John Zorn Kate Moore Anoushka Shankar & Metropole Orkest
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News Section
78 Tempo 62 (244) 78–81 © 2008 Cambridge University Press doi:10.1017/S0040298208000144 Printed in the United Kingdom news section Composers elliott carter Figment IV (première) – 18 March Notes of premières of new works run from three months Washington DC, Freer Gallery / Samuel Rhodes before to three months following publication of this issue, (vla). Clarinet Quintet (première) – 29 April New i.e. from 1 January to 30 June 2008. There is therefore a York, Juilliard School / Charles Neidich (cl), Juilliard three-month overlap between issues, and omissions and String Quartet. late news for the three ‘following’ months of the current chaya czernowin Pilgerfahrten for speaker, issue will be picked up in the three ‘prior’ months of the children’s choir and ensemble (première) next one. News of more distant forthcoming premières is – 2 February Munich, Herkulessaal / Dresden given more briefl y; full details will be found in subsequent Kreuzchor c. Roderich Kreile. issues. michael daugherty Troy Jam (première) – hans abrahamsen Schnee (première) – 26 April 18 May Washington DC, Kennedy Center / National Witten, Wittener Tage / Ensemble Recherche. Symphony Orchestra c. Leonard Slatkin. john adams Doctor Atomic Symphony (US première) brett dean Short Stories (UK première) – 13 February – 7 February St Louis, Missouri / Saint Louis Norwich, St Andrew’s Hall / Britten Sinfonia c. Symphony Orchestra c. David Robertson. Jacqueline Shave. Ariel’s Music (UK première) – louis andriessen 18 April London, Barbican / Michael Collins (cl), La Commedia (première) – BBC Symphony Orchestra c. John Storgårds. 12 June Amsterdam, Koninklijk theater Carre / Claron McFadden, Cristina Zavalloni, Jeroen luca francesconi Kubrick’s Bone (UK première) – Willems, Netherlands Opera dir. -
The Puzzle of International Decision-Making an Integrated Comparative Study on Intervention
Södertörns Högskola Filip Holm Internationella Relationer C 2014 C-Uppsats, 15 poäng The puzzle of international decision-making An integrated comparative study on intervention By Filip Holm Map of the Sudan region (Enough Project [image] <http://www.enoughproject.org/conflicts/sudans> Accessed September 1, 2014) Map of Libya (GeographyIQ [image] http://www.geographyiq.com/countries/ly/Libya_map_flag_geography.htm Accessed December 1, 2014) Abstract “The puzzle of international decision-making” An integrated comparative study on intervention This is a study that aims to look at the violence occurring in Sudan and Libya in 2011. It asks the question why there was an intervention in the latter case but not the former. The analysis will use an integrated theoretical framework, looking at national interests, power balance and international norms to explain the behavior and decision-making of states in these particular cases. The fact that so little has been done or said about the conflict in Sudan is troubling, and deserves an explanation, especially considering the very different reaction to similar situations like Libya at the time. This study uses a comparative method to map the differences and similarities between the two cases using both statistical numbers and facts, as well as a content analysis to examine the discourse and media coverage on the two conflicts. The analysis may seem very broad and complex, but the same can be said about world politics in general. It is a very complex thing, and sometimes a complex explanation is required. Very rarely is there just one answer to a question like this, but many different perspectives that are often equally legitimate and important to consider. -
Anoushka Shankar Thursday, May 2, 2019 at 8:00Pm This Is the 939Th Concert in Koerner Hall
