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Socialist Fairy Tales, Fables, and Allegories from Great Britain
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. ■ Introduction In 1974, I visited the mining area of South Wales to make a short educational radio programme about the nationalization of the mines, which took place under the Labour government of 1945– 50. One miner and political activist, Chris Evans, gave me a long interview ranging across the history of locality, mining, work, and his hopes for a socialist future. In describing the nature of life and work, he moved into recitation mode and said: I go to work, to earn money to buy bread to build up my strength, to go to work to earn money to buy bread to build up my strength to go to work . We laughed wryly. I enjoyed the way in which he had reduced the whole cycle of life and work into one rhythmic account. In literary terms, it turns the intricate interactions of existence into emblems, single vignettes that flow one to the other, contrasting with each other. It is, then, a particular kind of storytelling used with the in- tent of revealing or alerting a reader or listener to what the speaker thinks is an unsatisfactory state of affairs. The fact that the story doesn’t end with a conclusion hits the button because through its never- ending form (rather than through words themselves) it re- veals the folly, drudgery, and wrongness of what is being critiqued. 1 For general queries, contact [email protected] © Copyright, Princeton University Press. -
Alternate History – Alternate Memory: Counterfactual Literature in the Context of German Normalization
ALTERNATE HISTORY – ALTERNATE MEMORY: COUNTERFACTUAL LITERATURE IN THE CONTEXT OF GERMAN NORMALIZATION by GUIDO SCHENKEL M.A., Freie Universität Berlin, 2006 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (German Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2012 © Guido Schenkel, 2012 ABSTRACT This dissertation examines a variety of Alternate Histories of the Third Reich from the perspective of memory theory. The term ‘Alternate History’ describes a genre of literature that presents fictional accounts of historical developments which deviate from the known course of hi story. These allohistorical narratives are inherently presentist, meaning that their central question of “What If?” can harness the repertoire of collective memory in order to act as both a reflection of and a commentary on contemporary social and political conditions. Moreover, Alternate Histories can act as a form of counter-memory insofar as the counterfactual mode can be used to highlight marginalized historical events. This study investigates a specific manifestation of this process. Contrasted with American and British examples, the primary focus is the analysis of the discursive functions of German-language counterfactual literature in the context of German normalization. The category of normalization connects a variety of commemorative trends in postwar Germany aimed at overcoming the legacy of National Socialism and re-formulating a positive German national identity. The central hypothesis is that Alternate Histories can perform a unique task in this particular discursive setting. In the context of German normalization, counterfactual stories of the history of the Third Reich are capable of functioning as alternate memories, meaning that they effectively replace the memory of real events with fantasies that are better suited to serve as exculpatory narratives for the German collective. -
The Buddhist Jātaka Stories. an Analytical Survey of a Few Jātakas and Their Use in Schools in the City of Benares, Uttar Pradesh, India
The Buddhist Jātaka Stories. An analytical survey of a few Jātakas and their use in schools in the city of Benares, Uttar Pradesh, India. De Buddhistiska Jātaka berättelserna. En analytisk undersökning av några Jātakas och deras användning i skolor i staden Benares, Uttar Pradesh, Indien. Henrik Janné Faculty of Social and Life Sciences History of religions 91-120 ECTS Kerstin Von Brömsen Sören Dalevi 2014-01-15 Serial number In dedication to Omji Dhanyevadh for Leading Me to Such Brilliant People. You Have a Special Place in My Heart. _/\_ Abstract Title: The Buddhist Jātaka stories. An analytical survey of a few Jātakas and their use in schools in the city of Benares Uttar Pradesh, India. Author: Henrik Janné Number of pages: 52 Abstract: The research for this thesis tries to find out how the Buddhist jātaka stories are used in the classroom in Benares, Uttar Pradesh India. The subjective also incorporates an aspect of evaluation of Buddhist ethics and a presentation of it. This study project is conducted with an inductive empirical qualitative methodological orientation. This research has found that the Buddhist jātaka tales are a beneficial tool to use in the classroom by teachers when teaching ethics and moral to students. Keywords: Buddhism, jātakas, ethics, education, curriculum, schools in Benares. 3 Sammanfattning Titel: The Buddhist Jātaka stories. An analytical survey of a few Jātakas and their use in schools in the city of Benares Uttar Pradesh, India. Författare: Henrik Janné Antal sidor: 52 Sammanfattning: Målet med denna avhandling är att ta reda på hur de Buddhistiska Jātaka berättelser används i klassrummet i Benares, Uttar Pradesh Indien. -
