Honolulu Diary

Volume 3, Number 23, June 9, 1993 FREE •••••••••••••••••

by Margaret Price Pritchett 6 ••• ••••••••• ••• Tennent Treasures 11 ••••••••••••••••• F =Cafes t

�� C:.,= Will an extra clean car make you feel great? Letters The answer is yes! A cheapshot ...... but right on target urnon thebuilding of new golf cours­ I know the Honolulu County The American variety of represen­ es (105 new ones areproposed), mari­ Committee on the Status of Women tative government ensures thatsuch nas and large-scale resorts. speaks on behalf of many women in qualities of intelligence and ethics Cayetano is also calling for major questioning the poor judgment and as might equip a leader to a state campaign spending laws reforms. lack of sensitivity demonstrated by such as Hawaii responsibly areexact- Again they are close to Green Party John Pritchett's cartoondepicting the 1 y the qualities that would prevent proposals: to ban political action A NATURAL APPROACH TO: Republican gubernatorialcandidates this same person frombeing sub­ committee and corporate campaign •Head, Neck and Back Pain Frank Fasi and Pat Saiki (HW, 4/28). jected tothe demeaning performances contributions; abolish paid TV and •Energy &Weight Problems This depiction demeans both candi­ of vote-begging and delegate-swap­ newspaper political advertising; and •Asthma & Allergies dates, especially one of Saiki's cal­ ping. To quote best-selling author fund forums and mailouts to publi­ •Female Disorders cize candidates' stands on the issues. •YOUR SpecificHealth Concerns. iber and doesnothing to illustratethe Trevanian,''It is a truismof American •Covered by No-Fault, Workman's Comp. & serious issues thatshould beaddressed politics that no man (woman) who Cayetano's opposition to the Sharon most privateinsurance companies. during the gubernatorialrace. It also can win an election deserves to." Himeno Supreme Court nomination, reveals bad taste and a lack of sensi­ I feltthat Pritchett's political cartoon Fasi's rapid transit-urban develop­ tivity on your part to many women of Pat Saiki and Frank Fasi in bed ment scheme and the Ameron Quany �·u9�-RY.��� 1750 Kalakaua Ave. who aresubject to this type of sexu­ was very simple to understand and proposal in Waialua are all promis­ "For your mmplete naturalhealth wre" Center, Ste. #2107 ing signs that he is trying to separate 947-1315 al innuendo on a daily basis. In the tells it like it is. The only question I workplace, this could be construed have is this: Who's paying and who's himself from the Old Boy (& Girl) as sexual harassment. collecting? Democratic Party Network. Now if Undoubtedly Mr. Pritchett thought it Marty Finver Ben willonly endorse the rest of our was a clever idea to depict this par­ platform,we won't have to findour ticular male and femalecandidate in Cayetano's own candidate forthe '94 governor's a bedroom setting. After all, politics looking race. doesindeed producestran ge alliances green Ira Rohter, Co-chair Lt. GovernorBen Cayetano's going Hawaii Green Party 20% OFF* in even strangersettings. But surely to run forgovernor in '94 as aGreen? there is a better way of portraying He is busy adopting ideas from the these particular candidates than in Hawaii Green Party platform right bed. After all, a cartoonist of his and left. In your recent interview Honolulu Weeklywelcomes your vaunted imagination could surely ("Here Comes Ben," HW 5/26) he come up with a better ideathan some­ letters. Write to: Editor, Honolulu clearly grasped thatmass tourism has Weekly, 1200 College Walk, Suite thingas triteas politicsmaking strange become a "new plantation" form of "bedfellows." 212, Honolulu, HI 96817. You economy that mostly creates low­ must include your name, address If a cheap shot combined with a sex­ paying service jobs forHawaii's res­ ual innuendo was his intent, then he and telephone number (only your idents. A few are getting wealthy name will be printed). Letters may has succeeded. If, however, he want­ while thevast majorityof us arestrug­ Lot'• got roady to ed to illustratea specificor important be edited forlength. Pleaselimit gling with unaffordable housing and your letters to 200 wordsmaxi­ issue relatedto the candidacy of these a cost of living 38 percenthigher than RRRRRRummagol two individuals, we must insist that mum if you do not want to see on the Mainland. Ben calls for a them cut. • he go back to the drawing board. "more selective strategy"of tourism Linda Colburn,Chair development, while the Greens call Honolulu County Committee on for an outright statewide moratori- the Status of Women HONOLULU Do you sort your M&Ms by color? Vol. 3, No. 23 Has your checkbook balanced to the June 9, 1993 Publisher and Managing penny since 19 79? Editor Laurie V. Carlson Senior Editor Julia Steele Want work in a stimulating, Associate Editor Derek Ferrar Calendar: coffee---rich environment? Editors: David Choo, Matt Uiagalelei !ammor Rummage !alol Film Critics: Are you 'bright, capable and Bob Green, Mary Brennan TheaterCritic: Mark Thomson �UNDAY JUNE 13TH, 1993 • 10am-2pm obnoxiously organized? Contributing Writers Cecil Adams, Patterson Hunter, Blow-out priec1g on g11l11et11dm11rehandig11 • too low to adv11rfiggllf Margaret Price, Nikki Ty-Tomkins CopyCatharine Edtor Gregory Ca�h, Carry Onlyl Comg in garfy forbgd iefgffionl Art Director Bud Linschoten Honolulu Weekly needs a bookkeeper/receptionist Production Isabella Forster, Sam Kim 35,40 hours a week. Salary dependent on ContributingPhotographer 1312 Kaumualii St. 1923 s. Beretania JeffHelberg b\\VaL:\11 experience. Medical + vacation benefits. CartoonistsMatt Groening, Ph 832-7190 G=u\?1-1() Ph 973-7171 Call Laurie, 528, 1475. John Pritchett, Slug Signorino Interns Joel Fallago, Marguerite Geagan AdministrativeSupport and ClassifiedAdvertising 1993--94 Season of Adventures! Catharine Gregory Advertising Fuu_ SEASON ( 8 mlmissions) Leo Geensen, Cheryl Oncea BLINKY BILL _Adult® $54.00 $ ___ ISSN # 1057-414X Entire contents © 1993 by _Teen*@$45.00 $ ___ Honolulu Weekly, Inc. RAMONA QUIMBY _Youth/Senior** @ $30.00 $ ___ All rights reserved.

