Resource Guide

Total Page:16

File Type:pdf, Size:1020Kb

Resource Guide Resource Guide ART AN EXPLORATION OF ILLNESS AND WELLNESS IN ART Chandler High School - Chandler, AZ 2019–2020 IN SICKNESS AND IN HEALTH: An Exploration of Illness and Wellness The vision of the United States Academic Decathlon® is to provide students the opportunity to excel academically through team competition. Toll Free: 866-511-USAD (8723) • Direct: 712-326-9589 • Fax: 651-389-9144 • Email: [email protected] • Website: www.usad.org This material may not be reproduced or transmitted, in whole or in part, by any means, including but not limited to photocopy, print, electronic, or internet display (public or private sites) or downloading, without prior written permission from USAD. Violators may be prosecuted. Copyright ® 2019 by United States Academic Decathlon®. All rights reserved. Table of Contents INTRODUCTION . .5 Brief Overview of Nonwestern Art ......32 Asian Art . 33 SECTION I: Chinese Art ...............................33 ART FUNDAMENTALS . .6 Indian Art ................................34 Introduction to Art History . .6 Japanese Art . 34 African and Oceanic Art . 34 Methods and Inquiries of Art History . 6 Islamic Art . .37 The Nature of Art Historical Inquiry . 7 The Americas . .37 Sources, Documents, and the Work of Art Historians .................................7 Elements of Art . .37 The Development of Art History . 8 Formal Qualities of Art . .37 Brief Overview of the Art of the Western Line . 37 World . .8 Shape and Form............................38 Perspective................................38 Ancient Civilizations . 9 Color ....................................39 Art of the Old Stone Age......................9 Texture ...................................40 Art of the Middle Stone Age..................10 Composition . 41 Art of the New Stone Age ....................10 Ancient Mesopotamian Art...................11 Processes and Techniques . .42 Persian Art................................12 Ancient Egyptian Art . 12 Drawing . .42 Nubian Art................................13 Printmaking . .43 Greek and Roman Art . 13 Painting . 44 Chandler High School - Chandler, AZ Cycladic, Minoan, and Mycenaean Art . 13 Photography . 45 Ancient Greek Art..........................14 Sculpture . 46 Etruscan Art . 15 Mixed Media . 47 Roman Art................................15 Byzantine and Medieval Art . 16 Performance . 47 The Renaissance in Southern Europe . 17 Craft and Folk Art . .47 The Renaissance in Northern Europe . .21 Architecture . .48 Baroque Art . .22 Section I Summary . 49 Rococo, Neoclassicism, and Romanticism . 25 Realism and Impressionism . .26 Post-Impressionism and Other Late SECTION II: ART AND THE Nineteenth-Century Developments . 27 PLAGUE . .51 The Emergence of Modernism . 28 Abstraction . 30 Representing the Bubonic Plague in Early Pop Art, Minimalism, and Photorealism . .31 Modern Europe . .51 Earthworks, Installations, and Performance . .31 2019–2020 Art Resource Guide • (Updated July 30, 2019) 2 Selected Work: Pieter Bruegel the Section III Summary . .82 Elder, The Triumph of Death, c.1562 ..52 Selected Work: Josse Lieferinxe, SECTION IV: WOMEN, SICKNESS, St. Sebastian Interceding for the AND PORTRAITURE . .85 Plague Stricken, 1497–99 ............55 The Ideal and the Real Female Body as a Subject in Nineteenth- and Twentieth- The AIDS Crisis and Contemporary Century Art . .85 Art . .58 Selected Work: James Abbott McNeill Selected Work: Keith Haring, Whistler, Maud Reading in Bed, Altarpiece, 1990/1996, Cathedral of 1883–84 . .86 Saint John the Divine...............60 Selected Work: Frida Kahlo, Without Selected Work: David Wojnarowicz, Hope (Sin Esperanza), 1945 ...........90 Untitled (Falling Buffalos), 1988–89 . .62 Section IV Summary .................92 Section II Summary ................. 