Anoushka Shankar Thursday, May 2, 2019 at 8:00pm This is the 939th concert in Koerner Hall Anoushka Shankar, sitar Ojas Adhiya, tabla Pirashanna Thevarajah, mridangam Ravichandra Kulur, flute Danny Keane, cello & piano Kenji Ota, tanpura Anoushka Shankar Sitar player and composer Anoushka Shankar is a singular figure in the Indian classical and progressive world music scenes. Her dynamic and spiritual musicality has garnered several prestigious accolades, including six Grammy Award nominations, recognition as the youngest – and first female – recipient of a British House of Commons Shield, credit as an Asian Hero by TIME magazine, an Eastern Eye Award for Music, and a Songlines Best Artist Award. Most recently, she became one of the first five female composers to have been added to the UK A-level music syllabus. Deeply rooted in the Indian classical music tradition, Shankar studied exclusively from the age of nine under her father and guru, the late Ravi Shankar, and made her professional debut as a classical sitarist at the age of 13. By the age of 20, she had made three classical recordings for EMI/Angel and received her first Grammy nomination, thereby becoming the first Indian female and youngest-ever nominee in the world music category. She is also the first Indian artist to perform at the Grammy Awards. In addition to performing as a solo sitarist, her compositional work has led to cross-cultural collaborations with artists such as Sting, M.I.A., Herbie Hancock, Pepe Habichuela, Karsh Kale, Rodrigo y Gabriela, and Joshua Bell, demonstrating the versatility of the sitar across musical genres. -
Freier Download BA 99 Als
BAD 99 ALCHEMY »Was bleibt einem denn anderes übrig, als zu viel in die Dinge hineinzuinterpretieren?«, sagte P. leichthin. »In was für einer armen, oberflächlichen, langweiligen Welt würden wir leben, wenn wir das nicht täten? Außerdem: Ist das überhaupt möglich? Es gibt immer mehr Bedeutungen, als wir erfassen können.« Edward St Auby Lesestoff (gefunden auf Flohmärkten, Krabbeltischen, bei Oxfam oder Brauchbar ) Gabrielle Bell - Die Voyeure Sergio Bleda - Schlaf, kleines Mädchen; Blutiger Winter Charles Bukowski - Anmerkungen eines Dirty Old Man; Fucktotum; Das ausbruchsichere Paradies Michael Cho - Shoplifter Hugo Claus - Der Kummer von Flandern Daniel Clowes - Ghost World Guido Crepax & R. L. Stevenson - Dr. Jekyll und Mr. Hyde Glyn Dillon - Das Nao in Brown Franz Dobler - Aufräumen Willem Elsschot - Villa des Roses Hans Fallada - Bauern, Bonzen und Bomben Theodor Fontane - Frau Jenny Treibel; Unterm Birnbaum Christophe Gaultier - Das Phantom der Oper (nach Gaston Leroux) Karl-Markus Gauß - Die Hundeesser von Svinia Georgi Gospodinov - Physik der Schwermut Günter Grass - Ein weites Feld Jiří Gruša - Der 16. Fragebogen Jung [Henin] - Kwaidan Franz Kafka - Der Bau Maurizio Maggiani - Königin ohne Schmuck Ransom Riggs + Cassandra Jean - Die Insel... Die Stadt der besonderen Kinder Per Petterson - Pferde stehlen Joann Sfar - Pascin Edward St Aubyn - Muttermilch Giuseppe Tomasi di Lampedusa - Der Gattopardo Guntram Vesper - Frohburg Bernhard Viel - Utopie der Nation Dieter Wellershoff - Der Ernstfall Ror Wolf - Punkt ist Punkt; Die heiße Luft der Spiele Vladimir Zarev - Verfall 2 Alsarah & The Nubatones Wir strahlen, am 1.6.2018 beim Africa Festival goldberauscht durch ALSARAH & THE NUBATONES. Durch Sarah Mohamed Abunama-Elgadi, kurz: Alsarah, und ihre schöne Schwester Nahid, die man sich beide als Abgesandte aus dem Goldland der Ägypter reiz- voller nicht vorstellen kann. -
Report to the Friends of Music
Summer, 2020 Dear Friends of the Music Department, The 2019-20 academic year has been like no other. After a vibrant fall semester featur- ing two concerts by the Parker Quartet, the opening of the innovative Harvard ArtLab featuring performances by our faculty and students, an exciting array of courses and our inaugural department-wide throwdown–an informal sharing of performance projects by students and faculty–we began the second semester with great optimism. Meredith Monk arrived for her Fromm Professorship, Pedro Memelsdorff came to work with the Univer- sity Choir as the Christoph Wolff Scholar, Esperanza Spalding and Carolyn Abbate began co-teaching an opera