JACQUELINE BISSET (Winifred Jacqueline Fraser-Bisset) Filmografia Essenziale Dal 1965 Al 1983

Total Page:16

File Type:pdf, Size:1020Kb

JACQUELINE BISSET (Winifred Jacqueline Fraser-Bisset) Filmografia Essenziale Dal 1965 Al 1983 JACQUELINE BISSET (Winifred Jacqueline Fraser-Bisset) Filmografia essenziale dal 1965 al 1983 ANNO TITOLO TITOLO ORIGINALE REGIA VOTO 1965 NON TUTTI CE L' HANNO THE KNACK...AND HOW TO GET IT RICHARD LESTER 8,5 1966 ARRIVEDERCI, BABY ! IDEM KEN HUGHES 7 1966 CUL-DE-SAC IDEM ROMAN POLANSKI 8 1967 DUE PER LA STRADA TWO FOR THE ROAD STANLEY DONEN 8 1967 INTRIGO A CAPE TOWN CAPE TOWN AFFAIR ROBERT D. WEBB 1967 JAMES BOND 007 - CASINO ROYALE CASINO ROYALE REGISTI VARI 7,5 1968 BULLITT IDEM PETER YATES 8 1968 INCHIESTA PERICOLOSA THE DETECTIVE GORDON DOUGLAS 7,5 1968 L' ONDA LUNGA THE SWEET RIDE HARVEY HART 7 1969 LA RAGAZZA INGLESE LA PROMESSE R. FREEMAN • P. FEYDER 1970 AIRPORT IDEM GEORGE SEATON 7,5 1970 LA CAVALLETTA THE GRASSHOPPER JERRY PARIS 6,5 1971 JACKIE - LA RAGAZZA DI GREENWICH VILLAGE BELIEVE IN ME STUART HAGMANN 6,5 1971 LA MACCHIA DELLA MORTE THE MEPHISTO WALTZ PAUL WENDKOS 7 1971 SENSI PROIBITI SECRETS PHILIP SAVILLE 1972 L' UOMO DAI 7 CAPESTRI THE LIFE AND TIMES OF JUDGE ROY BEAN JOHN HUSTON 8 1973 COME SI DISTRUGGE LA REPUTAZIONE... LE MAGNIFIQUE PHILIPPE DE BROCA 7,5 1973 EFFETTO NOTTE LA NUIT AMERICAINE FRANCOIS TRUFFAUT 8,5 1973 IL LADRO CHE VENNE A PRANZO THE THIEF WHO CAME TO DINNER BUD YORKIN 7 1974 ASSASSINIO SULL' ORIENT EXPRESS MURDER ON THE ORIENT EXPRESS SIDNEY LUMET 8 1975 ASSASSINIO SUL PONTE DER RICHTER UND SEIN HENKER MAXIMILIAN SCHELL 7,5 1975 DELITTO IN SILENZIO THE SPIRAL STAIRCASE PETER COLLINSON 6,5 1975 LA DONNA DELLA DOMENICA IDEM LUIGI COMENCINI 7,5 1976 CANDIDATO ALL' OBITORIO ST. IVES J. LEE THOMPSON 7 1977 ABISSI THE DEEP PETER YATES 7 1978 IL MAGNATE GRECO THE GREEK TYCOON J. LEE THOMPSON 7 1978 QUALCUNO STA UCCIDENDO I PIU` GRANDI... WHO IS KILLING THE GREAT CHEFS... TED KOTCHEFF 7,5 1979 AMO NON AMO IDEM ARMENIA BALDUCCI 7 1980 ORMAI NON C' E` PIU` SCAMPO WHEN TIME RAN OUT... JAMES GOLDSTONE 6,5 1981 RICCHE E FAMOSE RICH AND FAMOUS GEORGE CUKOR 8,5 1983 CLASS IDEM LEWIS J. CARLINO 6,5 www.eurodeon.it JACQUELINE BISSET (Winifred Jacqueline Fraser-Bisset) Filmografia essenziale dal 1984 al 2014 ANNO TITOLO TITOLO ORIGINALE REGIA VOTO 1984 SOTTO IL VULCANO UNDER THE VOLCANO JOHN HUSTON 7,5 1986 CHOICES IDEM DAVID L. RICH 1987 ALTA STAGIONE HIGH SEASON CLARE PEPLOE 6,5 1988 LA CASA DI GIADA LA MAISON DE JADE NADINE TRINTIGNANT 6 1989 ORCHIDEA SELVAGGIA WILD ORCHID ZALMAN KING 6,5 1989 SCENE DI LOTTA DI CLASSE A BEVERLY HILLS SCENES FROM THE CLASS STRUGGLE... PAUL BARTEL 7,5 1990 MAMMA, MI COMPRI UN PAPA` ? UN AMOUR DE BANQUIER IAN TOYNTON 6,5 1991 ROSSINI ! ROSSINI ! IDEM MARIO MONICELLI 6,5 1993 LA MENTE DEL CRIMINE CRIME BROKER IAN BARRY 6 1994 TU SEI LA MIA FAMIGLIA LEAVE OF ABSENCE TOM MC LOUGHLIN 6 1995 IL BUIO NELLA MENTE LA CEREMONIE CLAUDE CHABROL 8 1996 IL SEGRETO DI PANDORA SEPTEMBER COLIN BUCKSEY 6,5 1997 ALLA FINE DELL' ESTATE END OF SUMMER LINDA YELLEN 6 1998 PADRONA DEL SUO DESTINO DANGEROUS BEAUTY MARSHALL HERSKOVITZ 7 1999 IL DIAVOLO DENTRO LET THE DEVIL WEAR BLACK STACY TITLE 5,5 1999 GIOVANNA D' ARCO JOAN OF ARC CHRISTIAN DUGUAY 6,5 1999 JESUS IDEM ROGER YOUNG 6,5 1999 L' ULTIMA VERITA` WITCH HUNT SCOTT HARTFORD-DAVIS 6 2000 BRITANNIC IDEM BRIAN TRENCHARD-SMITH 6 2000 IL SESSO E MRS. X SEX & MRS. X ARTHUR A. SEIDELMAN 2000 LE STORIE DELLA BIBBIA IN THE BEGINNING KEVIN CONNOR 6,5 2002 BALLANDO ALLA LUNA DI SETTEMBRE DANCING AT THE HARVEST MOON BOBBY ROTH 6 2003 SWING IDEM MARTIN GUIGUI 6 2004 FASCINATION IDEM KLAUS MENZEL 5 2004 TRE DONNE PER UN DELITTO THE SURVIVORS CLUB CHRISTOPHER LEITCH 6 2005 DOMINO IDEM TONY SCOTT 6,5 2005 L' EDUCAZIONE FISICA DELLE FANCIULLE THE FINE ART OF LOVE JOHN IRVIN 6,5 2005 ROSAMUNDE PILCHER - SOLSTIZIO D' ESTATE ROSAMUNDE PILCHER - SUMMER SOLSTICE GILES FOSTER 5 2006 SAVE THE LAST DANCE 2 IDEM DAVID PETRARCA 6 2007 NORA ROBERTS - CAROLINA MOON CAROLINA MOON STEPHEN TOLKIN 6 2014 WELCOME TO NEW YORK IDEM ABEL FERRARA 7 www.eurodeon.it.
Recommended publications
  • Andrzej Filarczyk P O N T I a C "
    FIL ANDRZEJ FILARCZYK ACTRESS PROFILE together for four years in a breasts. " I ’ ve always been pru­ Jacqueline Bisset "hippie" shack made from packing dish about my body,” she blushes. crates on Malibu. They moved when "I have been willing to do alot FILMS it was condemned by the California of films where a woman is decor­ Authorities. ative, standing around, and CUL-DE-SAC After recovering from a nervous irrelevant. The size of the part CASINO ROYALE breakdown and after leaving never concerns me, I ’ l l do a part TWO FOR THE Sarrazin, she left for France for six really good lines.” ROAD where she acted in Francois Bisset is now on location in THE SWEET RIDE Truffaut’ s "Day For Night"; her the Mediterranean island of Cor­ BULLITT most distinguished role to date. fu where she is filming ”The AIRPORT Truffaut is the only director Greek Tycoon,” in which she plays JUDGE ROY who has blended her beauty with a widow of an assassinated Ameri­ BEAN her acting talents, for whom she can President who ends up marry­ DAY FOR NIGHT played a film groupie who starts ing a Greek shipping billionaire, ST. IVES out as a script girl and ends up played by Anthony Quinn. THE DEEP (Soon running o ff with the stunt man. Halston,who designs Bisset’ s playing in "Day For Night" is a comic look costumes for "The Greek Tycoon", area) at what goes into a making of a says that she has "a very womanly THE GREEK film, all the trials and tribula­ body, beautiful shoulders, beau­ TYCOON tions.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • The Guy Mckone Collection at the TIFF Film Reference Library
    CATALOGUING A MAN’S LOVE OF MID TO LATE 20th CENTURY POSTERS The Guy McKone Collection at the TIFF Film Reference Library By Sasha Danielle Blais, Honours BA Near Eastern and Classical Archaeology, Wilfrid Laurier University, 2014 A Thesis presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Film and Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2016 © Sasha Danielle Blais 2016 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. ii Cataloguing a Man’s Love of Mid to Late 20th Century Posters: The Guy McKone Collection at the TIFF Film Reference Library Sasha Danielle Blais Master of Arts, Film & Photographic Preservation and Collections Management, Fall 2016 Ryerson University, Toronto, Ontario, Canada Abstract Despite the renewed interest in ephemera, there is limited research available on film ephemera. A survey of current literature shows there is a clear lack of work being done to study and preserve this material in public institutions. This thesis looked at the management and care of ephemera collections, specifically poster collections.