64 SECTION V: NEURASTHENIA AND VITALITY IN TURN OF THE SECTION III: THE RISE OF CENTURY ART...................94 MODERN MEDICINE . .66 Neurasthenia and the New Woman in The Professionalization of Medical Practice American Art at the Turn of the Twentieth from the Renaissance through the Twentieth Century . .94 Century . .66 Selected Work: Thomas Wilmer Dewing, Selected Work: Filippo Brunelleschi, A Reading, 1897 . .95 Ospedale Degli Innocenti, c.1419, Florence, Italy . .67 Selected Work: John Singer Sargent, Mr. and Mrs. I. N. Phelps Stokes, Chandler High School - Chandler, AZ Selected Work: Rembrandt Van Rijn, 1897 ..............................97 The Anatomy Lesson of Dr. Nicolaes Tulp, 1632 . .69 Selected Work: Francis Picabia, Agnes Meyer, 1915 .................101 Selected Work: Thomas Eakins, Portrait of Dr. Samuel D. Gross (The Section V Summary.................104 Gross Clinic), 1875..................73 Selected Work: Kadir Nelson, Henrietta SECTION VI: ART AND MENTAL Lacks (HeLa): The Mother Of Modern HEALTH . .107 Medicine, 2017 . .76 The Othering of Mental Illness in Art ...107 Selected Work: HOK with Jack Travis, Selected Work: William Hogarth, Harlem Hospital Pavilion Facade, Illustration of Bedlam from A Rake’s 2005–12, New York . .79 Progress, 1735 . .108 2019–2020 Art Resource Guide • (Updated July 30, 2019) 3 Selected Work: Théodore Géricault, CONCLUSION . .120 The Madwoman, 1819–20 . 111 TIMELINE . .121 Representing the Experience of Mental Illness in Art . 113 GLOSSARY......................124 Selected Work: Francisco Goya, The Sleep of Reason Produces Monsters NOTES ..........................126 (El sueño de la razon produce monstruos), 1799 ...................113 BIBLIOGRAPHY . .129 Selected Work: Vincent Van Gogh, The Starry Night, 1889 .............115 Section VI Summary ................118 Chandler High School - Chandler, AZ 2019–2020 Art Resource Guide • (Updated July 30, 2019) 4 Introduction The fascination with sickness and human frailty emphasizes its connections to the local community transcends media, time, and space. It is a subject and African-American history. that can allow artists to express the concerns of the cultural moment or represent experiences that are The fourth and fifth sections of the resource guide not always visible to the naked eye. This resource deal with gender and medicine. Section IV looks guide explores eighteen works produced in Europe, at the use of art to represent the sick female body, North America, and Japan that deal in fundamental whether it be the body of a loved one or the artist’s ways with disease, illness, and health. The historical own self. Section V examines neurasthenia, a range of the artists discussed here stretches from the nineteenth-century nervous disorder thought to be Italian Renaissance to global contemporary art. The caused by modernity. This section contrasts the artworks represented include a hospital, an altarpiece, discourse and imagery surrounding the disease with a photograph, paintings, prints, and an art installation. the rising interest in the New Woman, as expressed in images—both representational and abstract—of The first section of the resource guide describes healthy, dynamic women. the methods of art history and provides a brief overview of the trajectory of Western art, along with a The final section of the resource guide studies discussion of Asian, African, Islamic, and Indigenous mental illness in art and how its representation has American art traditions. There is a discussion of the evolved from the sensationalizing depictions of the basic formal qualities of art and the techniques and infamous Bedlam asylum to more introspective media used to express these elements. and empathetic images born out of artists’ personal experiences. Examining illness as a subject in art The second section of the resource guide investigates provides a window into how our conceptions of how art has responded to the plague and other health disease, treatment, and health are culturally specific Chandler High School - Chandler, AZ crises. This section includes Renaissance paintings and evolve over time. created in response to the Black Death and examines the art world’s response to the AIDS epidemic in the 1980s. NOTE TO STUDENTS: Throughout the resource guide you will notice that some terms have been boldfaced and The third section of the resource guide explores underlined . These terms are included in the glossary of what artworks can tell us about the development terms at the end of the resource guide . Also, students should of modern medicine. This section examines the be aware that dates in art history, especially early dates, architecture of a hospital, surgical scenes from the frequently vary depending on the source and are often highly contested . The dates presented in this resource guide are not seventeenth and nineteenth centuries, a modern-day necessarily definitive, but are those dates provided by the portrait commemorating a once-hidden contributor museums that house the artworks or the sources consulted by to medical science, and a hospital facade that the author in writing this guide . 