development workshop about Wayne Shorter’s Iphigenia, and Vijay Iyer planned a spectacular set of Fromm Players concerts and a symposium called Black Speculative Musicalities. And then the world changed. Harvard announced on March 10, 2020 that due to COVID-19, virtual teaching would begin after spring break and the undergraduates were being sent home. We had to can- cel all subsequent spring events and radically revise our teaching by learning to conduct classes over Zoom. Our faculty, staff, and students pulled together admirably to address the changed landscape. The opera workshop (Music 187r) continued virtually; students in Vijay Iyer’s Advanced Ensemble Workshop (Music 171) created an album of original mu- sic, “Mixtape,” that is available on Bandcamp; Meredith Monk created a video of students in her choral class performing her work in progress, Fields/Clouds, and Andy Clark created an incredible performance of the Harvard Choruses for virtual graduation that involved a complicated process of additive recording over Zoom. -
Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For Component 3: Appraising)
Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For component 3: Appraising) Background information and performance circumstances The composer Anoushka Shankar was born in 1981, in London, and is the daughter of the famous sitar player Ravi Shankar. She was brought up in London, Delhi and California, where she attended high school. She studied sitar with her father from the age of 7, began playing tampura in his concerts at 10, and gave her first solo sitar performances at 13. She signed her first recording contract at 16 and her first three album releases were of Indian Classical performances. Her first cross-over/fusion album – Rise – was released in 2005 and was nominated for a Grammy, in the Contemporary World Music category. Her albums since Breathing Under Water have continued to explore the connections between Indian music and other styles. She has collaborated with some major artists – Sting, Nithin Sawhney, Joshua Bell and George Harrison, as well as with her father, Ravi Shankar, and her half-sister, Norah Jones. She has also performed around the world as a Classical sitar player – playing her father’s sitar concertos with major orchestras. The piece Breathing Under Water was Anoushka Shankar’s fifth album, and her second of original fusion music. Her main collaborator was Utkarsha (Karsh) Kale, an Indian musician and composer and co-founder of Tabla Beat Science – an Indian band exploring ambient, drum & bass and electronica in a Hindustani music setting. Kale contributes dance music textures and technical expertise, as well as playing tabla, drums and guitar on the album. -
MMXVII RUHE the Diary of the One Who Disappeared Private View MUZIEKTHEATER TRANSPARANT LUIGI DE ANGELIS ЗМЕЯ
WIM HENDERICKX Aquarius’ Dream Revelations LIESA VAN DER AA ParadiseHell MUZIEKTHEATER TRANSPARANT ANNELIES VAN PARYS And you must suffer MMXVII RUHE The Diary of the One Who Disappeared Private View MUZIEKTHEATER TRANSPARANT TRANSPARANT MUZIEKTHEATER LUIGI DE ANGELIS ЗМЕЯ IVO VAN HOVE Kings of War The Diary of the One Who Disappeared Roman Tragedies MM WOUTER VAN LOOY X Earth diver VI I Die Zauberflöte Revelations NAOMI BEELDENS WWW.TRANSPARANT.BE La Voix humaine CLARON MCFADDEN Secrets Lilith Nightshade: Aubergine WENDE SNIJDERS Wende CONTENTS A house full of voices 3 Artists 4 Partners & co-producers 5 NEW PRODUCTIONS Earth diver 6 Die Zauberflöte 8 Nightshade: Aubergine 10 Wende 12 The Diary of the One Who Disappeared 14 ЗМЕЯ 16 Aquarius’ Dream 18 Revelations 20 ON TOUR La Voix humaine 22 Secrets 23 Lilith 24 Listen to the silence 25 And you must suffer 26 Polar Night 27 Kings of War 28 RUHE 29 Private View 30 Roman Tragedies 31 Le coupeur d’eau 32 TRANSLAB Windischgrätz 42 Abendrot 42 ParadiseHell 43 Medeamaterial 44 Matterhonger 45 Matterhorn 46 Opera21 47 Songbook 48 Info 57 Calendar 59 A HOUSE FULL OF VOICES WIM HENDERICKX 18 Aquarius’ Dream “Over the past 20 