligger fra hammerslaget for købers regning og risiko. For varer, der ikke afhentes ifølge aftale efter ham- Har den misligholdende køber tilgodehavender fra salg af effek- merslaget, vil blive kørt på fjernlager på købers regning og risiko. ter hos Bruun Rasmussen, er Bruun Rasmussen berettiget til at Købte varer, der er betalt, men ikke afhentet, vil efter 1 år blive berigtige ethvert tilgodehavende hos køber ved modregning. videresolgt for købers regning ved auktion eller underhånden. Har den misligholdende køber indleveret andre effekter til salg, § 7. FORSENDELSE

392 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s386-400_slut.indd 392 04/02/16 12.39 Såfremt Bruun Rasmussen påtager sig at emballere og fremsende deret køber. købte varer, sker dette på købers regning og risiko. Bruun Ras- Væsentlige fejl i beskrivelsen relateret til mål eller vægt erstattes mussen kan således ikke drages til ansvar for skader forvoldt på kun procentuelt i forhold til differencen. købte varer under forsendelse eller for forsvundne forsendelser. Retten til under de her anførte betingelser at annullere et køb § 8. KUNSTNERAFGIFT TIL COPY-DAN CD kan kun udøves af den, der købte den pågældende effekt hos Bruun Rasmussen og er betinget af, at krav om annullering Ifølge gældende dansk lovgivning om ophavsret skal der opkræves fremsættes skriftligt over for Bruun Rasmussen inden 2 år efter følgeretsvederlag for værker af nyere danske og visse udenland- købsdagen, og af at det købte inden samme frist returneres til ske kunstnere, som enten er nulevende eller ikke har været døde Bruun Rasmussen i den samme stand i enhver henseende, som i mere end 70 år. Følgeretsvederlaget opkræves af Bruun Rasmus- sen på vegne af kunstnernes organisation Copydan. Disse værker det købte var i på hammerslagstidspunktet. er mærket (CD) for Copydan ud for katalognummeret. Køber kan i tilfælde af annullering ikke gøre krav på betaling Den såkaldte Copydan-afgift tillægges hammerslagsprisen inkl. af renter af købesummen og er ej heller berettiget til at kræve salær, når beløbet overstiger €300. anden udgift eller tab, herunder eventuel mistet videresalgs- Copydan-afgiften er: fortjeneste, dækket. • 5% af den del af hammerslagsprisen og salæret (ekskl. Et køb kan ikke kræves annulleret efter ovenstående bestemmel- moms), der udgør indtil €50.000. ser, såfremt: • 3% af den del af hammerslagsprisen og salæret (ekskl. a. beskrivelsen i katalog eller på hjemmesiden på hammerslags- moms), der ligger mellem €50.000 og €200.000. dagen var i overensstemmelse med den på dette tidspunkt • 1% af den del af hammerslagsprisen og salæret (ekskl. gældende opfattelse blandt lærde og eksperter. moms), der ligger mellem €200.000 og €350.000. b. den eneste måde til på salgstidspunktet at få fastslået et • 0,5% af den del af hammerslagsslagsprisen (ekskl. moms), der falskneri var iværksættelsen af videnskabelige processer, hvis € € ligger mellem 350.000 og 500.000. gyldighed først blev anerkendt efter salgstidspunktet, eller som • 0,25% af den del af hammerslagsprisen (ekskl. moms), der ville have været uforholdsmæssigt omkostningskrævende eller € ligger over 500.000. uigennemførlige uden beskadigelse af den pågældende effekt. € Copydan-afgiften kan ikke overstige 12.500 for det enkelte I tillæg til ovenstående frist gælder de almindelige forældelses- kunstværk. regler i forældelsesloven, efter hvilke køber ikke under nogen € Euro-kursen er fastsat af Copydan i 2016 til kurs 746,02 pr. 100. omstændigheder kan gøre noget krav gældende over for Bruun Rasmussen, når der er forløbet mere end 5 år fra købsdagen. § 9. EKSPORTTILLADELSE

