Holding Back Time: How Are Georgia's Historic Dams Unique Resources?
HOLDING BACK TIME: HOW ARE GEORGIA'S HISTORIC DAMS UNIQUE RESOURCES? by MARK MOONEY (Under the Direction of Wayde Brown) ABSTRACT Much of what we recognize as modern, urban, industrialized Georgia can be credited to the availability and development of water power. Historic dams, originally through direct mechanical drives and later through electrical generation and transmission, provided significant impetus for the growth of the state. Additionally, the scale, scope, effort, and ingenuity involved in the construction of large dams makes them awe inspiring structures. Despite their contribution to our culture, and the complex context surrounding their construction, dams are often overlooked as historic resources. This thesis studies historic dams from around the country to establish a context for examining Georgia's own dams. How are they unique resources, deserving of a discrete set of tools for preservation? Four Georgia dams are evaluated and suggestions are made based on the conclusions found. INDEX WORDS: Dams, Historic Preservation, Industrial Archaeology, Hydropower, Hydroelectricity, Historic Survey, National Register, National Inventory, GNAHRGIS, Whitehall Dam, Eagle & Phenix Dam, Morgan Falls Dam, Tallulah Dam. HOLDING BACK TIME: HOW ARE GEORGIA'S HISTORIC DAMS UNIQUE RESOURCES? by MARK MOONEY B.S. University of Georgia, 2007 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2012 © 2012 Mark Mooney All Rights Reserved HOLDING BACK TIME: HOW ARE GEORGIA'S HISTORIC DAMS UNIQUE RESOURCES? by MARK MOONEY Major Professor: Wayde Brown Committee: Mark Reinberger Mark Williams April Ingle Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2012 ACKNOWLEDGEMENTS For bearing with me through five, six, seven, different topics, each of questionable quality and feasibility, I want to thank Wayde Brown.
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