Giant List of Folklore Stories Vol. 5: the United States
The Giant List of Stories - Vol. 5 Pattern Based Writing: Quick & Easy Essay Skim and Scan The Giant List of Folklore Stories Folklore, Folktales, Folk Heroes, Tall Tales, Fairy Tales, Hero Tales, Animal Tales, Fables, Myths, and Legends. Vol. 5: The United States Presented by Pattern Based Writing: Quick & Easy Essay The fastest, most effective way to teach students organized multi-paragraph essay writing… Guaranteed! Beginning Writers Struggling Writers Remediation Review 1 Pattern Based Writing: Quick & Easy Essay – Guaranteed Fast and Effective! © 2018 The Giant List of Stories - Vol. 5 Pattern Based Writing: Quick & Easy Essay The Giant List of Folklore Stories – Vol. 5 This volume is one of six volumes related to this topic: Vol. 1: Europe: South: Greece and Rome Vol. 4: Native American & Indigenous People Vol. 2: Europe: North: Britain, Norse, Ireland, etc. Vol. 5: The United States Vol. 3: The Middle East, Africa, Asia, Slavic, Plants, Vol. 6: Children’s and Animals So… what is this PDF? It’s a huge collection of tables of contents (TOCs). And each table of contents functions as a list of stories, usually placed into helpful categories. Each table of contents functions as both a list and an outline. What’s it for? What’s its purpose? Well, it’s primarily for scholars who want to skim and scan and get an overview of the important stories and the categories of stories that have been passed down through history. Anyone who spends time skimming and scanning these six volumes will walk away with a solid framework for understanding folklore stories. -
The Apotheosis of He#Rakle#S on Olympus and the Mythological Origins of the Olympics
The apotheosis of He#rakle#s on Olympus and the mythological origins of the Olympics The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2019.07.12. "The apotheosis of He#rakle#s on Olympus and the mythological origins of the Olympics." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/the-apotheosis-of- herakles-on-olympus-and-the-mythological-origins-of-the- olympics/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41364811 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. -
University of Oklahoma Libraries Western History Collections Robert
University of Oklahoma Libraries Western History Collections Robert Utley Collection Utley, Robert M. (b. 1929). Papers, 1945–2008. 42 feet. Historian and author. Correspondence (1945–2008), journals (1973–1984), calendars (1970– 2006) and research files from the life and career of western historian Robert Marshall Utley. The materials document Utley’s lengthy service as an historian and administrator for the U.S. Department of the Interior’s National Park Service, his extensive research and writing on the American West, and his role in the development of the Western History Association and the Potomac Corral of the Westerners. His publications focused on a variety of western subjects, including George Armstrong Custer and the Battle of the Little Bighorn; Texas Rangers and law enforcement in the West; Sitting Bull and the Sioux Nation; mountain men and westward expansion; the Indian Wars; and Billy the Kid. Box 1: Journals Folder: 1. 1973: Journal detailing work for the National Park Service and life in Washington D.C., travel, and political issues. Subjects include NPS reorganization, President Nixon’s government reforms, Vietnam War and Cold War views, Watergate scandal, and Wounded Knee crisis. 1974: Journal detailing work at the National Park Service and life in Washington D.C., travel, and political issues. Subjects include NPS business and trips in U.S., India, Istanbul, Rome, and Japan; Purdue University honorary degree, Watergate scandal, President Nixon, and Landmark Services (MCA) scandal. 2. 1975: Journal detailing work for the National Park Service and life in Washington D.C., travel, and political issues. Subjects include General Haig, the Ford administration, Watergate jury decision, national parks in Alaska, SEC 106 guidelines pertaining to Alaska, the Grand Canyon, and Landmark Services (MCA) scandal. -
Carson City's Lainey Henderson Competes at Poetry out Loud Finals
