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Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Security Council Set to Hit Israel on Raid UNITED NATIONS, N
Rain Likely Rain likely and cold today. THEDMLY HOME Clearing and turning colder T Bed Bank, Freehold f tonight. Sunny and cold to- morrow. I Long Branch J FINAL (Bee Details Page 2) Monmouth County''s Home Newspaper for 90 Years VOL. 91, NO. 131 RED BANK, N. J., TUESDAY, DECEMBER 31,1968 16 PAGES TEN CENTS Crime Probe Lawyer Hits Tlimsy' Evidence TRENTON (AP)'—The lawyer for a committee investiga- He told the legislative committee that Sen. Sido L. Ridolfi replied that he had represented Simone on three, Brennan said under cross-examination that young Pro- ting allegations that legislators are "too comfortable" with Ridolfi, D-Mercer, and Assemblymen John A. Selecky, R- separate occasions between 1954 and 1961, all involving faci apparently had no criminal record. organized crime characterized as "flimsy" yesterday much Mercer, and David Friedland, D-Hudson, were on his list of civil cases. He said he had no knowledge of Simone's al- POLICE CHIEF APPEARS of the evidence given by an assistant attorney general who those he considered "too comfortable" with organized crime. leged ties to organized crime "about five or six years after Selecky added that' when he arrived in court to testify, made the charges. The three vehemently denied any wrongdoing. I last represented him." he found the police chief of his township, who was also ap- "If the testimony is as flimsy in the other three cases Brennan also said that Assemblyman C. Richard Fiore, Brennan said Selecky testified as a character witness pearing as a character witness for young Profaci. -
Sonic Youth: Celebrity DIY
Essays — Peer Reviewed ZoneModa Journal. Vol. 7 (2017) https://doi.org/10.6092/issn.2611-0563/7585 ISSN 2611-0563 Sonic Youth: celebrity DIY Alice Militello Pubblicato: 29 dicembre 2017 Abstract In New York City’s early ’80s music scene and beyond, the band Sonic Youth represents a special case of the celebrity’s concept. It cannot be reduced to the record sales or scandals, like other famous people. They don’t have the typical self-destructive streak of the stars of the show business, which is the basis of the fortune and, at the same time, the defeat of other musicians. They don’t even have the cult of personality, which has destabilized other crews of the time. However Sonic Youth, during their three decades of career, have been able to find a space in the music scene, to involve a broad segment of audience and lovers; becoming a kind of model for younger generations of musicians. Furthermore, the members of Sonic Youthcan be considered such as influencers ahead of his time, thanks to their ability to find new talents. The present study aims to analyze the concept of celebrity applied to the Sonic Youth language, from 1981 (starting year) to 1994, the year of Experimental Jet Set, Trash No Star album, which brings the group to that DIY (Do-It-Yourself) punk ethics that denotes them from the beginning; to plot the New York’s environment in which they fit; and how the entry into the mainstream world changes the aesthetics of the group. In other words, the research is a breakthrough of the band’s long career, marking the highlights that made them the Sonic Youth. -
Chicago Jazz Festival Spotlights Hometown
NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, -
Page 1 N E W R E L E a S E
NEW RELEASE O N I N T U I T I O N R E C O R D S R E C E I V E D 4 G R A M M Y N O M I N A T I O N S OREGON’s latest project, Oregon In Moscow, is a double CD with the Moscow Tchaikovsky Symphony Orchestra, and the group’s recorded debut of their orchestral repertoire—a prodigious body of work that has been developing over the life of the band, but never documented. In the thirty-year history of OREGON, there has always existed a strong kinship to orchestral music. The use of the double reeds alone has given the quartet an identity and expansive sound associated with the symphonic orchestra. This association isn’t confined only to their use of many orchestral instruments, but applies also to the composition and presentation of the music, including the careful attention to details such as articulation, dynamics, phrasing and tone production derived from their respective classical studies. Chief composer Ralph Towner explains, “OREGON came together as a group in New York City in 1970, and from the outset it was clear that our unusual instrumentation and collective musical experience invited a different approach to composition and improvisation. The jazz tradition of improvisation usually consists of the soloists taking turns improvising on the song’s harmonic structure, recycling the chord progressions and returning to the original melody only on the last repeat of the cycle. While still using and honoring this tradition, we began composing longer, more sectional forms that allowed each soloist to improvise on different material within the context of a single piece. -
