Barnaby Rudge UNABRIDGED Read by Sean Barrett CLASSIC FICTION
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THE PICKWICK PAPERS Required Reading for the Dickens Universe
THE PICKWICK PAPERS Required reading for the Dickens Universe, 2007: * Auden, W. H. "Dingley Dell and the Fleet." The Dyer's Hand and Other Essays. New York: Random House, 1962. 407-28. * Marcus, Steven. "The Blest Dawn." Dickens: From Pickwick to Dombey. New York: Basic Books, 1965. 13-53. * Patten, Robert L. Introduction. The Pickwick Papers. Harmondsworth: Penguin, 1972. 11-30. * Feltes, N. N. "The Moment of Pickwick, or the Production of a Commodity Text." Literature and History: A Journal for the Humanities 10 (1984): 203-217. Rpt. in Modes of Production of Victorian Novels. Chicago: University of Chicago Press, 1986. * Chittick, Kathryn. "The qualifications of a novelist: Pickwick Papers and Oliver Twist." Dickens and the 1830s. Cambridge: Cambridge UP, 1990. 61-91. Recommended, but not required, reading: Marcus, Steven."Language into Structure: Pickwick Revisited," Daedalus 101 (1972): 183-202. Plus the sections on The Pickwick Papers in the following works: John Bowen. Other Dickens : Pickwick to Chuzzlewit. Oxford, U.K.; New York: Oxford UP, 2000. Grossman, Jonathan H. The Art of Alibi: English Law Courts and the Novel. Baltimore: Johns Hopkins UP, 2002. Woloch, Alex. The One vs. The Many: Minor Characters and the Space of the Protagonist in the Novel. Princeton: Princeton UP, 2003. 1 SELECTED BIBLIOGRAPHY Compiled by Hillary Trivett May, 1991 Updated by Jessica Staheli May, 2007 For a comprehensive bibliography of criticism before 1990, consult: Engel, Elliot. Pickwick Papers: An Annotated Bibliography. New York: Garland Publishing Inc., 1990. CRITICISM Auden, W. H. "Dingley Dell and the Fleet." The Dyer's Hand and Other Essays. New York: Random House, 1962. -
Decadence and Renewal in Dickens's Our Mutual Friend
Connotations Vol. 16.1-3 (2006/2007) Decadence and Renewal in Dickens’s Our Mutual Friend LEONA TOKER The plot of Dickens’s Our Mutual Friend focuses on the presumed death and ultimate reappearance of the jeune premier, John Harmon. It had been Dickens’s plan to write about “a man, young and perhaps eccentric, feigning to be dead, and being dead to all intents and pur- poses external to himself, and for years retaining the singular view of life and character so imparted” (Forster 2: 291), until, presumably, he could overcome his ghostly detachment. This, indeed, happens owing to the unhurried growth of mutual love between Harmon, posing as the impecunious John Rokesmith, and Bella Wilfer, the woman whose hand in marriage is the condition, according to his eccentric father’s will, for his inheriting the vast property that has meantime gone to the old man’s trusty steward Boffin. Thus Harmon, as well as the erst- while willful and would-be “mercenary” Bella, are reclaimed, re- deemed by love—in the best tradition of the religious humanism that suffuses Dickens’s fiction. As this précis of the plot may suggest, dying and being restored from death are both a metaphor for the literal events of the novel and a symbol of moral regeneration. As usual, Dickens partly desentimen- talizes the up-beat poetic justice by limiting its applicability: Betty Higden’s little grandson whom the Boffins wish to adopt and name John Harmon dies—his death symbolizes or, perhaps, replaces that of the protagonist; the traitor Charley Hexam is ready to march off, unpunished, treading (metaphorically) on corpses (including his father who had literally made a more or less honest living from sal- vaging corpses from the river). -
Martin Chuzzlewit