Kulturværdiudvalget er blevet ansøgt om eksporttilladelse, hvor Bruun Rasmussen Kunstauktioner dette kræves iflg. gældende dansk lovgivning om sikring af kul- Jesper Bruun Rasmussen, Auktionsholder turværdier i Danmark. Foreligger en sådan ikke, vil dette blive Jørgen Byriel, Auktionsleder meddelt den udenlandske køber umiddelbart efter hammerslaget. Derefter vil Bruun Rasmussen igen ansøge Kulturværdiudvalget på købers vegne, nu hvor prisen kendes. Gives eksporttilladelse ikke, er Kulturværdiudvalget forpligtet til at overtage det købte til den KOMMISSIONER opnåede pris, hvilket betyder at købet bliver hævet for køber. Bruun Rasmussen påtager sig at byde i kommission for bydere, § 10. BESKRIVELSE AF EMNER der ikke kan være til stede ved auktionen. Det er en forudsæt- ning, at kommissioner indleveret pr. brev eller fax er Bruun Ras- Alt sælges i den stand, hvori det ved hammerslaget er at fore- mussen i hænde i 24 timer før auktionens start, så om nødven- finde og som beskrevet i katalog eller hjemmeside med senere digt bydernes kreditværdighed kan undersøges. Via hjemmesiden offentliggjorte ændringer og modifikationer. er denne deadline 3 timer. Bruun Rasmussen påtager sig intet Beskrivelsen er foretaget efter bedste overbevisning og under ansvar for eventuelle fejltagelser, der måtte opstå ved brug af anvendelse af de anførte katalogiseringsprincipper. denne service De solgte effekter er ofte af en alder eller af en art, der bevirker, at de kan være behæftet med fejl, mangler, restaurering eller KONDITIONSRAPPORTER beskadigelser, der ikke nødvendigvis angives i katalog eller på hjemmesiden. Afbildninger i katalog eller på hjemmesiden er Bruun Rasmussen påtager sig, hvis det er muligt, at orientere blot til identifikation og kan ikke anvendes til vurdering af nærmere om numrenes kondition og tilstand. Dette er ment som effekternes stand. en service for kunder, der ikke selv har mulighed for ved selvsyn Enhver der ønsker at byde på auktion, bør derfor ved selvsyn på at undersøge numrene på eftersynet. Det understreges, at de de før auktionen afholdte eftersyn forvisse sig om de ønskede givne oplysninger ikke kan gøres til genstand for reklamationer; effekters stand. her henvises til beskrivelsen. Beskrivelsen er udtryk for den på salgstidspunktet blandt lærde og eksperter herskende opfattelse. Skulle der efter købet opstå tvivl om det købtes ægthed eller FRITAGELSE FOR DANSK FULDMOMS dettes overensstemmelse med beskrivelsen, skal dette straks med- Købere skal ifølge § 2 betale fuldmoms af de varer der i katalog deles til Bruun Rasmussen. eller på hjemmesiden er markeret med stjerne (*). Såfremt det må erkendes, at det købte er en forfalskning, eller såfremt beskrivelsen har været behæftet med væsentlige fejl, der Når virksomheder, der er momsregistrerede i andre EU-lande, har medført en væsentlig højere hammerslagspris, end en korrekt køber hos Bruun Rasmussen og videresælger til private, skal der beskrivelse må antages at ville have resulteret i, er køber beret- ikke betales dansk moms, men moms i henhold til de regler der tiget til at annullere købet, hvorefter den samlede erlagte købe- gælder, hvor den udenlandske virksomhed er momsregistreret. sum tillagt auktionsomkostninger og evt. moms, vil blive refun- Det tilrådes at søge oplysning hos de lokale myndigheder.