The GAVIN REPORT the COUNTRY CLASS of 1992
the GAVIN REPORT THE COUNTRY CLASS OF 1992 _; Also featuring NEAL McCOY DIXIANA COLLIN RAYE MARTY BROWN LEE ROY PARNELL GREAT PLAINS MICHELLE WRIGHT McBRIDE AND THE RIDE LINDA DAVIS MICHAEL WHITE SAMMY KERSHAW GAVIN e A K.lLITES BLACK MUSIC MdfleekrTlW In the dictionary, next to the wo -d "summer,' is a picture of the Love Shack. The video for "Roam" changed the way you eat bagels and bananas forever. Cosmic Thing comes to nearly four million pieces of history. T{ -at about cover; the last lime tl-e B -52's made a reco-d.Thisigk, the first ry direction. s Produced by Don Was Direct Manage -rent Group -Stemmei Jensen & Martin Krkup 9 ®' 992 Reprise Recoris. ft s a sock hop it +our own private Idc óo the GAVIN REPORT GAVIN AT A * Indicates Tie it» 4rv URBAN MOST ADDED MOST ADDED THE CURE EN VOGUE YO YO Friday I'm In Love (Fiction/Elektra) Giving Him Something He Can Feel (Atco/EastWest Home Girl Don't Play Dat (Atco/EastWest America) DEF LEPPARD America) ERIC B & RAKIM Make Love Like A Man (Mercury) TLC Don't Sweat The Technique (MCA) TOAD THE WET SPROCKET Baby -Baby -Baby (LaFace/Arista) X -CLAN Xodus (Polydor/PLG) All I Want (Columbia) ALYSON WILLIAMS Just My Luck (RAL/OBR/Columbia) HEAVY D. & THE BOYZ RECORD TO WATCH RECORD TO WATCH RETAIL MERYN CADELL DAVID BLACK You Can't See What I Can See The Swea er (Sire/Reprise) Nobody But You (Bust It/Capitol) (MCA) itAe RADIO SHANTE RICHARD MARX MARIAN CAREY Big Mama (Livin' Large/ Take This Heart (Capitol) I'll Be There (Columbia) Tommy Boy) COUNTRY MOST ADDED MOST ADDED MOST ADDED RICHARD -
Globe Unity:Lithuania
Relative Pitch). Now a formidable set of trio, quartet GLOBE UNITY:LITHUANIA and quintet material has surfaced, centered on the saxophonist and a rhythm section of bassist Hilliard Greene and drummer Newman Taylor Baker for a program of originals and a cover of Alice Coltrane’s “Ptah, the El Daoud”. Moondoc’s early work looked to Cecil Taylor, Bill Dixon and Milford Graves, whom he encountered at Antioch College in Ohio and the University of Wisconsin-Madison, though the Live at Vilnius Jazz Festival William Hooker/Liudas Mockūnas (NoBusiness) Music For Flute & Double-Bass / Rain Forest saxophonist’s own dry, discursive approach landed ME Jeremy Steig/Eddie Gomez (CMP-Art of Groove) somewhere in between Steve Lacy, Ornette Coleman Dmitrij Golovanov (s/r) by Andrey Henkin and Jimmy Lyons. The closing ballad, “For the Love of Lights of Darkness Cindy”, is a fine example of the core trio at work, a Kęstutis Vaiginis (s/r) It is nice to imagine that the collaboration between delicate walk through a glassy field as Moondoc unfurls by Tom Greenland flutist Jeremy Steig and bassist Eddie Gomez was a quavering, conversational lines and squirrelly hops Lithuania has a growing rep as the jazziest former response to the question upright bassists hear throughout with a gentle, grainy tone. Baker’s evaporating, brushy Soviet republic. Ranks of conservatory trained, their careers: “Don’t you wish you played the flute?” constant is both subtle accompaniment and in a world avant-leaning artists, often drawing on folk roots, As part of its Collectors Premium collection, Art of of its own, as Greene maintains a thick pizzicato tonic. -
Psaudio Copper
Issue 76 JANUARY 14TH, 2019 Welcome to Copper #76! ---here we are, halfway through January already, and I guess I'll find out if January actually exists without the mania of CES. I've attended since 1989, I'm done. My favorite newsflash so far has been that an autonomous car ran over an autonomous robot.... But we're here, and blessedly flu-free...so: Larry Schenbeck continues his look at musical storytellers---vocal ones, this time; we're revisiting Dan Schwartz's piece on Steve Reich; Richard Murison tries his hand at haiku---and some ku are hai-er than others; Jay Jay French brings us the second of two stories about meeting John & Yoko; Roy Hall tells his uncommonly-touching story of citizenship; Anne E. Johnson does double duty, with a look at lesser-known cuts from Richie Havens, as well as a Something Old/Something New review of new recordings of not one but two composers named Praetorius; Christian James Hand deconstructs REM's "It's the End of the World..."; and I obsess yet again about CES, and continue with a look at the audio segment of the amazing business empire of Sherman Fairchild. Industry News continues the never-ending story of---well, guess who. No, it's a different guess who than last issue's guess who. Sheesh! Our friend Fred Schwartz wonders what we'd hear in a certain situation; and we're pleased to have the first contribution from Jeremy Kipnis, writing about his illustrious ancestor, operatic bass Alexander Kipnis. Copper #76 wraps up with a scratchy sound from Charles Rodrigues, and a Parting Shot all the way from Argentina. -
