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SEE the Berkshire Jewish Voice
Non-Profit Org. U.S. POSTAGE PAID Pittsfield, MA Berkshire Permit No. 19 JEWISHA publication of the Jewish Federation of the Berkshires, serving V the Berkshires and surrounding ICE NY, CT and VT Vol. 26, No. 5 Sivan/Tammuz 5778 May 29 to July 1, 2018 jewishberkshires.org A Strong Federation is Key to a Dive Into Summer Strong Jewish Community A particularly rich season of Jewish-themed arts The Berkshires is Home and cultural programming ahead Berkshire snowbirds are notorious culture vultures, and as summer and summer people return, so does the complete array of world class arts programming that is this region’s hallmark. Dive into this issue of the BJV, in which we preview upcoming Jewish-themed arts and educational events – books, films, scholars, theater, music, and dance. Above, dancers with Israel’s Batsheva – The Young Ensemble, which will perform “Naharin’s Virus” from July 4 through July 8 at Jacob’s Pillow Dance Bernie and Elaine Roberts, our Major Donors Celebration co-chairs Festival in Becket. For more on what to expect from Batsheva, please see page 28. PITTSFIELD – The Jewish Federation Inside of the Berkshires will host its annual Extend a Hand of Companionship ...........2 Major Donors Celebration on Sunday, July 15 at 9:30 a.m. at the Country Martin Bookspan on his pal, Rabbi Josh – A Farewell Blessing ...........3 Club of Pittsfield, an event that year Your Federation Presents .....................4-11 after year has demonstrated the tre- “Lenny” mendous impact major donors have on Local News .....................................12-14, 18 building and sustaining Jewish life in A “Behind the Scenes” reminiscence of a Annual Campaign in Full Swing .............15 the region. -
MDLD Programme 18 19.Pdf
SOMMAIRE M 16 Compagnie Wang Ramirez 40-41 D 9 S 2 Deborah Colker V 29 Le Retour d’Ulysse 84-85 L 27 Patrice Thibaud CALENDRIER M 17 Compagnie Wang Ramirez L 10 D 3 S 30 Le Retour d’Ulysse M 28 Patrice Thibaud PAGES J 18 Compagnie Wang Ramirez M 11 José Montalvo 54-55 L 4 D 31 Le Retour d’Ulysse M 29 FUGUE VR, RÉALITÉ MIXTE 28 V 19 Compagnie Wang Ramirez M 12 José Montalvo M 5 AVRIL J 30 Du 13 au 23 sept. S 20 Compagnie Wang Ramirez J 13 José Montalvo M 6 L 1 V 31 Dans le cadre de la Biennale de la danse 2018 D 21 V 14 José Montalvo J 7 M 2 Le Retour d’Ulysse JUIN SEPTEMBRE L 22 Compagnie Wang Ramirez S 15 José Montalvo V 8 Cía Nacional de Danza 68-69 M 3 Le Retour d’Ulysse S 1 L 10 M 23 Compagnie Wang Ramirez D 16 S 9 Cía Nacional de Danza J 4 Le Retour d’Ulysse D 2 M 11 M 24 L 17 D 10 Cía Nacional de Danza V 5 L 3 M 12 J 25 M 18 Thierry Malandain 56-57 L 11 Cía Nacional de Danza S 6 M 4 Galactik Ensemble 92-93 V 26 M 19 Thierry Malandain M 12 Cía Nacional de Danza D 7 M 5 Galactik Ensemble J 13 S 27 Cabaret Citoyen 8 J 20 Thierry Malandain M 13 Cía Nacional de Danza L 8 CCN - Ballet de Lorraine 86-87 J 6 Galactik Ensemble V 14 Mourad Merzouki D 28 Cabaret Citoyen V 21 Thierry Malandain J 14 M 9 CCN - Ballet de Lorraine V 7 Galactik Ensemble Mourad Merzouki L 29 S 22 Thierry Malandain V 15 M 10 S 8 S 15 Journées européennes du patrimoine M 30 D 23 S 16 J 11 D 9 Défilé pour la paix M 31 L 24 D 17 V 12 L 10 D 16 Journées européennes du patrimoine NOVEMBRE M 25 L 18 S 13 M 11 Compagnie Arcosm 94-95 L 17 J 1 M 26 M 19 D 14 M 12 Compagnie -
Class of 1968 50Th Reunion
CLASS OF 1968 50TH REUNION BENNINGTON COLLEGE Class of 1968 Alix Abrons Steven Bush Laura Furman Sandra Adams Leontina Calabro* Ann Garvin Sharon Zync Alper Sharon Cameron Judith Gerson Barbara Lazear Ascher Beth P. Cavanaugh Peggy Kohn Glass Marjorie E. Baron* Cheryl Hauselmann Cherney Martha Armstrong Gray Jane B. Becker Diane Clemmons* Jennifer Wherry Griffin Andrea Behr* Karen Manulis Cohen Ana Nancy Waybur Hale Harriet Beinfield Molly Coye Rhoda Holtzman Halperin* Leslie V. Berg Cornelia Carlton Crocker Daryl Hartshorne Karen Michaels Berg* Kathleen Driscoll Emily Stonington Hibbard Harriet E. Bing Anna Renfield