2019–2020 Art Resource Guide • (Updated July 30, 2019) 5 Section 1 Art Fundamentals INTRODUCTION TO ART sculpture, and architecture, usually produced specifically for appreciation by an audience who HISTORY also understood these objects as works of art. Today Art history is an academic discipline dedicated to the we define art much more broadly, also taking into reconstruction of the social, cultural, and economic consideration objects that in the past were dismissed contexts in which an artwork was created. The basic as “craft”: textiles, pottery, and body art such as goal of this work is to arrive at an understanding of tattoos,
Recommended publications
  • National Visionary Leadership Project 2003
    National Visionary Leadership Project 2003 ACMA staff 2014 Anacostia Community Museum Archives 1901 Fort Place, SE Washington, D.C. 20020 [email protected] http://www.anacostia.si.edu/Collections/ArchiveCollection Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents note................................................................................................ 1 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 3 National Visionary Leadership Project 2003 ACMA.09-005 Collection Overview Repository: Anacostia Community Museum Archives Title: National Visionary Leadership Project 2003 Identifier: ACMA.09-005 Date: June 4, 2003 Creator: National Visionary Leadership Project Extent: 0.25 Linear feet (1 box) 5 Video recordings (5 VHS 1/2" video recordings) Language: English . Administrative Information Acquisition Information Co-founded in 2001 by Camille O. Cosby, Ed.D. and Renee Poussaint, The National Visionary Leadership Project (NVLP), a nonprofit, tax-exempt organization, unites generations to create tomorrow's leaders by recording, preserving, and distributing through various media, the wisdom of extraordinary
    [Show full text]
  • Jones, Lois Mailou
    Howard University Digital Howard @ Howard University Manuscript Division Finding Aids Finding Aids 10-1-2015 JONES, LOIS MAILOU MSRC Staff Follow this and additional works at: https://dh.howard.edu/finaid_manu Recommended Citation Staff, MSRC, "JONES, LOIS MAILOU" (2015). Manuscript Division Finding Aids. 112. https://dh.howard.edu/finaid_manu/112 This Article is brought to you for free and open access by the Finding Aids at Digital Howard @ Howard University. It has been accepted for inclusion in Manuscript Division Finding Aids by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. LOIS MAILOU JONES Collection 215-1 to 215-80 Prepared by: Ida Jones April 2007 MANUSCRIPT DIVISION Scope note The papers of Lois Mailou Jones Pierre-Noèl (1905-1998), visual artist, educator, scholar and mentor cover the time period 1920-1998. Lois Mailou Jones served as a professor of art at the Howard University College of Fine Arts from 1930-1967. The collection includes 18 series: personal papers, family papers, correspondence, financial records, Howard University/teaching materials, writings by LMJ, writings about LMJ, writings by others, Pierre-Noel studios/illustrations, subject files, catalogs/brochures, books, clipping files, photographs, artifacts, audiovisual materials, oversize materials and scrapbooks. These various series contain materials documenting the life of LMJ as artist and the history and evolution of art. There are approximately 80 linear feet of material. The papers were donated by Lois Mailou Jones and deposited at the Moorland-Spingarn Research Center by Dr. Chris Chapman. The bulk of the materials documents the professional life of Lois Mailou Jones in the role of artistic mentor and Howard University faculty member.