A Memberof the Honolulu Theatrefor Youth Associationof MINI SEASON (4 oclmissions) Alternative 2846UalenaSt. THE B EST I S YET To COME Newsweeklies _Adultmini @ $28.80 $ ___ Honolulu Manuscriptsshould be accompanied by a HI 96819 _Teen mini@'$24.00 $ ___ self-addressedstamped envelope: THEATREFEST '93 Honolulu Weekly assumes 1w responsibili­ _Youth/Seniormini@$16.00 $ ___ tyforunsolicited material. Subscription rates:Sit momhs $35. DUKE KAHANAMOKU One year $50. Honolulu Weeklyis availablefree of charge, limited to one copyper reader. Additional copiesmay be purchased at our THE YELLOW BOAT office.No person may, without pen11issio11 Name ______o/Honolulu Weekly. take nwrethan one copyof each Honolulu Weeklyissue. ___ Address zipcode 1200 College Walk. Suite 212 DINOSAURUS •Teen ages13-18 Honolulu, Hawaii 96817 SeasonTickets Telephone: 808 528-1475 ••Youthages4-12 Order your today and save money! MOSQUITO TAILS Senior age 60+ Make checkspayable to Honolulu Theatre for Youth Mail• by June 24, 1993 For more in ormation call HTY at 839-9885 2 • June 9, 1993 • Honolulu Weekly BurgunOy unique apparel & accessories fromaround the-world KilohanaS quare 1016 Kapahulu Ave. 732-2734 lion more in lost revenue. "We didn't get the size of audi­ Postcards Three years ago, Monson says, ence we'd hopedbecause of the lim­ �Ion - Sat 10 a.m. - 6 p.m. fromAAN the city offeredconvention center itation in area coverage," HPR Late last month, a sizeable por­ developers a "gift worth hundreds General Manager Al Hulsen says, tion of the Weekly's staffjourneyed of millions" by grantingzoning vari­ "so we didn't get the expected pro­ to swingin' Austin, Tx., 60 miles ances allowing a center to exceed portionof donors, and we also didn't from thesite ofKoresh's last stand, height and densitylimits. The league get as much underwriting." for the annual convention of the opposed that permit in a two-year­ Hulsen says that HPRis stilllook­ 0\ Association of AlternativeNews­ old lawsuit which is currently before ing into ways to increase KIPO's weeklies, of which we are a proud the state Supreme Court. Monson power, such as using special filters, designer furniture sale member. Each year, representatives speculates that Mirikitani,who crit­ moving the station's transmitteror fromAAN's 80-odd memberpapers icized the original convention cen­ even moving the FCC monitoring to the public gather to share war stories, check ter permit, might be offeringthe tax station, but he says that Public for two dovs onlv out new developments in the field break in exchange for a slight roll­ Radio's financialcondition required and, of course, drinklike there's no back in height and density. immediate action.If KIPO's power sample pieces below tomorrow. (Mirikitani was not available for is increased, he says, some pro­ This year, AAN business includ­ comment.) gramming could be restored. l wholesale prices ed a decision to establish a national "All we're saying," says Monson, To better understand the HPR office and hire an executive direc­ "is: What business doesthe Council shakeup, a little historymay behelp­ friday6/18 12-6 tor, although their locationand func­ have grantinga property-taxexemp­ ful:Public Radio herestarted a dozen saturday 6/19 10-4 tion are still under debate. Weekly tionto a huge money-making propo­ years ago with a single classical FM Publisher Laurie Carlson and Editor sition?It's alreadygiven a giftworth station,KHPR, broadcasting out of Julia Steele sat on a panel covering millions. And if Mirikitani thinkshe the quarry at the University of InternationalDesi n Sources the seemingly universal tensions is somehow tradingheight and den­ Hawaii. It grew rapidly and soon 1257 s beretania st between publishers and editors, but sity reductions fortax exemptions, purchased prime real estate a block secondAoor managed to emerge without incur­ that assumes the developers had a from Ala Moana Center, where it entrance in reor ring grievous bodily harm. "The right to those variances in the first constructedflagship studiosinclud­ across fromschumon carriage 523.8000 struggle to maintain absolute edito­ place, an idea we've challenged in ing, among other things, a small rial integrity and make money at the court." recital hall equipped with anexpen­ same time is hardly news," Steele Mirikitani's proposal is currently sive Bosendorfer piano. Two more reports, "though I think many on the before the Council's Budget and stations,one on FM and one on AM, panel would've agreed that main­ Finance Committee. werestarted. HPR began publishing taining absolute editorial integrity a monthly arts magazine, which is, in the long run, the best way to quickly went under. The total cost make money." The down beat of the capital improvements,accord­ While the conference featured For Honolulu hipsters, there just ing to Hulsen, was $3.1 million - numerous discussions of high prin­ isn't all that (much) jazz any more. money spent on improvements and ciple by distinguishedspeakers such Last week, citing financial trou­ side projects instead of program­ Charming by Heidi's as Florence Graves, founder of bles, Hawaii Public Radio canned ming, which, after all, is radio's atmosphere, Common Cause magazine, and all of its local jazz deejays (one of essential function. great food esteemedTe xas politicalwriter Molly whom was Weekly editor Steele) as "I don't disagree that some of the trdrinks Ivins, the main focus for nearly all well as a couple of jazz program­ decisionsmade numerous years You are cordially Invited the smaller, newer publicationswas ming directors and a news reporter. have resulted in the expenditure of the same: How do you create a jour­ KIPO,Public Radio's 'jazz station," money that might have been better for Dinner nalisticloaves-and-fishes act when will replace its weeknightjazz with usedelsewhe re,"admits Hulsen,"but Mon -Fri p.m.5 · 9 p.m. the cupboard is bare? (to mix a a simulcast of the syndicated news the fact is, steps to address these metaphor or two). The ever-so-reas­ and talk programmingon HPR'snew problems were taken by the board serving: suring answer from the muckety­ AM talk station, KIFO. Also can­ about a year ago [when CliffEblen, Pasta - Southwestern -Creative Vegetarian - Fresh Island Seafood mucks at papers that have been celled at last report are locally gen­ who ranthe stationthrough its expan­ aroundtwo decadesor more:"Guess eratedprograms such as Jay Junker's sion and improvement expenditures, 15% Dinner Discount (food only) with this ad what, kids ... these problems never Hawaiian Boogie and Liza Simon's resigned, and Hulsen took over]. 536· 5344 I free Validated Parking I Grosvenor Center on Queen/ Alake a go away." Oh, happy day. reggae show, and popular canned 'Therehas beena hard lookat our features suchas Marketplace and fiscalsituation and our ability to pro­ The GratefulDead Hour.KIPO will vide service to the community with­ offersyndicated Mainland jazz pro­ in the means possible. What you're Tax-free gramming on Saturday nights and seeing nowis the resultof that analy­ TWO BUCKS convention center? international programming on sis." Legislative observers from the Sundays, but the end result is that SAYS YOU'LL League of Women Voters say they Public Radio listeners will now be were "aghast" to discover a resolu­ able to hear far less jazz and con­ tion proposed by City Councilman Poi watchdogs We really want you siderably less locallygenerated pro­ United We Stand, the organiza­ LOVE OUR to try our delicious Andy Mirikitanithat would exempt gramming. tion founded by H. Ross Perot, is a city-backedconvention cen tercom­ The station'smanagement blames opening a new local headquarters in Chicago-style plex - which, under current plans, the cutbacks on heavy debt obliga­ Honolulu. The official open house PIZZA. deep-dish pizza. would consist of about 80 percent tions and "a continuing limitation - with pupus, prizes and music - So with any purchase money-making properties such as on the transmissionpower of KIPO, will take place on June 20 from2 to hotels, shops and condominiums - of $10 or more, resultingin less thananticipated com­ 5 p.m. at 1704 S. King St. Hawaii we'll give you $2 off fromproperty taxes. munity support for the station." A state director is Pamela Warren, who Noting that Councilman Leigh­ Public Radio news release states that will introduceDallas regional direc­ to help pay for Wai Doo recently expressed grave KIPO, which was originally licensed tor Ta mara Hardy to the assembled parking. Just show us concern over a property tax short­ by the Federal Communications Perovians. United We Stand is both your ticket fromany lall of over $4 million, the league's Comrrussionto broadcast at 100,000 non-profit and non-partisan. press lot in Waikiki. land-use expert.Astrid Monson. esti­ vatts, "has been restricted to 3.500 releases avow, and its official func­ RESTAURANTa BAR mated that an exemption for a con­ watts due to interference with the tion1s to be a"watchdog." Or maybe Yention center complex valued at $1 FCC's monitoringstation at Waipio." they're just all ears. • Kuhio at Seaside. Mauka, Upstairs billion would cost the city $9 mil- 926-0646 June 9, 1993 • Honolulu Weekly• 3 By Margaret Price

Women who take theMode l Muggingcou rse learn notonly tofloor an attackerwith one swiftkick , but aLso to overpower psycho--social victimization young woman lies still, seemingly unaware of the man who is silently approaching her. Suddenly, he grabs her wrists, flipsand straddles her, and bends closely over her face."Don't move!" he hisses. "You hear me?" She doesn't respond. "You hear me?" he snarls. "Yes," she says. "Okay. Don't hurt me." Attacks, rapes - you may not want to think about them, but if you 're a woman, you have to. According to the FBI, one in three women in the United States will be sexually assaulted in her lifetime.There were 333 rapes - nearly one a day - reported in Honolulu last year. But not this time. When the man leans back, pinning the woman's hips down, she abruptly swings her legs into the air, hooks them over his shoulders and flipshim onto

his back, sitting up and striking his groin with her fistsas he goes down. "No!" she shouts with the first . "No! No! No!" she shouts again as she him three times in the head. He rolls onto his back with hands over his face. A whistle blows. Cheers erupt from all sides. The woman -- stands up and runs to her mugger's head. "Look!" she shouts, looking all around for other dangers. "Assess!" she shouts, check­ take advantage of this "adrenaline state," other fearsin the women, of past or future body strength. Other techniques, such as a ing to make sure the attacker is knocked out. using it to channel fearinto strength and incidents. That fearhad to be dealt with." blow delivered to the eyes with all five fin­ "No !" She stomps a foot above his head and decisiveness. Model Mugging handles that fear, and the gers held together in a point, or a strike to runs across the room to a group of women The trouble women have defendingthem­ anger and other emotions that being assault­ the nose or chin with the heel of the palm,