Dubow Erica Fratkin Hiersteiner Marjorie McRae Black Patricia Woodbridge Dunn John K. Hoffman Susan Jehle Johnson Blake Andrea Dworkin* Maria E. Huffman Julia Agee Bollinger* Re’u ben James Christman Edinger Liz Dicker Ingersoll Pamela Bostelmann Carolyn Minick Emanuel Susan Hannon Italia Barbara Kaufman Bouldin Elizabeth Enlund Marsha Kadesch* Tommie Ann Braun Bower Karron C. Esmonde Wendy Summit Kaiser Ann S. Bradburd Susan Evers Ernest T. Kirby* Debbie Brown Lisa Faithorn Lydia Allen Kitfield Ellen Shaw Clark Brown Nancy Finnegan Farnham Reiko Sunami Kopelson Gillian Cockburn Burch Barbara Fisher Cathie Korey Penelope Priest Burkitt Cheryl Sorli Fouche Claudia E. Lapp Patricia Burrows Alana Martin Frumkes Leslie Sliker LaRocca 3 CLASS OF 1968 Carol Levin Alexa Davis Parker Lynn Jones Stinnette Paula Ann Levine Barbara Pepe Gale Thompson Synnott Doris Levine* Phoebe Pettingell Marie McKenney Tavernini Lynne Lewis Ruth Ann -
Batsheva - the Young Ensemble Brings Inimitable Gaga Movement to Jacob’S Pillow Dance Festival, July 4–8
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] BATSHEVA - THE YOUNG ENSEMBLE BRINGS INIMITABLE GAGA MOVEMENT TO JACOB’S PILLOW DANCE FESTIVAL, JULY 4–8 June 27, 2018 (Becket, MA) Batsheva - The Young Ensemble performs the Bessie Award-winning Naharin’s Virus in the Ted Shawn Theatre at Jacob’s Pillow Dance Festival, July 4–8. The work showcases the “superhumanly spry” (The New York Times) abilities of the Israel-based contemporary dance company, a second branch of Batsheva Dance Company. Batsheva and The Young Ensemble have gained international recognition for their use of the innovative movement research Gaga, developed by Artistic Director Ohad Naharin. With Gaga as their primary tool, The Young Ensemble lets go of the constraints of their technical training and unleashes the “free, exhilarating range of their movement” (The Guardian). “It is an absolute honor to welcome Ohad Naharin and Batsheva’s Young Ensemble to the Pillow for an immersive week, particularly in Ohad’s final months as Artistic Director. We invite audiences to see a performance, observe dancers in The School at Jacob’s Pillow, and attend a PillowTalk with Ohad, to engage with the movement research of Gaga from the source. It’s really a once in a lifetime opportunity,” says Jacob’s Pillow Director Pamela Tatge. The Young Ensemble’s performances coincide with the two-week Professional Advancement program, Gaga: The Movement Language of Ohad Naharin, offered by The School at Jacob’s Pillow. -
"Who's Right? Whose Rite? American, German Or Israeli Views of Dance" by Judith Brin Ingber
Title in Hebrew: "Nikuudot mabat amerikiyot, germaniyot ve-yisraliot al ma<h>ol: masa aishi be'ekvot ha-hetpat<h>ot ha-ma<h>olha-moderni ve-haammami be-yisrael" m --- eds. Henia Rottenbergand Dina Roginsky, Dance Discourse in Israel, published by Resling, Tel Aviv, Israel in200J "Who's Right? Whose Rite? American, German or Israeli Views of Dance" By Judith Brin Ingber The crux of dance writing, history, criticism, research, teaching and performance of course is the dance itself. Unwittingly I became involved in all of these many facetsof dance when I came from the US forfive months and stayed in Israel forfive years (1972-77). None of these facetswere clear cut and the diamond I thought I treasured and knew how to look at and teach had far more complexity, influences with boundaries blending differently than I had thought. Besides, what I had been taught as to how modem dance developed or what were differencesbetween types of dance had different bearings in this new country. My essay will synthesize dance informationand personal experiences including comments on Jewish identity while reporting on the ascension of modem dance and folkdance in Israel. It was only later as I began researching and writing about theatre dance and its development in Israel, that I came to realize as important were the living dance traditions in Jewish eydot (communities) and the relatively recent history of the creation of new Israeli folkdances. I came to see dance styles and personalities interacting in a much more profoundand influential way than I had ever expected. I was a studio trained ballet dancer, my teachers Ballets Russes alums Anna Adrianova and Lorand Andahazy; added to that, I studied modem dance at SarahLawrence College in New York. -
