Feminism Is So 70S, We're All Postfeminists
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Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
Upper Middle Bogan Med
When an upper middle class woman discovers she is adopted she is shocked to find out... She comes from a drag racing family in the outer suburbs. Synopsis Upper Middle Bogan is a new eight-part comedy series Heading up a drag racing team in the outer suburbs, which tells the story of two families living at opposite Wayne and Julie are thrilled to be reunited with the ends of the freeway. daughter they thought they had lost. Sensing she was different her whole life, Bess Denyar Bess is keen to get to know her new family, however (Annie Maynard), a doctor with a highbrow mother, fitting in doesn’t always come easily. Her sister is a Margaret (Robyn Nevin), an architect husband, Danny tough nut to crack and there are misunderstandings (Patrick Brammall) and twin 13 year olds at a private aplenty. Navigating their way through the unknown is school, finds out she is adopted and is stunned. Even a challenge for all of these very entertaining individuals. more so when she meets her birth parents, Wayne (Glenn Robbins) and Julie Wheeler (Robyn Malcolm). A Gristmill Production for ABC TV. Executive Producers Robyn Butler, Wayne Hope, Geoff Porz and ABC TV If that’s not enough to digest, Bess also discovers she Executive Producer Debbie Lee. has siblings, Amber (Michala Banas), Kayne (Rhys Mitchell) and Brianna (Madeleine Jevic). PREMIERES THURSDAY 15 AUGUST 8.30PM ABC1 For more information, we’d be happy to help. Tracey Taylor, ABC TVMarComs P. 03 9524 2313 M. 0419 528 213 E. [email protected] For images visit abc.net.au/tvpublicity abc.net.au/abc1 facebook.com/abctv twitter.com/abctv #uppermiddlebogan One Two I’m A Swan Forefathers, Two Mothers THURSDAY 15 AUGUST 8.30PM ABC1 THURSDAY 22 AUGUST 8.30PM ABC1 When Bess Denyar, a successful doctor with an Still struggling with the news she is adopted, Bess architect husband, an overbearing mother and is angry with Margaret for lying to her for all these twin 13 year olds at a private school, finds out years and refuses to speak to her. -
Jessamy Gleeson Thesis
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Mandy Bishop – “Julia” Gillard
MANDY BISHOP – “JULIA” GILLARD Mandy plays our country’s first female ex Prime Minister, both on screen (ABC TV’s At Home With Julia, Wednesday Night Fever) and stage (the Sydney Theatre Company’s yearly Wharf Revue). After Julia’s exit from politics, Mandy has continued to play ‘Julia’ for special events and in the theatre. If your event is interested in the current “Julia”, with her various appointments both academic and international, then please enquire to LMCM. Mandy’s “Julia” is warm, strong, fun, musical and humorous. Her writing team are experienced, award-winning political satirists and playwrights. ‘Julia Gillard does not do Julia Gillard this well’ – Mia Freedman, Mamamia.com.au. Some of “Julia” ‘s appearances include the Helpmann Awards Live Broadcast, Australian Writer’s Guild Awards, Queensland Media Awards, Teacher’s Federation, Sydney Theatre Company Foundation Events, Olympic team fundraisers, Sydney Swans pre-match finals dinner, private birthdays, charity events and media campaigns for radio, TV and print. Client feedback: “Julia is a star” Sydney Theatre Company Board member. “A HUGE thanks once again for your sensational performance on Saturday night. It was brilliant and everyone loved it. I am still getting emails about the evening!!” – Janene Thoma, Sydney Swans “What a wonderful gal is Mandy. Not only is she extremely talented but so lovely. Truly Ms JG was a serious success. Lots of new fans and not just in the political corner… the best JG impersonator in the country. Mandy was a great highlight of the evening.” – Anna Magnus, MEAA, The Queensland Media Awards Mandy’s other corporate event history includes clients such as Newspaper Awards, Sydney City Council, Art Gallery NSW, News Limited, Northern Territory Australia Day Council, Lazard, Toshiba, Qantas Tourism, David Jones and Leighton Construction. -
Download the Press