who greet her with hugs, congratulations ... selves physically does not stem only from ed can trigger, with a variety of strategies: are designed to make the assailant recoil and and some tears. "Nine-one-one!" they yell in fear,however. According to Adair-Leland, "group circles," in which class members and set up for the next, more powerfulstrike, unison. "One of the most difficult things for women instructors talk about �eir pasts and how the delivered with the or foot to a vulnera­ The above is a typical scenario in Model in this course is being willing to strike back, class is affectingthem; "mini-sessions" of ble spot - usually the groin or head. Mugging, an innovative women's self­ being able to say 'It's not okay foryou to talk in groups of two or three; a heavy All this means considerable wear and tear defense training course that arrived in violate my body. ' If you do that in real life, emphasis on group bonding and verbal and on the mugger. Male instructors wear 60 Hawaii in 1987. During the course, students you get called a bitch. Women [in our soci­ physical support; and a "confidentiality pounds of padding, including a huge helmet,

learn how to defendthemselves in a variety ety] are taught not to stand up for pledge" which is agreed to both verbally and shoulder pads, armpads, foot protectors and of situations designed to mirror real-life themselves." in writing, to protect the identities and sto­ a groin protector. (It is usual, but not a attacks and rapes. In a characteristic session, Hence the "empowerment" half of Model ries of the women in the classes. (A ll per­ requirement, that the mugger be male; there a male instructor, wearing protective Mugging's "self-defenseand sonal information in this a11icle was given have been two female muggersin Model

padding, attacks with full force- grabbing empowerment" tag line: for women to be with the express consent of the women and Mugging's history, one of whom currently a student, throwing her down and pinning able to defend themselves, the course teach­ men involved. Some names were changed at works at New YorkModel Mugging.) "It's her - until she retaliates with a knockout­ es, they first must feelthat they have a right the interviewees' requests.) rough. Those kicks are real," says Del forceblow. "When you see a class for the to defend themselves. It sounds self-evident, "What I remember most is the strengthof Gandia, a Hawaii male instructor and mug­ firsttime, it's really frightening," says but for many women, the experience of the other women in the class, their compan­ ger with 12 years' training in . "Even instructor Donna Curry. "The situations are learningthat they are worth defendingis ionship and support," says Tracey, a high­ with the equipment, when a knockout blow simulated, but the feelingsare very real." profound. school teacher who graduated fromModel is delivered, you fly back." To ensure that "I hate to use the word 'empowerment,"' Mugging this year. "I knew they were fightsdon't get out of hand, every mugging says Carolyn, a political science graduate always behind me and always there to help is refereed by a femaleinstructor.

odel Mugging was foundedin student at UH Manoa and a 1989 graduate me through when things got really tough." More thanthe physical stresses, however, 1971 by Matt Thomas, a black of Model Mugging. "But what's most Gandia emphasizes the emotional rigors of belt in , and important [about the course], what can't be the job. Without his helmet, a male instruc­ Japanese fencing.Thomas seen fromoutside, is the kind of personal odel Mugging is tough. tor is expected to be as accessible, nurturing designed the class when a fel­ relationship you have to have with yourself Although the physical exercise and empathetic as his femalecounterparts; low karate student, also a black in order to successfully execute the physical required is not overwhelming, a with the helmet, he must acquire a kind of belt, was beaten and raped. stuffyou learn.The physical stuffis simple, fight is a fight. Students are alter ego that allows him to attack women, Although she was an expert martial artist, easy and straightforward.Knowing that expected to be in three to five curse at and insult them, simulate rape and something failed her when she was attacked. you're worth it is the hard part. That's what full-strengthfights per class. bear the brunt of their anger, fearand hatred. Model Mugging is based on the precept that the course is about: learningto act on your The techniques taught in Model "It's really emotionally draining," says skills alone are not enough to enable a own behalf, and that you have a right to act Mugging Basics take advantage of two facts Hobey Beck, a male instructorand mugger woman to fight back; something else must on your own behalf." of sexual assault: that the person assaulted is in Hawaii for three years. "It's hard to get also be present. Model Mugging has thus evolved into a usually thrown to the ground; and that the into that frameof mind, to portray someone "60 percent of people who are assaulted combination of lessons in street fighting tac­ assailant is usually alone and unarmed. like that." Some male instructors actually freeze," says Jean Adair-Leland, who has tics and quasi-group therapy. In its early (Intermediate and Advanced classes teach have another name for the mugger-persona been an instructor for Model Mugging years, when Thomas was working with a self-defenseagainst multiple assailants and they take on. Others simply consider it a

Hawaii for five years. Although being group of women in California,"they real­ armed assailants, respectively.) Model "character" they must get into and out of, grabbed or thrown to the ground stimulates ized L' lat the physical technique wasn't all Mugging's central move is a delivered like an actor. a surge of adrenaline in the body, this reac­ that there was to the course," explains Curry. froma near-prone position - which also Needless to say, a considerable amount of tion can lead to panic and paralysis as easily "Once they started creating scenarios where takes advantage of the fact that women tend "quality control," as one instructor termed it, as it can to action. Model Mugging seeks to women were afraid,that brought up a lot of to have much greater lower- than upper- is required to select people forjobs of this

4 • June 9, 1993 • Honolulu Weekly .,i at Manoa, •· u n;versity of i:i:::�esents ' sess• �ll. sun11ner .._11-f E \-IAWA1'1 sort. ''The process [ of instructor training] involves posed as her father, a violent alcoholic: "The scenario hundreds of hours of training, hands-on work and psy­ was [based upon a] commonoccurrence in my house chological testing," says Mary Tesoro, director of - my father would get angry about something that JATI- GU'f(4JJ Model Mugging San Luis Obispo and a co-founderof my sister or I had done, and he would take it out on Model Mugging. "It's differentfor each chapter, but my mother. He would beat her, and make us watch ... instructorsare usually involved in their trainingfor [The scenario] was very hard forme to gothrough. several years." Still, problems have been reported, All those things I had stuffed down for so long came fES11VAL93 most notably in a 1990 Mother Jones article that up - feelingsof being a victim, of being used and described harassment of both femaleclass members controlled, feelingsof shame and fear. By knocking and femaleinstructors by male instructorsin a out the mugger, I was able to face all of those things Stanford Model Mugging chapter. Hawaii instructor head-on." · ring an Adair-Leland concedes that, because of the volatile Instructors for Model Mugging Hawaii says they're erts featu iting Cone r nature of the course, these kinds of problems are not acutely aware of the responsibility upon them. It's Exc er of guita always easy to head off. "It's really unfortunate that generally expected, according to Donna Curry,that nal ros t internatio that happened," she says, referringto the Stanford Hawaii instructors have a background in counseling s incident. "I think it was probably inevitable. But that or crisis intervention. Curry is a crisis worker at the virtuoso kind of thing should be against the rules. It's now part Sex Abuse Treatment Center; Adair-Leland is a psy­ S\J is fe atured on s � YA of the instructor agreement that instructorswill not chologist at The Queen's Medical Center. "We're T ruM' gyev,,. ts urJ.1•i in all concer . develop social relations with people who take the very careful," says Curry. "We discuss each class acoustic bass course." The issue was addressed to some extent in beforehand and afterward.We go over each individ­ est 20 [ apan'sfin her 1988 training inMonterey, Adair-Leland said, and ual woman, what she is doing well, what she may AIC,&..rrt..u ID� J is given still more attention now. need." Also, if a woman wishes to quit the class part­ N0'11W way through, "that's respected; a few women have sAl)A E fi rst time in vosHtA1{11Ml'( A WOU Hawai'i 22 ai.,.i resident J[ff L1ffSICY former Haw rld renowned WED , JUNE 2 A wo ,..3'18 osA-UM cAet-OS g,... THUR, JUNE 24 ac h er ntO master te JOE 1)10K"I f nest FRI JUNE 25 --.M""AJI NeW York's i GOIE g[Vf'Vl'I'-'"'" 26 Don't miss JUNE ()tlCEVf' 1"A fl C e ures all ofth e SAU--s vent th a t f at \ i this unique e \\ Festival artists e SUN, JUNE 2�EVf goes to th Afl c��- s-s1" ai i island of Haw ented at 8 pro, ncerts are presIlil certis at au11 onolulu co 27 o con • n . .T