LE MONDE/PAGES<UNE>
www.lemonde.fr 58 ANNÉE – Nº 17850 – 1,20 ¤ – FRANCE MÉTROPOLITAINE --- DIMANCHE 16 - LUNDI 17 JUIN 2002 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI 0123 ARGENT Ce que Chirac va faire de sa victoire Les atouts de l’épargne salariale L’UMP devrait obtenir la majorité absolue des députés. L’agenda et les priorités du deuxième gouvernement Raffarin Gouvernement. A l’issue du f « Le Monde » ATTENTAT DE KARACHI second tour des législatives, l’Union pour la majorité présidentielle donne le calendrier Un nouveau « djihad » devrait obtenir la majorité absolue à du nouveau pouvoir contre l’Amérique p. 3 l’Assemblée nationale. Reconduit à Matignon, Jean-Pierre Raffarin fera ITALIE sa déclaration de politique générale f Remaniement : au Parlement le 2 ou le 3 juillet. Padre Pio, saint Dans son deuxième gouvernement, quelques nouvelles p. 4 de nouvelles personnalités ? Les têtes et un départ moderne, canonisé noms cités : Philippe Douste-Blazy, Jacques Barrot, Hubert Falco, Pierre f Bédier ou Pierre-André Wiltzer. Mis Difficultés : les en examen dans un dossier de finan- promesses fiscales et cement politique, Renaud Don- nedieu de Vabres sera sans doute la dégradation des remplacé au ministère délégué aux finances publiques affaires européennes par Patrick / Devedjian. Les salaires des ministres probablement augmentés. p. 6 f Sécurité : police et Dossiers. La dégradation des finan- justice au Parlement SÉCURITÉ ces publiques rend difficile la mise dès juillet en œuvre des promesses électorales. Les flashballs sont-ils Fin juin, l’audit ferait apparaître un Sécurité. Les lois-programmes sur la Législatives. Nos reportages à Tou- Privatisation. Selon nos informa- f dangereux ? p. -
12-02-17 CV Gilles De Robien EN
1 GILLES DE ROBIEN AMBASSADOR AND FORMER M INISTER FRENCH GOVERNMENT DELEGATE TO THE ILO GOVERNING BODY SINCE 2007 P RESIDENT OF THE I NTERNATIONAL L ABOUR C ONFERENCE IN 2 01 0 C OORDINATOR OF THE SOCIAL DIMENSION FOR THE G 2 0 IN 2 0 1 1 Social dialogue: a passionate commitment throughout a lifetime of experience BUSINESS / PROFESSIONAL ASSOCIATIONS POLITICS / DIPLOMACY — A profession First as an employee, then as a company director, GILLES DE ROBIEN worked in the private sector for 25 years (insurance and finance). — A dedicated commitment GILLES DE ROBIEN has chaired professional organizations at the local level. He was a national officer of the Chambers of Liberal Professions and of the National Insurers Federation . — An active parliamentarian GILLES DE ROBIEN entered political life in 1986: Member of Parliament, 1986-2002; Vice-President of the French National Assembly ; President of a parliamentary group of 215 Deputies ; named "Parliamentarian of the Year”, 1996 . Architect of several laws, including the one known as the “ Robien Law ”, much appreciated by employers and employees alike. This law facilitated company agreements on working hours and the creation of jobs on an “ EVERYBODY WINS ” basis . — Mayor and President of an Urban District GILLES DE ROBIEN ran a city of 136,000 inhabitants – AMIENS – for 19 years and created an Urban District Community of 180,000 inhabitants, with a budget of €500 million and a staff of 3,000. He was known for his rigorous, economical management which respected public money, and was named best mayoral manager in France by “Challenge” magazine in 2008. -
Assemblée Nationale Débats Parlementaires Journal Officiel De La
