E0 NEIGHBORHOOD:!#®^. a Cause

Total Page:16

File Type:pdf, Size:1020Kb

E0 NEIGHBORHOOD:!#®^. a Cause THE EVENING STAR, Washington, D. C. r MONDAY, OCTOBER 8. 19.78 A-18 _ THE PASSING SHOW j HOLLYWOOD ROBERT MlimUM mT Well, Egghead By Girls i SHEILAH GRAHAM UMTHESSmeJ Lose Another Vote utkt’HTur By JAY CARMODY Larry's the Director, See? rJ^UPLKQUE Here we are. a voteless Washington, just & who muffed chance HOLLYWOOD (NANA).—The scripted “The Jim Piersall Story” to vote. And on such a huge ballot too, with so many glamorous names. reason for the coolness between for new star Tony Perkins, Marilyn and Laurence helped enormously when The voting privilege laggard Monroe me I PATRICK HAYES CONCERTS which we were too to seize Is Larry objects to country IN CONSTITUTION HALL that extended annually by Boxoffice magazine. Olivier: Sir first came to this as a As one. the ballot • tjif t xi \* fK fgfb Paula Strasberg’s continual cub reporter and worked along- asks, “who has his finger on the public pulse,” would we please V?|l kL; 1 12 and 12 ", \ \ coaching of Marilyn during the ; side him on the New York Daily; ¦¦ name women men as V JF H Mirror. I IT, he All-American screen favorites filming of their “Sleeping 15 BERLIN couraged girls. Or ** * * PERFORMANCES ONLY! of 1956? in any other Prince.” One of the reasons for human types that the break-up of Marilyn’s Liberace’s fust date in Lon- all for matter. mar- NATIONAL BEG. TUES. r OCT. 16 With America, or at least agog—2l-year-old the editors of Boxoffice, hunger- But, as we say, the sin against riage with Joe D1 Maggio was his don had them “AMERICA'S FIRST THEATRE” PHILHARMONIC Lesley But when he was ing for decision on this, egghead girls Is neglecting to IBllliii? objection to her first dramatic Carol. Etrnlnn B:3o—Matinee 2:30 our we asked, love,” replied, to the voting vote for them when their names coach. Natasha Lytess.... It will “Is it Lee failed meet dead- ideal step- Special 7 PM. Sun. Show Oct. It ORCHESTRA turn up on movie ballots. They be Victor Mature and not Rob- “She’d make an Special line. price and Matinee Pri.. Oct. IS rondieitd B, It not that are left to get ahead of Yvonne ert Mltchum. I understand, for mom!” His for the Case: was we did not have de Carlo, etc., “The Long Haul,” with Britain's de Paris is double favorite candidates, two of them on their own me- 1 almost what! HERBERT VON KARAJAN rits. True, Diana to over they paid Marlene Dietrich and! lovely girls who could (but very their merits serve Dors, be made them well, but it would there. she received the then all-time j likely will not) look at us accus- never THIS THURS.—B:3O P.M. have Hollywood high of £4,000. And did you know; Program: ingly the rest of days. They hurt to know The rumors are sure to start Cherubini "Anacreon" our there that Liberace’s hands are in-! Overture. Wagner Prelude and Love- are both sort of egghead girls, are males out on the hori- when Mrs. Rock Hudson arrives Death from "Tristan und Isolde." zon sured with Lloyds for $1 million?; Brahms 2nd Symphony. too. the kind who need loyalty who think well of Miss Saint, in New York without Rock. But ; if not as often as her followers he follows two days after. |No one knew him in Paris, “butj GOOD SEATS AVAILABLE as compared with the Janes, It’s.; hap- think of Lana Turner. “Something of Value” keeps i,| that was a relief after what $2.60, $3.00, >3.50. $ 1.50, >3.50 Marilyns and Lanas who come that England,” cabled by popularity naturally. *** * him