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EVERYDAY9.9 DISCOUNT PRICE9 11.99 EVERYDAY9.9 DISCOUl'{TPRICE 9 11.99 EVERYDAY9.9 DISCOUNT PRICE9 11.99 EVERYDAY9.9 DISCOUNT PRICE9 11.99 AEROSMITH'S 0 VARIOUS ARTISTS-There Is Still Love: GREATEST BITS Cl.SUZY BOGGUSS-Somewhere Between - '".! DEPECHE MODE The Anniversary Songs MARVIN GAYE o,.. m0n,w.a. n,,,w.v:Sw.et Emotion D TEDDY PENDERGRASS-TP CorMToO*tl*iBadl 11'1The SMfdle 0 VARIOUS ARTISTS-There Is Love: The 0 LOU RAWLS-All Things In Time Wedding Songs MARVIN GAYE EVERY GREAT MOTOWN HIT 0 MYSTIC MOODS-Moods For Stormy 0 JENNIFER WARNES-Famous Blue Nights Raincoat D LETTERMAN-Capitol Collectors 0 SUZANNE CIANI-The Velocity Of Love D EDITH PIAF-Voice Of Sparrow 0 DOLLY PARTON-Greatest Hits MARVIN :t GAYE 0 VARIOUS ARTISTS-Great Ladies Of 0 VINCE GILL-I Never Knew Lonely __ .."'.' Jr --,'\ 'I Song. Vol. I 0 THE GRATEFUL DEAD-In The Dark 0 STEVE MILLER-Greatest Hits '74 • 78 8.99 CD 3.44 CS 0 CARLY SIMON-Greatest Hits live ' . :, .. 0 MOONSTRUCK-Soundtrack J SADE-Stronger Than Pride 0 THE CHARLATANS-Some Friendly , 0 DURAN DURAN-RIO J JANIS JOPLIN-Greatest Hits 0 COWBOY JUNKIES-Whites OH Earth Now ___\' _!\J�· J MARY-CHAPIN CARPENTER-Hometown Girl 9.99 CD 5.99 CS 9.99 CD 5.99 CS J SIMON & GARFUNKEL-Bridge OverTroubled Water UB40 J BILLY JOEL-The Siranger JEFF HEALEY BAND J BOSTON-Don't Look Back 0 JAMES TAYLOR-Greatest Hits D TONI CHILDS-Union UB40 JSLY & THE FAMILY STONE-Greatest Hits 0 k.d. lang-Shadowland 0 OINGO BOINGO-Skeletons In The Closet J BRUCE SPRINGSTEEN-GreeongsFrom AsburyPark D ERASURE-The Innocents .!JEFFHEALEYI 0 NEVILLE BROTHERS-Fiyo On The Bayou Labor J GLORIA ESTEFAN& THE MIAMI SOUND 11:�CHINE- D AMERICA-History-America·s Greatest Hits HELL TO PAY 0 SQUEEZE-Singles, 45's And Under Eyes Innocence •ITIMnkll.ow'Ybl.!TooMucf'1• of • How CanLong A Man Be Strong • D JOE JACKSON-Night & Day J ROY ORBISON-AllTime Hits Vol. I D TRACY CHAPMAN-Tracy Chapman •WhileMyGurtar o.nttyWNpl• 0 MOTLEY CRUE-Girls, Girls. Girls 0 ELTON JOHN-Greatest Hits Lo, c• D BLIND FAITH-Blind Faith EVERY POP BUDGET CD FROM MCA, 0 LED ZEPPELIN-Led Zeppelin II II OINXS-Kick D U2-Unforgettable Fire GEFFEN,GRP & NARADA IS ON SALE NOW! 0 PHIL COLLINS-Face Value 0 VAN MORRISON-Poetic Champions 0 FOREIGNER-Records Compose 0 PAT TRAVERS-The Best Of Pat Travers COMPACT DISCS 9.99 CD 5.99 CS GENESIS 9.99 CD 5.99 CS 0 MICHAEL PENN-March THE POLICE D CROWDED HOUSE-Crowded House EVERYDAY9.9 DISCOUNT PRICE9 11. 99 0 K.T. OSLIN-Love In A Small Town 0 THE PROCLAIMERS-Sunshine on Leith GENESIS 0 THE JUDOS-River 01 Time 0 FERRANTE AND TEICHER-All Time In visible To uch D RESTLESS HEART-Wheels Great Movie Themes REBA McENTIRE 0 THE CHURCH-Priest=Aura 0 FALCON & THE SNOWMAN-Soundtrack REBA McENTIRE 0 TAYLOR DAYNE-Can't Fight Fate D BLONDIE-Best 01 GREATEST HITS D HALL & OATES-Change Of Season 0 COCTEAU TWINS-Blue Bell Knoll .....,. .,' 0 ASLEEP AT THE WHEEL-Keepin' Me 0 PETER TOSH·Toughest • ::;:.1, Up Nights D NAJEE-Najee·s Theme Includes f.� TOflight,To n�hl, To night 0 LEE ROY PARNELL-Lee Roy Parnell 0 LENNY KRAVITZ-Let Love Rule Land OfConlu1ion Throwing ti AU Awrr D MICHELLE WRIGHT-New Kind Of Love D PAULA ABDUL-Forever Your Girl In Toot� Deep 9.99 CD 5.99 CS EURYTHMICS 9.99 CD 5.99 CS GEORGE THOROGOOD 0 BLUES BROTHERS-The Blues 0 KATHY MATTEA-Time Passes By Brothers 0 ROBERT CRAY-Strong Persuader 0 ROBERTA FLACK-The Best Of 0 RUSH-Permanent Waves 8.99 CD 3.44 CS Roberta Flack 0 TEARS FOR FEARS-Songs From The J PATSY CLINE-12 Greatest Hits 0 AC/DC-Who Made Who Big Chair J GEORGE STRAIT-Greatest Hits. Vol. II D AC/DC-Highway To Hell 0 THIN LIZZY-Jailbreak J ELTON JOHN-Greatest Hils, 1976-1986 0 GENESIS-Abacab 0 SOUNDTRACK·The Big Chill J SOUNDTRACK-OutOf Africa J DON HENLEY-Building The Perfect Beast OYES-90125 D JOHNNY GILL-Johnny Gill DIANA J CHER-Hean 01 Stone o WAR-Best Of War & More D ROSS & THE SUPREMES­ J LEE RITENOUR,Por1ra1t 0 SPINNERS-VeryBest Of Greatest Hits. Vol. I J GEORGE HOWARD-Love Will Follow 0 DRIFTERS-Very Best Of 0 TEMPTATIONS-Greatest Hits, Vol. I JVARIOUS ARTISTS-The Narada Collection Two 0 WILSON PICKETT-Very Best Of 9.99 CD 5.99 CS 0 STEVIE WONDER-Greatest Hits. Vol. I 9.99 CD 5.99 CS J JIMMY BUFFETT-Feeding Frenzy SALE ENOS 6/22/93

NOW OPEN TOWER RECORDS KAHALA MALL HONOLULU AIEA RECORDS ...61 1 Keeaumoku (808) 941-n74 RECORDSNIDEO ...... Pearl Kai Center (808) 486-4966 Across Kapiolani from Ala Moana Center Across from Pearlridge Shopping Center VIDE0 ...... 1470 Kapiolani (808) 949-3335 Corner of Kapiolar:ii and Keeaumoku Next to KFC June 9, 1993 • Honolulu Weekly• 7 All rnlcndminf omwtion mmt br 1rcri1rd D) noon on \\'rdnr,da) t1t·o 1twks hrfm r /mblirntion. Call 52S-1286 CALENDAR