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862_antik_s386-400_slut.indd 393 04/02/16 12.39 ADDRESSES BRUUN RASMUSSEN AUCTIONEERS

COPENHAGEN – BREDGADE ONLINE AUCTIONS - SUPPORT

BRUUN-RASMUSSEN.DK BREDGADE 33 Tel +45 8818 1114 DK-1260 COPENHAGEN K E-mail: [email protected] Tel +45 8818 1111 Fax +45 8818 1112 REPRESENTATIVES: E-mail: [email protected] FRANCE DITTE HERBORG KROGH . PARIS Tel +33 6 6185 4564 COPENHAGEN – SUNDKROGSGADE E-mail: [email protected]

SUNDKROGSGADE 30 SOUTHERN FRANCE & LUXEMBOURG PETER KOCH DK-2150 NORDHAVN Tel +45 4045 3403 Tel +45 8818 1111 E-mail: [email protected] Fax +45 8818 1112 ITALY E-mail: [email protected] JEANETTE IDA MØLLER · MILANO Tel +39 340 053 9219 E-mail: [email protected] COPENHAGEN – BALTIKAVEJ SPAIN BALTIKAVEJ 10 VAGN ERIK KROGSØE DK-2150 NORDHAVN Tel +45 2445 1224 E-mail: [email protected] Tel +45 8818 1111 . Fax +45 8818 1112 KARIN K.J.V. FRIJS MARBELLA Tel +34 630 29 21 02 E-mail: [email protected] Fax +34 952 77 74 64 E-mail: [email protected]

AARHUS THAILAND ANDERS NORMANN SØREN FRICHS VEJ 34 D Tel +66 818 177 273 DK-8230 ÅBYHØJ E-mail: [email protected]

Tel +45 8818 1100 USA Fax +45 8818 1101 BENEDICTE HALLOWELL E-mail: [email protected] Tel and Fax +1 617 566 7333 E-mail: [email protected]

FYN SALES REPRESENTATIVES:

NADIA SEHESTEDT JUUL USA KIRSTEN MACDONALD · NEW YORK Tel +45 8818 1183 Tel +1 203 832 3008 E-mail: [email protected] E-mail: [email protected]

394 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s386-400_slut.indd 394 04/02/16 12.39 CONTACT DIRECTLY KONTAKT DIREKTE

HOVEDNUMMER / MAIN NUMBER MODERNE DESIGN / MODERN DESIGN Peter Kjelgaard Jensen +45 8818 1191 Bruun Rasmussen Auctioneers +45 8818 1111 [email protected] ADMINISTRATION Ole Ravn +45 8818 1192 [email protected] Jakob Dupont, CEO +45 8818 1081 [email protected] MODERNE KUNST / MODERN ART Niels Raben +45 8818 1181 KUNDESERVICE / CUSTOMER SERVICE [email protected]

[email protected] +45 8818 1010 Niels Boe Hauggaard +45 8818 1182 [email protected] +45 8818 1010 [email protected]

KOMMISSIONER / COMMISSIONS PORCELÆN, GLAS OG ORIENTALSK KUNSTINDUSTRI / Lise Winther Wobido +45 8818 1013 CERAMICS, GLASS AND ORIENTAL WORKS OF ART Anja Bering Hansen +45 8818 1028 Ralph Lexner +45 8818 1161 [email protected] rl@ bruun-rasmussen.dk Charlotte Hviid +45 8818 1162 BESTILLING AF KATALOGER / CATALOGUE REQUESTS [email protected] Kundeservice / Customer service +45 8818 1111 RUSSISK / RUSSIAN AUKTIONSRÅDGIVNING / AUCTION GUIDANCE Martin Hans Borg +45 8818 1128 Franziska Kampmann +45 8818 1026 [email protected] [email protected] SMYKKER / JEWELLERY TRANSPORT / TRANSPORTATION Katrin Mikkelsen Sørensen +45 8818 1174 [email protected] +45 8818 1055 [email protected]

VURDERING OG INFORMATION / SØLV / SILVER VALUATION AND INFORMATION Amalie Hansen +45 8818 1194 [email protected] INDBOVURDERINGER / VALUATION AT YOUR HOME David Utzon-Frank +45 8818 1221 TÆPPER / CARPETS duf@ bruun-rasmussen.dk Henrik Schleppegrell +45 8818 1145 Kasper Nielsen +45 8818 1121 [email protected] [email protected] VIN / WINE Casper Behrendtzen +45 8818 1235 Morten Stenør Larsen +45 8818 1207 [email protected] [email protected]