CLASSIC Charles FICTION Dickens Martin Chuzzlewit Read by Sean Barrett NA809612D 1 It was pretty late in the autumn… 5:47 2 ‘Hark!’ said Miss Charity… 6:11 3 An old gentlemen and a young lady… 5:58 4 Mrs Lupin repairing… 4:43 5 A long pause succeeded… 6:21 6 It happened on the fourth evening… 6:16 7 The meditations of Mr Pecksniff that evening… 6:21 8 In their strong feeling on this point… 5:34 9 ‘I more than half believed, just now…’ 5:54 10 You and I will get on excellently well…’ 6:17 11 It was the morning after the Installation Banquet… 4:40 12 ‘You must know then…’ 6:06 13 Martin began to work at the grammar-school… 5:19 14 The rosy hostess scarcely needed… 6:57 15 When Mr Pecksniff and the two young ladies… 5:21 16 M. Todgers’s Commercial Boarding-House… 6:12 17 Todgers’s was in a great bustle that evening… 7:18 18 Time and tide will wait for no man… 4:56 19 ‘It was disinterested too, in you…’ 5:21 20 ‘Ah, cousin!’ he said… 6:28 2 21 The delighted father applauded this sentiment… 5:57 22 Mr Pecksniff’s horse… 5:22 23 John Westlock, who did nothing by halves… 4:51 24 ‘Now, Mr Pecksniff,’ said Martin at last… 6:39 25 They jogged on all day… 5:48 26 His first step, now he had a supply… 7:19 27 For some moments Martin stood gazing… 4:10 28 ‘Now I am going to America…’ 6:49 29 Among these sleeping voyagers were Martin and Mark… 5:01 30 Some trifling excitement prevailed… 5:21 31 They often looked at Martin as he read… 6:05 32 Now, there had been at the dinner-table… 5:05 33 Mr Tapley appeared to be taking his ease… 5:44 34 ‘But stay!’ cried Mr Norris… 4:41 35 Change begets change. -
Test Your Knowledge: a Dickens of a Celebration!
A Dickens of a Celebration atKinson f. KathY n honor of the bicentennial of Charles dickens’ birth, we hereby Take the challenge! challenge your literary mettle with a quiz about the great Victorian Iwriter. Will this be your best of times, or worst of times? Good luck! This novel was Dickens and his wife, This famous writer the first of Dickens’ Catherine, had this was a good friend 1 romances. 5 many children; 8 of Dickens and some were named after his dedicated a book to him. (a) David Copperfield favorite authors. (b) Martin Chuzzlewit (a) Mark twain (c) Nicholas Nickleby (a) ten (b) emily Bronte (b) five (c) hans christian andersen (c) nine Many of Dickens’ books were cliffhangers, Where was 2 published in monthly The conditions of the Dickens buried? installments. In 1841, readers in working class are a Britain and the U.S. anxiously 9 common theme in awaited news of the fate of the 6 (a) Portsmouth, england Dickens’ books. Why? pretty protagonist in this novel. (where he was born) (a) he had to work in a (b) Poet’s corner, westminster (a) Little Dorrit warehouse as a boy to abbey, London (b) A Tale of Two Cities help get his family out of (c) isles of scilly (c) The Old Curiosity Shop debtor’s prison. (b) his father worked in a livery and was This amusement This was an early mistreated there. park in Chatham, pseudonym used (c) his mother worked as England, is 3 by Dickens. a maid as a teenager and named10 after Dickens. -
Charles Dickens's “A Christmas Carol”
CHARLES DICKENS’S “A CHRISTMAS CAROL” A lesson which emphasized the importance of imaginative sympathy, and of that `Fancy' which is to be discovered in the true use of memory. Memories of the past. Memories of childhood (DAVID COPPERFIELD. is a heavily fictionalized but emotionally truthful account of his own childhood). Memory was a form of inspiration, therefore, which linked past and present, unified humankind with the shared recollection of sorrow, and imparted a meaning to life....' Dicken's theme is man's inhumanity to child, and his social target is the new workhouses established on the Benthamite principles (see for example OLIVER TWIST (1837-1838)…. If in his later works his characters became less lively, this is less because they are deeper than because they have to fit into a social vision that is increasingly despairing. When critics accused him of melodrama and sentimentality he would characteristically reply that everything he wrote was true, it represented the way of the world. That in a sense is the theme of this introduction to Charles Dickens; there will be no attempt to provide a simple biography, but rather to outline the ways in which the very texture of Dickens’s life affected the nature of his fiction. Dickens was changed by his novels and by the creatures who stalk through them, because in the act of creating them he came to realise more of his own possibilities: 1. The boy who worked in a crumbling warehouse became the novelist who insistently recorded the presence of dark and crumbling buildings which haunt his fiction. -