years, Muziektheater Transparent has charted an impres- 20 Revelations sive course in which there has been room for both experimentation and established values.” This remark was part of the Music-Theatre’s Assessment Committee’s preliminary advice on our plan for the 2017-2021 period. This LIESA VAN DER AA 43 ParadiseHell motivates us even more for the future. As our aim is to profile ourselves even more pronouncedly as a music-theatre company in which the voice plays a central role, we are inviting artists whose practice centres on vocal work: ANNELIES VAN PARYS 26 And you must suffer Claron McFadden, Naomi Beeldens, Els Mondelaers, Liesa Van der Aa and 29 RUHE Wende Snijders, as well as our in-house composers Wim Henderickx and 14 The Diary of the One Who Disappeared Annelies Van Parys. -
PROBES #19.2 Devoted to Exploring the Complex Map of Sound Art from Different Points of View Organised in Curatorial Series
Curatorial > PROBES With this section, RWM continues a line of programmes PROBES #19.2 devoted to exploring the complex map of sound art from different points of view organised in curatorial series. Auxiliaries PROBES takes Marshall McLuhan’s conceptual The PROBES Auxiliaries collect materials related to each episode that try to give contrapositions as a starting point to analyse and expose the a broader – and more immediate – impression of the field. They are a scan, not a search for a new sonic language made urgent after the deep listening vehicle; an indication of what further investigation might uncover collapse of tonality in the twentieth century. The series looks and, for that reason, most are edited snapshots of longer pieces. We have tried to at the many probes and experiments that were launched in light the corners as well as the central arena, and to not privilege so-called the last century in search of new musical resources, and a serious over so-called popular genres. In this auxiliary we meet more repurposed new aesthetic; for ways to make music adequate to a world African instruments in several fields, and take one glimpse at the reverse traffic. transformed by disorientating technologies. Interestingly, for the first time, there’s hardly any adoption in contemporary classical circles. Answers on a postcard, please. Curated by Chris Cutler 01. Playlist PDF Contents: 01. Playlist 00:00 Gregorio Paniagua, ‘Anakrousis’, 1978 02. Notes 03. Links 00:06 Randy Weston, interview with Brian Pace (excerpt), 2010 04. Credits Pace is a broadcaster, journalist and mediator of The Pace Report 05. -
“Disco Volante Era Improv at the Bomb Factory” Nft Series; Auction Begins Aug
MR. BUNGLE ANNOUNCE FOUR-PART “DISCO VOLANTE ERA IMPROV AT THE BOMB FACTORY” NFT SERIES; AUCTION BEGINS AUG. 2 VIA SUPERRARE https://superrare.com/mrbungleofficial EACH NFT FEATURES PREVIOUSLY UNRELEASED MUSIC WITH ANIMATION FROM ERIC LIVINGSTON NFT AUCTION WINNERS RECEIVE 1 OF 4 LATHE CUT VINYL FEATURING FULL 10-MINUTE SONG AND HIGH RESOLUTION MP4 Mr. Bungle “Disco Volante Era Improv at The Bomb Factory” animation and artwork by Eric Livingston July 29, 2021, Shotwell Bomb Factory – Mr. Bungle release their first ever NFT collection, a series of four NFTs dubbed “Disco Volante Era Improv at The Bomb Factory.” The auction for the series begins on Aug. 2 at 9 am pacific/12 noon eastern via SuperRare. Each NFT features 2 minutes and 30 seconds of previously unreleased music with animation created by Eric Livingston. The purchasers will also receive a hyper limited- edition (1 of 4) lathe cut vinyl featuring the full 10-minute song and high resolution animated mp4. “Disco Volante Era Improv at The Bomb Factory” lathe cut vinyl (limited-edition of 4) “During the Disco Volante writing sessions in a place we called The Shotwell Bomb Factory, San Francisco, we were blessed with an isolated & independent place to record and rehearse,” explains Trevor Dunn. “Endless days and nights were spent in there experimenting, improvising and piecing together what would be our ‘sophomore attempt’ among other gems. Often there was an ADAT machine ready to go for any spontaneous outbursts (think ‘Nothing’ from the end of Disco Volante), but we tested out various setups at our disposal.” Trey Spruance, who often engineered these chaotic recordings, recalls: “I remember wanting to enhance audio separation and isolation to an extreme, using a kind of ‘musique concrète live mix’ approach, hoping that would capture the unruly individual spirits of our improvisation more faithfully. -
