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General Index
General Index Italicized page numbers indicate figures and tables. Color plates are in- cussed; full listings of authors’ works as cited in this volume may be dicated as “pl.” Color plates 1– 40 are in part 1 and plates 41–80 are found in the bibliographical index. in part 2. Authors are listed only when their ideas or works are dis- Aa, Pieter van der (1659–1733), 1338 of military cartography, 971 934 –39; Genoa, 864 –65; Low Coun- Aa River, pl.61, 1523 of nautical charts, 1069, 1424 tries, 1257 Aachen, 1241 printing’s impact on, 607–8 of Dutch hamlets, 1264 Abate, Agostino, 857–58, 864 –65 role of sources in, 66 –67 ecclesiastical subdivisions in, 1090, 1091 Abbeys. See also Cartularies; Monasteries of Russian maps, 1873 of forests, 50 maps: property, 50–51; water system, 43 standards of, 7 German maps in context of, 1224, 1225 plans: juridical uses of, pl.61, 1523–24, studies of, 505–8, 1258 n.53 map consciousness in, 636, 661–62 1525; Wildmore Fen (in psalter), 43– 44 of surveys, 505–8, 708, 1435–36 maps in: cadastral (See Cadastral maps); Abbreviations, 1897, 1899 of town models, 489 central Italy, 909–15; characteristics of, Abreu, Lisuarte de, 1019 Acequia Imperial de Aragón, 507 874 –75, 880 –82; coloring of, 1499, Abruzzi River, 547, 570 Acerra, 951 1588; East-Central Europe, 1806, 1808; Absolutism, 831, 833, 835–36 Ackerman, James S., 427 n.2 England, 50 –51, 1595, 1599, 1603, See also Sovereigns and monarchs Aconcio, Jacopo (d. 1566), 1611 1615, 1629, 1720; France, 1497–1500, Abstraction Acosta, José de (1539–1600), 1235 1501; humanism linked to, 909–10; in- in bird’s-eye views, 688 Acquaviva, Andrea Matteo (d. -
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Catalogue Number [Of the Bulletin]
BULLETIN OF WELLESLEY COLLEGE CATALOGUE NUMBER 1967-1968 JULY 1967 CATALOGUE NUMBER BULLETIN OF WELLESLEY COLLEGE July 1967 Bulletins published six times a year by Wellesley College, Green Hall, Wellesley, Massachusetts 02181. January, one; April, one; July, one; Ocober, one; Novem- ber, two. Second-Class postage paid at Boston, Massachusetts and at additional mailing offices. Volume 57 Number 1 CALENDAR Academic Year 1967-1968 Term I Registration of new students, 9:00 a.m. to 11:00 p.m Sunday, September 10 Registration closes for all students, 11:00 p.m Tuesday, September 12 Opening Convocation, 8:30 a.m Wednesday, September 13 Classes begin Thursday, September 14 _, , . C Wednesday, November 22 . after classes iiianksgivmg recess ° <. , ^^ a^ j m i a-r ^ ) to 1:00 A.M Monday, November 27 _, ( from Tuesday, December 12 Exammations: <,, , c i. j rA u ic y through Saturday, December lb Christmas vacation begins after the student's last examination. Term II Registration closes for all students, 1:00 a.m. .Thursday, January 4 „ (after classes Wednesday, February 21 /to 1:00 a.m Monday, February 26 from Tuesday, April 2 Examinations: <., , through Saturday,c i. i Aprila i bc I Spring vacation begins after the student's last examination. Term III Registration closes for all students, 1:00 a.m. .Tuesday, April 16 ^ ( from Monday, May 27 Exammations: <^, , t- j a/t oc ) through Tuesday, May 28 Commencement Saturday, June 1 2 TABLE OF CONTENTS Visitors; Correspondence 5 Board of Trustees . 6 Officers of Instruction and Administration 7 The College 21 The Curriculum 26 Requirements for the Degree of Bachelor of Arts; Exemp- tion; Advanced Placement; Credit Outside the Regular Course Program; Course and Special Examinations; Research or In- dividual Study; Academic Distinctions and Honors; Require- ments for Master of Arts Degree Special Programs and Preparation for Careers . -
Annual Report 2005