kind of Ramboid hero figure. Bridges is very size, scale, ramps, ladders, towers and parapets); ruin. Cautiously recommended. goodat this stuff,and chances arethat he'll steal the editing and sound are first-rate (the film , Super Mario Bros. Nintendo's Italian this movie, too- but don't wony, it's only petty underwent 10 months of post-production sound plumbers (here played by Bob Hoskins and Music Pick 1he tunesour Of lives. K.alapana larceny. Plenny cheap laughs. mixing; the seamless editing incorporates con­ John Leguizamo) in a $43 million Big Screen (left to right):Mackey Feary, DJ IndecentA Proposal terrible movie. The plot, cert footageshot in three locations); the Stones incarnation helmed by Rocky Morton and Pratt, sano,Ken.ii Malanl Bilyeu a vestige of the out-of-style '80s sensibility that are in top form (Mick Jagger is still one of the Annabell Janke! (MaxHead room). Plenny FX andGaylord Holomalla. "greed is good,"fits in a thimble. That's where world's best performers); and it's cunning - and tons of morphing. And ... oh, yes... Dennis it ought to stay. Happy couple (Demi Moore the huge IMAX cameras prowl the huge stages Hopper is aboard. and Woody Harrelson),down on their luck, are like narcs and shoot from everywhere, includ­ Threeof Hearts This filmhas an awful, bare­ facedwith a tempting, sordid proposition. Ifthe ing helicopters,from within mesmerized audi­ ly credible script aboutthe trialsof a worried wife will spend one night with a billionaire ences and from the murky depths of lesbian witha broken heart. Luckily that woman "poonhound"(Robert Redford) , they'll be amil­ concert-stagesubculture peopled by technicians. happens to beKelly Lynch (Drugstore Cowboy) lion dollars richer. They do it, of course, after back-up singers, brass and reed sidemen and wha;ewide-eyed enthusiasmmakes the screen­ pretendingto beshocked for about threemin­ unidentfiedDionysiacs. The filmhas beenheld play seem betterthan it is. Lynch plays a nurse utes. Thentheir relationship, which they had over from the Chaminade University fundrais­ named Connie wha;ebisexual girlfriend (wood­ thought could surviveanything, begins to wob­ ing run. (Fridays and Saturdays at 9 p.m. at the en Indian Sherilyn Fenn) leaves her; the embar­ ble. Paranoia, recriminations, etc. That's the Waikiki IMAX) rassingplot twist is that she hires a male escort whole story. The filmis as hollow and prettyas TheSandlot Written by Radio Flyer's Mickey (Billy Baldwin) to break her ex's heart, in the a two-hour Calvin Klein Obsessionad, and the Evans (who directs as well), this is a comedy hope that a hard knock in the cold world will final indignity is the tacked-on moral - that with mystic undertonesabout baseball-playing make Fenn realizehow goodthings werechez there are some things money can't buy. This kids who confronta mystery morecomplex than Connie. There'sreally no pointin discussingthe Growing oldtog ether platitude seemsespecially creepy coming from the rulesof the game. With the ubiquitous James details - the movie does almost nothing that In the moodfor one of those pleasant facts that make you feel your age? Try this on the voyeuristic Lyne, who has spenttwo hours Earl Jones and underused Karen Allen. you can't see coming from 10 blocksaway. It forsize: The classic Island feel-goo

Simultaneouslyfunny andun settling, thefilms of innovative Britishdirector Mike Leigh intrude into thebleak bana litiesof blue-collarlives

A scene from Mike Leigh's Grown Ups

PROFESSIONAL 841 Bishop St., #150 IMAGE. Davies Pacific Center I \I INC. ll1fcopy and print service Phone: 524-0233 Capies af Blueprt1rts OrdinaryPeople While-Yau-Wait! ntillast month, when his new bored housewives, addlepated skin­ tears - runs into Butcher's house film Naked won big (best heads, promiscuous teenagers, peren­ and locks herself in the loo, involv­ Reductions down to 45% and director, best actor) at nial goof-offs and dreamers whose ing the unlikely neighbors in an all­ Enlargements up to 200% Cannes, British director aspirations of upward mobility are out collaborative effortto pacifythe in 0.1 % increments. Mike Leigh wasn't well­ usually shattered. It's the age of hysterical busybody. It's a terrifical­ 14-22 lb. xerographic known to movie audiences. Margaret Thatcher in a nutshell. ly funny movie, Grown Ups; Glo is and translucent True, his last two films, Life every bad relativeyou've ever heard bonds, 17-20 lb. is Sweet and High Hopes, were well BOB GREEN about, and, in the end, you grow to xerographic received at arthouses acrossthe coun­ like her... or at least to accept her, as vellums, and try, but they didn't receive wide dis­ Leigh and his actors, poets of the you might inclement weather. drafting film. tribution. But this summer the mundane, work together formonths Other presentations this summer Honolulu Academy of Artswill offer beforethey ever see a camera. Leigh include, from 1973, HardLabour Honolulu audiences a chance to dis­ devises a story, hires his performers, (6/9), an early, poignant study of a cover the bulk of the director's work and, in ensemble, they invent the middle-aged working-class woman when they screen a Leigh retrospec­ specificitiesand character insights of great strengthwho is put upon by tive, covering the years from 1973 that make Leigh's films so real. In everyone. Understated and moving, through 1984: • Leigh's best work, the viewer reacts Labour is Leigh's least funnyfilm. The workof the maverick "writer" to the characters, not the perfor­ Nu ts in May, which was made in 1993-94 (Leigh prefersthe term "devisor") mances. This is comedy and pathos 1976 (6/16), involves a couple on a * and director is always a tough sell to so determinedly intermingled that camping sojourn. Nu ts reveals its Silvet4 genre-driven audiences. Most of you often watch not knowingwhether characterquickly, as we see just how Leigh's filmshave the look ofrough­ to laugh or tum away in discomfort. officious the insufferablehusband is .·_//t_;�) ' J.5t.hAnnh,.,..,,.,.·., ?[1'.- ,. An.n.ivet4 sa t4Y hewn cinema verite slice-of- British­ Leigh finallysees to it that you laugh - and just what his wife will have ' . life documentaries about the - but not cheaply. to weather if the union is to work. I Season. vicissitudes and vagaries of the work­ Grown Ups, from the 1980s, per­ Home Sweet Home,from 1982(7 n), .- ....,� ing class. It's as if he'd sneaked his haps best illustratesLeigh's work (it is the very funnystory of the inter­ ,, . � cameras into the cramped, put-upon shows at the Academy on 6/30). It mingled lives of three postmen and lives of squabbling fa milies, dead­ is a story that literally sneaks up on their variousdomestic entanglements. RUTHLESS! end jobs, joyless infidelities, finan­ you. The milieu is established, sev­ Meantime, from 1983 (7/21), is "1993 Best Off-Broadway Musical" in which lovely liulc Tina cially stressed-outtract dwellers and eral characters are introduced, but Leigh's most highly praised work on Denmark will do anyLhing to get the lead in her school play. attendant friends,relatives and boss­ it's difficultto tell what or who this the Academy's schedule. In it, Tim es. Therewas, in fact, almost a sense story is about. Finally, the hilarity Roth stars as the truly befuddled DANIEL MORDEN of shame evoked when Britishaudi­ emerges. Yo ung newlyweds, surly young Colin, whose attempts to an encore engagement by this popular Welsh storyteller with ences firstgot a lookat Leigh's work. Dick and morose Mandy, move into escape the clutchesof his unemployed talcs to delight everybody! But though Leigh's take on his sub­ a very modest terrace house, grown family are, in tum, funny and near jectis hilarious and satirical,it is ulti­ ups at last But their "freedom," which heart-breaking.This is the movie that mately, to an audience's relief, they don't know what to do with, is usually turnsaudiences into Leigh DANCING AT LUGHNASA affecting.This is character comedy soon compromised. They discover fanatics. 1992 Tony Award winning "Rest Play"', a deeply of a sort one doesn't oftensee at the that their new, comparativelyupscale Four Days in Ju ly, made in 1984 compassionate family portrait of five unmarried sisters. movies, and it takes a bit of sorting neighbors are their old high school (7/28), is a more complex work: two out. religion teacher Mr. Butcher ("AU couples in Belfast - one Protestant, LEGENDS At firstLeigh's movies - mini­ right class, Jesus loved his enemies, one Catholic - are expecting their a wonderfully wacky and warm play about two bigger than life malist foraysinto the often bleak, didn't he? DIDN'T HE?C'MON !") firstbabies (born,as it turnsout, on but faded movie stars allcmpting to revive their careers. always tightly circumscribed lives and his chinless wife. Butcher, of a thesame day). As coincidence or per­ of lower-class Brits -seemimpaled differentsocial "class," doesn't cot­ haps synchronicity brings the two ROSENCRANTZ AND on the cross of naturalism. It seems ton to Dick and Mandy. But even families together, the socio-political GUILDENSTERN ARE DEAD a bit crass to laugh. But then we are worse are the incursions of Mandy's divisions and commonaltiesof Ireland 1967 Tony Award winning "Best Play", a brilliant re-working reminded that these arescripted sto­ lonely, peremptory sister Gloria, who are brought into sharp focus. (Within of Shakespeare's 1/amlcl in which nothing is as it appears. ries, brought to life by professional drives both Mandy and Dick batty the context of politically inspired actors so submerged in their roles with her battering ram of cliches and conflicts,"ordinary" people coping that they are unrecognizable,anony­ inanities.After a particularly devas­ with these situations are shownto be FORBIDDEN MANOA a world premiere parody of MVT musicals, comedies and mous. Among the many thespians tating encounter, Glo - in saner and more compassionate than dramas from the past 24 seasons, with creative assistance by who've appeared in Leigh's movies their "leaders.") "Forbidden Broadway" creator Gerard Alessandrini. areBen Kingsley, The C ing Game's Funny and brutal,satirical and sym­ ry e Leigh Stephen Rea, Alison Steadman, Tim Mik ctive pathetic, the work of Mike Leigh is Roth, Gary Oldman and Alfred Retrospe treasuredby his devotees and cold- Molina; these are classically trained Theatre 1 y admired by others. Like most Acadel11Y actors who can oftenbe found moon­ ania st. acquired tastes, it's all the more 0 s. seret lightingat Shakespeareat the same 90 .m. rewarding for its uniqueness. He W days, 7:30 p timethey' re playing Leigh'sinartic­ ednes might just be your cup of tea • Manca Valley Theatre • 2833 East Manca Road • Honolulu ulate couch potatoes, postal work­ $4 ers, psychobabbling socialworkers, 532-8701 June 9, 1993 • Honolulu We ekly• 9 C.ive Nlwsic Venwes