    [Show full text]
  • Camille Billops and James V. Hatch Archives at Emory University
    Camille Billops and James V. Hatch archives at Emory University Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Digital Material Available in this Collection Descriptive Summary Title: Camille Billops and James V. Hatch archives at Emory University Call Number: Manuscript Collection No. 927 Extent: 47.25 linear feet (95 boxes), 12 oversized papers boxes and 16 oversized papers folders (OP), 6 extra oversized papers (XOP), AV Masters: 9.25 linear feet (9 boxes and LP1-4), and 10 GB born digital material (231 files) Abstract: The Camille Billops and James Hatch Archives at Emory University consists of a variety of materials relating to African American culture and art. Language: Materials entirely in English. Administrative Information Restrictions on Access Special Restrictions: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library in advance for access to this material. Access to processed born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library (the Rose Library). Use of the original digital media is restricted. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Please note that some of the items in this collection are copies of materials held in other archival repositories. The Library will not provide researchers with copies of those items. Researchers wishing to obtain copies of these materials should contact the repository that owns the originals. Related Materials in Other Repositories Hatch-Billops Oral History at the City College of New York Emory Libraries provides copies of its finding aids for use only in research and private study.
    [Show full text]
  • Harlem Hospital Murals Preserving Art in the Landscape of Modern Medical Facilities Preserving Art in the Landscape of Modern Medical Facilities
    Harlem Hospital Murals Preserving Art in the Landscape of Modern Medical Facilities Preserving Art in the Landscape of Modern Medical Facilities Kim Lovejoy Harlem Hospital Center | www.nyc.gov/html/hhc/harlem EverGreene, Vice President, Director of Restoration Harlem Hospital Center is a 286 bed acute care facility and a designated Level 1 Trauma Center, that provides a wide range Kim Lovejoy has a broad and rich understanding of historic of medical, surgical, diagnostic, therapeutic, and family support preservation having a background as an architectural services to the residents of Central Harlem, West Harlem, historian, preservation planner, and building conservator. Washington Heights and Inwood. It is the largest hospital in Kim, a Professional Associate of the American Institute Central Harlem, capable of treating the most seriously ill. of Conservation, has in-depth technical knowledge of conservation, restoration and maintenance of exterior and interior materials. EverGreene Architectural Arts | www.evergreene.com Gillian Randell EverGreene Architectural Arts is one of the largest specialty EverGreene, Chief Conservator contractors and architectural arts studio in the United States. Established in 1978, our mission and passion is to provide preconstruction and construction services for significant buildings Gillian Randell, a Professional Associate of the American requiring conservation, restoration or new design. We believe Institute of Conservation, specializes in the conservation that the architectural arts enrich both our buildings and our of fine art including murals, painted decoration, wall communities. paintings and mosaics. In addition to directing conservation work in situ, she is responsible for many of EverGreene’s conservation reports, analyses and specifications. HOK | www.hok.com HOK is a global design, architecture, engineering and planning Richard Saravay, AIA firm.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with Georgette Seabrooke Powell
    Biographical Description for The HistoryMakers® Video Oral History with Georgette Seabrooke Powell PERSON Powell, Georgette Seabrooke, 1916- Alternative Names: Georgette Seabrooke Powell; Life Dates: August 2, 1916-December 27, 2011 Place of Birth: Charleston, South Carolina, USA Residence: Palm Coast, FL Occupations: Art Therapist; Painter; Nonprofit Chief Executive Biographical Note Art therapist, non-profit chief executive, and painter Georgette Ernestine Seabrooke Powell was born on August 2, 1916 in Charleston, South Carolina to Anna and George Seabrooke. Powell grew up in the Yorkville neighborhood of New York City. In the Yorkville neighborhood of New York City. In the 1930s, she graduated from Washington Irving High School in New York City. She also studied art at the Harlem Art Workshop and the Harlem Community Art Center. In 1933, Powell began majoring in art at Cooper Union Art School in New York, and during this time she was selected to be a part of the Works Progress Administration (WPA), Federal Arts Project. As an artist through the WPA from 1936-1939 she created murals at Queens General Hospital and Harlem Hospital as well as and did some public art. In 1959, Powell's family moved to Washington, D.C., where she became immersed in Washington's arts society. Studying art therapy in the early 1960s, at the Metropolitan Mental Health Skills Center and the Washington School of Psychiatry, Powell became a registered arts therapist through the American Art Therapy Association. She taught art to promote skill building and self-esteem with mentally ill patients at D.C. General Hospital’s Department of Psychiatry.