NATIONAL GALLERY BOARD OF TRUSTEES (as of 30 September 2005) Victoria P. Sant John C. Fontaine Chairman Chair Earl A. Powell III Frederick W. Beinecke Robert F. Erburu Heidi L. Berry John C. Fontaine W. Russell G. Byers, Jr. Sharon P. Rockefeller Melvin S. Cohen John Wilmerding Edwin L. Cox Robert W. Duemling James T. Dyke Victoria P. Sant Barney A. Ebsworth Chairman Mark D. Ein John W. Snow Gregory W. Fazakerley Secretary of the Treasury Doris Fisher Robert F. Erburu Victoria P. Sant Robert F. Erburu Aaron I. Fleischman Chairman President John C. Fontaine Juliet C. Folger Sharon P. Rockefeller John Freidenrich John Wilmerding Marina K. French Morton Funger Lenore Greenberg Robert F. Erburu Rose Ellen Meyerhoff Greene Chairman Richard C. Hedreen John W. Snow Eric H. Holder, Jr. Secretary of the Treasury Victoria P. Sant Robert J. Hurst Alberto Ibarguen John C. Fontaine Betsy K. Karel Sharon P. Rockefeller Linda H. Kaufman John Wilmerding James V. Kimsey Mark J. Kington Robert L. Kirk Ruth Carter Stevenson Leonard A. Lauder Alexander M. Laughlin Alexander M. Laughlin Robert H. Smith LaSalle D. Leffall Julian Ganz, Jr. Joyce Menschel David O. Maxwell Harvey S. Shipley Miller Diane A. Nixon John Wilmerding John G. Roberts, Jr. John G. Pappajohn Chief Justice of the Victoria P. Sant United States President Sally Engelhard Pingree Earl A. Powell III Diana Prince Director Mitchell P. Rales Alan Shestack Catherine B. Reynolds Deputy Director David M. Rubenstein Elizabeth Cropper RogerW. Sant Dean, Center for Advanced Study in the Visual Arts B. Francis Saul II Darrell R. Willson Thomas A. -
Full Issue University of New Mexico Press
New Mexico Quarterly Volume 22 | Issue 4 Article 1 1952 Full Issue University of New Mexico Press Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation University of New Mexico Press. "Full Issue." New Mexico Quarterly 22, 4 (1952). https://digitalrepository.unm.edu/nmq/vol22/iss4/ 1 This Full Issue is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. l-- ~ ----,,----,----,--.--~~--~-~-~~,----~-~-,'----- - : Full Issue Art Feature NANNI DI BANCO Paolo Vaccarlno Nanni and Donatell'" a Comparison John Malcolm Brinnin I. Spy (.tory) Richard Ellmann Lawrence and His Demon Edwin Honia The Gap (.tory) Books and Comment, NMQ Poetry Selections POET SIGNATURE, XV. FRENCH.COLONIAL POETRY $3 a year 1S cents WINTER 1952 Published by UNM Digital Repository, 1952 1 New Mexico Quarterly, Vol. 22 [1952], Iss. 4, Art. 1 New Mexico Quarterly Volume XXII, \Vinter, 1951, Number 4 PUBLISHED BY THE UNIVERSITY OF NEW MEXICO ISSUED quanerlyin Spring, Summer, Au EDITOIl tumn and \Vinter, and printed at the KENNETH LASH University of New Mexico Printing Plant. POETIlY EDITOIl Entered as second-class matter- February 6, JOHN DILLON HUSBAND 1931, at the post office at Albuquerque, New Mexico, under the aa of March g, 1879. MANAGING EDITOIl ADA RUTLEDGE MYERS Opinions expressed or implied by contribu tors do not necessarily reHect the views of ADVISORY COMMITTEE the editors or of the University of New GEORGE ARMS Mexico. -
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Signposts and semaphores: Art of the western world By Janice Woo Associate University Librarian New School for Social Research A new PBS series explores the role of art in western society. W o rks of art are the signposts and sema understood until it is seen in its context. And not phores of culture; that is, they can both only its physical and geographical context, but also mark or reflect the tenor of a society and act as a its historical, and perhaps more importantly, its signal or catalyst for a culture still evolving. Art social context.. .The idea that we are trying to con shapes and is shaped by the times in which it is vey is that the works we are examining are the made, be it in accordance or contradiction with its artifacts of vibrant living times, no less vital than our prevailing milieu. That art is not an isolated activity own.” is a key premise of Art of the Western World, a nine- Hosting the series is historian and journalist part Annenberg/CPB series which will air this fall Michael Wood who takes the role of a fellow trav on PBS television stations. It will ask: Why is the eler as he walks among the monuments, observes universal urge to go on pilgrimages, as well as the the works of art, and stops to share his commentary. cult of saints in the Middle Ages, responsible for In addition, over twenty renowned art historians many of the forms in a Romanesque church? How appear on-screen to discuss specific works at hand. -
