Bibliographie
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Bodies Without Borders: Body Horror As Political Resistance in Classical
Bodies without Borders: Body Horror as Political Resistance in Classical Hollywood Cinema By Kevin Chabot A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario ©2013 Kevin Chabot Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94622-0 Our file Notre reference ISBN: 978-0-494-94622-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Productions in Ontario 2006
2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Breaking Open the Sexual Harassment Scandal
Nxxx,2017-10-06,A,018,Cs-4C,E1 , OCTOBER 6, 2017 FRIDAY NATIONAL K THE NEW YORK TIMES 2017 IMPACT AWARD C M Y N A18 Claims of Sexual Harassment Trail a Hollywood Mogul From Page A1 clined to comment on any of the settle- ments, including providing information about who paid them. But Mr. Weinstein said that in addressing employee con- cerns about workplace issues, “my motto is to keep the peace.” Ms. Bloom, who has been advising Mr. Weinstein over the last year on gender and power dynamics, called him “an old dinosaur learning new ways.” She said she had “explained to him that due to the power difference between a major studio head like him and most others in the in- dustry, whatever his motives, some of his words and behaviors can be perceived as Breaking Open the Sexual inappropriate, even intimidating.” Though Ms. O’Connor had been writ- ing only about a two-year period, her BY memo echoed other women’s com- plaints. Mr. Weinstein required her to have casting discussions with aspiring CHRISTOPHER actresses after they had private appoint- ments in his hotel room, she said, her de- scription matching those of other former PALMERI employees. She suspected that she and other female Weinstein employees, she wrote, were being used to facilitate li- Late Edition Harassment Scandal aisons with “vulnerable women who Today, clouds and sunshine, warm, hope he will get them work.” high 78. Tonight, mostly cloudy, The allegations piled up even as Mr. mild, low 66. Tomorrow, times of Weinstein helped define popular culture. -
CELEBRATING WOMEN's VOICES a FILM FESTIVAL for the FEMALE MAJORITY FESTIVAL GUIDE 51Fest.Org & @51Fest JULY 18–21 @
A FILM FESTIVAL FOR THE FEMALE MAJORITY CELEBRATING WOMEN’s VOICES JULY 18–21 @ IFC CENTER & SVA THEATRE FESTIVAL GUIDE 51fest.org & @51fest POWERHOUSE ContentS & Guests LINEUP Staff 2 MAYOR’s & COMMISSIONER’S LETTERS 3 Welcome 5 Sponsors 6 Special Events & Premieres 7 Schedule, Tickets & Venues 21 GUESTS AND MODERATORS, IN ORDER OF APPEARANCE Kathy Griffin: A Hell of a Story After the Wedding Kathy Griffin, Actor & Comedian Julianne Moore, Producer & Actor THE WALKING DOCTOR KILLING BARONESS VON Moderator Tina Brown Moderator Tina Brown DEAD WHO EVE SKETCH SHOW Women in the World Spotlight: Supermajority For Sama AMC BBC AMERICA BBC AMERICA IFC Cecile Richards, Supermajority Co-founder Waad al-Kateab, Director Ai-jen Poo, Supermajority Co-founder Edward Watts, Director Yoruba Richen, Filmmaker of And She Could Be Next Dr. Hamza al-Kateab, Subject Moderator Tina Brown Moderator Anne Barnard, former New York Times Beirut Bureau Chief Unbelievable Susannah Grant, Showrunner & Executive Producer Otherhood Sarah Timberman, Executive Producer Cindy Chupack, Director Lisa Cholodenko, Executive Producer & Episode Director Cathy Schulman, Producer Kaitlyn Dever, Actor Jason Michael Berman, Producer Danielle Macdonald, Actor Moderator Mario Cantone, Actor & Comedian Merritt Wever, Actor A Girl from Mogadishu Raise Hell: The Life & Times of Molly Ivins Mary McGuckian, Writer & Director Janice Engel, Director Ifrah Ahmed, Real-life Subject Moderator Rachel Dry, Deputy Politics Editor Barkhad Abdi, Actor for Enterprise at The New York Times Moderator -
The MTV Generation: 1980S Fashion
The MTV Generation: 1980s Fashion Nicole Chichilitti Keywords: 1980s fashion / American Style / Madonna / MTV / music videos / Olivia Newton John Abstract This is the story about Monica LaSalle’s style journey through the 1980s. The fashion and trends of the decades made a significant mark on American popular culture as well as the fashion industry as a whole. Using interviews with Monica, as well as popular culture media such as music video and television shows, this essay will analyze whether or not Monica was on trend at the right time. In particular, I will focus heavily on the introduction of the Music Television channel (MTV) and the effect that its music videos by featured artists, Madonna and Olivia Newton, had on Monica’s sense of style. The Birth of MTV On Saturday, August 1, 1981, the youth of America eagerly waited in front of blank television sets for history to be made. At 12:01 a.m., images of the launch countdown for the spaceship Colombia and the launch of Apollo 11 flashed across the screen as a voice, very matter-of-fact, read: “Ladies and gentlemen, rock and roll.” It was the birth of MTV. The first music video featured was appropriately titled “Video Killed the Radio Star” by The Buggles. This marked the beginning of a 24-hour loop of music videos, where enthusiasts young and old could tune in to catch their favorite musicians in action. MTV’s target audience was teenagers, specifically from the twelve to nineteen age range. The channel dubbed these viewers the “MTV generation” (Greenberg 153). -
12Th National A&E Journalism Awards