here, and Rock has to fly:pened in Lee.! [ Ann Miller was offered a trip! HAYES CONCERT BUREAU back immediately after the pre-l SEAT SALE NOW! (In Campbell’s) 1108 G St. N.W. By “egghead,” we mean noth- The male candidates, giving to the Orient good-will . as am- p.m. mier of “Giant.” . Rocky Box office open 10 a m. to 9:30 National 8-7151 Steinway Plans ing unflattering. The term is their names on the ballot a quick and See GRAHAM, Page A-191 used as it is in politics, to denote run-through, are not as stimu- Mrs. Graziano are here and he intelligence above and beyond lating naturally. But there are can get all the show dates he: the ruefully indicated norm in some eggheads, and even an egg- wants. He prefers to work with high face or two, among these 2!§v Martha Raye. Peggy Con- the field. It is time intel- for wj&j ’' ''-‘k nolly, ligence whom a vote might once Prank Sinatra’s fa- became a factor in the well have forite, selection of an All-American been cast. Yes, if only in keep- is seeing another crooner —Andy something, especially, ing the faith with another Williams of the Steve and rather lost Allen show. E0 NEIGHBORHOOD:!#®^. a cause. screen favorite. * Films of Than Routine Merit ** * More THEATERS ** * * One such, might be AMBASSADOR’S DAUGHTER”—A light, amusing ro- _DHIVE-ni Richard Vic Damone arrived in Paris “THE The two girls for whom we Egan. He is another college boy, mantic fable by Norman Krasna with Olivia de Havilland. A to spend two weeks with QUEENS CHAPEL Z„ would have to blazes drama grad that, wife engaging comedy Kiddies voted—and a school at Pier Angeli. They return here; “THE SWAN”—An and handsome in which Hamilton St.. W. Hyatts., Md. with the other 10—are Julie Har- who made good. Kelly meets Prince Charming, played by Alec Playground. Kiddies Free. ' PILLARS And Charlton (St-' in together after Pier completes Grace OP THE SKY.’' JEFF CHANDLER. ris and Eva Marie Saint. They Heston who after playing Moses Guinness. 7:30. 11:05; "HUMAN DESIRE/' “Harvest Thunder” with Mel- OLENN_FORD, 7:26. are both thin girls with piquant in “The Ten Commandments” “THE SEARCHERS”—A John Ford western with the master’s 0:25. Cartoon. Ferrer. by the is Bi t. E. M.LOEW’B So. of Air* and private BEAUTY Mel. way, wizardry faces and both can will be hard put to find a role FROM BELGRADE talking a new picture with in landscape making Itself felt. AIR play rings around the that won’t a A Whose name we do not know, nor does the press agent H. Julie MT. VERNON OPEN more seem comedown. j Clouzot, who did that fiendishly “EAST OF EDEN”—The late James Dean co-stars with Open o:3o——Show Starts at Dusk lounded types running for All- vote for Chuck at this point ini apparently, but she will dance here October 14 at Con- clever job Harris in a sizzling script from Steinbeck. NANCYKELLY. PATTY McCORMACK on “Diabolique.” . American honors his might “THE BAD SEED” in Boxoffice’s career have been just stitution Hall with Yugoslavia’s famous Kolq Company. Nina Foch hangs her “THE PROUD AND THE PROFANE"—WiIIiam Holden and election. the thing to give cour- bonnet at At 9:40. JOHN PAYNE. ARLENE - play him the Could it be that in state companies, entertainers lose 20th Fox for “Three Brave Deborah Kerr the lovers in this wartime romance. DAHL. “SLIGHTLY SCARLET/* at Both are quiet, educated age beyond 7:40. girls, to,look Moses. their identities? Men.” “The men,” says "THE TENDER TRAP”—The Joys of New York bachelorhood too, Saint Nina, kiddies Free. Free Giant Playground. Miss of Bowling Green Then there is Arthur Kennedy, “are Ray Milland, are illustrated by Frank Sinatra. Ernest Borg- - College got | super in Ohio where she one ¦ !