Darwin's Backyard
PREFACE We can only imagine that Emma Darwin had the patience of Job. At one point in the 1850s, sheets of damp paper stuccoed with frog eggs lined the hallway of her house, pigeons cooed boisterously in a dove- cote in the yard, row upon row of glass jars with saltwater and floating seeds filled the cellar, and malodorous pigeon skeleton preparations permeated the air. And that was only the beginning: there was a terrar- ium of snails with suspended duck feet, heaps of dissected flowers, and Down House, Darwin’s home of 40 years in Kent, south of London. Photograph by the author. xi Property of W. W. Norton & Company DarwinsBackyard_txt_final.indd 11 7/10/17 10:05 AM xii Preface the fenced- off plots in the lawn where the grass was carefully scraped away to study struggling seedlings. Of course, being married to Charles Darwin over a dozen years by then, she was undoubtedly used to it. Charles, she might have said to friends, was experimentising again. Darwin’s experimentising, which appeared to some as merely the odd pursuit of an eccentric Victorian naturalist, turned out to push the envelope on his— and our— understanding of the biological world and our place within it. Darwin was laying the empirical groundwork for key elements of his revolutionary ideas on evolution. This book introduces a Charles Darwin that few people know. His evolutionary ideas were not pulled out of thin air. He was an observer and experimentalist, and his clever and quirky investigations were not the schemes of some solitary eccentric sequestered in a lab. -
Fancy Pigeon Name Detail Pdf Download a Flight of Fancy
fancy pigeon name detail pdf download A flight of fancy. Henry Nicholls wonders how things would be different had Charles Darwin given in to pressure from his publisher to rewrite Origin of Species into a popular book about pigeons. “Pigeons indeed,” huffed Charles Darwin, his brow furrowed as he read to the end of a letter and laid it down on his desk. The letter contained feedback from his publisher John Murray on a draft of what would become On the Origin of Species by Means of Natural Selection . Murray had farmed out copies of the manuscript to a couple of his trusted advisers. One of them, a rural vicar and literary editor by the name of Whitwell Elwin, had not liked it all. “At every page, I was tantalized by the absence of the proofs,” Elwin had written to Murray on 3 May 1859. In contrast to the Journal of Researches (later known as Voyage of the Beagle ), which Elwin had found “one of the most charming books”, Darwin had written this new work in a “much harder & drier style”. Although opposed to the publication of what he saw as “a wild and foolish piece of imagination”, Elwin hadn't advised Murray to reject the manuscript outright. Instead, he had sought the advice of the geologist Charles Lyell. It was Lyell who said that the book should focus on Darwin's observations of pigeons “accompanied with a brief statement of his general principles” on natural selection. Indeed, Lyell had made a similar suggestion to Darwin back in May 1856 after being enchanted by Darwin's pigeons at Down House, Kent. -
Romantic Ekphrasis and the Intellectual Culture of Sensibility
Romantic Ekphrasis and the Intellectual Culture of Sensibility by Jennifer Emily O’Kell A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate English Department University of Toronto © Copyright by Jennifer Emily O’Kell (2016) Romantic Ekphrasis and the Intellectual Culture of Sensibility Jennifer Emily O’Kell Doctor of Philosophy Graduate English Department University of Toronto 2016 Abstract This thesis examines the intersection of poetry about art, the culture of sensibility, and eighteenth-century aesthetic thought in Romantic literature. These converging discourses allowed poets to suggest insights into the necessary conditions of sympathetic