OTHER PEOPLE’S PROBLEMS| PRESS KIT Creators and writers - Penelope Chai & Jane Dickenson Director - Erin White Producer - Charlotte Seymour Executive Producer - Sue Maslin Facebook.com/opptheseries/ BILLING BLOCK A Seymour Films production in association with ABC TV, Screen Australia and Film Victoria. Additional financial support from Australia Post and distribution by Film Art Media. Creators and writers Penelope Chai & Jane Dickenson. Director Erin White. Producer Charlotte Seymour Executive Producer Sue Maslin. ABC Executive Producers Rick Kalowski and Andrew Gregory. CONTACT TECHNICAL INFORMATION Charlotte Seymour Country of Production AUSTRALIA SEYMOUR FILMS Year of Production 2017 28 Hall St Fairfield Vic 3078 Running Time 5 x 7 min eps Tel + 61 419 392 259 Ratio 16 x 9 Fax: +61 3 9417 7336 Language ENGLISH [email protected] Genre Drama/Comedy filmartmedia.com OTHER PEOPLE’S PROBLEMS| THE STORY TAGLINE Based on real people’s real problems and the letters that solved them. LOGLINE Reluctant copywriter and aspiring eco-warrior Florence embarks on a venture to ghost-write other people’s letters in exchange for second-hand clothing. SHORT SYNOPSIS Florence ghost-writes letters for people in exchange for clothes. Her bestie and housemate Ann is a life- saving paramedic. Florence is convinced that a well penned letter can also rescue situations, but solving other people’s problems is hard when her own keep getting in the way. SYNOPSIS Florence, a reluctant copywriter and aspiring eco-warrior, embarks on a venture to ghost-write other people's letters in exchange for second-hand clothing. Her bestie and housemate Ann is a life-saving paramedic, and Florence is determined to prove she’s equally adept at helping people. -
Indigenous and Race-Radical Feminist Movements Confronting Necropower in Carceral States
Indigenous and Race-Radical Feminist Movements Confronting Necropower in Carceral States Lena Carla Palacios Department of Art History and Department of Integrated Studies Communication Studies in Education McGill University, Montreal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy in Educational Studies and Communication Studies. © Lena Palacios 2014 Lena Palacios Dedication To the victims and survivors of both sexual and state violence, to the many shadowboxers whom I know and love who intimately understand that boxing is war but so is life. 2 Lena Palacios Table of Contents Dedication 2 Table of Contents 3 Abstract (in both English and French) 4 Acknowledgements 6 Introduction—Chapter 1 7 Challenging Convictions: Indigenous and Race-Radical Women of Color Feminists Theorizing and Resisting the Carceral State Chapter 2 44 Transferring and Going Underground: Indigenous and Race-Radical Women of Color Feminist Epistemologies Chapter 3 80 Reading In-between the Lines While on the Run: Reading Racialized and Gendered Necropower in Canadian News and Legal Discourse Chapter 4 122 Outlaw Vernacular Discourses and Media-Justice Activism: Indigenous Women and Black Trans Girls Challenging Media Necropower in Settler States Chapter 5 169 “Ain’t no Justice ... It’s Just Us”: Indigenous and Girls of Color Organizing Against Carceral Feminisms and Carceral State Violence Conclusion—Chapter 6 233 With Immediate Cause: Intense Dreaming as World-making References 244 3 Lena Palacios Abstract This dissertation theorizes how Indigenous and race-radical women of color feminist activists— in particular, Black and Indigenous feminists—identify, conceptualize, and resist interlocking forms of interpersonal, sexual, and carceral state violence in white settler societies in Canada and the United States. -
Queer Performance in the Post-Millennial Scramble
QUEER PERFORMANCE IN THE POST-MILLENNIAL SCRAMBLE MOYNAN KING A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN THEATRE AND PERFORMANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO November 2019 © Moynan King, 2019 ii Abstract The subject of this dissertation is contemporary queer feminist performance in Canada. My practice-informed research takes a unique approach to studying performance through what I call the “queer performance scramble”—a term that draws on the multiple meanings of “scramble” to understand the aesthetics of queer performance and its challenges to stable conceptions of both identity and temporality. I investigate works that are happening now and that scramble the sticky elements of their own cultural constructions and queer temporalities. The temporal turn in queer theory supports my engagement with the effects of temporality, performativity, and history on queer performance, and, conversely, the effects of queer performance on time. I am equally interested in the formal and material dimensions of the work I study. I look to the content, style, material conditions, and social scenes of queer feminist performance from the perspective of both an academic and an artist to make accessible work that is often marginalized within Canadian cultural production ecology. Chapter 1 investigates queer feminist hauntings with an analysis of Allyson Mitchell and Deirdre Logue’s Killjoy’s Kastle: A Lesbian Feminist Haunted House. Chapter 2 argues that cabaret is the primary site for queer feminist performance in Canada, and when framed as a methodological problem/solution matrix, both the celebratory and limiting potential of the form can be explored. -