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styles from Dixieland to big band swing. With a Honolulu Jazz Duet Jazz; Cappuccinos. special appearance by a true daddy-o: veteran Jimmy BorgesJazz; Hilton Hawaiian Village. cometistJohn Norris, who used to leadthe dance Joy Woode & Betty Loo Taylor Jazz; New band. Spe cialEvents Room, Liberty House, Ala OrleansBistro. Moana Center. Sat. 61 12, 7 p.m. $15. 955-8821 Kimo Bicoy Guitar; Mezzanine Restaurant. LesPeetz Piano; Michel's. Loretta Ables Trio Jazz; Lewers Lounge. Club Acts MaachoReggae; Wa ikiki BeachcomberHotel. LI------Bandschedules are subjectto change.Please call Melodious Thunk Acoustic; Kuhio Saloon. r:enuesfo r latestinfomlOJion. OJnsult the lireMusic Moe TrioKeale Contemporary Hawaiian; Duke's Venues listfo r locations and phone numbers. IF ::IOU l-4AIIE FAIT .. CanoeClu b. 4 - 6 p.m. ltJ OllllQE.1.A'Tl o�ll1P, Mojo HandBlues; SandIs landR&B. �OIJ'I.\ JUl'\P S:lll5.L�, 9/Wednesday 1<.�01,,)1.!C!I. I WlL.L Nawaiho'olu'uokeanuenue Contemporary CATt'\ �OIJ, Asher PeninJazz; Hilton Hawaiian Village. Hawaiian; Malia 's. BluesJam Blues; Sand IslandR&B. New Heights Dance; NicholasNickolas. Fnn:iosContemporary Kahale Hawaiian; Chart �ContemporaryHawaiian;j:hn lliminis. House. 5 - 8 p.m. Nueva Vtda R&B Dance; Reni's. J.P, Smoketrain Rock; No Na me Bar. One ContemporaryPeople Hawaiian; Bandito 's. Joe ReccaContemporary Trio Hawaiian; Hany's Pagan BabiesWorld Dance; AnnaBan nanas. Bar. 3:30 - 7 p.m. Pahinui Brothers Contemporary Hawaiian; LesPeetz Piano; Michel's. AirportHoliday Inn. Loretta Ables Trio Jazz; Lewers Lounge. PanoramaVariety; Roy'sParle Bistro. TIDES - June 9 to June 1 5 Love GodsAlternative Dance; Anna Bannanas. Pipesand Drums Dance Rock; Waw Wa ikiki. Lyn NanniVariety; Bayview Lounge. PuaMelia Contemporary Trio Hawaiian; Hany's Mace,Tree Contemporary Hawaiian; Bandito's. Bar. 3:30 - 7 p.m. Nelda Alvarez Contemporary; Horatio's. Rolando Sanchez & Salsa Hawaii utin; New Heights Dance; NicholasNickolas. Captain'sTable Lounge. NdtwqContemporary Hawaiian; Jimlliminis. ScottWilf ansVariety; Shorebird. 4 - 8:30p.m. Pipesand Drums Dance Rock; Wa w Wa ikiki. ShirfeyWalker DuoVariety; Jolly RogerF.ast. Scott Williams and Chris Bovard Band 4-7 p.m. Musician's Jam; Fast F.ddie's. Moon Phases: LASTQUARTER -Jun 11 NEW MOON - Jun 19 FIRST QUARTER -Jun 26 FULL MOON -Jun 4 TheStrangers Blues; C-5. Tide times and heights are forHonolulu Harbor. Tide and moon information supplied by Doug Behrens Design. Tm> BerinobisContemporary Hawaiian; Chart TitoBerinobis Contemporary Hawaiian; Chart House. 8:30p.m. - 12:30 a.m. House. 5 - 8 p.m. From Page8 6/15, 1 p.m. $4. 532-8701 'i RainbowReel FilmFun For Kids SeeKids Willie K. Contemporary Hawaiian; Malia's. TomnyD & theD BandRock; Mai Ta i Lounge. i Hard LabourSee articleon Page9. 'section. 6/12, 7:30 p.m.; matinees Thur. 6/10, 1 p.m. i Kamikaze '89 (1983) Hold on to your 10/Ibursday 12/Saturday & Sun. 6/13, 4 p.m. $4. 532-8701 strudel: Rainer Werner Fassbinder stars (yes, Asher PerrinJazz; Hilton Hawaiian Village. BettyLoo Taylor, Denyl McKay & LouJazz; i Escape From Cinema Liberty (1989) An stars - he didn't direct) in this German fan- Betty Loo Taylor & Rachel Gonzalez Jazz; New OrleansBistro. infamous Polish fantasyabout a filmcensor tasy-thriller about terrorists trying to blow up Music New OrleansBistro. Bryanand Julie HuddyFolk; Coconut Willie's. who is confronted by all of the characters he a media conglomerate. (Fassbinder plays a BryanHuddy Variety; Bandito's. 12:30 - 3:30 p.m. snipped out of the movies when they literal- police lieutenant!) Is there a homoerotic sub- Concerts Critical Mass Jazz; JavaJa va Cafe . 8 p.m. DannyDez Rock; Pieces of Eight. ly hijack a filmand loose themselves on polit- text? Just guess. Very, verycautiously recom- Dean& DealContemporary Hawaiian. Chart DeanDean & Contemporary Hawaiian; Chart ically controlled reality. They even manage to Chopin'sExquisite Miniatures Public Radio's House. 8 p.m. - 12:30 a.m. mended. Movie Museum, 3566 Harding Ave.: artist-in-residence, pianist Peter Coraggio, per­ House. 7:30 p.m. - 1 a.m. liberatea character from WoodyAllen's The Thur. 6/10 & Sat. 6/12, 8 p.m.; matinees 6/12, J.P, Smoketrain Rock;No Na me Bar. Electric Lunch Band Rock; Ja ron's Kailua. PurpleRa