o Année 2003. – N 22 [2] A.N. (C.R.) ISSN 0242-6765 − CPPAP 0503 B 05115 Mercredi 12 mars 2003 ASSEMBLÉE NATIONALEDÉBATS PARLEMENTAIRES JOURNAL OFFICIEL DE LA RÉPUBLIQUE FRANÇAISE CONSTITUTION DU 4 OCTOBRE 1958 12e Législature SESSION ORDINAIRE DE 2002-2003 160e séance COMPTE RENDU INTÉGRAL 2e séance du mardi 11 mars 2003 48 . 1874 ASSEMBLÉE NATIONALE – 2e SÉANCE DU 11 MARS 2003 SOMMAIRE PRÉSIDENCE DE M. JEAN-LOUIS DEBRÉ POLITIQUE DE LA RECHERCHE (p. 1882) M. Philippe Vitel, Mme Claudie Haigneré, ministre délé- 1. Décès d’un député (p. 1875). guée à la recherche et aux nouvelles technologies. M. le président. PRÉVENTION DE LA TOXICOMANIE 2. Questions au Gouvernement (p. 1875). DANS LES ÉTABLISSEMENTS SCOLAIRES (p. 1883) AVENIR DES SALARIÉS DE METALEUROP (p. 1875) MM. Jean-Paul Garraud, Xavier Darcos, ministre délégué à MM. Albert Facon, François Fillon, ministre des affaires l’enseignement scolaire. sociales, du travail et de la solidarité. Suspension et reprise de la séance (p. 1884) RÔLE DES NATIONS UNIES (p. 1875) MM. François Bayrou, Jean-Pierre Raffarin, Premier PRÉSIDENCE DE M. RUDY SALLES ministre. PRÉVENTION DES EXPULSIONS (p. 1876) 3. Remplacement d’un député décédé (p. 1884). Mme Janine Jambu, M. Gilles de Robien, ministre de l’équipement, des transports, du logement, du tourisme et 4. Entreprises de transport aérien. − Discussion d’un projet de la mer. de loi adopté par le Sénat (p. 1884). IRAK (p. 1877) M. Charles de Courson, rapporteur de la commission des MM. Jacques Barrot, Jean-Pierre Raffarin, Premier ministre. finances. INFRASTRUCTURES DE TRANSPORT (p. 1878) M. Jean-Pierre Gorges, rapporteur pour avis de la commis- MM. -
A Study on the Gender Imbalance Among Professional Choreographers Working in the Fields of Classical Ballet and Contemporary Dance
Where are the female choreographers? A study on the gender imbalance among professional choreographers working in the fields of classical ballet and contemporary dance. Jessica Teague August 2016 This Dissertation is submitted to City University as part of the requirements for the award of MA Culture, Policy and Management 1 Abstract The dissertation investigates the lack of women working as professional choreographers in both the UK and the wider international dance sector. Although dance as an art form within western cultures is often perceived as ‘the art of women,’ it is predominately men who are conceptualising the works and choreographing the movement. This study focuses on understanding the phenomenon that leads female choreographers to be less likely to produce works for leading dance companies and venues than their male counterparts. The research investigates the current scope of the gender imbalance in the professional choreographic field, the reasons for the imbalance and provides theories as to why the imbalance is more pronounced in the classical ballet sector compared to the contemporary dance field. The research draws together experiences and statistical evidence from two significant branches of the artistic process; the choreographers involved in creating dance and the Gatekeepers and organisations that commission them. Key issues surrounding the problem are identified and assessed through qualitative data drawn from interviews with nine professional female choreographers. A statistical analysis of the repertoire choices of 32 leading international dance companies quantifies and compares the severity of the gender imbalance at the highest professional level. The data indicates that the scope of the phenomenon affects not only the UK but also the majority of the Western world. -
Audition De M. Gilles De Robien, Ministre De L'équipement
1 COMMISSION D’ENQUÊTE SUR LE CONTRÔLE, LA RÉGULATION ET L'ÉVOLUTION DES CONCESSIONS AUTOROUTIÈRES Mercredi 11 mars 2020 - Présidence de M. Éric Jeansannetas, président - La réunion est ouverte à 15 h 45. Audition de M. Gilles de Robien, Ministre de l’Équipement, des Transports, du Logement, du Tourisme et de la Mer de 2002 à 2005 M. Éric Jeansannetas, président. – Mes chers collègues, nous poursuivons nos auditions en entendant M. Gilles de Robien, ministre de l’Équipement, des Transports, du Logement, du Tourisme et de la Mer de 2002 à 2005, au moment de la privatisation des autoroutes. Cette audition est diffusée en