Sudan: Colonialism, Independence, and Conflict
Sudan: Colonialism, Independence, and Conflict Overview Students will analyze the impact of colonization on Sudan including regional divisions, independence movements, and conflict. Students will understand the various economic, political, and societal factors that have led to wars in the region. Students will also learn that these conflicts have led to migration out of Sudan, exploring cultural and artistic production of Sudanese people in the diaspora. Students will learn that the effects of decolonization and ethnic conflict have been a push factor for African migration in the new wave of diaspora. Essential/Compelling Question(s) How has the legacy of colonization and imperialism impacted Sudan? How has conflict in Sudan affected the country’s politics, economy, and society? How are human rights affected in times of conflict? Grade(s) 9-12 Subject(s) World History North Carolina Essential Standards WH.8: Analyze global interdependence and shifts in power in terms of political, economic, social and environmental changes and conflicts since the last half of the twentieth century. WH.H.8.3: Analyze the "new" balance of power and the search for peace and stability in terms of how each has influenced global interactions since the last half of the twentieth century (e.g., post WWII, Post Cold War, 1990s Globalization, New World Order, Global Achievements and Innovations). WH.8.6: Explain how liberal democracy, private enterprise and human rights movements have reshaped political, economic and social life in Africa, Asia, Latin America, Europe, the Soviet Union and the United States (e.g., U.N. Declaration of Human Rights, end of Cold War, apartheid, perestroika, glasnost, etc.). -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
John Cage Stemkunst, Orgel En Piano Jan Welmers Beethoven
16 najaar 14 Alle kleuren van het Orgelpark 13 september John Cage Prepared piano en orgel 1 november Timbres • Alle kleuren van het Orgelpark najaar 2014 Stemkunst, orgel en piano Jaap Blonk en Samuel Vriezen 16 november Jan Welmers Componistenportret Zondag 19 oktober Beethoven Pianoconcerten Pieter-Jelle de Boer Timbres nummer 16 • najaar 2014 1 Welkom in het Orgelpark! Het Orgelpark heeft als doel het orgel door In het Orgelpark staat het orgel centraal: als drager van oude muziek én als bron van inspiratie voor nieuwe muziek. Het monumentale gebouw van het Orgelpark, een nieuwe presentatie te integreren in gesitueerd aan het Vondelpark in Amsterdam en voorzien van een mooie akoestiek, voegt aan beide facetten een bijzondere dimensie toe. het muziekleven. Timbres is het tijdschrift van het Orgelpark en biedt achtergrond- Het concertpalet van het Orgelpark reikt dit najaar vrijwel naadloos van de 18de eeuw tot vandaag. Op zaterdag 6 september presenteert ensemble Severijn het informatie bij de vele activiteiten die er elk barok georiënteerde programma Odd Pearls. Op 19 oktober speelt Pieter-Jelle de Boer de pianoconcerten van Beethoven (waarbij het orgel de orkestpartijen voor seizoen plaatsvinden. Het aanbod varieert zijn rekening neemt!). Er is aandacht voor vroegmoderne componisten als Leos Janácek (24 oktober) en Carl Nielsen (8 november, met pianist Ralph van Raat), en van concerten met klassieke muziek tot ook de 20ste eeuw komt volop tot klinken, bijvoorbeeld in muziek van John Cage evenementen met film en beeldende kunst. (13 en 14 september), in het componistenportret van Jan Welmers (16 november) en natuurlijk in ons Min of meer Minimal Festival (begin oktober).