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Avenue over the H-1 an impressionisticswirl of dark col­ There are other glimpses into the TypeOnSite Service Freeway as faras ProspectStreet At ors, their substantial floating forms personallife of Madge Tennent to be Purchase1 font get "Amber"fo nt FREE! Prospect,the car windows should be curiously dreamlike. Tennent's foundin the gallery. A family's pride OFFERS GOOD THRUJUNE 30th rolled down and all city road maps women are enormous, their round­ in each other is evident in a myriad firmlytossed out. Then turnleft and ed limbs exaggerated to monstrous of memorabilia scatteredthroughout four Soura fo r l'rt•mier continuealong Prospectuntil the road proportions. But the smallwrists, del­ thehal l. On a largetable, over a dozen l'mL'iuipt® Type forks.At this pointstrenuously resist icate fingersand erecttaut necks ren­ scrapbooks contain an intriguing 1312Kawnu� Sl PH 832-7198 the temptation to choose the more der their bulk graceful and regal. melange of personal notes, invita­ obvious left branch, which will Under the brush of this fineartist, tions,thank-you cards and press clip­ promptly deliver you back into the momona is indeed beautiful. pings as well as the artist'shusband's city. Opting for thesmaller hot, dusty Three Musiciansin Quiet Hannony Public Accountancy Certificates, road twisting up the hill will, after utilizes an outsized five- by seven­ music programs and family pho­ about a quarter mile, bring the footcanvas to maximize the impact tographs. A careful sifting through Tennent Art FoundationGallery com­ of three massive figurespicked out the volume of material reveals that pound into view. in startling blue and purple against Tennent's son and grandsonare both layers of khaki andolive green impas­ fine tenors with many concerts to NIKKI TY-TOMKINS to. The tones of Hawaiian red earth their creditEvery small scrap of print, are brilliantly employed in Th ree every program, every mention of a At first glance, there is no struc­ HulaGir ls Re sting, in which the artist family member's name has beenpre­ ture. A large sun-dappled terrace smears and daubs clayish paint over served with dotingand touching care. extendsto a flightof stairswhich cas­ raw linen canvas. In Three Girls in Even the gallery itself is the cre­ cades down the slope. At the bottom, a Library,layers of gray paint are ation of the Tennent family;citing a small courtyard richly ornament­ carefully built up to be gouged and the "people of Hawaii" as benefi­ ed with sculpture and foliageintro­ slashed with a palette knife-like ciaries, the artist and her husband, duces the gallery doors. Push them carved slate intaglio. The triad of Hugh Cowper Tennent, foundedit open and prepare for a feast. women is starkly outlined in gentian in 1954. The building, designed by Madge Tennent, born in England blue against this stony background. VladimirOssipoff, was speciallycon­ of English stock, arrived in Hawaii The artist's own political sympa­ structed to provide non-reflecting in 1923 and over the next 40 years thies sometimesgently impinge upon light and a vast wall area forover 40 pursued her vision of "the inherited her subjects. In Queen Kaahumanu of the artist'spaintings and drawings. and collective beauty of the racial Sunning Herself the voluminous A small officeat the rear of the main memory which may go back to time monarch lounges in blissful somno­ hall houses the artist's collection of immemorial" embodied in the lence, her massive body wonderful­ booksand some of her earliest draw­ Hawaiian people. Perhaps no other ly indifferent to a small dark ings done as a student in Paris. artist has so eloquently expressed clergyman lurking in the distance. Seatedbehind the desk in the office that beauty as Madge Tennent. Her The Last Painting is particularly is director Elaine Tennent, wife of statement gestated and developed as interesting; in its unfinishedstate, it the artist's son Arthur. She extends she struggledthrough an initial peri­ gives a fascinating account of the a warm personalgreeting to each vis­ od of conventionalpastel haole por­ mechanics of creation: The figures itor, welcoming them into the gallery traits. But whenshe offeredthe first are lightly blocked in with charcoal, and the Tennent ohana. The paint­ of herpowerful paintings of Hawaiian clearly capturing, even in the pre­ ings are hung at random, there are women to the public, therewas con­ liminary stage, the character and only a few attached labels, the siderable outrage. The wild slashes strength of the work. Colors were chronology is impossibleto decipher. of color and enormous billowing fig­ filledin on top of the painting as the But Elaineis thereto answer allques­ ureswere no pretenseat "prettiness." artistworked her way down tions, to offeran anecdote, to point Even her young son Arthur, later to out a particularlyfine piece. be her enthusiastic biographer, once As I turnto leave, pausing to sign camouflagedher embarrassing paint­ T nent the visitor's book, I notice the sig­ ings with maile leaves beforea party. en on natures of a small but steady trickle Today, those same paintingsbold­ Art foundati of visitors,two or threea day. Pemaps ly line the walls of the gallery, their Gallery the misprinted maps have confused sheer size and exuberance a cele­ 203 Prospectst. some visitors, perhaps the tourist ues • sat. brochures have neglected to men­ bration of a people the artist called 0 a m . • noonT . themost beautiful in the world Traces 1 . s n tion the gallery. Not enough pub­ 2 . 4 p.m. u . of Van Gogh, Gauguin and the o by appointment licity, not nearly enough attention. American painter Thomas Hart r This treasure shouldn't be over­ free looked. • Benton have beenwonderfully assim­ 531-1987 ilated and blended with Tennent's June 9, 1993 • Honolulu Weekly• I I From Page lO

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GET OFF THE PlANET! Urban Realism An exhibit of 30 prints from Museum's insect collection then make a bug And learn to fly. American printmakers of the 1930s depicting the box of your own. Athe11on Ha/au, Bishop urban Great Depression milieu. T11rough 6/20. Museum, 1525 BerniceSt.: Tue. 6/15, 9:30 a.m. MissionHouses Museum 553 S. King St Open - noon $19. 848-4168 Tue. - Sat., 9 a.m. - 4 p.m.; Sun., noon- 4 p.m. How DoesYour GardenGrow? Create your $3.50 adults,$1 kids.531-0481 own miniaturegarden in a bottleand learnsome Museum Tou rsThe tluee historic missionhous­ basic gardening techniques that will keep it •'��, es, built between 1821 and 1841, are located growing all summer long. For children 7 - 9 1 i ::t downtown, within walking distance of other years. Atherton Ha /au, Bishop Museum, 1525 :�r; �;��,� ;j�1�iii! photographic landniarks. Explore the daily life Bernice St.: Mon. 6/14, 9:30 a.m. - noon. $25. and work of the American missionaries on the 8484168 .-...... ••... Ifif ; ,.•J� grounds of the museum and discover the role SeashoreYoungsters Science:ReefExplolers t :··�itr Qjgn the brethren played in 19th-centuryHawaii. 8 - 12 years canlearn about the natural histoiy t•••;� o Ongoing. of Hawaiian marine life and do their own siin­ FancyFair One of Honolulu's oldest and ple ecology studies. This class includes hands­ most select craft fairs features localhandcrafts, on activities, classroom projects and field trips. entertainment and food . Sat. 6/12 & Sun. 6/13, Wa ikiki Aquarium, 2777 Kalakaua Ave.: M<;m. 9 a.m. - 4 p.m. 6/14 -Fri. 6/18, 10 a.m: - 4 p.m. $82.50. 923-9741 A New Begimthlg: Ibe Serrao Family Quilts SiblingsClass Prepares brothers and sisters for andStudem Work A.l exhibit of quilts made the arrival of the newest member of the family. and collectedby the Serraosand their extend­ Birth Centei; Castle Medical Center, 640 lllukahiki ed family. Opens Sat. 6/12, runs wough 8/1. St.: Sun. 6/13, 5 - 6:30 p.m. $30. 263-5100 International Young AdultSummer ReadingProgram Put a bookin your faceand a thought in your head - and receive giftsfrom Pizza Hut, McDonald's MYSTIC EXPO Learning and others. Register at any public libraiy. 11mr. First time in Honolulu! BiCH