direct sur le site internet du Sénat. Elle fera l’objet d’un compte rendu publié. Monsieur le ministre, je vous remercie de vous être rendu à notre convocation. Après vous avoir rappelé qu’un faux témoignage devant notre commission d’enquête est passible des peines prévues aux articles 434-13, 434-14 et 434-15 du code pénal, je vous invite à prêter serment de dire toute la vérité, rien que la vérité, levez la main droite et dites : « Je le jure. » Conformément à la procédure applicable aux commissions d'enquête, M. Gilles de Robien prête serment. M. Vincent Delahaye, rapporteur. – Avec vous, monsieur le ministre, nous allons forcément aborder l'aspect historique. En effet, nos travaux ont à la fois pour objet de 2 clarifier le passé en répondant à toutes les questions que l'on peut encore se poser à son sujet et, en même temps, de mener un travail plus prospectif pour aider les futurs décideurs à envisager la suite qui devra être donnée à ces concessions. -
Batsheva De Rothschild: Using Big Money for Modern Dance
Batsheva de Rothschild - Using Big Money for Modern Dance Giora Manor Hebrew name (Batsheva in the original Hebrew version( was the During the last year of his life Giora Manor worked on a name of one of King David’s wives. She became his wife after book about people who did not dance themselves but he observed her bathing naked one day on a roof close to his influenced dance in the 20th century. We were close palace. Her unfortunate husband was the general Uriah, one of friends. He was my dance critic during my dancing days the commanders of King David’s army. Coveting his young wife, and later my colleague in founding and editing the dance King David sent Uriah to war, so that the officer would be killed in magazine "Dance in Israel". Before his death he talked to battle and the king could than marry his beautiful young widow. me enthusiastically about his forthcoming book. He died Undoubtedly not a very nice story. before he could finish the book. I am happy to publish the chapter about Batsheva de Rothschild. The chapter is Bethsabee grew up and want to study biology at the Sorbonne. published as it was written. Ruth Eshel She obtained a degree, but her heart belonged to the visual arts, especially to artistic dance. Hitler’s conquest of France in 1940 made necessary the Rothschilds’ last-minute flight and brought he Rothschilds are an old and venerable Jewish family of Batsheva to New York. There she enrolled as a private student at Tbankers who began building their empire from their home the studio of Martha Graham in the early 1940s. -
18 Merge # 18 M E R
Merge Merge #18 2006 ISSN 1402-6570 EAN 977140265760412 Shelve until SOLD OUT. Merge SEK 70 GBP £5 Eur ¤8 US $9 #18 SEK 98 GBP Shelve until SOLD OUT. EAN 977140265760412 £7 Merge #18 2007 ISSN 1402-6570 Eur ¤ 9 US $10 # 18 In the great DIY tradition, this is where you pick up your scissors to create your own CD cover. !#ASDFQWQWQWWEQEQERIUOIHMNB Merge 18 9 TRACK CD CD CONTENT 1 Tape Sand Dunes www.hapna.com 2 Existensminimum From me to you www.novoton.com 3 alva noto haliod xerrox copy 111 (iner) www.carstennicolai.de 4 Bichi Layers of generation without number. www.hobbyind.com 5 Sci-Fi SKANE Hyresgesten www.scifiskane.com 6 Jean-Louis Huhta www.slottet.eu 7 Johan Skugge Drop Lfo www.mitek-web.net 8 A.Karperyd Just like you remember it www.karperyd.com 9 Leif Elggren Hiv www.fireworkeditionrecords.com TRACK 3: From the forthcoming release alva noto - xerrox vol. 1 (r-n 78 © 2007 by raster-noton) TRACK 6: In August 2004 I was playing with the Per Jonsson Dance Company in Copenhagen, performing his last choreograhy “Rivers of Mercury”. I stayed in an apartment in Christiania, and in my free time I would go and skate the Wonderland bowl that was there. One day I saw a poster on the wall. It said “Face down in shit – sludge music from U.S.A”, there were medical drawings of severed arms and legs, I had to check this out. Went there and they fuckin tore shit up!!! This piece was recorded the next day, after that gig.