Paul Humphrey Cochise Mp3, Flac, Wma

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Paul Humphrey Cochise mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Cochise Country: US Released: 1974 Style: Funk MP3 version RAR size: 1458 mb FLAC version RAR size: 1734 mb WMA version RAR size: 1943 mb Rating: 4.6 Votes: 212 Other Formats: MMF WAV VOX MP4 WMA DMF MP2 Tracklist Hide Credits Cochise A 2:42 Written-By – Les McCan* What's That Noise P.K.? B 3:11 Written-By – Paul Humphrey Credits Artwork By [Photography, Design] – Barry Feinstein Bass – Bill Upchurch Bass, Reeds – Wilton Felder Drums – Paul Humphrey Engineer – Al Schmitt Guitar – Al Vescovo*, Arthur Adams, George Walker Keyboards – Harold Land Jr.*, Joe Sample Producer – Tommy LiPuma Reeds – Charles Owens, Jerome Richardson Other versions Category Artist Title (Format) Label Category Country Year Cochise / What's That Blue Thumb BTA 256 Paul Humphrey BTA 256 US 1974 Noise P.K.? (7", Mono) Records ABC 4046 Paul Humphrey Cochise (7") ABC Records ABC 4046 UK 1975 Blue Thumb 16 061 Paul Humphrey Cochise (7", Single) 16 061 Germany 1974 Records Cochise / What's That Blue Thumb BTA 256 Paul Humphrey Noise P.K.? (7", Single, BTA 256 US Unknown Records Mono, Promo) Cochise (7", Single, ABC 4046 Paul Humphrey ABC Records ABC 4046 UK 1974 Sol) Related Music albums to Cochise by Paul Humphrey Buddy Tate With Humphrey Lyttelton And Ruby Braff - Buddy Tate With Humphrey Lyttelton And Ruby Braff Cochise - Why I Sing The Blues Humphrey Lyttelton & Mike Pyne - Once In A While Peter Humphrey - Extra Leg Dr. Humphrey - Fristelser / Helle Paul Humphrey & His Cool Aid Chemists - Cool Aid / Detroit Paul de Leeuw - Het Wordt Winter! Humphrey Lyttelton And His Band - red for piccadilly Louis Bellson, Shelly Manne, Willie Bobo, Paul Humphrey - the drum session Paul Humphrey - Humphrey's Overture / Bionic Salsa.

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Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N.
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1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
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Morgenstern, Dan. [Record Review: Jean-Luc Ponty: More Than Meets the Ear] Down Beat 36:24 (November 27, 1969): 20–21
Loose Wig and Lamplighter are the good hard-driving manner. The beat is standout big band sides. The former fea rock-style, and the performance has a tures a rich-toned sax section chopping certain vitality, especially in Lewis' breaks. away at a riff, answered by the unison The record opens and closes with // purr of the trombones. Cat And~rson You've Got It, although the second ver takes a few whacks in the first bndge, sion appears to be some sort of frag showing that he was a high note special mented take. It has neither beginning nor ist of the first order before joining Elling end; just a fade-in, fade-out 2: 18 of ton. Lamplighter has a small group feel heavy, driving chords. and draws much of its strength from a Enjoyable listening in the pop bag rather light, supple rhythm section and some than jazz. -McDonough superb trombone and sax voicings near the end. Mike Mainieri Overtime and Bag are more uptempo JOURNEY THRU AN lif.ECTRIC TUBE but far from the unrestrained bedlam Solid State 18049: It's All Becoming Clear Now• The Willd; Co111Jecticut Air; We' II SJ1eak Abov; which seems to have earned Hampton the the Roar; The Bush; I' II Sillg Y nu Softly of Mv indifference of some critics. Bag has Karl Life; Yes, l'111 the O11e; Allow Your Mind to W'ander. George in a straight-from-the-shoulder 16 Personnel: Jeremy Steig,. flute; Mainieri, vibra bars of trumpet. Illinois Jacquet also has harp; Warren Bernhardt, piano, organ; Joe Beck Sam Brown, guitars; Hal Gaylor, bass; Chuck 16 bars; his only solo appearance in t~e Rainey, electric bass; Donald MacDonald, drum~ LP.