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Let's do it: Lunch on the cafe's terrace. ���!r «iu,r!E!�·:101"'E78:"'" he main building of The shoyu, white wine and brown sugar the cream been a littleless bland. The Contemporary Museum, and served impaled on toothpicks. cafe also offersa good selection of which graces the green These little 'shrooms were a treat, differentkinds of beverages,includ­ slopes of Makiki Heights, but afterpounding five or six you can ing Cappuccino, Freshly Squeezed houses fiveinterconnected understand why the mushroom was Lemonadeand Thai Coffee( each for galleries; in addition, there never intended as anything but best under $3). is a small pavilion devoted supportingingredient Fromthe seven Withits good food, its artand its toa "walk-in environment"The stun­ or so enticinglarge salad selections, terrace seating, the cafe has all the ning gardens and terraces on the I chose the Grecque Spinach Salad trappingsof a place that might have grounds, which are dotted here and ($8.50). A mound of green leaves a coollydetached or snobbish atmos­ RESTAURANT therewith sculptures,are themselves toppedwith crumbledfeta and Greek phere. But the genial waiters, who works of art, and there is a museum olives swam in an onion-garlic-dill provideexcellent service, make you The Only Restaurant shop full of books and kitsch. But dressing spiked with a little ouw. I feel welcome. If you bring a favorite To Bring Both Incredible Food for many the primary allure of the was put offby the fact that the dress­ wine to go with your meal, there is place is the food. ing was rather hot, but some may a $5 corkage fee.Members of the And Outstanding Value really go for this.(Speaking of swim­ museum may bring one guest and ming, the cafe, which also doubles receive a 20 percent discount every Back To Waikiki as a gallery,is currently exhibitinga timethey dine. PATTERSON HUNTER series of studies of a single swimmer In general, this lunch-only cafe The Contemporary Cafe's cross­ picturedunderwater in various stages serves foodthat is pretty light, and cultural nouvelle fare is wonderful­ of treading,breas tstrokingand doggy­ the fewheavy items that are avail­ Four-Star Food ly varied.Choices forappetizers range paddling.) But back(stroking)to the able come in rather small portions. fromthe exotic-soundingRed Curry food.The Home Smoked Breast of Consequently, you won't feel bloat­ Mussels - New Zealand green­ TurkeySandwich ($9.50) spreadwith ed if, afteryour meal, you decide to At Two-Star Prices lippedmussels sauteed in a Thaicurry spicy Dijonmayonnaise is verygood, do a littledancing or singingin David paste with ginger and lime leaves though perhaps not good enough for Hockney's enchanting''walk-in envi­ Conveniently Located In ($9.25) - to a simple HerbToasted the price, tabouli and olive garnish ronment" inspired by Ravel's opera Cheese Baguette ($2.95). I savored or not. L'enfantet Les Sortileges. There is, The Waikiki Te rrace Hotel the Smoked Salmon Carpaccio For dessert, the cafe has two offer­ in fact, a sign in the pavilionencour­ 2045 Kalakaua Av enue ($8.95), a half-dozen lovely cuts of ings: Flan or a Flourless Chocolate aging visitors to do just that. But if smoked silverbrite salmon served Roulade ($4.95). The roulade,a moist you're not in an operaticmood, you At The Entrance to Waikiki with creamcheese, cucumber, lemon cross-section of cake with a white can always opt for the meditative Free Validated Parking and capers. Next came the daily spe­ cream-filledspiral in the center, would approach and strollaround the beau­ cial, a chicken breast in a Thai have been perfecthad tifullylandscaped garden ravine out­ coconut curry (medium fire) with side. Most of the exotic trees and onions and carrots and served with bushes are labeled, so if you decide Reservations Recommended - stickyjasmine rice. A side salad with The to stop and rest you'll know, for gorgonzola dressing provided a emporary example, that your shade is being 955 • 6000 creamy, bittersweet complement to cont provided by a Variegated Opiuma the mildly pungent curry dish Cafe tree. A fewof the outdoor sculptures Double-Award Winning eights or. ($11.25); it also came with a zesty 1 Makiki H invite attention too - most notably 241 es.• s at. "Best Seafood"And "Best Pizza" In Honolulu tomato-based Italian-style vegetable :30 p m. Tu Viola Frey's Two Women and a 11 a.m . . 3 . ThisWee k's Specials: soup (made with pasta and vegeta­ . sun. World, a work of glazed ceramic n . 3:30 p.m Appetizer:Aw ard-winning Smoked SalmonWo ntons bles, but no beans). Noo e featuringtwo gigantic, multi-col­ nd t,everag Another day I tried the imagina­ (dessert a ored Amazonian-like cross-armed Entree: Stuffed Seafood Canneloni • :3 p.m.) tiveMushrooms Indienne ($5.95), a service 2 3 o figuresseated opposite each other Stop In To Pick Up Yo ur Copy Of The We ekly And A Complimentary Cup Of Coffee warm appetizerof white mushrooms 523-3362 with a globe between them. • si.mmered with Indonesian chiles in During Service Hours June 9, 1993 • Honolulu Weekly • 15 From Page 10

beaches and Waikiki it,;clf. .Minimumage is 5 street dancers 1 - 2:30 p.m., jazz dancers 2:30 dcnce and hand down the verdict. King The ShakesperiencePresents King Lear Women's Literary Reading A woman's years. Registr;,tionrequircx.. \\7aikil.1i Aquarium, - 4 p.m. 3'/3-5175 KamebamebaSla/ue, 4 J7 S. King St.: Tue. 6/15, Director Ellen Polyhronopoulou·s introduc­ place is behind the podium. The Women·s TTTlKalakaua Ave.. SJ!. 6112, 5:.30 -7:.30p.m $6. Great Performances Playwright Tony 6 - 9 p.m. $7 Adults, 5 Childrcn. 943-0371 tion to that classic about family togetherness Center-CHM and the Hawaii Literary Arts 923-9741 Kushner and director George C. Wolfe go OBAKE ... Japanese Tales of the Undead mcludes a textual analysis of the play, along Council is sponsoring an evening of poetry UlupainaA four-mile intennedbte ridge hike behind the scenes of Angels inAme rica, the ForgetDon Ho. For a truly chickcnskin expe­ with various aspects of pre-production. In and fiction by African-American writers Joy in Kahaluu. Meet at Jola11iPa lace, mountain mammoth Pulitzer Prize-winning play about rience in the heart of Waikiki, spend an addition, Polyhronopoulou will also discuss Hunter, Barbara Parker and Daphne Wooten. side: Sat. 6/12, 9 a.m. $1. 247-1909 politics, AIDS and religionin the 1980's. KHEI, evening with the real undead and listen to the steps in analyzing a successful play. \Vomen 's Center, 1820 University Ave · Fri. Channel 11: Fri. 6/11, 10 p.m stories of spirits, demons and strange beings. Registration required. Olona 201, KCC, 6/11, 7:30 p.m. Free. 942-7762 ��Gnq,�Simultaneous Wa ikiki Heritage 11Jeater, International Diamond Head campus: Saturdays, 6/12 - Kristin Zambucka Author and artist meetings forpatients and their families spon­ Marketplace, 2330 Kalakaua Ave.: Fri. 6/11, 6/26, 10 - 11:30 a.m. $24. 734-9211 Zambucka signs her book The High Chiefess Whatevahs sored by the Hawaii Lupus Foundation. SI. 7 - 8:30 p.m. $7. 943-0371 SpectrumHawaii In a mixed plate of pro­ Ruth Keelikolani. Mission Houses Museum, Book Sale The Friends of Manoa Library Andrew'sCathedral, Rm. 8 (pa tients), Library Poetry Slam Butt heads with the Bukowskis gramming, the half-hour show profiles artist 553 S. King St.· Sat. 6/12, 11 a.m. - 1 p.m. holds their semi-annual book sale. Manoa (fa miliesand friends), Queen Emma Sq.: Sat. and the black-clad Plathians as the gladiator Milan Heger, Waikiki's Art Fence and UH Free. 531--0481 • Library, 2716 Woodlawn Dr.: Sat. 6/12, 10 6/12, 10 - 11:30 a.m. Free. 538-1522 literati vie for immortalityand general approval Manoa's Circus of Flight and Fancy. As an a.m. - 2 p.m. 988-6655 MassieTrial: A UvingHistory Experience while courtingthe muse of cappuccino.Odes interlude, the program will also take viewers Dance Audition Big City Productions audi­ Make a judgment on history. The infamous will roll at this poetry Gong Show. Lizard to the Honolulu Zoo's newest exhibit, the tions jazz and street dancers of all ages. Massie Case is re-enacted in the actual court­ Loft, Java Java Cafe, 760 Kapahulu Ave.: Wed. African Savannah. KHET, Channel 11: Wed. Ce111ral YM CA, 401 Atkinson Dr.: Sun. 6/13: room, and you, as juror, will review the evi- 6/9, 8 p.m. $3. 732-2670 6/9, 7:30 p.m. ••our mos1 effec1ive � 6thPa cific ,¥{ newspaper resource•• IfMus ic Festivalt Celebrating the 20th Anniversary � of Ha waii's Own '� � r7T1' J;�:- kala�ana 0J, WITH SPECIAL GUESTS K. T. SUGIYAMA, BROTHER NOLAND & TONY CONJUGACION AND MICHAEL PAULO SATURDA� }UNE 12, 1993 WA IKIKISHELL • HONOLULU, HAWAII SHOWTIME 6:30 PM · r-·. 1 GATES OPEN AT 5:00 PM ���

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