Arturo O'farrill Ron Horton Steve Potts Stan Getz
SEPTEMBER 2015—ISSUE 161 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM GARY BARTZ musical warrior ARTURO RON STEVE STAN O’FARRILL HORTON POTTS GETZ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East SEPTEMBER 2015—ISSUE 161 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Arturo O’Farrill 6 by russ musto [email protected] Andrey Henkin: [email protected] Artist Feature : Ron Horton 7 by sean fitzell General Inquiries: [email protected] On The Cover : Gary Bartz 8 by james pietaro Advertising: [email protected] Encore : Steve Potts by clifford Allen Editorial: 10 [email protected] Calendar: Lest We Forget : Stan Getz 10 by george kanzler [email protected] VOXNews: LAbel Spotlight : 482 Music by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin For subscription assistance, send check, cash or money order to the address above or email [email protected] Festival Report 13 Staff Writers David R. Adler, Clifford Allen, CD Reviews 14 Fred Bouchard, Stuart Broomer, Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Miscellany 39 Brad Farberman, Sean Fitzell, Kurt Gottschalk, Tom Greenland, Event Calendar Alex Henderson, Marcia Hillman, 40 Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Russ Musto, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Alto saxophonist Gary Bartz (On The Cover) turns 75 this month and celebrates with two nights at Dizzy’s Club. -
Suggested Listening - Jazz Artists 1
SUGGESTED LISTENING - JAZZ ARTISTS 1. TRUMPET - Nat Adderley, Louis Armstrong, Chet Baker, Terrance Blanchard, Lester, Bowie, Randy Brecker, Clifford Brown, Don Cherry, Buck Clayton, Johnny Coles, Miles Davis, Kevin Dean, Kenny Dorham, Dave Douglas, Harry Edison, Roy Eldridge, Art Farmer, Dizzy Gillespie, Bobby Hackett, Tim Hagans, Roy Hargrove, Phillip Harper,Tom Harrell, Eddie Henderson, Terumaso Hino, Freddie Hubbard, Ingrid Jensen, Thad Jones, Booker Little, Joe Magnarelli, John McNeil, Wynton Marsalis, John Marshall, Blue Mitchell, Lee Morgan, Fats Navarro, Nicholas Payton, Barry Ries, Wallace Roney, Jim Rotondi, Carl Saunders, Woody Shaw, Bobby Shew, John Swana, Clark Terry, Scott Wendholt, Kenny Wheeler 2. SOPRANO SAX - Sidney Bechet, Jane Ira Bloom, John Coltrane, Joe Farrell, Steve Grossman, Christine Jensen, David Liebman, Steve Lacy, Chris Potter, Wayne Shorter 3. ALTO SAX - Cannonball Adderley, Craig Bailey, Gary Bartz, Arthur Blythe, Richie Cole, Ornette Coleman, Steve Coleman, Paul Desmond, Eric Dolphy, Lou Donaldson, Paquito D’Rivera, Kenny Garrett, Herb Geller, Bunky Green, Jimmy Greene, Antonio Hart, John Jenkins, Christine Jensen, Eric Kloss, Lee Konitz, Charlie Mariano, Jackie McLean, Roscoe Mitchell, Frank Morgan, Lanny Morgan, Lennie Niehaus, Greg Osby, Charlie Parker, Art Pepper, Bud Shank, Steve Slagel, Jim Snidero, James Spaulding, Sonny Stitt, Bobby Watson, Steve Wilson, Phil Woods, John Zorn 4. TENOR SAX - George Adams, Eric Alexander, Gene Ammons, Bob Berg, Jerry Bergonzi, Don Braden, Michael Brecker, Gary Campbell, -
1 Sonic Youth's Debut Album, Their Acclaimed And
1 SONIC YOUTH’S DEBUT ALBUM, THEIR ACCLAIMED AND INFLUENTIAL CICCONE YOUTH PROJECT AND THURSTON MOORE’S ONLY SOLO ALBUM ALL FINALLY REMASTERED AND REISSUED AFTER MORE THAN A DECADE With a new Sonic Youth studio album expected later this year, three of the most daring, innovative and compelling soundvisions in modern music--Sonic Youth’s landmark 1982 debut album, its legendary twisted pop opus under the pseudonym Ciccone Youth and band member Thurston Moore’s sole solo album--are back. Sonic Youth (with bonus tracks) is being reissued for the first time since 1987, Ciccone Youth’s 1989 The Whitey Album for the first time since 1995 and Moore’s 1995 Psychic Hearts for the very first time. All three will be reissued by Geffen/UMe on March 14, 2006. Sonic Youth expands the original groundbreaking five-song mini-album (“The Burning Spear,” “I Dreamed I Dream,” “She Is Not Alone,” “I Don’t Want To Push It” and “The Good And The Bad”) with seven earlier tracks recorded live in September 1981 (“Hard Work,” “Where The Red Fern Grows,” “The Burning Spear,” “Cosmopolitan Girl,” “Loud And Soft,” “Destroyer” and “She Is Not Alone”) plus a pre-album demo recording of “I Dreamed I Dream” (in it’s earlier guise as “Where The Red Fern Grows”) from October 1981. As a part of the Post-Punk/No Wave movement, and raised on punk and experimental music, Sonic Youth had formed earlier that year and recorded the album with Moore on guitar and vocals, Kim Gordon on bass, guitar and vocals, Lee Ranaldo on guitar and vocals, and Richard Edson on drums.