Hans Ruben +45 8818 1231 VÅBEN / WEAPONS [email protected] David Utzon-Frank +45 8818 1221 Ralph Lexner +45 8818 1161 duf@ bruun-rasmussen.dk [email protected] ÆLDRE KUNST / FINE ART BØGER / BOOKS Kasper Nielsen +45 8818 1121 Lærke Bøgh +45 8818 1217 [email protected] [email protected] Birte Stokholm +45 8818 1122 [email protected] FRIMÆRKER / STAMPS Lars Godsk Jørgensen +45 8818 1211 ÆLDRE MØBLER / FURNITURE [email protected] Anders Fredsted +45 8818 1142 [email protected] MØNTER / COINS Michael Fornitz +45 8818 1201 Henrik Schleppegrel +45 8818 1145 [email protected] [email protected]

BRUUN RASMUSSEN BREDGADE AUCTION 862 395

862_antik_s386-400_slut.indd 395 04/02/16 12.39 COMMISSION BIDS KOMMISSIONSBUD

It is possible to leave commission bids if you can not be present Det er muligt at afgive kommissionsbud, hvis De ikke selv kan at the auction yourself. This service is free of charge. være til stede på auktionsdagen. Denne service er gratis. When leaving a commission bid, you are instructing our custom- Når De afgiver en kommission, beder De vores kundeservice på er service to bid up to a specified amount on your behalf. Deres vegne byde op til et af Dem bestemt beløb i hammerslag. The situation can occur that another buyer has already bid the Der kan opstå den situation, at en anden køber allerede har budt same as you were prepared to. Are you then willing to bid fur- det beløb, som De ønsker at afgive. Er De da villig til at gå et ther? If not the lot will be sold to another buyer. bud højere eller er De indforstået med at nummeret sælges til If you do not wish to exceed your bid then write “Max”, for anden side? maximum, next to the amount. You can also allow us to raise Ønsker De ikke at byde højere så skriv “Max” ud for beløbet. Er your bid by approx. 15% or approx. 25%. De i tvivl om hvor højt De vil byde, kan De hæve budet med op The hammer price may be higher or lower than the estimated til ca. 15% eller ca. 25%. price, so it is possible to buy below the estimate. Bruun Rasmus- Salgsprisen kan blive højere eller lavere end vurderingen, så der sen will always buy at the lowest price possible, as if you your- er også mulighed for at købe til under den angivne vurdering. self had been present at the auction. Vor kundeservice køber altid så billigt som muligt til Dem, som All commission bids are strictly confidential. havde De selv været tilstede på auktionen. Commission bids must be submitted no later than 24 hours prior Alle kommissioner behandles strengt fortroligt. to the start of the auction. Kommisionsbud skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start.

HOW TO MAKE A COMMISSION BID: SÅDAN BYDER DE:

Complete the commission form with all pertinent information. Udfyld blanketten kommissionsbud med alle oplysninger. Indicate the lot number. Angiv katalognummer. Indicate the amount you are prepared to bid. Angiv beløbet De ønsker at byde. Should this amount be the absolute maximum, please write Er dette Deres absolutte maximum bedes De anføre “Max” i kol- “Max” in the appropriate column. onnen. You can also allow us to bid by up to approx. 15% or approx. De kan også forhøje Deres bud med henholdsvis ca. 15% eller ca. 25% more by indicating so. 25%, ved at indikere dette i kolonnen. Sign the commission form and make sure that Bruun Rasmussen De bedes underskrive kommissionsblanketten og sikre Dem, at receives it 24 hours prior to the start of the auction. Bruun Rasmussen modtager den senest 24 timer før auktionens If the information should be insufficient, Bruun Rasmussen can start. abstain from bidding. Bruun Rasmussen can not be held respon- Hvis Deres oplysninger ikke er tilstrækkelige, kan Bruun Ras sible for error in bidding or failure to execute bids. mussen undlade at byde for Dem, ligesom Bruun Rasmussen ikke kan gøres ansvarlig for fejl ved budgivningen. INTERNET: INTERNET: Commision bids can be submitted via website bruun-rasmussen.dk directly from the page with the item you want to submit a bid for. Kommisionsbud kan afgives på hjemmesiden bruun-rasmussen.dk Deadline for submissions of bids via the website is 3 hours prior direkte fra siden med den effekt, De ønsker at byde på. to the start of the auction. Seneste afgivelse af bud via hjemmesiden er 3 timer før auktio- Submitted bids are shown under “Your bids” when you are nens start. logged in. Please contact technical support on +45 8818 1114 Afgivne bud kan ses på hjemmesiden under “Deres bud”, når for questions about the registration and submission of bids on de er logget ind. Kontakt teknisk support på 8818 1114 for the website. spørgsmål om registrering og budgivning via internettet. For additional information, please consult “Conditions of For yderligere information, se “Købskonditioner”, §1. Purchase” §1.