Ben Mankiewicz Tarana Burke Danny Trejo Quentin Tarantino The Luminary The Impact Award The Visionary The Distinguished Award Award Storyteller Award 2019 TWELFTH ANNUAL Ann-Margret The Legend Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB 12TH ANNUAL National Arts & Entertainment Journalism Awards A Letter From the Press Club President Good evening and welcome to the 12th annual National Arts & Entertain- ment Journalism Awards. Think about how much the entertainment industry has changed since the Press Club introduced these awards in 2008. Arnold Schwarzenegger was our governor, not a Terminator. Netflix sent you DVDs in the mail. The iPhone was one year old. Fast forward to today and the explosion of technology and content that is changing our lives and keeping journalists busy across the globe. Entertainment journalism has changed as well, with all of us taking a much harder look at how societal issues influence Hollywood, from workplace equality and diversity to coverage of political events, the impact of social media and U.S.-China rela- tions. Your Press Club has thrived amid all this. Participation is way up, with more Chris Palmeri than 600 dues-paying members. The National Arts & Entertainment Journalism Awards have grown and changed as well. Tonight we’re in a ballroom in the Millennium Biltmore Hotel, but in 2008 the awards took place in the Steve Allen Theater, the Press Club’s old home in East Hollywood. That building has since been torn down. Our first event in 2008 featured a cocktail party with no host and only 111 entries in the competition. -
Unravelling Family Fictions: Stories We Tell, Daughter Rite and My Life Without Me Lizzie Thynne
Unravelling Family Fictions: Stories We Tell, Daughter Rite and My Life Without Me Lizzie Thynne In this chapter, I compare Stories We Tell (2012) a recent documentary by Canadian actor and director, Sarah Polley and the feminist classic Daughter Rite (Michelle Citron,1979) to explore the ways in which it has become possible to reimagine the mother in women’s cinema and specifically to represent her desire. Both films use a reflexive approach to home movies to highlight the stories which these movies conceal. Citron uses her father’s super 8 footage, slowed down and manipulated, to highlight performances for the camera and the daughters’ formation within the family. Polley, in her more overtly autobiographical film, shifts the focus onto the mother’s desire, which is traditionally absent from moving image archives of family life, through the inclusion of ‘fake’ home movies. Stories We Tell redresses the marginalization of the mother in the earlier film by attempting to both represent her desire – through the enacted home movies which reveal her mother, Diane Polley’s extra-marital affair – and perform it in the making of the film by putting her dead mother’s wishes and ambitions for her family into motion. The mother’s legacy is imagined and enacted not as a repressive but as inspiring and enabling the creative potential of those she has left behind. This concern with the idea of a maternal legacy echoes the theme of a previous film in which Polley took the leading role, My Life Without Me (Isabel Coixet, 2003) which I discuss in the final section of this chapter, which provides a radical re-working of the maternal melodrama. -
CASA Continuing Education Approved Movie List
Movie List for CASA Continuing Education with Optima Categories [Rev. 8/2020] 13 Reasons Why [Optima: Mental Health Issues] [Stars: Dylan Minnette, Katherine Langford, Christian Navarro][ TV Series 49 episodes and counting] Follows teenager Clay Jensen, in his quest to uncover the story behind his classmate and crush, Hannah, and her decision to end her life. [from a Literary Novel see Reading List] A Girl Like Her [Optima: Communicating with Children and Families, Education, Mental Health Issues] [Stars: Lexi Ainsworth, Hunter King, Jimmy Bennett] [1 hr 31 min] Jessica Burns enlists the help of her best friend, Brian, in order to document the relentless harassment she has received from her former friend, Avery Keller, one of South Brookdale High School's most popular students. A Million Little Pieces [Optima: Substance Abuse] [Stars: Aaron Taylor-Johnson, Billy Bob Thornton, Odessa Young] [1 hr 53 minutes] A drug dependent young man faces his past and his inner demons after he is interned in an institution for addicted. An American Crime [Optima: Child Abuse and Neglect] [Stars: Ellen Page, Hayley McFarland, Nick Searcy] [Run time: 1 hr 38 minutes] The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s. Antwone Fisher [Optima: Administration of the System, Child Abuse and Neglect, Cultural Competency, Independent Living and Emancipation] [2hr] Antwone Fisher, a young navy man, is forced to see a psychiatrist after a violent outburst against a fellow crewman. During the course of treatment a painful past is revealed and a new hope begins. -
Hearing Corporeal Memories in Cameraperson and Stories We Tell
Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Alper Gobel, B.A. Graduate Program in Film Studies The Ohio State University 2019 Master’s Examination Committee: Margaret Flinn, Advisor Erica Levin Sean O’Sullivan Copyrighted by Alper Gobel 2019 Abstract This thesis focuses on two documentaries: Kirsten Johnson’s Cameraperson (2016) and Sarah Polley’s Stories We Tell (2012). By proposing the term affective listening, it foregrounds affective engagement with the voice of documentary. The thesis argues that listening to the materiality of voice(s) is inextricably bound up with embodied experiences of social subjects. Affective listening creates an auditory experience, establishing a direct link between worldly experiences of documentary subjects and corporeal memories. In both documentaries, listening to multiple voices requires attention to bodily expressions and sensations. The emphasis on corporeal expressions incorporates a multiplicity of affect conveyed through vocal conventions of documentary such as the voice-over and the interview. Consistent with the two documentaries, affective listening emphasizes a multiplicity of affect, a multiplicity that is ingrained corporeal memories. ii Dedication Dedicated to my mother, Sevim Sahin iii Vita 2013 (May).....................................................B.A. Radio, Television, and Film, Ankara University,