    [Show full text]
  • Powell, Georgette S., 1916- Alternative Names: Powell, Georgette Seabrooke, 1916
    Biographical Description for The HistoryMakers® Video Oral History with Georgette Seabrooke Powell PERSON Powell, Georgette S., 1916- Alternative Names: Powell, Georgette Seabrooke, 1916- Life Dates: August 2, 1916- Place of Birth: Charleston, South Carolina Residence: Palm Coast, Florida Occupations: Art Therapist; Nonprofit Chief Executive; Painter Biographical Note Art therapist, non-profit chief executive, and painter Georgette Ernestine Seabrooke Powell was born on August 2, 1916 in Charleston, South Carolina to Anna and George Seabrooke. Powell grew up in the Yorkville neighborhood of New York City. In the 1930s, she graduated from Washington Irving High School in New York City. She also studied art at the Harlem Art Workshop and the Harlem Community Art Center. In 1933, Powell began majoring in art at Cooper Union Art School in New York, and during this time she was selected to be a part of the Works Progress Administration (WPA), Federal Arts Project. As an artist through the WPA from 1936-1939 she created murals at Queens General Hospital and Harlem Hospital as well as and did some public art. In 1959, Powell's family moved to Washington, D.C., where she became immersed in Washington's arts society. Studying art therapy in the early 1960s, at the Metropolitan Mental Health Skills Center and the Washington School of Psychiatry, Powell became a registered arts therapist through the American Art Therapy Association. She taught art to promote skill building and self-esteem with mentally ill patients at D.C. General Hospital’s Department of Psychiatry. In 1973, Powell earned her B.F.A. degree from Howard University.
    [Show full text]
  • Harlem Artists Guild, 321 W 136Th 18 New York Amsterdam News (Office in 1930S), 2293 7Th Ave
    1 harlem’s artistic community in the 1930s Not to know the Negro on the group and historical level is to rob him of his rightful share in the American h e r i t a g e . j. saunders redding, On Being Negro in America (1951) early student years only by dingy areaway entrances to the littered backyard about which the rectangle of tenements had been built. Sometime during 1930 Rosalee Lawrence brought her Half of all the tenants are on relief and pass their days and children, Jacob and his younger siblings William and Ger- nights lolling in the dreary entrances of the 40 apartments aldine, from their foster homes in Philadelphia to live with which house them or sitting in the ten by fifteen foot rooms her at 142 West 143rd Street in New York’s Harlem. Jacob which many of them share with a luckless friend or two. Un- was either twelve years old or thirteen, the age he turned less they are fortunate their single windows face on narrow on September 7, 1930.1 courts or into a neighbor’s kitchen and the smell of cooking Harlem, an area north of Central Park, had originally and the jangle of a dozen radios is always in the air.3 been populated by German Americans, who built elegant brownstone townhouses but then left when African Amer- Harlem, much larger and more densely crowded than icans began to expand into the area in the early twentieth Philadelphia, opened the eyes of the impressionable century.2 By the early 1930s many of the brownstones young Lawrence (Map 1).