exchange, and the limits of what sympathy can accomplish. This thesis proposes ambitious changes to our understanding of Romantic ekphrasis in order to offer a subtle but crucial change to our understanding of the culture of sensibility. It considers a broad range of Romantic ekphrases – some well-known poems by Wordsworth, Keats, and Shelley, and some largely unstudied poems by Cowper, Mary Russell Mitford, Henry Hart Milman, Barry Cornwall, and others – reading these texts against multiple historical contexts. One of these contexts is the eighteenth-century idea that the visual arts represent only a single, “pregnant” moment, whereas literature represents successions of events. Moral philosophy and the philosophy of the sister arts are bound up with one another throughout the eighteenth century; David Hume’s formulation of sympathy as instinctive and visual comes to be associated with painting and sculpture, while Adam Smith’s formulation of it as an imagined reconstruction comes to be associated with literature. Another key context is the ekphrastic tradition, especially its understudied eighteenth-century portion. -
Modle Abstract EXRS2006
EXRS 2006 – BOOK OF ABSTRACTS ORAL PRESENTATIONS 1 2 INV-1 X-RAY STANDARDS: FROM X-RAY TUBES TO HIGHLY-CHARGED IONS. Paul Indelicato Laboratoire Kastler Brossel -Ecole Normale Supérieure, Département de Physique 24 Rue Lhomond, F-75231 Paris CEDEX 05 Université P. et M. Curie, Pyramide 14-24, Case 74, 4 place JussieuF-75252 Paris Cedex 05, France X-ray standards, i.e, X-ray line energies or wavelengths measured with the highest possible accuracy, have applications in many fields of physics. One can cite field as different as crystallography as well as medium energy particle physics. Current X-ray standards are based upon X-ray lines emitted by solid targets excited by electron bombardment or fluorescence. These lines are not very well suited for X-ray standards: they are broad and asymmetric because of the unavoidable presence of many vacancies (shake-off,…) and of auto-ionization. Their energy can only be obtained by direct measurement, and depends on the exact composition of the target surface (chemical shift) and on the instrumental resolution (because of the asymmetry). Their width is much larger than the resolution of the best spectrometers. Many known lines have been measured only once very long ago, in an uncontrolled environment. A complete survey of the current status of X-ray line energies and associated problems can be found in [1]. Several attempts have been made to remedy some or all of these problems and find better candidates. Recently low energy gamma rays have been advocated for such applications [2]. They are narrow transitions of nuclear origin, but are indeed difficult to manipulate (strong radioactive sources are needed), there are very few suitable lines, and the energy cannot be predicted. -
The Rape of the Lock and the Origins of Game Theory*1
Connotations Vol. 19.1-3 (2009/2010) The Rape of the Lock and the Origins of Game Theory*1 SEAN R. SILVER When I teach Alexander Pope’s The Rape of the Lock, I generally spend an entire class on the game of cards. Early in the third canto the Baron and Belinda sit down to a game of ombre; what occurs over the “ver- dant field” (iii.52) of the card-table, described in the half-serious, half- teasing idiom of the mock-epic, forms the central set-piece of the poem. I find that students respond to the game best when they can see it—when the rudimentary rules are explained, and the students can see the game as it unfolds. To this end, I have experimented with a PowerPoint presentation which restages the game of ombre as though it were conducted at an online gambling website, which I call www.rotlombre.net. The point is to streamline the rules of the game, to make it look more like a game that they know, Hearts or Texas Hold-’em, for instance. I aim, that is, to emphasize the social relations which the game itself organizes. The payoff moment—at least in terms of the pacing of the lecture—is the last, deciding trick, when the Baron leads with the ace of hearts. Belinda slaps down her “unseen [King],” which “falls like thunder on the prostrate ace” (iii.95-98; Figure 1). Students, freed from thinking about the rules of play (is this “codille” or “vole”?) are prepared to discuss the sexual politics at play, the Baron’s sad—and losing card—crushed by Belinda’s gesture of mas- culine majesty. -