Inaugural Samsung Aacta Awards
INAUGURAL SAMSUNG AACTA AWARDS SAMSUNG AACTA AWARDS CEREMONY Tuesday 31 January 2012 - Sydney Opera House, Sydney AACTA AWARD FOR BEST YOUNG ACTOR Olivia DeJonge. Good Pretender. Emma Jefferson. My Place, Series 2 ‐ Episode 17 '1848 ‐ Johanna'. ABC3 Lara Robinson. Cloudstreet ‐ Part 1. FOXTEL ‐ Showcase Lucas Yeeda. Mad Bastards. TELEVISION AACTA AWARD FOR BEST TELEVISION DRAMA SERIES East West 101, Season 3 ‐ The Heroes' Journey. Steve Knapman, Kris Wyld. SBS Offspring, Season 2. John Edwards, Imogen Banks. Network Ten Rake. Ian Collie, Peter Duncan, Richard Roxburgh. ABC1 Spirited, Season 2. Claudia Karvan, Jacquelin Perske. FOXTEL ‐ W AACTA AWARD FOR BEST TELEFEATURE, MINI SERIES OR SHORT RUN SERIES Cloudstreet. Greg Haddrick, Brenda Pam. FOXTEL ‐ Showcase Paper Giants: The Birth Of Cleo. John Edwards, Karen Radzyner. ABC1 Sisters Of War. Andrew Wiseman. ABC1 The Slap. Tony Ayres, Helen Bowden, Michael McMahon. ABC1 AACTA AWARD FOR BEST LIGHT ENTERTAINMENT TELEVISION SERIES The Gruen Transfer, Series 4. Andrew Denton, Anita Jacoby, Jon Casimir. ABC1 Hungry Beast, Series 3. Andrew Denton, Anita Jacoby, Andy Nehl, Jon Casimir. ABC1 Judith Lucy's Spiritual Journey. Todd Abbott. ABC1 Junior MasterChef, Series 1. Tara McWilliams. Network Ten RocKwiz. Brian Nankervis, Ken Connor, Peter Bain‐Hogg, Joe Connor. SBS AACTA AWARD FOR BEST DIRECTION IN TELEVISION Paper Giants: The Birth Of Cleo ‐ Episode 1. Daina Reid. ABC1 The Slap ‐ Episode 1 ‘Hector’. Jessica Hobbs. ABC1 The Slap ‐ Episode 3 ‘Harry’. Matthew Saville. ABC1 Small Time Gangster ‐ Episode 1 'Jingle Bells'. Jeffrey Walker. FOXTEL ‐ Movie Network AACTA AWARD FOR BEST SCREENPLAY IN TELEVISION Cloudstreet ‐ Part 3. Tim Winton, Ellen Fontana. FOXTEL ‐ Showcase Laid ‐ Episode 3. -
23 September 2011 Volume: 21 Issue: 18 Muslim
23 September 2011 Volume: 21 Issue: 18 Muslim artists’ vision of multifaith Australia Peter Kirkwood ..........................................1 Palestine takes a stab at statehood Binoy Kampmark ......................................... 3 The mystical art of rudeness Tim Kroenert ............................................6 Simple answers to economic blues Andrew Hamilton .........................................8 Media Inquiry won’t go far enough Tim Dwyer ............................................ 10 My father’s good death Gillian Bouras .......................................... 12 Chance meeting with an inventor James Waller ........................................... 14 Former terrorist pres a hard sell for Irish voters Frank O’Shea .......................................... 19 Managing our mining windfall Michael Mullins ......................................... 21 Rudd resurrection no miracle cure for Labor John Warhurst .......................................... 23 Sex discrimination by the book Ellena Savage .......................................... 25 Vigilante Xenophon’s name shame Andrew McGowan ....................................... 27 Why Gillard is the PM we deserve ............................ 29 Exposing UN sex and violence Tim Kroenert ........................................... 31 Carbon tax saves Gillard (for now) Tony Kevin ............................................ 33 Inhaling God Jessica Voelker ......................................... 35 Favourite body parts Jordie Albiston ......................................... -
AWHN Abstract Book
The Past is a Position: History, Activism and Privilege Abstracts & Speakers 2018 Australian Women’s History Network Symposium Monday 2 July 2018 ANU School of Music, Canberra Keynote Speakers Opening Plenary History, Activism, Writing and Doing On giving and getting a history Barbara Baird Barbara Baird is an Associate Professor in Women’s Studies at Flinders University in Adelaide, South Australia, an institution built on the un-ceded land of the Kaurna people. Her research focuses on histories and cultural politics of sexuality and reproduction in Australia and the shaping of these by discourses of race and national identity. She is currently researching the provision of abortion services in Australia since 1990 and, with history colleagues from Macquarie University, the history of ‘sexual citizenship’ in Australia