¦¦ !¦ ¦¦¦¦¦ ¦! a of the screen’s best actors nine and Frank Lovejoy. I’m the "¦I ¦—Him ¦¦ ¦ ¦¦¦ I I ¦ ¦ ¦ ¦ dnnSjj^Sgg: degree in that he was meant to be an actor.; fore he, himself, and the world Free. education; and Miss for years, but also one you have; fourth play Kiddles PAUL NEWMAN. at Michigan There so many ; at large discovered great brave one—l the "SOMEBODY UP THERE LIKES ME/' Harris and Yale’s to identify with a given picture: are others, bet- what a prosecuting attorney." Stanley Warner Theaters SIDNEY LUST THEATERS 8:00. JOHN PAYNE. “THE BILVER Free Parking 10:10, graduate _ _ school. They are more before many can remember him. ter actors by far than most, but guy he is, in "Marty.” 5 ß LODE/* Ted Berkman, ace screen writ- s £ DAIturn SP 3-5165. Geo. Palmer varied to talk to than many ac- Arthur is so eggheaded that character Well, when Tony AMBASSADOR SV.ITd rnUVIKtEI i,wy Via Annapolis he; types. Karl Malden, Curtis and er at Paramount, married Anna- I "Toward the Unknown.” William BELTSVILLE DRIVE-IN Rd. tresses twice their ages and this got a degree in engineering at: for instance. And Ernine Borg- Elvis Presley win over these, a Holden. 1:00. 8:05. 9:J5. Wl. 5-5800. Balto. Bird. Children Free or Landover Rd. Kiddies Free- JEFF certainly hrae White of Texas in Salsburg, 6.15^7:20. 2 Great Technicolor Classics. FRED CHANDLER. ‘ PILLARS OF THE is a thing to be en- Carnegie Tech before he realized! ! nine who used to lyilf||| WO. 6-2600. 6612 Conn. MacMURRAY. HENRY FONDA. SKY/* 8:00; CAROL OHMART. “THE be a villain be- ’ See CARMODY, Page A-19 Austria, summer. Ted, > iiflUiUll “Somebody Up 1 this who Ave. N.W. “TRAIL OF THE LONESOME PINE.’ BCARLET_HOUR.”_9:4‘.\ __ There Likes Me." Paul Newman.
Recommended publications
  • Jane Fonda Blisters Vietnam War Effort
    =11 Book Talk Fonda A re-play of the Jane Fonda Dr. Arlene Akerlund, assis- speech delivered at SJS tant professor of English, yesterday in the C.U. Ball- will discuss Ernest Heming- room will be on radio station way's novel "Islands in the KSJS 90.7 tonight at 8 and on Stream," today at noon in station KSJO at 8 tomorrow rooms A and B of the Spartan artan Datil Cafeteria. night. Serving the San Jose State College Community Since 1934 Vol. 58 SAN JOSE CALIFORNIA 95114, WEDNESDAY MARCH 3, 1971 No 77 Jane Fonda Blisters #1$ Vietnam War Effort kkitellompoiffatielt" By LANCE FREDERIKSEN "You don't hear of this because we do have lost control of their forces. Daily Political Writer not have a responsible press. But let me "If the men get a gung-ho officer, 111 q - Jane Fonda, actress and anti-war assure you, MyLai is not an isolated they'll fragg him," she declared, "So activist, urged an overflow crowd of incident," Miss Fonda added. the officers won't make them cut their .,A.0044 . about 2,000 listeners yesterday after- Miss Fonda recently attended the hair, stop smoking dope, or, above all, noon in the College Union Ballroom to war crimes investigation sponsored by go on dangerous missions." "make peace with the people of Viet- the Vietnam Veterans Against the War. Fragging, Miss Fonda explained, :Iv nam." The meeting, held in Detroit, Jan. 31, occurs when a fragmentation bomb is The audience enthusiastically and Feb. 1-2, was organized by 2,000 ex- rolled under an officer's tent.