Nineteenth Century Literary Society (John Murray)
A DIGITAL RESOURCE Nineteenth Century Literary Society The John Murray Publishing Archive An unparalleled resource for nineteenth century culture and the literary luminaries who shaped it. INTRODUCTION ABOUT THE ARCHIVE THEMES Nineteenth Century Literary Society The National Library of Scotland is a reference library with Literature and poetry offers unprecedented digital access to the world-class collections. Its holdings range from unique Publishing and book history historical documents to online journals, with a specialism The life and works of Lord Byron peerless archive of the historic John Murray in Scotland’s knowledge, history and culture. The Library publishing company. has held the John Murray Archive materials since 2006. Travel and exploration Science and geology To find out more visit www.nls.uk Held by the National Library of Scotland since Politics and society 2006 and added to the UNESCO Register of World Memory in 2011, the Murray collection comprises one of the world’s most important KEY FIGURES literary archives. The Murray family stood at the heart of nineteenth century This digital resource enables researchers to literary society, and their authors and correspondents included discover the golden age of the company that many leading writers of the period such as: published genre-defining titles including Lord Byron Washington Irving Darwin’s On the Origin of Species, Austen’s Charles Darwin Herman Melville Emma, and Livingstone’s Missionary Travels. David Livingstone Pioneering female writers In addition, the resource makes available the Contemporary bestselling including Isabella Bird most complete archival collection of Lord authors: Austen Henry Editors of the periodical, Layard and Charles Lyell The Quarterly Review: Byron, charting both literary triumph and Sir Walter Scott William Gifford, John personal scandal. -
Volumes 11–70 (1907–1966) Indexes
AMERICAN JOURNAL OF ARCHAEOLOGY VOLUMES 11-70 1907-1966 INDEX THE JOURNALOF THE ARCHAEOLOGICALINSTITUTE OF AMERICA Printed for the Archaeological Institute of America by Princeton University Press, Princeton, New Jersey 1967 Foreword In preparing the Index of Volumes 11-70, 1907 consideration, have not been included, desirable 1966, the only practicable solution appeared to be as that might have been. The Supplement, section a form that would enable users to locate all articles, VII, lists the few archaeological articles printed in notes, news items and papers first under the au the Bulletin of the Archaeological Institute 1910 thor's name, and second in an index of titles. In 1912. so doing it is obvious that many titles, if arranged The major part of the work of preparing the In alphabetically under the first word (always omit dex was done by Marian Holland McAllister, who or ting The A[n]), would be unserviceable, and compiled all the entries, volume by volume, and cases in a great many more the key word might be Nancy Baldwin Smith, who edited and arranged some a found way along in the title. It was decided the hundreds of slips into form that could be to therefore to rearrange the titles so as to bring the given the printer. are key words to the front. Even so, a further arrange Certain guide lines for the use of the Index over ment seemed desirable, namely insofar as possible in order, and are given below. It would be or to group titles under place or subject matter. The optimistic to hope that no errors will be found author's name so craves always accompanies these entries, omissions noted, and for these the editor that it is a simple matter to refer to the title in a modicum of indulgence.