TELEPHONE BIDDING: TELEFONBUD:

Should you wish to bid at auction by telephone, please inform Såfremt De ønsker at byde pr. telefon, bedes De oplyse Bruun Bruun Rasmussen of your name and telephone number, as well Rasmussen Deres navn og telefonnummer samt hvilke katal- as which catalogue numbers you are interested in, no later than ognumre, De ønsker at byde på, senest 3 timer før auktionens 3 hours prior to the start og the auction. You will then be con- start. De vil så blive ringet op kort før, den aktuelle vare kommer tacted shortly before the relevant lot comes under the hammer, under hammeren, og De kan på denne måde deltage i auktionen thereby allowing you to participate without being in the auction uden selv at være til stede. room yourself. For yderligere information, se “Købskonditioner” på For additional information, please consult “Conditions of Purchase” bruun-rasmussen.dk under “Guide”. §1.

396 BRUUN RASMUSSEN BREDGADE AUCTION 862

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Skal være Bruun Rasmussen i hænde senest 24 timer før auktionens start. Must be submitted no later than 24 hours prior to the start of the auction. AUKTION NR AUCTION NO: 862

Navn Name: * ...... Adresse Address: * ...... Postnr./by City: * ...... Land Country: * ...... Fax: ...... Tel: * ...... e-mail: ...... CVR-nr. VAT No.: ......

Bank: ...... Konto nr. Acct. No.: ......

Adresse Address: ......

Postnr./By City: ...... Land Country: ......

Tel: ...... Kontaktperson Contact: ...... Obligatoriske felter er mærket med en stjerne * Mandatory fields are marked with an asterix * Undertegnede giver hermed fuldmagt til Bruun Rasmussen Kunstauktioner A/S om på mine vegne at købe nedennævnte katalognumre så fordelagtigt som muligt, inden for det af mig anførte beløb, i hammerslag. I hereby request that Bruun Rasmussen bid on my behalf on the following lots up at the prices indicated below.

Undertegnede har udfyldt ovennævnte med de ønskede oplysninger, samt har accepteret købskonditionerne. The undersigned has supplied the required information and agrees to be bound by the conditions of purchase.

Signatur: * ...... B.R. kunde-nr. Client No.: ......

Jeg ønsker at modtage salgsresultater på de emner jeg har budt på via email dagligt efter auktion I wish to receive sales results on the items I have been bidding on via e-mail every day after the auction

på e-mail adressen on this e-mail address: ......

Katalog nr. Beskrivelse Bud kr. Max +15% +25% Lot. No. Description Bid DKK

BRUUN RASMUSSEN KUNSTAUKTIONER A/S

Bredgade 33 · DK-1260 København K · Tel +45 8818 1111 · Fax +45 8818 1112 · [email protected] · bruun-rasmussen.dk Fortsættes næste side Please turn over

BRUUN RASMUSSEN BREDGADE AUCTION 862 397 "

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Katalog nr. Beskrivelse Bud kr. Max +15% +25% Lot. No. Description Bid DKK Ret til ændringer forbeholdes © 2016 Bruun Rasmussen Kunstauktioner Bruun Rasmussen Ret til ændringer forbeholdes © 2016 Cool Gray Bent Lange Tryk: Foto: & Lene Søbo Figueiredo og dtp: Jorge Grafik

AUKTION NR AUCTION NO: 862

398 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s386-400_slut.indd 398 04/02/16 12.39 VAT AND COPY-DAN INFORMATION MOMS OG KUNSTNERAFGIFT