nevada rts |NEWS a publication of the Nevada Arts Council GRANTS SEASON BLOOMS AT THE Spring 2008 NEVADA ARTS COUNCIL a division of the Nevada Department of Cultural Affairs In addition to baseball, proms and Daylight Savings Time, springtime means grant season at the Nevada Arts Council (NAC). In March and April, staff will process hun - dreds of FY09 grant applications in the Artist Services, Arts in Education, Folklife and FY09 Grant Panel Grants Programs. Between May 18 and 21, various grant panels and committees will convene in Schedules open public sessions to review applications to five categories in the Grants Program and for Folklife Apprenticeship grants, then provide funding recommendations for Folklife Apprenticeship Grants the NAC Board to consider at its spring meeting on Wednesday, May 21. Sunday, May 18, 9 a.m. –12 noon In June, additional panels will review applications for Arts in Education grants and Nevada Arts Council Artist Fellowship grants, which the NAC board will review and approve during a con - 716 N. Carson Street, Ste. A, Carson City ference call scheduled before June 30. For more on the Artist Fellowship review panels, please see page 8; for the Arts in Project & Development Grants Education grant review panel, please turn to page 9; and the Folklife Apprenticeship Monday, May 19, 8:30 a.m.–5 p.m. grant panel, please visit page 12. Nevada Legislative Building, Room 3137 401 S. Carson St., Carson City CONTINUED ON PAGE 13 Web Broadcast: www.leg.state.nv.us Partners in Excellence Grants—Tier I Carson City’s Lainey Henderson Tuesday, May 20, 8:30 a.m. -
Make We Merry More and Less
G MAKE WE MERRY MORE AND LESS RAY MAKE WE MERRY MORE AND LESS An Anthology of Medieval English Popular Literature An Anthology of Medieval English Popular Literature SELECTED AND INTRODUCED BY DOUGLAS GRAY EDITED BY JANE BLISS Conceived as a companion volume to the well-received Simple Forms: Essays on Medieval M English Popular Literature (2015), Make We Merry More and Less is a comprehensive anthology of popular medieval literature from the twel�h century onwards. Uniquely, the AKE book is divided by genre, allowing readers to make connec�ons between texts usually presented individually. W This anthology offers a frui�ul explora�on of the boundary between literary and popular culture, and showcases an impressive breadth of literature, including songs, drama, and E ballads. Familiar texts such as the visions of Margery Kempe and the Paston family le�ers M are featured alongside lesser-known works, o�en oral. This striking diversity extends to the language: the anthology includes Sco�sh literature and original transla�ons of La�n ERRY and French texts. The illumina�ng introduc�on offers essen�al informa�on that will enhance the reader’s enjoyment of the chosen texts. Each of the chapters is accompanied by a clear summary M explaining the par�cular delights of the literature selected and the ra�onale behind the choices made. An invaluable resource to gain an in-depth understanding of the culture ORE AND of the period, this is essen�al reading for any student or scholar of medieval English literature, and for anyone interested in folklore or popular material of the �me. -
An Analysis of the Vānarinda Jātaka
THE PROMISE OF INTERPRETATION: AN ANALYSIS OF THE VĀNARINDA JĀTAKA by VISHMA KUNU (Under the Direction of Glenn Wallis) ABSTRACT My contention is that the Vānarinda Jātaka (VJ) is a specifically Buddhist narrative, being a strategic reworking of situations and characters common to Indian oral tradition. By way of a fluid, triple-layered construct that is experimental in nature, I support this claim by exploring the interpretive possibilities of the text. Chapter one functions as a philological groundwork, and is a translation of the Pāli text that highlights terminology with distinctive resonances in the Buddhist tradition. The second chapter reveals the ways in which the VJ is marked by generality, drawing out pan-Indian elements through an examination against excerpts from the Pañcatantra, considered nīti literature, and the Sundarakāa in Vālmīki’s Rāmāyaa, a Hindu work, all having pre-literate roots. In the third chapter, I offer a creative explication of the VJ, bringing to light the abundance of Buddhist allusions, and doctrinal references embedded within the narrative. INDEX WORDS: Jātaka, Pāli canon, Gāthā, Buddhist narratives, Indian oral tradition, Hanumān, Pañcatantra THE PROMISE OF INTERPRETATION: AN ANALYSIS OF THE VĀNARINDA JĀTAKA by VISHMA KUNU B.A., University at Albany, State University of New York, 2000 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 © 2004 Vishma Kunu All Rights Reserved THE PROMISE OF INTERPRETATION: AN ANALYSIS OF THE VĀNARINDA JĀTAKA by VISHMA KUNU Major Professor: Glenn Wallis Committee: Dorothy Figueira Carolyn Medine Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2004 DEDICATION For my grandmother, Jessodra Tiwary, who never read a single word with her eyes. -
Jataka Tales: Layers of Meaning from the Universal to the Personal