November 2014 ------London Particular the Dickens Fellowship Newsletter ______
No. 40 November 2014 --------------------------------------------------------------------------------------------------------------------- London Particular The Dickens Fellowship Newsletter ______________________________________________________________________ Dickens’s Contribution to the War Effort A MEMBERSHIP RENEWAL A renewal form for friend has sent me a brilliant essay by Jerry White, 2015 is enclosed with this newsletter, together printed in the TLS in August, describing the with a standing order form for those who would impact of Dickens during World War I. White says: like to pay by this method (UK only). ‘The wartime Christmases were of great Subscriptions are unchanged. Please complete importance. Unutterably bleak as they all were, and return asap to the address shown on the they epitomised an acute sense of loss – a lost form, and membership card/programme for 2015 peace, lost pleasures and often a lost home and will be sent to you. family too. Dickens had embodied the secular celebration of Christmas with Pickwick and A Christmas Carol and the absence of a joyful Dickens and George Eliot The Telegraph “Dickensy” Christmas was noticed that December reported recently that an antiquarian bookseller, of 1914. But his spirit was not entirely absent. A Harrington’s of London, is offering for sale a new dramatisation of David Copperfield directed special copy of A Tale of Two Cities - it’s inscribed by Sir Herbert Beerbohm Tree opened on ‘To George Eliot. With high admiration and Christmas Eve at His Majesty’s Theatre, regard. Charles Dickens. December 1859’. Haymarket and ran until April 1915. For the rest of George Eliot, under her real name of Mary Ann the wartime Christmases Dickens would be used Evans, met Dickens in 1852 and found him in some way to lighten the gloom, with stage and “disappointing and with no benevolence in the film versions appearing in large numbers. -
A DICKENS COMPANION Macmillan Literary Companions
A DICKENS COMPANION Macmillan Literary Companions J. R. Hammond AN H. G. WELLS COMPANION AN EDGAR ALLAN POE COMPANION A GEORGE ORWELL COMPANION A ROBERT LOUIS STEVENSON COMPANION John Spencer Hill A COLERIDGE COMPANION Norman Page A DICKENS COMPANION A KIPLING COMPANION F. B. Pinion A HARDY COMPANION A BRONTE COMPANION A JANE AUSTEN COMPANION A D. H. LAWRENCE COMPANION A WORDSWORTH COMPANION A GEORGE ELIOT COMPANION A DICKENS COMPANION NORMAN PAGE ~ MACMILLAN © Norman Page 1984 Softcover reprint of the hardcover 1st edition 1984 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 1984 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world ISBN 978-1-349-06006-1 ISBN 978-1-349-06004-7 (eBook) DOI 10.1007/978-1-349-06004-7 A catalogue record for this book is available from the British Library. 10 98 7 65432 03 02 0 I 00 99 98 97 96 95 To Valerie and Campbell Purton, and the Infant Phenomena Dinah and Tom Contents List of Plates IX Preface XI Abbreviations XV A Dickens Chronology The Dickens Circle 19 DICKENS' WRITINGS 53 Sketches by Boz:. -
BARNABY RUDGE Selected Bibliography Compiled by Joss
BARNABY RUDGE Selected Bibliography Compiled by Joss Marsh and John Bowen for the 1999 Dickens Universe Customarily, the Universe singles out a few titles that we urge all faculty and graduate students to prepare in advance. At a minimum, please try to familiarize yourselves with the items indicated by a star (*). Because the bibliography for Dickens is vast and expanding, we have pragmatically limited the suggestions to five *'s. EDITIONS The recommended edition of Dickens's Barnaby Rudge for this year's Universe is the Penguin edition: Dickens, Charles. Barnaby Rudge, ed. Gordon Spence. Harmondsworth: Penguin, 1973. Another