    [Show full text]
  • Smithsonian Institution Fiscal Year ... Justification of Estimates Of
    17 SMITHSONIAN INSTITUTION Fiscal Year 1989 Justification of Estimates of Appropriations To the Office of Management and Budget ADMINISTRATIVELY CONFIDENTIAL (Information not to be released until after the President's Budget is submitted to the Congress in January 1988.) September 1987 SMITHSONIAN INSTITUTION FISCAL YEAR 1989 Justification of Estimates of Appropriations To the Office of Management and Budget / /l £ = Q. < o = o It nS £- F a a 3 c^ 2< £ = - o 7 o c = c 5<-> o s o« u <? <m << s-y * S c m c o a llaslsflggg yi " 15 w m F sf "3 5 .2 o v a 2 a 2 O 9> is = £ = cs O so £ o E LO « 3<y] ' O z< Z2 Z z< ZU ZU ZUzu E E £ = E a. in <f> ao 5 Q o — £ — — — -OOOO— » — — : <Jfflooo«x____oc«oo; o o o tn ? = o = a «===: oooo 5s§ 5 c 2(j; o 3 o = 33 <tD <0 <D " o«) m °- c < : cno ® z cc!: eu o I££«a!fi||| »SS||iS2S I- I z (- o z LU cc z LU < O Q z DC o < (A o I 03 5 1 sill si is 11111 is?=.sli|l-s fill" g|lf ills ill Iffl|ll™ -- = = = , , ,'?-a atoccc:c *c o-c: 1j, rv oa a c a z? Ou ^t/1 < tX Ikzo 5£ c : cgE^ c= ; \ -iZOOc/iwuiu \ SMITHSONIAN INSTITUTION FISCAL YEAR 1989 ESTIMATES OF APPROPRIATIONS TABLE OF CONTENTS PAGE ORGANIZATION OF THE SMITHSONIAN INSTITUTION INTRODUCTION 1 FY 1989 BUDGET FORMULATION 2 FY 1989 BUDGET HIGHLIGHTS 8 NONAPPROPRIATED SOURCES OF FUNDING 17 SALARIES AND EXPENSES Uncontrollable Increases 21 Research Office of the Assistant Secretary 31 Smithsonian Astrophysical Observatory 34 Smithsonian Tropical Research Institute 44 Smithsonian Environmental Research Center 52 National Zoological Park 55 Smithsonian Institution
    [Show full text]
  • Board of Directors Meeting Thursday, November 29, 2012 A~G~E~N~D~A
    125 Worth Street ▪ New York, NY ▪ 10013 BOARD OF DIRECTORS MEETING THURSDAY, NOVEMBER 29, 2012 A~G~E~N~D~A Call to Order - 4 pm Dr. Stocker 1. Adoption of Minutes: October 18, 2012 Chairman’s Report Dr. Stocker President’s Report Mr. Aviles >>Action Items<< Corporate 2. RESOLUTION authorizing the President of the New York City Health and Hospitals Corporation to negotiate Mr. Rosen and execute a contract with Public Financial Management, Inc. ("PFM") to provide financial advisory and other business consulting services for an amount not-to-exceed $170,000 per annum for a three year term, with two, one-year renewal options, solely exercisable by the Corporation. (Finance) EEO: / VENDEX: Pending 3. RESOLUTION authorizing the President of the New York City Health and Hospitals Corporation to negotiate Dr. Stocker and execute a sole source contract with Agfa Healthcare Corporation (“Agfa”) for radiology and imaging products and solutions, including maintenance support and services, to be purchased through a Premier group purchasing organization contract, for a two (2) year term with three (3) one year renewal options, exercisable solely by the Corporation, in an amount not to exceed $23,422,163. (Med & Professional Affairs / Information Technology) EEO: Conditional / VENDEX: Pending 4. RESOLUTION authorizing the President of the New York City Health and Hospitals Corporation to execute a Dr. Stocker Memorandum of Understanding with the New York City Department of Health and Mental Hygiene (DOHMH) for the transfer to the DOHMH of certain functions now performed by the Corporation for the benefit of DOHMH. (Med & Professional Affairs / Information Technology) South Manhattan Network 5.