Jataka Tales: Layers of Meaning from the Universal to the Personal Grade Level or Course Type: English, Social Studies, adaptable for grades 6 through 10 Overview of the Lesson Jataka Tales: Birth Stories of the Buddha are among the world’s oldest collection of stories. Many, about endearing animals who misbehave – and then learn to behave better – are appealing to children throughout the world. In this lesson students compare an Aesop’s fable to a Jataka Tale to see what they share in common. Students then learn about the Buddhist context of the tales, through which they deepen their appreciation of what makes a Jataka Tale unique. Finally, students approach a Jataka Tale through the meaning it held in the life of Noor Inayat Khan (1914-1944), whose classic collection Twenty Jataka Tales is still in print. She was a Muslim who worked as a covert agent for the British in Occupied France. She died at Dachau in 1944. In all three activities, students gain insight into what makes stories important in our lives. Learning Outcomes: • Identify stories by genre as fable, parable, folktale and fairy tale. • Decipher the moral of a story. • Understand Buddhist concepts (Ten Perfections, cycle of death and rebirth) • Learn about the life and appreciate the artistry of Noor Inayat Khan. Materials Needed • This lesson and the handouts included with it. They include: Handout 1. Life of Noor Inayat Khan with photos and scrapbook activity Handout 2. The Monkey and the Dolphin credited to Aesop and genre definitions Handout 3. The Patient Buffalo, a Jataka Tale Handout 4. -
Resource Guide the Adventures of Robin Hood
2019-2020 Theatre Season Heroes and Villains Blinn College Division of Visual/Performing Arts and Kinesiology Brenham Campus The Adventures of Robin Hood Resource Guide This resource guide serves as an educational starting point to understanding and enjoying Michele L. Vacca’s adaptation of The Adventures of Robin Hood. With this in mind, please note that the interpretations of the theatrical work may differ from the original source content. Performances November 21 & 22 7 p.m. November 23 & 24 2 p.m. Elementary School Preview Performances: November 21 & 22 10 a.m. & 1 p.m. Dr. W.W. O’Donnell Performing Arts Center Auditorium Brenham, Texas Tickets can be purchased in advance online at www.blinn.edu/BoxOffice, by calling 979-830-4024, or by emailing [email protected] Directed by Brad Nies Technical Theatre Direction by Kevin Patrick Costume, Makeup, and Hair Design by Jennifer Patrick KCACTF Entry The Adventures of Robin Hood is Blinn College-Brenham’s entry to the 2019 Kennedy Center American College Theatre Festival. The aims of this national theater program are to identify and promote quality in college-level theater production. Each production entered is eligible for a response by a KCACTF representative. Synopsis Based on the novel The Merry Adventures of Robin Hood by Howard Pyle, and adapted by Chicago playwright Michele L. Vacca, this play tells the story of a heroic outlaw who lives in Sherwood Forest and bestows generosity to the less fortunate. But when the nasty Sheriff of Nottingham forces the locals to pay unaffordable taxes, Robin fights against him by stealing from the rich so that he may give to the poor. -
ELEMENTS of FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms That Indentify Components of Narratives “Fiction
Dr. Hallett ELEMENTS OF FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms that Indentify Components of Narratives “Fiction” is defined as any imaginative re-creation of life in prose narrative form. All fiction is a falsehood of sorts because it relates events that never actually happened to people (characters) who never existed, at least not in the manner portrayed in the stories. However, fiction writers aim at creating “legitimate untruths,” since they seek to demonstrate meaningful insights into the human condition. Therefore, fiction is “untrue” in the absolute sense, but true in the universal sense. Critical Thinking – analysis of any work of literature – requires a thorough investigation of the “who, where, when, what, why, etc.” of the work. Narrator / Narrative Voice Guiding Question: Who is telling the story? …What is the … Narrative Point of View is the perspective from which the events in the story are observed and recounted. To determine the point of view, identify who is telling the story, that is, the viewer through whose eyes the readers see the action (the narrator). Consider these aspects: A. Pronoun p-o-v: First (I, We)/Second (You)/Third Person narrator (He, She, It, They] B. Narrator’s degree of Omniscience [Full, Limited, Partial, None]* C. Narrator’s degree of Objectivity [Complete, None, Some (Editorial?), Ironic]* D. Narrator’s “Un/Reliability” * The Third Person (therefore, apparently Objective) Totally Omniscient (fly-on-the-wall) Narrator is the classic narrative point of view through which a disembodied narrative voice (not that of a participant in the events) knows everything (omniscient) recounts the events, introduces the characters, reports dialogue and thoughts, and all details.