available edition is the Everyman edition: Dickens, Charles. Barnaby Rudge, ed. Donald Hawes. London: Dent, 1996. The Everyman edition contains all 76 illustrations dropped into the text as Dickens originally directed. CRITICISM Brantlinger, Patrick. The Spirit of Reform: British Literature and Politics 1832-1867. Cambridge: Harvard University Press, 1977. Buckley, Jerome H. "'Quoth the Raven': The Role of Grip in Barnaby Rudge." Dickens Studies Annual: Essays on Victorian Fiction 21 (1992): 27-35. Butt, John and Kathleen Tillotson. "Barnaby Rudge: the First Projected Novel," in Dickens at Work. London: Methuen, 1957. pp. 76-89. CLIO: A Journal of Literature, History, and the Philosophy of History 19, no. 2 (Winter 1990): 127-145. Chesterton, G.K. "Barnaby Rudge," in Chesterton on Dickens, ed. Michael Slater. London: Everyman, 1992. pp. 65-75. Chittick, Kathryn. "The Historical Novelist: Jack Sheppard and Barnaby Rudge," in Dickens and the 1830's. Cambridge: Cambridge University Press, 1990. pp. 152-177. Collins, Phillip. Dickens and Crime. London: Macmillan, 1962. -
CHARLES DICKENS Charles Dickens, Perhaps the Greatest of English
CHARLES DICKENS Charles Dickens, perhaps the greatest of English story tellers, lived in Marylebone for many years, within a stone’s throw of the church. It was in his house, 1 Devonshire Terrace, that some of his books were written: The Old Curiosity Shop, Barnaby Rudge, American Notes, Martin Chuzzlewit, The Christmas Carol, The Chimes, The Cricket on the Hearth, Dombey & Son and David Copperfield. The raven in Barnaby Rudge, whose real name was Grip, lived and died in the gardens of the Devonshire Terrace house. To quote from Mrs Baillie Saunders in The Great Folk of Old Marylebone (1904):- It is, perhaps, in Dombey and Son that Marylebone takes an especially important part. The church men- tioned there, both at the christening of Paul Dombey and the wedding of Mr Dombey, is the parish church, which, as it then was, is faithfully described. Mr Dombey himself was a gentleman well known to Dickens and alluded to by him in letters by the familiar initial ‘A’ and constantly mentioned in the directions to Cruikshank, his artist, and others. Florence Dombey is his own sweet daughter Kate; Paul his own little boy; Mr Dombey’s ‘corner house’, so disapproved by Towlinson, is a description of the house in which Dickens himself lived, in Devonshire Terrace. The church clock, which wistful little Florence thought so sol- emn at nights, was Marylebone Parish Church clock; while the christening of Paul Dombey is a description of the christening of Dickens’ own little boy. The clerk in this scene, of which the author says, ‘the clerk was the only cheerful person present, and he was an undertaker’, is a portrait of a gentleman whose name is still affectionately remembered in Marylebone, and who was a friend of Dickens. -
Vague 33 Hm King Mob the Gordon Riots
VAGUE 33 HM KING MOB THE GORDON RIOTS THE MADNESS OF LORD GEORGE AND THE GREAT LONDON RIOTS OF 1780 Gordon Riots 230 th anniversary Malcolm McLaren tribute edition Tom Vague London Psychogeography 2010 The Riot in Broad Street Francis Wheatley ‘When tumult lately burst his prison door and set plebeian thousands in a roar, when he usurped authority’s just place and dared to look his master in the face; when the rude rabble’s watchword was destroy and blazing London seemed a second Troy.’ William Cowper ‘Table Talk’ 1781 ‘I wander through each dirty street, near where the dirty Thames does flow, and in every face I meet marks of weakness marks of woe, in every cry of every man, in every child’s cry of fear, in every voice in every ban, the German forged links I hear, but most the chimney sweepers cry, blackens over the church walls, and the hapless soldiers sigh, runs in blood down palace walls.’ William Blake ‘London’ 1792 ‘The Gordon riots made a profound impression on contemporaries. They took place at a time of acute political crisis, at the most dangerous moment of the American war, when the country, after numerous defeats and counter-alliances, found itself virtually isolated. At their height, on the night of June 7 1780, London appeared to onlookers to be a sea of flames. ‘I remember’, wrote Horace Walpole on the 8 th , ‘the Excise and Gin Act and the rebels at Derby and Wilkes’ interlude and the French at Plymouth, or I should have a very bad memory; but I never till last night saw London and Southwark in flames!’ Sebastian Mercier, in his Tableau de Paris , wrote 9 years before the attack on the Bastille that such ‘terrors and alarms’ as were spread by Lord George Gordon in London would be inconceivable in a city as well-policed as Paris.’ George Rude ‘The Gordon Riots’ 1955 Paris and London in the 18 th Century 1688 After the Protestant Duke of Monmouth rebellion was crushed by Judge Jeffreys’ Bloody Assizes, James II’s attempted Catholic revival resulted in the ‘Glorious Revolution’ and the Bill of Rights. -
Martin Chuzzlewit ‘I Think Chuzzlewit in a Hundred Points Immeasurably the Best of My Stories
THE Charles Dickens COMPLETE CLASSICS Martin UNABRIDGED CLASSIC FICTION Chuzzlewit Read by Sean Barrett NAX98312D 1 Chapter 1 6:10 2 These remarkable words wrought… 5:47 3 On another occasion, he says… 3:59 4 Chapter 2 5:44 5 It was small tyranny for a respectable wind… 6:27 6 Miss Pecksniff sat upon a stool… 6:19 7 ‘Even the worldly goods…’ 7:00 8 ‘Now I think,’ said Mr Pecksniff… 6:53 9 ‘As to your forgiveness, Mr Pecksniff…’ 5:37 10 ‘Besides, whether I am or no,’ he added… 7:01 11 Chapter 3 5:20 12 That her guest had need of some efficient… 6:06 13 And, at length, she said, in a voice too low… 4:59 14 ‘Come,’ he said, ‘Tell me, who is it?’ 7:57 15 ‘Shall I knock?’ asked Mrs Lupin… 7:10 16 A long pause succeeded… 6:03 17 Mr Pecksniff shook his head… 5:53 18 Mr Pecksniff as slowly rose… 6:04 19 Chapter 4 7:14 20 ‘Now, this is very distressing…’ 7:12 2 21 ‘Now, I’ll tell you what it is…’ 5:18 22 Mr Tigg, planting his legs as wide apart… 5:57 23 If ever Mr Pecksniff wore an apostolic look… 7:00 24 ‘I am not sorry,’ said Mr Pecksniff… 6:30 25 In their strong feeling on this point… 5:55 26 ‘I passed from the memory…’ 4:57 27 Chapter 5 6:08 28 And now the morning grew so fair… 6:20 29 ‘I never,’ Mark replied… 6:12 30 But the shops. -
A Christmas Carol Study Guide
Dear Educator: This is a copy of the study guide that accompanies the Sacramento Theatre Company’s production of A Christmas Carol by Charles Dickens, adapted for the stage by Richard Hellesen, music and lyrics by David de Barry. We are so happy that your group is coming to see this play, and we hope that the study guide will assist you in preparing your students for the performance. The following material is included: Charles Dickens Fast Facts A list of major works, minor works, Christmas books and weekly magazines Charles Dickens’ Biography A Chronology of Charles Dickens Charles Dickens’ Family and Friends An essay on why Charles Dickens was successful and popular A timeline of Dickens’ work Victorian London An essay about the division between the rich and poor Dickens and Christmas A Christmas Carol Essay A Christmas Carol Synopsis, Characters, Themes and Illustrations A Christmas Carol Public Readings Scrooge and Tiny Tim Facts Essay on Ignorance and Want Victorian Activities and Recipes from A Christmas Carol See you at the show! Sincerely, Julie Law Group Sales Manager [email protected] (916) 446-7501 x120 Charles Dickens Fast Facts Full Name: Charles John Huffam Dickens (Early Alias: Boz) Date of Birth: Friday, February 7, 1812 Place of Birth: No. 1 Mile End Terrace Landport, Portsmouth England Parents: Father-John Dickens (1785-1851) & Mother-Elizabeth Dickens (1789-1863) Education: Approximately, one year at William Giles' school in Chatham, Kent (age 9-11); nearly three years Wellington House Academy in London (age 13-15) and, beyond this, largely self- educated. First Published Story: A Dinner at Poplar Walk published in Monthly Magazine (December 1833) Marriage: Married on April 2, 1836 to Catherine (Hogarth) Dickens (1815-1879) in St.