since 1970. She has for many years been actively engaged in a range of pro- abortion and LGBTIQ community activities and activism. Not your Jedda Chelsea Bond Dr Chelsea Bond is a Munanjali and South Sea Islander woman and Senior Research Fellow at UQ’s Poche Centre for Indigenous Health. Chelsea has over 20 years experience as an Aboriginal Health Worker and researcher working with communities across South East Qld. An Australian Learning and Teaching Fellow and recipient of an Australian Research Council Early Career Research Award, she is a founding board member of Inala Wangarra, an Indigenous community development organisation in her own community, board member of Screen Qld, regular contributor to IndigenousX and The Conversation, a mother of 5 children and co-host of 98.9FM’s Wild Black Women. Bordering Solidarities Suvendi Perera Suvendrini (Suvendi) Perera is John Curtin Distinguished Professor and Research Professor of Cultural Studies in the School of Media, Creative Arts and Social InQuiry at Curtin University. -
Mandy Bishop
MANDY BISHOP TRAINING: WAAPA Graduate (Graduate Prize – Leslie Andersen Fellowship) Bachelor of Music – University Of New England Upright Citizens Brigade, Comedy Improv, New York THEATRE: Wharf Revue 2019 Lead Female STC Much Ado About Nothing Dogberry/Balthasar Bell Shakespeare Dir: James Evans The Happiness Box Narrator Sydney Symphony Orchestra Silent Night Anne Darlinghurst Theatre Co Dir: Glynn Nicholas The Pill – workshops Dr’s Wife Dir: R C Rand, K Tuckerman All the World Is a Pickle Julie Berkshire Quilting Dir: Peggy Lewis Wharf Revue 2016 Lead Female Sydney Th Co (STC) - Tour McKittrick Follies Self Home of Sleep No More Dir: Nick Atkinson/Kate Douglas Wharf Revue 2015 Lead Female STC Celebrating 15 Years Dir: Jonathan Biggins Drew Forsythe/Phil Scott Helpmann Awards 2015 Presenter Capitol Theatre Dir: Jonathan Biggins Wharf Revue 2014 Lead Female STC Open For Business Dir: Jonathan Biggins Drew Forsythe/Phil Scott Helpmann Awards 2014 Presenter/Performer Capitol Theatre Dir: Stuart Maunder Wharf Revue 2013 Lead Female STC Whoops! Dir: Jonathan Biggins/ Drew Forsythe/Phil Scott Variations Fran Neglected Musicals Dir: Chris Hurrell Show Us Your Mandate Self / Julia Gillard/Writer Enlighten Canberra Festival Wharf Revue 2012 STC - Red Dwarf : Beyond the Rings of Satire Lead Female Dir: Jonathan Biggins/ Wharf Revue 2011 Drew Forsythe/Phil Scott - Debt Defying Acts Lead Female STC Dir: Jonathan Biggins/ Wharf Revue 2010 Drew Forsythe/Phil Scott - Not Quite Out of The Woods Lead Female STC Dir: Jonathan Biggins Wharf Revue 2009 STC - Pennies from Kevin (Guest) Lead Female Dir: Jonathan Biggins Optimism Paquette, Ingrid STC/Playbox Malthouse Dir: Michael Kantor lisa mann creative management pty ltd telephone: +61 2 9387 8207 fax: +61 2 9389 0615 p.o. -
LETTER from CANBERRA TASMANIAN VIEWPOINT: GREG BARNS Saving You Time
7 June to 19 July 2011 LETTER FROM CANBERRA TASMANIAN VIEWPOINT: GREG BARNS Saving you time. Three years on. After Letter from Melbourne, established 1994. A monthly newsletter distilling public policy and government decisions which affect business opportunities in Australia and beyond. LETTER TheFROM Tasmanian Parliament’s CANBERRA upper house, the Legislative Council, is a unique beast in Australian politics. It is controlled by Independents and its electoral system and cycle Carbon Edition 7 June to 19 July 2011 Issue 35 Letter from Canberra is a monthly newsletterbears distilling no relationship public to thatpolicy of the and lower government house, LETTERthe House decisions FROMof Assembly. that CANBERRA effect business opportunities in Australia and beyond. You only need to be on a trip to miss out on the context of important stories. In a world of wall-to-wallThe information Legislative Council overload, is arguably we have Australia’s been onlysummarizing genuine house the of media review. and In classic Westminster constitutional theory, the upper house is not controlled by the executive and OUR MISSING GEOGRAPHY coffee-shop gossip for 18 years now, alongoperates with Letter to scrutinise from andMelbourne reviews bills.. This is the Tasmanian experience. !"#$%$#"&'()$*($+,-./01#,2)$'")(/1"3$ '/(,-!!"#4)/1 LESSONS... Letter)56789:6;$6;<=9;$>?$/8@=6;9$%A?A$BCD$E=$:C@=$@F;$D9BG$@=$G:C$%$C:EF@7H$:C8I5D:CE$69;BJ<B7@$<=9$@G=H$B@$(F;$'=@;I$!:CD7=9K from Canberra is focused on the interfaceThe Legislative of business Council and consists government, of 15 MPs. with They enoughrepresent politics single member and policy background to enable you to grasp anyconstituencies.