BUYER’S STANDARD PREMIUM STANDARD AUKTIONSOMKOSTNINGER 30% AUCTIONEERS’ MARGIN SCHEME 30% - BRUGT MOMS As of 1 January 1995 new EC regulations came into 1. januar 1995 trådte nye love i kraft i EU vedrørende effect regarding the sale of secondhand goods, works of moms ved handel på auktion med brugte varer, kunst art, collector’s items and antiques; these items may now genstande, samlerobjekter og antikviteter, der nu kan be traded under the Auctioneers’ Margin Scheme. handles til brugt moms. Under the Auctioneers’ Margin Scheme the premium Efter de nye regler er det kun auktionsomkostninger, der only is subject to VAT, i.e. the hammer price is exempted skal tillægges moms, og ikke som tidligere varens fulde from VAT. The buyer’s premium of 25% will thus hence- pris. I auktionsomkostninger er indregnet ikke fradrags- forth include non-refundable VAT. berettiget moms.

FULL VAT * FULD MOMS * will be charged on goods that cannot be traded under anvendes for visse varer som ikke kan handles i brugt the Auctioneers’ Margin Scheme. These lots are marked moms. Disse er mærket med en stjerne *. Købere skal with an asterix *. The buyer pays the auction premium of betale 24% i auktionsomkostninger, hvortil lægges 25% 24% plus 25% VAT on the hammer price as well as the moms af hammerslaget og auktionsomkostningerne. buyer’s premium.

REDUCEREDE BUYER’S REDUCED PREMIUM 24% AUKTIONSOMKOSTNINGER 24% is paid by buyers fulfilling the following terms/conditions: betales af købere der opfylder følgende betingelser: 1. Danish VAT registered buyers may choose to pay 1. Danske momsregistrerede købere kan vælge at betale the 24% buyer’s premium + 25% VAT on the total 24% i auktionsomkostninger + 25% moms af hele amount (Full VAT). The buyer may have the total VAT (fuldmoms). Momsbeløbet kan køber modregne, og refunded and thus pays 24% in buyer’s premium only. betaler derved 24% i auktionsomkostninger. 2. VAT registered buyers in other EU countries may avoid 2. Momsregistrerede købere i andre EU-lande kan, ved at Danish VAT by using their VAT registration number anvende deres EU-momsnr., undgå den danske moms and thereby pay a buyer’s premium of 24% only. og derved betale 24% i auktionsomkostninger. 3. Residents of countries outside the EU meeting the 3. Alle købere med bopæl i et land uden for EU, der Danish customs authorities’ requirements regarding the opfylder de danske toldmyndigheders krav i forbindel- export of goods pay the buyer’s premium of 24% only se med eksport, betaler derved 24% i auktionsomko- (see Conditions of Purchase §3, Exemption from VAT). stninger (se købskonditioner, §4, Afgiftsfritagelse).

ARTISTS’ ROYALTIES PAYABLE TO COPY-DAN CD KUNSTNERAFGIFT TIL COPY-DAN CD Pursuant to current Danish legislation on copyright an Ifølge gældende dansk lovgivning om ophavsret, skal artists’ royalty of 5% of the total price exclusive of VAT der opkræves 5% i kunstnerafgift af hammerslagsprisen (i.e. hammer price plus buyer’s premium 24%) shall be med tillæg af auktionsomkostninger på 24% excl. moms collected on works of modern art by all Danish and most på værker af alle nyere danske og de fleste udenlandske foreign artists. These works are marked CD for Copy-Dan kunstnere. Disse værker er mærket CD for Copy-Dan ud next to the lot number. for katalognummeret. For further information please refer to the Conditions of For nærmere information henvises til købskonditionerne. Purchase. Ret til ændringer forbeholdes © 2016 Bruun Rasmussen Kunstauktioner Bruun Rasmussen Ret til ændringer forbeholdes © 2016 Cool Gray Bent Lange Tryk: Foto: & Lene Søbo Figueiredo og dtp: Jorge Grafik

BRUUN RASMUSSEN BREDGADE AUCTION 862 399

862_antik_s386-400_slut.indd 399 04/02/16 12.39 ANTIQUES

400 BRUUN RASMUSSEN BREDGADE AUCTION 862

862_antik_s386-400_slut.indd 400 04/02/16 12.39