    [Show full text]
  • 'Ex-Lexes' Cherished Time on Hawaiian Room's Stage POSTED: 01:30 A.M
    http://www.staradvertiser.com/businesspremium/20120622__ExLexes_cherished_time_on_Hawaiian_Rooms_stage.html?id=159968985 'Ex-Lexes' cherished time on Hawaiian Room's stage POSTED: 01:30 a.m. HST, Jun 22, 2012 StarAdvertiser.com Last week, we looked at the Hawaiian Room at the Lexington Hotel in New York City, which opened 75 years ago this week in 1937. The room was lush with palm trees, bamboo, tapa, coconuts and even sported a periodic tropical rainstorm, said Greg Traynor, who visited with his family in 1940. The Hawaiian entertainers were the best in the world. The Hawaiian Room was so successful it created a wave of South Seas bars and restaurants that swept the country after World War II. In this column, we'll hear from some of the women who sang and danced there. They call themselves Ex-Lexes. courtesy Mona Joy Lum, Hula Preservation Society / 1957Some of the singers and dancers at the Hawaiian Room in the Lexington Hotel. The women relished the opportunity to "Singing at the Hawaiian Room was the high point of my life," perform on such a marquee stage. said soprano Mona Joy Lum. "I told my mother, if I could sing on a big stage in New York, I would be happy. And I got to do that." Lum said the Hawaiian Room was filled every night. "It could hold about 150 patrons. There were two shows a night and the club was open until 2 a.m. I worked an hour a day and was paid $150 a week (about $1,200 a week today). It was wonderful.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • Gold on Talking Pictures TV Stars: Roger Moore, Susannah York, Ray Milland, Bradford Dillman and John Gielgud
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 7th December 2020 FREESAT 306 | VIRGIN 445 Gold on Talking Pictures TV Stars: Roger Moore, Susannah York, Ray Milland, Bradford Dillman and John Gielgud. Directed by Peter R. Hunt in 1974. Roger Moore plays Rodney “Rod” Slater, general manager of a South African gold mine, who is instructed by his boss to break through an underground dike into what he is told is a rich seam of gold. The mine-owner’s son-in-law and director plan to destroy the mine so that foreign syndicate members can profit from share-dealing and raise the price of gold on world markets. This will be done by drilling through a deep underground greenstone wall or ‘dyke’ which prevents an adjacent reservoir of water from flooding the mine. When the final breach is made a wall of ocean water roars into interconnected mazes of tunnels and shafts and the mine floods, trapping a thousand workers. Based on the 1970 novel Gold Mine by Wilbur Smith. Airs Saturday 12th December 8:10pm. Monday 7th December 8:55am Wednesday 9th December 8:05am The Secret Tunnel (1948) I’ll Turn To You (1946) Family. Director: William C. Hammond. Drama. Director: Geoffrey Faithfull. Stars: Tony Wager, Ivor Bowyer, A soldier returning home finds Murray Matheson. Two boys set out readjusting to married life and civvy to bring justice to the thieves of a street very difficult. Stars Irene Handl, Rembrandt painting. Don Stannard, Terry Randall, Harry Welchman, Ann Codrington Monday 7th December 10:30am and George Merritt.
    [Show full text]
  • Leisen, Mitchell (1898-1972) by Craig Kaczorowski
    Leisen, Mitchell (1898-1972) by Craig Kaczorowski Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com Mitchell Leisen was a noted director during Hollywood's Golden Age. He is credited with more than 40 feature films, which are celebrated for their stylishness and visual elegance. He excelled at witty, romantic comedies that are often tinged with a touch of melancholy, such as the classic "screwball" comedy Easy Living (1937) and the clever, cosmopolitan farce Midnight (1939). Leisen has also been hailed for his "gender role-reversal" films, where the male lead is cast as the sex object and the female lead as the aggressor. Not surprising for a bisexual director working in Hollywood, Leisen's other thematic obsessions included mistaken identity, role-playing, and deception. Leisen returned to the same performers film after film, developing strong working partnerships. Although he was instrumental in shaping the careers of such actors as Fred MacMurray and Ray Milland, Leisen became typed as a "woman's director" for the fastidious, detailed attention he paid to the costuming and art direction of his productions, as well as for the nuanced, spontaneous performances he coaxed from such actresses as Carole Lombard, Claudette Colbert, and Olivia de Havilland. Among many film historians, Leisen's artistic reputation has been tarnished somewhat by the stormy relationships he became embroiled in with some of his screenwriters, most notably Preston Sturges and Billy Wilder. After working on several films with Leisen, both writers demanded to be allowed to direct their own scripts, in part because they objected to the sophisticated veneer of Leisen's directorial style and to the changes he frequently made to their screenplays.