    [Show full text]
  • PETER YATES (24 July 1929, Aldershot, Hampshire, England)
    PETER YATES (24 July 1929, Aldershot, Hampshire, England). Biography from Leonard Maltin's Movie Encyclopedia: "Variety is certainly the spice of life for this British director whose films have covered an extraordinarily wide range of styles, subjects, and budgets. After graduating from the Royal Academy of Dramatic Art, Yates worked as an actor, stage manager, and director before turning to film in the 1950s as a dubbing assistant and then assistant director for Tony Richardson (on A Taste of Honey), Jose Quintero (on The Roman Spring of Mrs. Stone) and J. Lee Thompson (on The Guns of Navarone) all in 1961. With Richardson's encouragement, Yates worked as a stage and TV director and then made his first films, Summer Holiday (1963) and One Way Pendulum (1965). A car chase in his third feature, Robbery (1967), which drew on Yates' past experience as a professional racing driver, caught the attention of Steve McQueen and Yates was asked to direct the detective thriller Bullitt (1968). The film was highlighted by some of the greatest car chases ever put onscreen, and was a smash hit. Yates' next projects, however, were a varied lot: John and Mary (1969), Murphy's War (1971), The Hot Rock (1972), The Friends of Eddie Coyle (1973), For Pete's Sake (1974), Mother, Jugs & Speed (1976), and The Deep (1977). In 1979 he earned his first Oscar nomination for Best Director for the sleeper hit Breaking Away a warm, irresistibly charming portrait of four young men in Bloomington, Indiana. He's continued on the commercial road ever since, earning another Oscar nomination for the delightful adaptation of the stage play The Dresser (1983).
    [Show full text]
  • This Is a Test
    ‘AN OLD-FASHIONED CHRISTMAS’ CAST BIOS JACQUELINE BISSET (Isabella) – Jacqueline Bisset has undertaken a diverse range of dramatic and comedic challenges in the more than 50 films in which she has appeared, moving easily from stage to screen in the United States as well as in Europe, where she is equally at home performing in both English and French. Her emergence as one of the international film world’s most lustrous stars has landed her on the covers of both Newsweek and People. Two powerful recent evidences of Bisset’s continuing prominence, talent and beauty are French President Nicolas Sarkozy’s presentation to her of his country’s greatest honor, The Legion D’Honneur, and Avon’s basing its international exposure of its lauded new skin products, Anew Platinum, on the beauty and fascination of Jacqueline Bisset. Born Jacqueline Fraser-Bisset in Weybridge, Surrey, England, her father was a Scottish doctor and her French mother a lawyer. Modeling assignments led to small parts in features, such as Richard Lester’s “The Knack,” “Arividerchi Baby,” and a featured role in Roman Polanski’s “Cul- De-Sac.” It was the 1967 James Bond spoof “Casino Royal” that won Bisset a long-term contract at 20th Century Fox. An impressive list of films followed in short order, including Stanley Donen’s “Two For the Road,” “The Sweet Ride,” a role opposite Frank Sinatra in “The Detective” and “Bullit,” opposite Steve McQueen. In 1970, she was one of the stars of “Airport,” Universal’s highest- grossing film at the time. On foreign soil, Bisset has appeared in Francois Truffaut’s classic “Day For Night” and such other notable French films as “Le Magnifique,” “Sunday Woman,” a French-Italian production with Marcello Mastroianni and Jean Louis Trintignant, the Italian “Together?” with Maximillian Schell and Terrance Stamp and Schell’s “End Of The Game” with Jon Voight and Robert Shaw.
    [Show full text]