    [Show full text]
  • 2013-01-Capital-Committee.Pdf
    CAPITAL COMMITTEE January 10, 2013 MEETING AGENDA 11:00 a.m. 125 Worth Street, Room 532 5th Floor Board Room CALL TO ORDER Emily A. Youssouf ADOPTION OF MINUTES October 11, 2012 Emily A. Youssouf ASSISTANT VICE PRESIDENT’S REPORT Alfonso C. Pistone ACTION ITEMS Resolution Dion Wilson Authorizing the President of the New York City Health and Hospitals Corporation (the “Corporation” or “Licensor”) to execute a license agreement with the New York Legal Assistance Group (the “Licensee” or “NYLAG”) for use and occupancy of space at Coler-Goldwater Specialty Hospital and Nursing Facility (the “Facility”) to provide pro bono legal services to facility residents and patients, and training to Corporation staff. Resolution Iris Jimenez-Hernandez Authorizing the President of the New York City Health and Hospitals Corporation (the “Corporation”) to approve a Capital Project for Harlem Hospital Center to Relocate and Modernize the Dental Clinic for a total project cost of $9.0 million. INFORMATION ITEMS Henry J. Carter – Major Modernization – Status Report Robert Hughes Project Status Reports Alfonso Pistone Central/North Brooklyn Health Network Generations+/Northern Manhattan Health Network* Queens Health Network* * Network contains project(s) that require a delay report Status of Sandy Reconstruction Efforts Alfonso Pistone OLD BUSINESS NEW BUSINESS ADJOURNMENT New York City Health and Hospitals Corporation CAPITAL COMMITTEE MEETING MINUTES OCTOBER 11, 2012 MINUTES Capital Committee Meeting Date: October 11, 2012 Time: 2:00 P.M. Location:
    [Show full text]
  • Guide to the Papers of African American Artists and Related
    Guide to the Papers of January 2020 African American Artists and Related Resources 2 What We do Above: Titus Kaphar in his 11th Avenue Studio, New York City, 2008. Photograph by Jerry L. Thompson. Jerry L. Thompson papers. Cover: Chakaia Booker installing Foci (2010) at Storm King Art Center, Mountainville, New York, 2010. Photograph by Jerry L. Thompson. Jerry L. Thompson papers. 3 TABLE OF CONTENTS 05 Our History 06 What We Do 10 A Culture of Access 11 Archives in the World 12 Why the Archives of American Art? 15 Recent Acquisition Highlights 17 Guide to African American Collections 48 Additional Papers of African American Artists 56 Oral History Interviews 60 Related Resources 72 Administration and Staf 4 HISTORY AND ABOUT The Smithsonian’s Archives of American Art enlivens the extraordinary human stories behind the United States’ most signifcant art and artists. It is the world’s preeminent resource dedicated to collecting and preserving the papers and primary records of the visual arts in the United States. Constantly growing in range and depth, and ever increasing in its accessibility, it is a vibrant, unparalleled, and essential resource for the appreciation, enjoyment, and understanding of art in America. 5 Our History In a 1954 letter from then director of the Detroit Institute of Arts Edgar P. Richardson to Lawrence A. Fleischman, Richardson poses a question: “Do you realize what a big thing you have done in starting the Archives [of American Art]? I know you do. But do you? It is enormous in its implications; enormous!” Richardson and Fleischman, a Detroit businessman and an active young collector, had founded the Archives earlier that year.
    [Show full text]
  • Arts Patronage in Modern America (Oxford, 26-28 Jun 19)
    Arts Patronage in Modern America (Oxford, 26-28 Jun 19) Rothermere American Institute, University of Oxford, Jun 26–28, 2019 KPHeath, Oxford Arts Patronage in Modern America: An International Conference Sponsored by: Rothermere American Institute, University of Oxford, Terra Foundation for Ameri- can Art, The Oxford Research Centre for the Humanities, and the British Association for American Studies. This interdisciplinary conference will feature papers by emerging and established scholars from around the world whose work deals with American arts patronage from the early twentieth centu- ry to the present day. On Wednesday 26 June, from 15.00-16.30, John R. Blakinger, Terra Visiting Professor of Ameri- can Art, University of Oxford, will deliver his plenary, ‘“To Remain Silent Is To Be Complicit”: Arts Funding in the Trump Era'. https://tinyurl.com/y2rrhtay On Thursday 27 June, from 15.00-16.30, Mary Anne Goley, Founding Director of the Fine Arts Pro- gram of the Federal Reserve Board will deliver her plenary, ‘Playing By the Rules, How I Directed the Fine Arts Program of the Federal Reserve Board, 1975 thru 2006’.https://tinyurl.- com/y6m7u8eq Both of the above plenaries are free and open to the public. Registration is via Eventbrite, short links above. Panel presentations will be held at the Rothermere American Institute, University of Oxford, from 9.30-14.30 on Wednesday 26 June, from 9.15-14.30 on Thursday 27 June, and from 9.15-12.45 on Friday 28 June. A special panel of distinguished expert practitioners will also weigh in on the current state of American cultural diplomacy.
    [Show full text]