    [Show full text]
  • Span Book Data
    Span Book Data 266 in series – plus 14 Extras Published: 6th of current month; volume number changes in September or October Extras – quarterly – 30 January, 30 April, 31 July, 30 October Format: 7”x4½” Name in italics indicates the model made her first appearance in this magazine SPAN EXTRA 1 Spring 1958 Front cover: Diane Webber Back cover: no photo Models: Pamela Bevan, Susan Denny, Barbara Sharp, Jacqueline White, Cheri Swift, Janine Sykes (Maxine Millar), Loraine Burnett, Pat Holland, Heidi Erich, Vicky Reynolds, June Baker, Betty McBride, Hazel Powell 2 Summer 1958 (80pp) Front cover: Jackie McCullah & Irish McCalla Back cover: no photo Models: Sheree Winton, Lamorna Lea (Patricia Smith), Jackie McCullah & Irish McCalla, Lavinia Grant, Sheree Winton, Rosa Domaille & Fiona Callum, Monique Vita, Lili St.Cyr, Gloria Severn, Elaine Allen, Dorothy Ridley, Gloria Winter, Shendah Pearce, Pixie Noles, Georgina Moore, Eddy Vesel, Lee Collins 3 Autumn 1958 (80pp) Front cover: Marisa Allasio Back cover: no photo Models: Maureen Jeggo, Rita Williamson, Georgina Moore, Lynn Tracey, Maureen Jeggo, Rita Williamson, Claire Martin, Marion Holmes, Danick Chevalier, Jean Belvin, Sandy Sims 4 Winter 1958 (68pp) Front cover: Lily Christine Back cover: Diane Clare Models: Jennifer Trueman, Sheila Pragnell, Carmen Philips, Diane Clare, Jackie Durran, Susan Marshall, Vicky Grey, Agnes Laurent, Marion 5 Spring 1959 (68pp) Front cover: Linda Stuart Back cover: no photo Models: Paula Page, Shirley Epps, Linda Stuart, Isobel Miller, Benice Swanson, Anne Furnaess,
    [Show full text]
  • American Railroads
    the linger wee Pvt. Lanza. two regular weekly visitors—- prisonment when bamboo shoots THE • EVENING STAR B-7 Open 10:45 A M. 65c Till 1 P M. Robert Weede became Lanza’s i his barber on Thursdays, hls were placed under hls finger- Wellington, 0. C., October 13, lilt Fnlui Ihiwlni 10:00 P.M. once, Tueday, !»J» teacher and In New Or- doctor on Fridays. Hls great nails. Representative John NEVER wot SEX SO FUNNY THE LYONS DEN leans, they each gave a concert villa, library and collection of E. Fogarty is giving hls $2,500 6TH RIB-TICKLING WEEK By LYONS in the same hall. Weede drew masterpieces—worth millions—- award money ta a fund for LEONARD a fair house. The next day hie will all go to hls alma mater, helping mentally retarded 20th Death Laid "CUon-cut Kids in pupil, Lanza, broke the house- Harvard University. Bedroom Force"-LIFE children. attendance record. He was pleased when, at 87, Maurice Pate, head of United To Encephalitis Death in Italy 'e• • • “Rumor and Reflection” hls Nations International Chil- LAKEWOOD. N. J.j Oct. 13 NEW YORK.—Two Ameri- filment. To Murio Lsus, eut It was ‘‘The Great Caruso" made the best seller list: "I’m dren’s Emergency Fund, re- (AP). yeur, Italy brought fame, of being —A Tuckerton woman cans, one old and the other down In his 38th that him and In tired required reading vealed that this year UNICEF died yesterday of suspected extension of Holly- movie he sang songs colleges.” recently en- Italy was but an that more i at He fin- will have helped feed 85 million cephalitis, the 20th person be- young, died in last week.