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'!2G00BJ-Hbeddg!
But Not Really Limelight LS 86016 Les McCann personnel Les McCann (p); Victor Gaskin (b); Paul Humphrey (dr) tracks But Not Really; A Little Three-Four; Out Delight; Sweetie; We're On The Move Now; Jack V. Schwartz; Little Freak; Yours Is My Heart Alone One man comes to mind when the words “funk” and “fun” are connected with a jazz musi- cian: Les McCann. The man from Kentucky, self-taught and a true heavyweight on the deli- cate piano stool, dedicated his whole life on the road to performing funk. He was highly successful – whether playing with his trio or with Eddie Harris, as a pianist or as a singer, catalogue # 86016 in a club or on a big stage – and he always succeeded in captivating his audience. On But Not Really, the first of seven LPs on the Limelight label, he plays in a trio with Vic- set contents 1 LP / gatefold sleeve / booklet tor Gaskin on the bass and Paul Humphrey on drums. The three musicians were carefully guided by their producer, Jack Tracy and the liner notes describes their close collaboration. pricecode A Little Three-Four is highly recommended listening, as is Yours Is My Heart Alone which SC01 fans of Lehar’s operettas will enjoy singing along to while others will appreciate the fan- release date tastic improvisations in this popular piece which Les McCann performs less showily than February 2013 Oscar Peterson in his version but with more humour and emotion. barcode This Limelight album offers piano trio jazz that is free from intellectual encumbrance – it is jazz for the soul.
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October 2003
• CHARLIE BENANTE • TRAPT • PEARL FIRECRACKERS • JACKJACK DDEEJOHNETTEJOHNETTE CCHANGINGHANGING DDIRECTIONSIRECTIONS SSCOTTCOTT UUNDERWOODNDERWOOD TTRACKINGRACKING WWITHITH TTRAINRAIN TTOMMYOMMY SSICKLESICKLES OFF NOTHINGFACEOTHINGFACE WIN! O N Super Gear From Smith Drums, RROBOB BBOURDONOURDON Sabian Cymbals, LINKININKIN PARKARK CHARTHART Gibraltar Hardware, L P C and Evans Heads YYAMAHAAMAHA’’SS AABSOLUTEBSOLUTE NNOUVEAUOUVEAU KKITIT $4.99US $6.99CAN 10 MDMD F FESTEST 20032003 MMONSTERONSTER PPLAYERSLAYERS && MMASSIVEASSIVE KKITSITS!! 0 74808 01203 9 Contents ContentsVolume 27, Number 10 Jazz Legend Jack DeJohnette Jack DeJohnette has remained one of the world’s premier drummers by always looking forward, and never losing the passion. Oh, and by playing some of the most uniquely beautiful music on the drums ever. by Ken Micallef 38 Paul La Raia Train’s UPDATE 22 Scott Underwood 54 Charlie Benante While fans discuss Train’s “new direction,” followers of Scott of Anthrax Underwood know at least one thing is beyond debate: That’s one helluva player behind the kit. by David John Farinella Sam McCandless of Cold Paul La Raia Stix Hooper of The Crusaders Modern Drummer’s 66 Festival Weekend 2003 J.R. Conners The MD Fest turned Sweet Sixteen this year. How sweet? Check of Cave In the lineup: Steve Smith, Airto, Mike Portnoy, Shawn Pelton, Nick D’Virgilio, Antonio Sanchez, Matt Wilson, Nathaniel Townsley, The Drumbassadors, Hip Pickles, and the two hottest “undiscovered” Stan Frazier drummers around. Yeah, that’s sweet. of Sugar Ray by T. Bruce Wittet Alex Solca Playback 120 Tommy Sickles Aerosmith’s Of Nothingface 130 Joey Kramer Every now and then, a drum roadie seizes that once-in-a-lifetime Everything old is new again, at least on opportunity of replacing the drummer he schleps for.
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