    [Show full text]
  • Miss Drag Steps
    304 New Society 18 ,' ovembc 9&;: ~ the TVS, the tr:msvestites. The TVs need to about 20 ,1 r 30 of these shows going on Out of the way to wear drag and look upon drag balls as a every night: they've been reported ai . .:han.:e to dress as a woman in publi c. Drag sleazy. tut they're not just a crowd of gi rl\ artists use women's clothes for their stage out en joying themselves. We have male strip. act, rather than put them on fo r pleasure. pers, bu t rhey" re not in among t.he girls e\·erv Tommy Osborne. tonight's compere. and two minures like people think they are.:. I a well-known professional drag artist him­ The women at the hen parties look upon 1 self, says a lot of rhe artists meet up at t.he drag artists as surrogate women, who voice drag balls and have a few drinks "and their submerged feelings. ··we talk about screech at t.he transvestite men, who are the things that women are always moaning hilarious. I remember last time, this farmer abour:· Tommy Osborne says, "like, 'He arrives in velvet cord trousers and leathers came home late last night and we had a Miss Drag and two boxes of appl·es on his shoulder. fight and the dinner went up the wa:ll,' and "They all just pull their wigs on, bang, and we put in a few swear words and they can steps out they've got these great muscular arms.
    [Show full text]
  • How Inforenz Cracked the Code Leading to Diana Dors' Millions
    How Inforenz cracked the code leading to Diana Dors’ millions Submitted by: Palam Communications Monday, 15 September 2003 A 400-year-old code held the secret to star’s hidden fortune for 20 years Free Vigenere Code Cracker software download 15 September 2003 A medieval code that perplexed spies and code breakers for centuries and which was used by Diana Dors to keep secret the whereabouts of her hidden fortune has been cracked by Inforenz, the information forensics specialist. The Inforenz team’s feat was featured in Saturday night’s Channel 4 documentary, Who Got Diana Dors’ Millions?. Free software demonstrating how Inforenz helped unravel the mystery and giving details of the code can now be downloaded from the company’s web site at www.inforenz.com. This week, the Inforenz team will talk about its exploits and explain why concealed data is becoming an increasing issue for modern business at COSAC, the international forum for information security professionals and business managers. Before she died, Diana Dors gave her son, Mark Dawson, a coded message telling him that it held the whereabouts of a hidden £2 million fortune, and that her husband, actor Alan Lake, had the “key” that would unravel the code. But, tragically, just months after Diana Dors died of cancer, Alan Lake committed suicide, taking the secret of how to decipher Mark’s code to his grave. For 21 years Diana Dors’ son Mark had failed in his quest to break the code but, when he discovered Inforenz, the story began to be revealed. “Mark came to us with a tatty scrap of paper with a sequence of letters written in a traditional coded five-character column format,” said Andy Clark, Director of Inforenz.
    [Show full text]
  • II. Remembrance Representation
    II. Remembrance & Representation Figure 1. Benson Fong, Beulah Quo, and George Takei on the set of My Three Sons. 2016 Amerasia Journal Amerasia 96 Amerasia Journal 42:2 (2016): 96-117 10.17953/aj.42.1.96 The Asian American Next Door Enfiguring the Model Minority on the Domestic Melodrama Melissa Phruksachart In the years between the mass incarceration of Japanese Americans (1942-1946) and the 1965 Immigration Act, what prepared the Ameri- can public to recognize and validate the term “model minority?” This essay proposes a televisual genealogy of the model minority as dis- tinct from the 1966 formulation published by The New York Times in William Petersen’s feature “Success Story, Japanese-American Style.”1 Building upon prior scholarship, I inquire into the early Cold War log- ics that precipitated the popular rise of the model minority figure in 1966. In particular, I point to network television as an archive that circulated the structures of feeling necessary for the model minority to take hold. By doing so, I place recent histories of Asian American do- mesticity during the Cold War era into closer conversation with U.S. popular culture, particularly television. While popular media histories lament the rarity of Asian Ameri- cans on television, I identify the trope of the Asian American neigh- bor as increasingly common on television in the late 1950s and early 1960s. Both the television industry and Asian American communities found themselves rapidly growing in size in mid-1950s California. At stake for both the television industry and Asian American commu- nities was the chance to be “domesticated” into the American home.
    [Show full text]
  • List of Shows Master Collection
    Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\
    [Show full text]
  • Films from the THIRTIES: PART II 1935-39
    t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships.
    [Show full text]